Kim's Convenience jumps from Netflix to the stage. What's the verdict?
All life walks through Kim's Convenience, the Toronto corner shop that gives Ins Choi's play its title. Best known to many from its Canadian Broadcasting Company TV adaptation that ran for five series between 2016 and 2021, and which can still be found on Netflix, Choi's 201l template set the tone by putting a Korean immigrant and his increasingly westernised family at its centre.
Where Appa (Korean for 'dad') works all hours holding court from behind the counter, Umma ('mum') quietly keeps the family together. Their daughter Janet has ambitions to be a photographer, while estranged son Jung can only communicate with his mother at church.
The TV cast of Canadian comedy Kim's Convenience (Image: free)
The shop may be at the heart of the local community, but with Janet looking set to embark on a fine romance with local cop Alex and everything else going on besides, it doesn't look like Appa will have anyone to leave his empire to any time soon. Jung, however, might just beg to differ.
What emerges over the play's seventy-five minutes is an everyday meditation on inter generational relationships, cultural traditions, and navigating through a brave new world in which Appa and Umma's offspring have never known anything different.
James Yi throws in a few martial arts moves to go with it as Appa in this touring revival of Esther Jun's production, which sets out its store - literally - on Mona Camille's forensically observed shop interior.
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While fans of the TV show will recognise some of the scenarios and dramatic tics that began life on stage, Choi's longer form original has more space to breathe, and the duologues that emerge similarly combine seriousness and underlying warmth.
As Appa, Yi is the pivot on which the play hangs. Candace Leung's Umma is a loyal pragmatist, while Caroline Donica and Andrew Gichigi make a sweet couple as Janet and Alex. Daniel Phung is a redemptive prodigal as Jung in a show that is very much a family affair.
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