
Arts Minister Patrick O'Donovan backs continuation of state scheme that pays struggling artists €325 a week
The first of its kind in Ireland, the BIA gives a payment of €325 per week to 2,000 artists and creative arts workers.
It was massively oversubscribed when introduced, with more than 8,200 eligible applications received when it opened.
With the scheme due to come to an end in August, uncertainty over the BIA's future has caused considerable anxiety within the sector.
While Mr O'Donovan is understood to support its retention and expansion, a government decision has yet to be made.
A new report into the scheme is set to be published this week, for which more than 50 artists were interviewed about their experience receiving the BIA.
The findings of the report, conducted by independent social research consultant Jenny Dagg, were broadly positive and found it provided artists with greater financial security.
It found that the scheme reduced the stress and anxiety of recipients and helped them meet their basic needs.
For young and recently qualified artists, it gave them the ability to pay their rent and meant they reconsidered emigrating.
The minister was clear that his ambition is to retain, extend and expand the Basic Income for the Arts
Others reported the BIA gave their profession legitimacy and that it was not perceived as just a hobby or a lifestyle.
Last week, Mr O'Donovan met with the National Campaign for the Arts.
A senior government source said that the minister did not want to see the benefits of the scheme 'dismissed out of hand'.
'The minister was clear that his ambition is to retain, extend and expand the Basic Income for the Arts – and that individual artists should not bear responsibility for any failures of governance by people in the Arts Council,' the source said.
'The minister is determined to ensure that the social, personal and economic benefits of the BIA scheme aren't dismissed out of hand.
'Some people know the price of everything but the value of nothing. The return on investment here is worth the expenditure, anyone can see that, and the benefits for wider society are huge too,' they added.
A source within the Department of Arts said the 'objective analysis of the economic impact of the scheme supports the minister's view, and shows that the overall benefit is significant for both the recipient and the wider arts sector'.
Some unexpected benefits reported by BIA recipients included being given a sense of value as well as the ability to start a pension.
There were some challenges noted in the research, which included those with disabilities who reported experiencing reductions in their medical and disability support.
This was 'as a result of accepting the BIA payment and obstacles around accepting work that impacts welfare thresholds'.
Some artists reported their relationships with other artists not in receipt of the BIA as tense and found they told only people close to them that they were in receipt of the support.
Others reported they felt guilty having received the BIA, 'knowing the level of scarcity, deprivation and desperation that fellow artists operate at'.
Others said an unexpected challenge of the scheme was dealing with financial insecurity if the scheme ended.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Irish Independent
3 days ago
- Irish Independent
Communications Minister announces €10m in funding for public interest journalism
The latest round of funding forms part of a Government scheme introduced in Budget 2025 that committed to supporting reporting on local authorities and local courts granted through Coimisiún na Meán. Speaking about the announcement, Mr O'Donovan, said: 'Building on the success of Round 1 of the Local Democracy and Courts Reporting Schemes, I am pleased to announce the allocation to Coimisiún na Meán of a further €6m for the continuation of these Schemes, which will enable media outlets to further strengthen their coverage of local authorities and the Courts. In addition to the €6 million announced, another €4 million is also to be invested in areas where some news stories are underreported, €3 million of which will be ring-fenced for commercial radio under the News Reporting Scheme. The €3 million ring-fenced funding will enable commercial radio services to provide additional high-quality news reporting on matters of public interest. 'I am pleased to announce a specific allocation of €3m to the commercial radio sector through the News Reporting Scheme,' Mr O'Donovan said. "The allocation recognises the important role of commercial radio services in providing high-quality, trustworthy and accurate news to the public. 'This allocation is in line with the Programme for Government commitment to provide accessible funding to support the provision of objective news and current affairs content and will complement the ongoing supports already provided to the commercial radio sector through the Sound and Vision Scheme. 'Commercial radio stations play an invaluable role in community engagement, cohesion and the promotion of social inclusion across the country and provide a crucial public service in the delivery of trusted information to our citizens. "The funding will enhance the provision of high-quality public service content to both local and national audiences.' This year, Mediahuis Ireland, which publishes the Irish Independent, Sunday Independent and 11 regional titles, has benefited from the scheme operated by the media regulator and has hired more than a dozen reporters around the country focused on local democracy and courts reporting.


Agriland
4 days ago
- Agriland
Irish Drinks Forum 2025 to focus on 'building resilience' in sector
The impact of tariffs on the drinks sector will be among the major talking points at the Irish Drinks Forum 2025. The event, which takes place in Athenry, Co. Galway next month, is seen as the country's flagship event for the food-and-beverage export sector. Senior executives from global drinks brands, government and supply chain leaders will gather for the event as sector faces a new era of disruption and opportunity. The forum will feature a line-up of international brands, industry pioneers, and policy leaders. This year's Irish Drinks Forum comes at a critical time as producers navigate global trade tensions including tariffs, supply chain shocks, climate pressures and shifting consumer demand. Irish drinks exports reached record highs in 2024, but those in the sector warn that volatility across raw materials, international markets and regulation is intensifying. Hosted at the BIA Innovator Campus from September 3-4, this year's forum will feature keynote appearances from global industry leaders. Among those due to address the delegates will be Jamie Fulham, planning and media manager Diageo, and Emma Walls, chief executive of the National Dairy Council (NDC). Over 40 sector leaders from across Ireland, Europe, Asia and North America will contribute to the forum, spanning whiskey, beer, Irish cream liqueurs, cider, spirits, malt, finance, sustainability, and innovation. The drinks sector now accounts for almost half of Ireland's total food and drink exports and supports over 38,000 jobs nationwide. Lynn Harte, Smart Regions Enterprise Innovation programme manager, BIA Innovator Campus and programme manager of the Irish Drinks Forum, said the event is "more than just a conference". 'It's a strategic spark for Ireland's drinks industry at a time when building resilience, innovation, and connection matter more than ever. "At BIA Innovator Campus, we're proud to host and power this national platform that unites producers, pioneers, and policymakers under one roof. "As the operational home of the forum, we're not just facilitating conversations, we're shaping the future of food and drink from the ground up. "This year's programme is bold, forward-thinking, and built on collaboration and we're excited to see the industry's next chapter take shape here in Athenry," she said. Mary Sadlier, CEO of Coole Swan Cream Liqueur, welcomed that this year's forum is focused on building resilience in the industry. 'Our resilience is all about moving forward, you only lose when you stop moving. In a retail-based business the numbers really matter," she said.

Irish Times
25-07-2025
- Irish Times
Civil servant knew a year before Cabinet that Arts Council IT project might need to restart
The Government's chief information officer was aware, well over a year before the issue was raised at Cabinet, that the Arts Council 's botched information technology (IT) project may need to restart. The senior civil servant, who is based in the Department of Public Expenditure , ordered an external review of the IT grants system in early 2024 after learning it could take three more years to finish. That review found that the IT system was not viable, that the project could overrun and that the final system may not even be used by the council. Despite this, the review formed the basis of a 'rescue' plan, in which the council asked the Department of Culture for 'significant investment' to save the project. [ Three firms that shared €4.8m from Arts Council for abandoned IT project named Opens in new window ] In response, the council's parent department sanctioned the council to hire two more senior IT roles in an attempt to save the doomed project. By this point, the project was geared towards overhauling the grants management system for the arts sector and had already cost almost €6 million. READ MORE Government chief information officer Barry Lowry was involved in advising the council throughout the project in his capacity as the main adviser on public service information and communication technology. [ Government to appoint chief information officer Opens in new window ] Mr Lowry was approached by the council in December 2023, as the State agency became increasingly concerned about the then almost four-year-long project that had not produced a functioning IT system. Correspondence between Mr Lowry and the council in December 2023, released under Freedom of Information legislation, shows he was aware the project may need to begin again. 'What you certainly need at this stage is an accurate cost/time to fix or an honest assessment that you would be better starting again,' noted Mr Lowry. He added that 'if, and I hope this is not the case, you are in the start again space', his office had 'grant management solutions' used for the Department of Public Expenditure that should be shown to the council. Mr Lowry was also aware that the state of the project could result in the council taking legal action against at least one contractor. In a meeting with the council in January 2024, Mr Lowry asked to discuss the suggestion that the IT project 'could be delayed by a further three years'. By February, he had ordered Storm, a technology consultancy firm, to conduct a two-week review of the architecture of the council IT project. The Office of the Chief Government Information Officer paid for the review, which was scheduled to cost no more than €50,000. A document prepared by the council said any architectural review should consider if the project was compliant with 'design principles' and value for money. Following the Storm review, the council wrote to the Department of Culture explaining the report showed 'we are at an extremely critical juncture with the project, one which requires making significant investment in ... the short term ... in order to rescue the overall project'. These emails, which were released by the council to the Dáil's Public Accounts Committee , show the arts agency succeeded in getting sanction to hire two new directors of IT. A spokesman for the Department of Public Expenditure said it 'has been very clear on numerous occasions that the focus of the OGCIO [Office of the Chief Government Information Officer] was solely on the technical issues with the project and not on the budgetary implications, which was a matter for the Arts Council and its parent department'. The spokesman said the Storm review ordered by Mr Lowry 'did not examine the project costs or business case, which remained the responsibility of the parent department'. A Department of Public Expenditure spokesman said that the review ordered by Mr Lowry found that the system 'was not irretrievable but would have an associated cost in relation to necessary actions to ensure its capability. At no stage did this review examine the cost of the project, as it focused on technical fitness for purpose.' 'Ultimately, the Arts Council and its board decided to take an alternate approach and in line with DGOU [Digital Government Oversight Unit] processes, it remained proper and correct that the Arts Council took the matter forward through its parent department.'