logo
Monali Thakur Announces Comeback Song Ek Baar Phir With Emotional Poster Tribute: 'Bringing A Piece...'

Monali Thakur Announces Comeback Song Ek Baar Phir With Emotional Poster Tribute: 'Bringing A Piece...'

News184 days ago
Monali Thakur announces emotional new song Ek Baar Phir. A soulful comeback exploring love and healing. Poster out now; release date coming soon.
National Award-winning singer Monali Thakur, known for her evocative voice and timeless melodies like Moh Moh Ke Dhaage and Sawaar Loon, is all set to return to the musical spotlight with a heartfelt new single titled 'Ek Baar Phir."
Marking a deeply personal chapter in her artistic journey, Monali took to Instagram to unveil the song's poster, accompanied by an emotional message that has already touched her fans. The poster features a poignant image of two hands—her mother's and her own—clasped tightly, symbolizing love, healing, and unwavering support.
'This one's very special, to love and hope! Bringing a piece of my heart to you all, Ek Baar Phir out soon ❤️❤️," Monali wrote in her Instagram caption.
See the post here:
While the release date is yet to be announced, Ek Baar Phir is already generating buzz for being Monali's most intimate and emotional work to date. Described as a song born from recent personal experiences, it promises to resonate with listeners through its themes of love, resilience, and the courage to start again.
After a brief hiatus from the music scene, Monali's return feels both triumphant and tender—a reflection of the vulnerability and quiet strength she's long been celebrated for. Ek Baar Phir not only marks a musical comeback but also an emotional reckoning, as the singer opens her heart to the audience in a way she never has before.
About Monali Thakur
A voice that carries both vulnerability and strength, Monali Thakur has carved a unique space for herself in the Indian music landscape. Born on November 3, 1985, in Kolkata, Monali comes from a family steeped in music—her father, the late Shakti Thakur, was a respected Bengali singer and actor, and her sister Mehuli Thakur is also a playback singer. Trained in Hindustani classical music from a young age under renowned gurus like Pandit Jagdish Prasad and Pandit Ajoy Chakraborty, Monali also studied various dance forms, including Bharatanatyam, hip-hop, and salsa, giving her a dynamic foundation in performance arts.
She rose to national attention after participating in Indian Idol Season 2, which led to her first major Bollywood break with chartbusters like 'Zara Zara Touch Me" and 'Khwab Dekhe" from Race (2008). Over the years, Monali has become known for her expressive, textured vocals in songs like the Filmfare Award-winning 'Sawaar Loon" and the National Award-winning 'Moh Moh Ke Dhaage." Her ability to convey deep emotion through melody has earned her a place among the most beloved voices in Indian cinema. Now, with Ek Baar Phir, she returns not just as a singer—but as a storyteller reclaiming her space with authenticity and heart.
First Published:
Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Farah Khan called Jamie Lever to complain about her videos after husband Shirish Kunder trolled her: ‘What are you doing yaar?'
Farah Khan called Jamie Lever to complain about her videos after husband Shirish Kunder trolled her: ‘What are you doing yaar?'

Indian Express

time20 minutes ago

  • Indian Express

Farah Khan called Jamie Lever to complain about her videos after husband Shirish Kunder trolled her: ‘What are you doing yaar?'

Jamie Lever, daughter of legendary comedian Johnny Lever, carved a name for herself in the world of comedy during the COVID-19 pandemic. While the world slowed down, Jamie turned to Instagram, uploading hilarious videos–many of which featured her brilliant mimicry of iconic film personalities. Her impressions of Asha Bhosle, Lata Mangeshkar, and Farah Khan quickly struck a chord with viewers, earning her both viral fame and praise from the very people she impersonated. In a recent chat on Sapan Verma's YouTube show, Jamie opened up about this unexpected rise and the heartwarming responses she received from celebrities. One such moment was when renowned filmmaker-choreographer Farah Khan called her directly. Recalling the moment with a laugh, Jamie shared, 'I had just started making videos during lockdown when I received a morning call from Farah Khan. She said, 'Hello Jamie! Listen, what are you doing yaar? Please send me those videos!' At first, I didn't even recognise her and asked, 'Who is this?' Then she told me, 'My husband is showing my kids your videos and saying, this is exactly how your mother talks!' She then complimented me.' ALSO READ | Johnny Lever says he was a 'drunkard', would drink till 4 am everyday on Mumbai's Chowpatty beach: 'Police would come and' But the biggest validation came when Jamie received a call from none other than the legendary Lata Mangeshkar. With visible emotion, she recalled, 'The highlight of it all was when Lata Ji called me. She told me, 'Tum jo apne pitaji ki nakal karti ho, bahut accha karti ho (The way you mimic your father, it is just too good). Aur Asha toh meri behan hai, uska bhi accha karti ho (And obviously, Asha is my sister. You mimic her well too).' She blessed me so much. It meant the world to me.' Before becoming a full-time entertainer, Jamie pursued a more conventional path. She worked as a Marketing Executive at Visiongain, a market research firm in London. However, her passion for comedy soon took over. She began performing stand-up at The Comedy Store in 2012, followed by appearances on television and in films like Kis Kisko Pyaar Karoon, Housefull 4, Bhoot Police and Pop Kaun?.

‘Param Sundari' song ‘Pardesiya' shows how fall Bollywood has fallen — unoriginal, uninspired, running after numbers
‘Param Sundari' song ‘Pardesiya' shows how fall Bollywood has fallen — unoriginal, uninspired, running after numbers

Indian Express

time23 minutes ago

  • Indian Express

‘Param Sundari' song ‘Pardesiya' shows how fall Bollywood has fallen — unoriginal, uninspired, running after numbers

Yesterday, listening to 'Tumse mil ke' from Main Hoon Na had me wondering why Sonu Nigam doesn't sing more often. Even in the peppy dance number, the slight tremor in his voice when he sings 'Dil toh hai mera tanha, jaana, aao tum mehfil ho' (My heart is lonely, with your arrival, comes a soiree), encapsulates the sincerity of a love that still makes the heart flutter. Later that day, Nigam's new song, 'Pardesiya' from Siddharth Malhotra and Jahnvi Kapoor's upcoming film Param Sundari hit our Instagram feed. It would have been a rare moment of wishful thinking except the song sounded like a warped version of A R Rahman's evergreen composition from Roja, 'Yeh haseen waadiyan'. There's also a bit of 'Jiya jale' (Dil Se) and 'Kehna hi kya' (Bombay) if you listen closely. Given Nigam's versatility, it is no surprise that he manages to recreate the mellow tone in which S P balasubrahmanyam delivered 'Tere hothon pe hain, husn ki bijliya/ Tere gaalo peh hai, zulf ki badliya' (On your lips, lightning of beauty/ There are waves of hair over your cheeks) all those years ago. But we would rather listen to the 'original(s)'. Maddock Films claims that 'Pardesiya' has had over 4,00,000 streams on Spotify and over 15 million views on Instagram. There is a good chance people are listening to it over and over again to figure out where they have heard it before. I did. A Sachin-Jigar composition with lyrics by Amitabh Bhattacharya, the song was perhaps attempting to break away from the beat-heavy-repetitive-lyrics-wrapped-in-the-most-conspicuous music ever that Bollywood has been serving for at least a decade now, but 'Pardesiya' has Rahman (and visually, Chennai Express) written all over it. Only that it's a knock off. This is obviously not the first instance of misplaced inspiration in the history of Bollywood music. It is well known that some of its classics are copies. Maine Pyar Kiya's 'Aate jaate hanste gaate' (Stevie Wonder's 'I Just Called to Say I Love You') or Jurm's 'Jab koi baat bigad jaye' ('500 Miles') or Gangster's 'Bheegi Bheegi', which is a Hindi rip-off of 'Prithibi ta naki' by the 70s' Bengali cult band Moheener Ghoraguli. But that was a different time. Finding the originals, in English or regional Indian languages, wasn't that easy, and even if one did, there wasn't social media to call it out. Composers could get away with it. Not anymore. With both the world and its music at your fingertips, it takes less than a minute to trace a song back to its original. Saif Ali Khan's Agent Vinod had 'I will do the talking' that conveniently slipped in portions from the 1970s disco favourite 'Rasputin' by Boney M. 'Pardesiya' simply reiterates Bollywood's laziness. Bollywood no longer wants to make the effort to even look beyond its own country. It is just a petty neighbourhood thief piggybacking on its former glory. If it is all about playing to the Insta gallery and nothing supersedes the 'numbers', then there's enough proof that these new distortions are getting a strong enough pushback. Look at the number of pages on Instagram dedicated to finding and promoting good Bollywood songs. Amid the cacophony of rehashed music, pages like There's Gems of Bollywood (142k followers), Love for Music (96.1k followers), Nostalgic Ghar (266k followers) among others, are posting and sharing forgotten and cherished gems that the Hindi music industry produced in its heyday. There was a time when the audience would seek out great art — music or films — to refine their tastes. Composers would make fresh, unique music and the audience was expected to rise up to a level to be able to appreciate it. Today, musicians bend over backwards to get social media numbers, even if it means regurgitating a different version of a tune that has proven successful in the past. With every new song, you wonder, 'where have I heard this before?' It is disheartening that the likes of Sachin-Jigar ('Saibo', 'Sun saathiya', 'Apna bana le', 'Mileya, mileya'), Bhattacharya ('Sawaar loon', 'Iktara') and Nigam, who have, at one point, given us truly good, fresh music, are too falling into the number-game trap. But at least there's Spotify and Youtube. We can always rewind to their good old days.

Exclusive: Sofia Carson, Corey Mylchreest on Bollywood, chemistry, love language
Exclusive: Sofia Carson, Corey Mylchreest on Bollywood, chemistry, love language

India Today

time27 minutes ago

  • India Today

Exclusive: Sofia Carson, Corey Mylchreest on Bollywood, chemistry, love language

Sofia Carson and Corey Mylchreest's latest romantic drama, 'My Oxford Year', explores love, ambition, and grief against the backdrop of academia. Directed with quiet emotional intensity, the film is based on Julia Whelan's bestselling novel. In an exclusive interaction with India Today, the duo spoke about the possibilities of exploring Bollywood.'My Oxford Year' features Carson as Anna, a driven American Rhodes scholar, and Mylchreest as Jamie, a witty and emotionally complex British man she falls for. While talking to us, Carson made it clear that Bollywood holds a strong appeal for be in a Bollywood film? Yes, I would be so honoured. That would be so cool,' she said. 'I'm such a fan of Bollywood and that entire world,' she added. The actor, who is also a singer, said she'd love to explore the music and dance-heavy storytelling the Indian industry is known for. 'I can sing, and Corey can dance as well,' she added, teasingly referencing him performing 'Yellow' in the movie.'Bollywood is waiting for us,' she the onscreen chemistry between the leads in the show has been widely praised, however, the actors were quick to deflect credit jokingly.'We actually quite dislike each other. That's why it's the best work as actors till date,' Mylchreest said, tongue firmly in cheek. 'We're actually green-screened in together in the same room,'Carson, laughing, added, 'We actually cannot be in the same room.''My Oxford Year' leans into emotional storytelling through restrained performances and a poetic love language between the characters. When asked about their personal love languages off-screen, both actors reflected thoughtfully.'For me, physical touch is a big one. Also, quality time and maybe acts of service—doing things for the person you care about,' Carson in contrast, said with mock seriousness: 'Just gifts. Three times. Gift, gift, gifts. Give me gifts, and I will give you gifts.'The film is currently streaming on Netflix and marks the two stars sharing screen space for the first time together.- EndsMust Watch

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store