
Rod Stewart's wife Penny Lancaster and son Alistair wear leopard print in homage as they arrive at Glastonbury to support star in Legends slot
Penny Lancaster has arrived at Glastonbury festival to support her husband Rod Stewart as he headlines in the prestigious Legends slot.
She was joined by her sons, model Alistair, 19, who was wearing a leopard print coat in preparation for his father's set and Aiden, 14.
The matriarch, 54, looked very bohemian as she wore a tassel coat, oversized sunglasses, balloon trousers and a leopard print bag.
The 80-year-old singer's teatime set comes the day after he claimed the country was 'fed up' with the Tories and that Labour was trying to ditch Brexit.
He accused Prime Minister Keir Starmer of giving Scottish fishing rights 'back to the EU', although the Government insists it has simply renewed an existing deal for European boats.
His views represent a second volte-face given that he appeared to support Labour at last year's election – despite previously backing the Conservatives.
Asked where Britain's political future now lay, he told The Times: 'It's hard for me because I'm extremely wealthy, and I deserve to be, so a lot of it doesn't really touch me.
'But that doesn't mean I'm out of touch. For instance, I've read about Starmer cutting off the fishing in Scotland and giving it back to the EU. That hasn't made him popular.
'We're fed up with the Tories. We've got to give Farage a chance. He's coming across well. What options have we got? I know some of his family, I know his brother, and I quite like him.'
Asked what Mr Farage stands for aside from Brexit, tighter immigration and controversial economic promises he replied: 'Yeah, yeah. But Starmer's all about getting us out of Brexit and I don't know how he's going to do that.
'Still, the country will survive. It could be worse. We could be in the Gaza Strip.'
Sir Rod also seemed unconvinced that Sir Keir was going to fully address one of his personal pet hates.
Three years ago, the singer donned a hi-vis jacket and rang around friends asking for help filling in potholes outside his Essex house.
'I took me Ferrari out. Nearly lost the f***ing wheel,' he said.
'And before I did in the Ferrari, I saw an ambulance that couldn't move, the wheel stuck right in there.
'So I took me mates out, and we knew what to do because I had builders in the house.
'We filled in a considerable length of the road, actually.'
He added that potholes were still present 'all over Britain' in contrast to Europe.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Times
19 minutes ago
- Times
I went to Glastonbury. The single worst thing? The other people
Another Glastonbury music festival draws to a close — this time it's over for two years; 2026 will literally be a fallow year for its venue, Worthy Farm — and I find myself feeling all the emotions I traditionally feel in its Release. A deep and abiding gratitude. Bliss, feelings are not provoked by the music, I should say. Nor are they a consequence of my being moved by the joyous gathering of so many for one, singular purpose. The union of it. The transcendent revelry!No. I am feeling elated, released, grateful and blissful because I didn't go. Again! Glastonbury happened, some 210,000 people got tickets … and absolutely none of them — not a single one of them — was year's Glastonbury marks close to the 30th time I didn't go, on the trot. Something of a record, you might say; certainly a personal best. Though one I intend on smashing in 2027, when I also won't go to that you say? I don't know what I'm missing?Oh, but you see: I do!I went to Glastonbury in the early Nineties, when I was 18. It was the end of my first year at university. I was young and up for things and broke yet resourceful and, you know what? If you hate Glastonbury under those circumstances, you are never going to like Glastonbury. And I hated Glastonbury. I went because all my cool new uni friends said I'd love it, even though I was fairly sure I wouldn't. This, incidentally, was the last time I ever did anything in my entire life because other people insisted I'd love it while I knew I wouldn't. It was also the last time I camped. • How I got Rod Stewart, 80, fit to perform It was a rain-sodden year. The mud clung to us like miserable tar. Within hours of arriving — having realised I hated this but couldn't leave because: how? There were people everywhere, panic-inducing quantities of people, all blocking the exits! — I was both ankle deep in mud and coated in it. It didn't feel like it would ever come off. And it smelt. God, how it smelt! Three days of Glastonbury unfurled for me like one of those slow-mo cinematic portrayals of war: chaos and pity and fallen soldiers everywhere you looked. I set my young mind on survival — nothing more. I may have been mildly, briefly diverted by Hothouse Flowers (or was it James?). I missed the Happy Mondays because there'd been a snafu with my allocated tent and I'd had to find someone else with whom to share canvas. Which didn't actually matter because … I'd also just realised I don't like live music. Not really. Taylor Swift at Wembley? Sure! Ageing indie band doing album tracks on the Acoustic Stage at Glasto? Absolutely not. In summary, and though I have never been in a k-hole — the hellish, transient, dissociated state caused by high doses of the illegal drug ketamine — I'm reasonably sure it would be exactly how Glastonbury felt to me. If I had to put my finger on the single worst thing about it, I'd say: it's the other people. They're awful. Being surrounded by hundreds of thousands of people who actively, repeatedly seek out all those things from which I recoiled in horror? Who like to be briefly filthy and eat wildly overpriced salmonella-ish street food, who've spent ages making banners displaying paper-thin political sentiments they'll wave about in vast, edgy crowds which — let's face it — could turn, one way or another, in the time it takes a relatively unknown punk act to chant 'Death to the IDF!' And — I say this as a ridiculously white, middle-class person myself — is there no limit to how white and middle class they are? Are they not embarrassed by it? I mean, a few white middle-class people in a field — you could probably get away with. But hundreds and thousands of them? All at once? All chanting this year's anti-establishment slogans, dressed in Barbour jackets (fashionable again, hadn't you heard?), broderie anglaise shorts and gaucho boots (this year's biker boots, which were last year's cowboy boots); quietly congratulating themselves on finally booking the yurt (sleeps two, costs £3,375, price of entry not included)? Spending time in between sets hooked up to replenishing vitamin IVs and bitching at the celebrities who helicoptered in — don't they know how ecologically unsound that is? — never mind that they themselves Chelsea tractored it all the way? Or that a helicopter is the only way you'd ever, ever get me back there? • The 10 best Glastonbury legends slot performances — ranked The Duchess of Sussex is to launch her own rosé wine tomorrow, a Napa Valley grape with a 2023 vintage. The wine, produced under her As Ever umbrella of merch, will 'be infused with joy and whimsy'. Which most wine is, in my experience — up until, like, the fifth or sixth glass, when it becomes rather more infused with your desire to tell someone else the slightly ugly truth about themselves, or just have a bit of a sing. Or a cry. Or both? (Someone should write that into a marketing pitch.) The price of Meghan's wine has yet to be declared, but the estate that produces it — Fairwinds (maker, also, of bespoke wines for Barry Manilow) — typically charges £26 a bottle for its rosé. This'll put Meghan's at the classier end of the celebrity rosé spectrum. The Brad Pitt and Angelina end — their Miraval wine goes for about £20 a bottle. Kylie Minogue charges about £8.99 for hers; Gary Barlow, a modest £8. The King's sparkling English rosé, flogged under the Highgrove label, is currently on at £34.95, but then it is fizz. Although last week he was doing a deal where you could get 15 per cent off if you bought six bottles or more — thus causing some delicious speculation this might be a tactical commercial anticipating of Meghan's launch, ie shots fired in a forthcoming inter-royal war of the rosés.


Times
19 minutes ago
- Times
Rod Stewart, Glastonbury review: roguish charm with a touch of the cruise ship
Just after whatever controversy was aroused by Rod Stewart saying 'we should give Farage a chance' in an interview I conducted with him that ran on Saturday, Stewart was carrying on regardless. He came on stage in a glittering tuxedo and white frilly shirt, backed by three blonde backing singers who looked like all his wives put together. Then he proceeded to ensure pure entertainment won through. 'I'm here!' announced Stewart, before adding, possibly in acknowledgement of Glastonbury's inclusive ethos: 'Music brings us together.' And Stewart does have the tunes to bring us together. Some Guys Have All the Luck was a mid-period favourite, while his throaty roar on The First Cut Is the Deepest, a soul classic made famous by PP Arnold, still had the power to cut through everything. There was more than a touch of the cruise ship to it all, with the backing singers in tiny dresses and the string players made up of unusually glamorous women. Still, Stewart does have a roguish charm and he could really bring out the beauty of the songs, not least when he came toward the crowd for Young Turks. It was a little odd to hear Stewart's tale of nocturnal romance in the blazing sun, but that wasn't his fault and at 80 he still brought out the emotion. 'How was that one?,' he asked. The answer was: pretty good. • Rod Stewart: 'We've got to give Nigel Farage a chance' 'There's been a lot about the Middle East, but I'd like to draw your attention to Ukraine,' said Stewart before a cover of the O'Jays' Love Train, but it was his own standards that made the set come alive. You Wear it Well was a lovely reminder of his ragged early Seventies glory days, while Maggie May, his tale of a teenaged one-night stand with an older woman, was lovely. It was also dated. ''Allo girls!,' he shouted as the backing singers came forward for Young Hearts Run Free, while a rendition of Lady Marmalade began to look like a scene from the Playboy mansion. But nobody expects Rod Stewart to be edgy, and when he started kicking footballs into the crowd during Do Ya Think I'm Sexy?, the cheesiness slipped into the sublime. Besides, Stewart's voice remained incredible, this was the singalong slot, and everyone sang along to Baby Jane. Finally, Ronnie Wood came on for the Faces' rollicking classic Stay with Me and Lulu duetted on Hot Legs. If people were upset about Stewart's endorsement of Nigel Farage, they didn't show it. This was showbiz, right down to the swaying finale of Sailing. ★★★☆☆ Follow @timesculture to read the latest reviews

Leader Live
19 minutes ago
- Leader Live
Starmer says ‘death to IDF' chants at Glastonbury were ‘appalling hate speech'
Rapper Bobby Vylan, of rap punk duo Bob Vylan, on Saturday led crowds on the festival's West Holts Stage in chants of 'Free, free Palestine' and 'Death, death to the IDF', before a member of Irish rap trio Kneecap suggested fans 'start a riot' at his bandmate's forthcoming court appearance. Responding to the chants from Bob Vylan, the Prime Minister said: 'There is no excuse for this kind of appalling hate speech. 'I said that Kneecap should not be given a platform and that goes for any other performers making threats or inciting violence. 'The BBC needs to explain how these scenes came to be broadcast.' Avon and Somerset Police said video evidence would be assessed by officers 'to determine whether any offences may have been committed that would require a criminal investigation'. A joint Instagram post from Glastonbury and Emily Eavis said Bob Vylan's chants 'very much crossed a line' and added: 'We are urgently reminding everyone involved in the production of the festival that there is no place at Glastonbury for antisemitism, hate speech or incitement to violence.' Wes Streeting told Sky News' Sunday Morning with Trevor Phillips: 'I thought it's appalling, to be honest, and I think the BBC and Glastonbury have got questions to answer about how we saw such a spectacle on our screens.' On social media, the Israeli Embassy said it was 'deeply disturbed by the inflammatory and hateful rhetoric expressed on stage at the Glastonbury Festival'. Conservative leader Kemi Badenoch called the scenes 'grotesque', writing on X: 'Glorifying violence against Jews isn't edgy. The West is playing with fire if we allow this sort of behaviour to go unchecked.' Liberal Democrat culture, media and sport spokesman Max Wilkinson said: 'Bob Vylan's chants at Glastonbury yesterday were appalling. Cultural events are always a place for debate, but hate speech, antisemitism and incitements to violence have no place at Glastonbury or anywhere in our society.' The Campaign Against Antisemitism (CAA) said it would be formally complaining to the BBC over its 'outrageous decision' to broadcast Bob Vylan. A spokesperson said: 'Our national broadcaster must apologise for its dissemination of this extremist vitriol, and those responsible must be removed from their positions.' A BBC spokesperson said: 'Some of the comments made during Bob Vylan's set were deeply offensive. 'During this live stream on iPlayer, which reflected what was happening on stage, a warning was issued on screen about the very strong and discriminatory language. We have no plans to make the performance available on demand.' Culture Secretary Lisa Nandy has spoken to the BBC director general about Bob Vylan's performance, a Government spokesperson said. Bob Vylan, who formed in Ipswich in 2017, have released four albums with their music addressing issues to do with racism, masculinity and class. Bobby Vylan's real name is Pascal Robinson-Foster, 34, according to reports. Robinson-Foster is listed on Companies House as being the director of Ghost Theatre Records, which is operated by Bob Vylan. Kneecap, who hail from Belfast, have been in the headlines after member Liam Og O hAnnaidh, who performs under the name Mo Chara, was charged with a terror offence. The group performed after Vylan's set on the West Holts Stage with O hAnnaidh exclaiming 'Glastonbury, I'm a free man' as they took to the stage. In reference to his bandmate's forthcoming court date, Naoise O Caireallain, who performs under the name Moglai Bap, said they would 'start a riot outside the courts', before clarifying: 'No riots just love and support, and support for Palestine'. In the run-up to the festival at Worthy Farm in Somerset, several politicians called for the group to be removed from the line-up and Sir Keir said their performance would not be 'appropriate'. During the performance, Caireallain said: 'The Prime Minister of your country, not mine, said he didn't want us to play, so f*** Keir Starmer.' He also said a 'big thank you to the Eavis family' and said 'they stood strong' amid calls for the organisers to drop them from the line-up.