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Blake Lively claims Justin Baldoni legal battle left her with ‘extreme anxiety,' her kids ‘traumatized': docs

Blake Lively claims Justin Baldoni legal battle left her with ‘extreme anxiety,' her kids ‘traumatized': docs

Fox News20-02-2025

Blake Lively's amended complaint highlighted the ongoing legal battle with Justin Baldoni, claiming it has left the actress with "extreme anxiety" and "traumatized" her children.
Lively filed the complaint on Feb. 18, over a month after she initially accused her "It Ends With Us" co-star of sexual harassment.
"The emotional impact on Ms. Lively has been extreme, not only affecting her, but her family, including her husband and four children. There are days when she has struggled to get out of bed, and she frequently chooses not to venture outside in public," the amended complaint, obtained by Fox News Digital, reads. "While she has fought to maintain her personal life and business interests, behind closed doors she has suffered from grief, fear, trauma, and extreme anxiety. She also has been experiencing repeated and painful physical symptoms as a result of this experience."
"Mr. Reynolds, too, has been affected mentally, physically, and professionally by his wife's and children's pain," the complaint continues. "Worst of all, however, has been the impact on their young children, who have been traumatized and emotionally uprooted in ways that have substantially impacted their well-being."
The decision to highlight "the emotional impact" of the case on Lively days after the "Gossip Girl" star appeared at the star-studded celebration of "Saturday Night Live's" 50th anniversary was "poorly timed," entertainment lawyer Camron Dowlatshahi told Fox News Digital.
"It seems a bit poorly timed to lodge this amended complaint just days after a very public appearance, especially when there is a focus on Ryan Reynolds' apparent emotional distress," Dowlatshahi, a partner at MSD Lawyers, added. "He was the one joking around on 'SNL.'"
Lively and Reynolds were given a deadline of Feb. 18 to file an amended complaint against Baldoni by Judge Lewis Liman.
"This makes even more clear that the public appearance was not a good idea," Dowlatshahi said. "The attorneys included the phrase 'behind closed doors' in an attempt to explain the appearances, but typically, you don't want to be in a position to have to qualify and contextualize your client's actions – you simply advise them not to do certain things."
However, Lively's mention of how the case involving sexual harassment has affected her family and "traumatized" her children could indicate that the lawsuit "must be worth fighting for," Ryan McCormick, a Reputation Management Expert & Managing Partner at Goldman McCormick PR, explained to Fox News Digital.
"One can say it's an attempt to maximize public empathy but, at the same time, if these allegations are proven true, it's Lively just expressing how she really feels," the branding expert said. "Sometimes we think that celebrities have a magical, wonderful life, but they're a lot like the average person – they have families to take care of. People like Reynolds and Lively are under scrutiny 24-7 and the emotional toll from legal situations like this can hit a lot harder because everything is public knowledge. Lively admitting how devastating this has been for her family and yet, upping the ante in the battle, indicates that it must be worth fighting for."
McCormick noted Lively and Reynolds "have to be seen and stay relevant." "For the negative reaction surrounding their SNL50 joke, I didn't think it was that bad. Self-deprecating humor can go a long way."
"Also, for the power couple to show vulnerability by admitting how deep their anguish is, is actually positive for their image," McCormick explained. "When this lawsuit first kicked off in such a public manner, I was surprised. One may have assumed it was due to bruised egos. However, now because Blake Lively has amended her complaint to include other women who alleged wrongdoing by Justin Baldoni, I think it's an indication that the matter is more serious than originally perceived."
Days before filing the amended complaint, Lively attended the 50th celebration of "Saturday Night Live" on Feb. 16 with her husband.
Reynolds seemingly poked fun at his and his wife's legal situation and the surrounding media frenzy as Tina Fey and Amy Poehler took the stage. The "SNL" alums spotted Reynolds in the crowd and asked, "How's it going?"
Reynolds quickly responded, "Great, why? What have you heard?"
The reference to the lawsuits and "It Ends With Us" drama with Baldoni appeared to catch Lively off guard as she looked at her husband with a confused look on her face.
Legal experts agreed that Reynolds' joke at "SNL50" was mostly harmless.
"Reynolds does not have an analogous emotional distress claim against Baldoni, so his public appearances are not as harmful," Dowlatshahi told Fox News Digital. "Lively being out in public and accepting invites to various events shows that she's not as emotionally distressed and that the impact to her career in terms of earnings and job prospects isn't necessarily as severe, as warranting hundreds of millions of dollars. Although Lively didn't say anything publicly, her presence and participation at the 'SNL' event potentially mitigates her emotional distress damages for her sexual harassment claim."
"So the more events she and Reynolds attend, the weaker her claims may become, which might ultimately help Baldoni," Dowlatshahi added.
Another expert noted Reynolds' statements on both "SNL50" and "The Voice" were "somewhat benign" and likely wouldn't "make a difference" in the courtroom.
"They didn't amount to admissions, and really wouldn't have much of an effect on the merits of the case or damages," entertainment and media law attorney Tre Lovell said. However, the appearances could be "very damaging" in the court of public opinion.
"Clearly, both Lively and Reynolds' images have taken a hit from these lawsuits, injecting a lot of negativity and animus against them into the public arena. They need to be out there rehabilitating themselves and their persona," the lawyer at The Lovell Firm explained. "They do this by being friendly and likable before the public. In other words, showing the personalities that got them favor from their fans in the first place. However, at the same time, they need to stay completely away from the lawsuit and never mock, demean, make fun of or comment on any of the facts. All references to the lawsuit should be made through their attorneys, and as far as they are concerned, they take the legal proceedings very seriously and intend on proving their case in court. Any efforts to diminish or ridicule the legal proceedings could have a profoundly negative impact on both Lively and Reynolds in the publicity fight."
In December, Lively detailed allegations of sexual harassment, retaliation, intentional affliction of emotional distress, negligence and more against Baldoni and film producer Jamey Heath in a complaint first filed with the California Civil Rights department and later in federal court.
Baldoni, in his own lawsuit filed in January, insisted that Lively had "falsely" accused him in an attempt to repair her reputation after the fallout of the movie's press tour after the actress took control of the film. Baldoni's legal team claimed Lively had no evidence of a deliberate smear campaign and instead worked to repair her reputation by accusing the actor and others of sexual harassment.
In Lively's amended complaint, she claimed two female cast members were willing to testify to the "unwelcome behavior" Baldoni exhibited on set.
"Wayfarer, Mr. Baldoni, and Mr. Heath received or were aware of a number of HR grievances regarding their conduct," Blake's legal team wrote in the news filing. "They admitted as much from day one. For example, on the first day of filming, while attempting to hug Ms. Lively's employee, Mr. Heath said 'I don't even know if we're allowed to do this. It's day one and we have an HR report already.'"
In response, Baldoni's attorney, Bryan Freedman, told Fox News Digital the claim is "heresay."
"Our clients have been transparent in providing receipts, real-time documents and video showing a completely different story than what has been manipulated and cherry-picked to the media," Freedman said in a statement. "Our clients have taken this matter and these issues very seriously, notwithstanding the jokes made publicly by the plaintiff and her husband. Her underwhelming amended complaint is filled with unsubstantial hearsay of unnamed persons who are clearly no longer willing to come forward or publicly support her claims."
"Since documents do not lie and people do, the upcoming depositions of those who initially supported Ms. Lively's false claims and those who are witnesses to her own behavior will be enlightening," Freedman concluded. "What is truly uncomfortable here is Ms. Lively's lack of actual evidence."

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Taylor Swift and Travis Kelce spotted at Harry's Bar and Restaurant in Florida, photos show
Taylor Swift and Travis Kelce spotted at Harry's Bar and Restaurant in Florida, photos show

USA Today

time6 hours ago

  • USA Today

Taylor Swift and Travis Kelce spotted at Harry's Bar and Restaurant in Florida, photos show

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‘The White Lotus' star Aimee Lou Wood on the social media drama: ‘It's been scary, overwhelming, and difficult'
‘The White Lotus' star Aimee Lou Wood on the social media drama: ‘It's been scary, overwhelming, and difficult'

Yahoo

time9 hours ago

  • Yahoo

‘The White Lotus' star Aimee Lou Wood on the social media drama: ‘It's been scary, overwhelming, and difficult'

The past two months have been quite the roller-coaster for Aimee Lou Wood. She'd barely had a moment to process the fallout from the season finale of The White Lotus, which claimed the life of her fatally doomed character Chelsea, before she got caught up in a swirl about an insensitive Saturday Night Live sketch. And then there was "The Great Unfollowing," the social media obsession about why her White Lotus costar Walton Goggins was no longer tracking her Instagram posts. More from GoldDerby 'Feel good about not conforming': Christina Ricci reflects on her iconic roles, from Wednesday Addams to Misty Quigley 'The show is a true fluke': '100 Foot Wave' executive producer on how they chase big waves across the globe Damian Lewis on returning to 'Wolf Hall': 'Who doesn't want to play Henry VIII?' "I've never experienced anything like this before, so I'm kind of learning along the way," Woods tells Gold Derby. "But the wake of it has been a lot." Here, she reveals how she's learned to deal with the impact of her newfound notoriety, the advice costar Parker Posey gave her, and why she always knew that Chelsea was going to die. Gold Derby: I feel like you've lived two lives — the show life and then the post-show life. Aimee Lou Wood: That is so weird that you say that because I've just been talking about that. It's felt like two chapters of a very complex, amazing, confronting, challenging story. I've had to hold a multitude of truths to just be accepting of everything that's happening. Because it's all of it. You can't put it into a box. You just have to see it as a transformative experience because it is. It's amazing, and it's also been scary, overwhelming, and difficult because you're having to shift into a different way of living that you're kind of expected to know how to do it. But, of course, we don't know how to do it. SEEAimee Lou Wood is rising in the Emmy odds after the 'SNL' teeth joke How are you taking care of yourself? Given the social media swirl of everything that you've been through since the show has ended, are you OK? I am OK. Thank you for asking. That's so nice. God, that made me emotional. I spoke to Parker Posey today, and it was just the best chat because she just does it so right. She just doesn't engage with that. It's like, this is her experience. She is taking from this what Parker needs to take, rather than being at the mercy of other people's opinions. It's about her experience. I think that I'm good. I think that I've learned so much about people and about myself from the craziness of this. And for that, I'm really grateful, actually, and I've had reckonings in my life that I would never have had without this pressure cooker. So I think it's sped up my growing up process quite a lot. Parker was, like, we're entertainers. Our job is to entertain, and then we become not entertaining because of how heavy some of the stuff can be, and actually you have to just be silly actors. We love pretending, and it's when you forget that, or when you lose track of that, that's when it becomes very confusing. You have to reconnect the fact that we're daft and we're silly and we tell stories, that's who we are. And actually, we're not designed for that other part of it. We're not designed for the social media, all of that stuff. That's a different job, that's a completely separate job, and a completely separate thing to the acting. That part is harder because it's not what is our element. I'm not in my element doing that. I'm in my element when I'm on set. I'm finding that moment in Chelsea's story. And I think, "Oh, I've just got to tell the truth here." And that's what I love. But the other stuff, it is a completely different skill. You're only human at the end of the day, and so you have to find that right balance between the two. You do. You really do. It's just taking it all the good and the bad, and then you can do it. Because at one point, it was a bit, like, everyone's coming at me. This is so overwhelming. It's like, actually, everyone's not coming at you, Aimee, they're coming at an idea of you. They're coming at Aimee Lou Wood, who's someone that they don't actually know, and someone that's not you. You're a concept to those people. You're a concept to those people commenting on social media; the people who love you and know you are still the same people. So actually, all of that stuff can't really touch Aimee because they don't know me. It's strangers, it's people who don't know me. Especially with a character like Chelsea, especially with the design of Mike [White]'s show and his casting, he wants people who are really close to their characters, who do share an essence with them. It becomes extremely personal, and then it's like, well, actually, the "you" that they're talking about isn't me. It's Chelsea. That's a really interesting thing to experience. Aimee starts feeling like a disappointment because she's not Chelsea, especially when it's a show that penetrates the zeitgeist this much. You start to feel like you don't belong to yourself. I think that's what Parker was trying to say to me this morning. You can take from this what you need, what you want, to further your journey as a human being and as an actor. It doesn't have to be for anyone else. This is for you, so that then you get a sense of ownership back, rather than feeling like you're being owned by all the people who watch The White Lotus. SEEAimee Lou Wood gets her flowers — literally — from 'SNL' star Sarah Sherman after 'mean and unfunny' sketch; Bowen Yang defends Wood's 'completely valid' reaction I think there's also something about Chelsea inhabiting a world that's full of very unlikable characters, and she is probably the one fundamentally good people that exists in that world. How did you find your way into her? I felt very deeply connected to her from the first read of the audition sides. I'd always wanted to be in White Lotus, and I just didn't know where I would fit. I would watch it, and I think I want to be in this show, and I want to work with Mike, but where the hell do I fit in this world? I don't feel like there's a way in. And then I saw these audition sides from Chelsea, and I was like, "This is the way in if it's going to be anything, it's going to be this." And so from the beginning, I just think I really understood her, and she really resonated with me, and I think Mike really just bolstered that. We didn't have many chats about Chelsea, intellectually, it was all very gut-driven. His thing was more telling me you already know… ...that she was going to die? Yes. I did the scene where it said, "We're going to be together forever, don't you think?" And he says, "That's the plan." And she says, "Is it?" And as soon as I said those words, I knew it was them that died. I knew it was them. And Mike was like, "I think you're picking up on something here." And he told me. So I knew from the second time I ever spoke Chelsea's lines that she was the one who dies, and that Rick was too. And so you kind of have to put it out your mind while you're filming, because she doesn't know she's going to die, even though she does kind of have a connection to death that is quite strange, like she's kind of obsessed with it. She keeps saying bad things happen in threes. Yes, she references it a lot. So that was also helpful because it meant that I could know in the back of my mind because I think Chelsea knows in the back of hers. She knows that she's a person who cannot help but go towards danger. So she's very connected to her death drive, which is what makes her so alive as a person, because she thinks about death a lot, and she's close to it. So it means that she lives very courageously and very moment to moment. But it also is really sad because I felt like she was this person who just couldn't help but walk towards her own doom. And that reminds me of so many like women that I love, who I looked up to so much growing up, these kind of tragic heroines that were there. They were amazing and wonderful and brought so much light to the world, but also had this self-destruct button that they couldn't stop pressing, and it's part of what made them so alive and so interesting as artists, but it also meant that they didn't live. I just always understood that Chelsea was someone who almost knew that she wasn't going to live that long, and so therefore, a relationship like hers and Rick's isn't really that scary to her because she's got that amor fati thing going on, which is, yeah, this is probably destructive, but that doesn't stop her from doing anything because she's already accepted that maybe her life isn't going to be a long one, and it's not going to be a cozy one and a safe one. It's going to be bright and fast. What motivates her? Is it her love for Rick? I think that with Chelsea, a thing that really helped me was her line about "bad things have happened to me too, and you don't see me walking around feeling sorry for myself" that she says to Chloe (Charlotte Le Bon). And after I said that, I thought, Chelsea is running away from something. Chelsea is running away from a pain, just the same as Rick is, but the way that they deal with it is so different. And by pouring herself into Rick, she never has to look at her own stuff. It's all about his pain. She laments that to Chloe, but really she likes it that way because it means that she can just see and give and pour and not ever have to look in. It's all looking out. And that's why she's so confronted by Saxon (Patrick Schwarzenegger) because trying to look at her, and she's like, "Whoa, no. That's not how I work. I do the looking." So I think that what motivates her is love for Rick, but it's also a really deep fear of sitting with herself. She does not want to sit with herself. She really doesn't. She doesn't want to feel the feelings. She's running away. She's gone traveling. She doesn't stop moving. She doesn't stop talking. She's constantly talking; words are her armor. She just chats, chats, chats, chats, chats. And when she's lying on the floor at the end and she can't speak for the first time, Rick actually gets to see her almost more clearly than she's ever let him see her before because she's got nothing funny to say, nothing inquisitive to ask. She's just her, and he can see how much he adores her and loves her. She doesn't really let anyone properly get to know her. It's both adoration and love for Rick and a true belief that he's her soul mate. But it also means she avoids all responsibility because if it's written in the stars, if it's fate, then she doesn't have any responsibility. She doesn't have any choice. So it's done, it's written that whatever goes will go and I don't have any control over it. It's a very clever way to avoid ever growing up, facing your stuff, facing your feelings and taking responsibility because we're soul mates, so there's nothing I can do about it, and that's where her and Rick are so similar because Rick's like, "There's nothing I can do. This is my fate. I have to go and kill this man." No, you don't. You have free will, but both of them believe that their stories are already written and that they can't change it, and that's why they are the perfect storm. SEEPatrick Schwarzenegger on pulling off Saxon's transformation in 'The White Lotus' Season 3 Do you think Saxon was truly changed by his encounter with Chelsea? Do you think she changed him? I think that she did change him. I think she did, and I think that it wasn't even romantic. I think it was someone that he needed to meet on his spiritual journey. That just shocked him. He was in a script, and she just came and ripped up the pages of the script and went, "No, we don't follow that." I'm not doing those lines. It was the shock of this human that woke him up. I think that he thinks it's romantic because he doesn't know any other way to be with women. It has to be that there's some kind of object of desire to him if he's interested. But actually, what I think Saxon realizes over the course of the show is that he's so much more interested in what she has to say and what she has to teach than his own lust. I think they could have had a beautiful friendship. I think what's so sad is that both of them could have had a gorgeous friendship, but they were both blinkered by something that was stopping them from connecting fully to each other. If Saxon was brought up in a different family, he wouldn't be that guy. And if Chelsea had a different life, she wouldn't be that girl. So they kind of miss each other, when actually, by nature, they're probably very similar. They're determined. They both love their mantras. They both love spouting loads of knowledge, and they're both really trying in life. But their just conditioning has been so different that they think they're opposites, but they're actually so deeply similar, and I think they just see that at the end, and then it's too late. What's one thing you took away from the experience? I've learned so much. Probably one of the most profound life moments I ever had was watching Chelsea die, sitting with Charlotte and Patrick and all my friends, all these amazing friends that I've made, and going, "Oh, it's permission to let go of anything in Chelsea that was me, that was holding me back." Because she's so close to who I am, just getting to grow up for both of us, because the thing that Chelsea can't do is grow up. I think that it's made me more ready to be a grown-up. Who do I want to be as a person? Who do I want to be as a human being, and how do I want to live? Because I now have the privilege of getting to be a grown-up, and if I'd made a different step in my life when I was younger, I might have been a Chelsea. So seeing that unfold is really profound. 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R. Kelly Seeks Trump Pardon, Attorney Says Singer Has Been ‘Punished' to Solitary Confinement and ‘Has Spiders Crawling All Over Him'
R. Kelly Seeks Trump Pardon, Attorney Says Singer Has Been ‘Punished' to Solitary Confinement and ‘Has Spiders Crawling All Over Him'

Yahoo

time10 hours ago

  • Yahoo

R. Kelly Seeks Trump Pardon, Attorney Says Singer Has Been ‘Punished' to Solitary Confinement and ‘Has Spiders Crawling All Over Him'

After R. Kelly filed an emergency motion seeking home confinement for fears for his safety in prison earlier this week, the singer's lawyer is claiming that he is now currently being 'punished' with solitary confinement for taking the action. Attorney Beau Brindley filed the motion on Tuesday claiming that officials solicited an inmate to murder Kelly, who has since been placed in solitary confinement. Brindley says that Kelly has been cut off from communicating with his family, and that he's sleeping in poor conditions without food. More from Variety R. Kelly's Attorneys File for Immediate Release From Custody, Alleging Officials Solicited Inmate to Murder Him 'SNL' Star Michael Che Drinks on Air After Trump Victory, Shouts Out R. Kelly: 'If White People Can Elect Their Felon, I Can Dance to Mine' Lifetime Finds Success With True, Sensitive Stories That Become Watercooler Sensations 'Where he's sleeping now, he has spiders crawling all over him,' Brindley tells Variety. 'This isn't protection — it's punishment for pursuing this. So he remains in solitary, he has not eaten for three days because he's been only offered food that's coming directly from the chow halls that's prepared by the inmates, which he was warned not to eat by one of the officials at the prison who we left anonymous for his own security.' Kelly is currently in a North Carolina facility serving a 30-year sentence for violating the Mann Act and racketeering that involved the sexual exploitation of children. In Tuesday's filing, Brindley alleged that government officials violated attorney-client privilege by intercepting his communications to convict him, and subsequently solicited an inmate to murder him in retaliation for attempting to expose their actions. Brindley says that he was able to speak with Kelly on Thursday morning and intends to file a supplement to his motion that alleges further cruel and unusual punishment in the form of solitary confinement. 'He was very emotional, he's very upset at how he's being treated and the conditions he's having to live with,' he says. 'He's begging me to find a way to help him, because this isn't right. And I'm going to do everything in my power to do it.' That includes seeking a pardon from President Donald Trump, a course of action that Kelly's legal team considered while investigating the government's alleged misconduct over the past year, but has become a priority with the threats on his life. Brindley has spoken with Trump associates as recently as yesterday, with hopes of reaching the President to get his urgent attention. 'I think it's a particular interest to President Trump because, unlike most people who come to this with an air of skepticism, [he] has a personal unique understanding of what it's like to be victimized by prosecution teams and put through that experience through corrupt and criminal hacks,' he says. 'He understands what that's like, and when he knows that it's being escalated to the point of a death threat to hide the corruption that we're trying to put out there, he's perhaps the only person that there is who is going to have the courage to pull the trigger and say I want to stop it now.' Brindley explains that there have been further consequences of filing Tuesday's emergency motion. Mikeal Glenn Stine, a terminally ill inmate who is a leader of the Aryan Brotherhood, gave a sworn declaration in the motion claiming that officials offered him freedom in his final days in exchange for Kelly's murder. Stine says that he was transferred to the North Carolina facility to kill Kelly but had a change of heart at the last minute, instead informing him of what he had been instructed to do. After the filing, Brindley says that he was planning to meet with Stine next week, but that it was canceled this morning. He says that Stine's current whereabouts are unknown. Following the filing, which argued that Kelly remains in danger from other incarcerated members of the Aryan Brotherhood, Judge Martha Pacold set a June 20 hearing to determine the issue of jurisdiction in filing the motion in North Carolina instead of Chicago. Brindley is hopeful that an accelerated briefing schedule will not just address immediate concerns but forge a path to vacating the conviction. 'Ultimately, we're seeing a great deal of interest in what's going to happen next and how this is all going to turn out,' he says, 'because it's been a rollercoaster of facts and occurrences that have brought us to this place.' Best of Variety New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts? 25 Hollywood Legends Who Deserve an Honorary Oscar

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