
Batalvi lives in verse, but not in memorials
" Shiv Kumar Batalvi wrote these lines, maybe in a moment of prophetic defiance that no one else would sing his song, and that he alone would carry its pain to the grave.
Decades later, these words feel eerily true. Not because his poetry faded, it didn't. His verses echo across oceans, in Bollywood tracks and across social media. But in the very institutions where his journey began, Baring Union Christian College in his hometown Batala and Sikh National College in Qadian, there is silence.
No bust, no plaque, no literary corner.
If he would have been alive, Batalvi would have turned 89 on Wednesday. The youngest recipient of the Sahitya Akademi Award, Batalvi completed his matriculation in 1953 and enrolled in Baring College but soon left, joining Sikh National College. He dropped out midway through his second year to join engineering in Himachal Pradesh, which also, he left. Yet even those brief years shaped his early journey.
by Taboola
by Taboola
Sponsored Links
Sponsored Links
Promoted Links
Promoted Links
You May Like
Top 15 Most Beautiful Women in the World
Topgentlemen.com
Undo
"There's so much curiosity about him.
People come from abroad, even researchers from other Indian states just to ask about his life, his home, his voice," said his nephew Rajiv Batalvi, 58, who still lives in the family house in Batala. "But in the places where he once studied, spent his formative years, there's no sign he was ever there. It's like no one thought he was worth remembering."
At Baring College, principal Ashwani Kansra said the lack of recognition may have been a case of the world catching up too late.
"The beauty and depth of his work weren't celebrated in his lifetime the way they are today. It took Bollywood, singers, and now social media to bring his poetry to the mainstream," Kansra said.
While he admitted that the college hasn't yet taken any steps to formally commemorate Batalvi, he added: "There is a growing sense of pride among students and faculty that such a voice once passed through this campus. If the moment feels right in the future, the college may explore a way to acknowledge that connection."
Sikh National College, Qadian, where Batalvi made the switch from Batala, has a similar absence. Principal Dr Harpreet Singh Hundal said Batalvi's name is one that carries immense literary weight. "His work is deeply respected by everyone. While our college hasn't marked legacies in a physical way, his presence is still there in what we teach," Hundal said.
"We follow Sikh principles and do not create personal memorials or remembrances.
That is why we haven't named anything after anyone, not even Balbir Singh Senior, the legendary hockey player who studied at our college when it was still in Lahore," said Col Jasmer Singh Bala (retd), honorary secretary of the Sikh Educational Society, which runs Sikh National College, Qadian. "However, we are planning to introduce a poetry competition in Shiv Kumar Batalvi's name.
"
And yet, for those who walk the same corridors as Batalvi once did, the erasure feels stark.
No sign, no story, no shared memory. Just his words, growing louder in their absence.
Still, a formal event is scheduled tomorrow in Batala, to "commemorate" Batalvi's legacy at the auditorium named after him. Rajiv Batalvi said he received a call from the state government inviting him to attend. The Shiv Kumar Batalvi Auditorium itself tells the same story- its foundation stone was laid back in 1980 by the then Punjab Governor, but the building remained unopened for nearly three decades, only becoming functional in 2016.
"It's not unusual," Rajiv said. "With Shiv, recognition has always arrived late, and mostly on paper."
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Time of India
2 minutes ago
- Time of India
Watch: Armaan Malik's wife Payal Malik cries as she apologises for 'mocking' Goddess Kali; gets slammed for 'cheap stunt'
Payal Malik, wife of well-known and controversial YouTuber Armaan Malik, is facing intense trolling after a video went viral in which she was allegedly seen 'mocking' Goddess Kali. The video quickly gained traction online, with many criticising it for being disrespectful towards religious beliefs. In response to the outrage, Payal shared a tearful apology, but the internet remains divided with many calling the act a 'cheap publicity stunt.' Payal Malik Goddess Kali video controversy explained A video shared by Payal Malik on Instagram has gone viral, sparking widespread backlash. In the clip, she first appears in a short, modern outfit before transforming into a depiction of Goddess Kali, complete with traditional makeup, costume, and accessories. Set to dramatic music, the video seemed intended to create a bold visual contrast, but many viewers were offended by the presentation. Critics accused her of disrespecting the Hindu goddess, pointing to the revealing nature of her initial attire as inappropriate for such a sacred portrayal. The transition was seen by many as trivializing a revered deity, reducing a spiritual symbol to a theatrical costume change, and lacking the reverence such a depiction demands. Payal Malik cries as she apologises for 'mocking' Goddess Kali Taking to Instagram, Payal issued an apology and, while crying, explained that the video was made three months ago for her daughter, who is a devoted follower of Goddess Kali. She admitted her mistake and assured viewers that she would never do anything in the future that could hurt religious sentiments. Reacting to it, people called it a 'PR stunt'. Many noted how this is 'cheap' and even the apology sounds fake. Who is Armaan Malik's wife Payal Malik? Payal Malik is an Indian digital creator and the first wife of well-known YouTuber Armaan Malik. The two tied the knot in 2011 and share a son named Chirayu. In 2023, she appeared on Bigg Boss OTT 3 with Armaan and his second wife, Kritika, drawing widespread attention for their unique family dynamic. Payal also gave birth to twins, a boy and a girl two years ago.


India.com
2 minutes ago
- India.com
Renowned Manipuri Theatre Exponent Ratan Thiyam Dies At 77: Condolences Pour, List Of His Plays, Awards & Honours
New Delhi: Famous theatre exponent from Manipur, Ratan Thiyam breathed his last on Wednesday, July 23, 2025 in Imphal. According to reports, the legendary Indian theatre maestro was suffering from prolonged illness and admitted at Regional Institute of Medical Science in Imphal. He was 77. Sahitya Academy in their official X handle (formerly called Twitter) wrote, "Sad to know that a very distinguished playwright, director, writer, scholar, leading personality of "Theatre of Roots" and founder of Chorus Repertory Theatre, Sri Ratan Thiyam has passed away. He was one of the few directors who popularized ancient Indian traditions & touched millions of hearts through his works. His plays have been staged as well as adapted across the world. He will be missed in the Indian performance and literary circles." Sad to know that a very distinguished playwright, director, writer, scholar, leading personality of "Theatre of Roots" and founder of Chorus Repertory Theatre, Sri Ratan Thiyam has passed away. He was one of the few directors who popularized ancient Indian traditions & touched… — Sahitya Akademi (@sahityaakademi) July 23, 2025 All India Radio (AIR) too extended condolences on X: Globally acclaimed Theatre personality Ratan Thiyam has passes away. Ratan Thiyam is known for his direction in the internally acclaimed dramas like "Chakrabvyuha", "Uttar Priyadarshi", "Hey Nungshibi Prithivi", "Chinglon Mapan Tampak ama". He was honoured with Fringe First Award in the Edinburg International Festival 1987 for his play "Chakrabvyuha". Globally acclaimed Theatre personality Ratan Thiyam has passes away. Ratan Thiyam is known for his direction in the internally acclaimed dramas like "Chakrabvyuha", "Uttar Priyadarshi", "Hey Nungshibi Prithivi", "Chinglon Mapan Tampak ama". He was honoured with Fringe First… — All India Radio News (@airnewsalerts) July 23, 2025 Who Was Ratan Thiyam The iconic Indian playwright and theatre director, and the winner of Sangeet Natak Akademi Award in 1987, was one of the prominent names behind 'theatre of roots' movement in Indian theatre, which started in the 1970s. Thiyam Nemai, as he was called used ancient Indian theatre traditions and forms in a contemporary context in his writings. He was also a painter and into direction, writing and music. Ratan Thiyam's Prolific Position He worked as chairperson of the prestigious National School of Drama from 2013 to 2017. He had also worked as vice-chairman of Sangeet Natak Akademi before joining NSD. He was also the founder-director of Chorus Repertory Theatre, formed on the outskirts of Imphal, Manipur in 1976. He was awarded the Sangeet Natak Akademi Award in Direction in 1987, given by Sangeet Natak Akademi, India's National Academy for Music, Dance and Drama, and the Padma Shri given by Government of India in 1989. He was awarded the 2012 Sangeet Natak Akademi Fellowship. In 2013, Ratan Thiyam received honorary from Assam University, Silchar. Ratan Thiyam's List Of Plays Ratan Tahiyam's plays were strongly influenced by Natya Sastra, an Indian theatre style propounded by Bharata during the second century B.C., as also ancient Greek drama, and the Noh theatre of Japan, as per Wikipedia information. Karanabharam (1979) Imphal Imphal (1982) Chakravyuha (1984) Lengshonnei (1986) (An adaptation of Jean Anouilh's Antigone) Uttar Priyadarshi (The Final Beatitude, by Hindi playwright Agyeya) (1996) Chinglon Mapan Tampak Ama (Nine Hills One Valley) Ritusamharam (Ritusamharam by Sanskrit playwright Kalidasa) Andha Yug (The Blind Age, by Hindi playwright Dharamvir Bharati) Wahoudok (Prologue) Ashibagee Eshei (based on When We Dead Awaken, by Norwegian playwright Henrik Ibsen) (2008, Lairembigee Eshei (Song of the Nymphs) The King of Dark Chamber (Raja, 2012), based on a play Raja (1910) by Rabindranath Tagore Ratan Thiyam's Honours Here are the list of awards which the legendary theatre personality received in his lifetime: 1984: Indo-Greek Friendship Award, 1984 (Greece) 1987: Sangeet Natak Akademi Award 1987: Fringe Firsts Award, from Edinburgh International Festival 1989: Padma Shri 1990: Diploma of Cervantino International Festival, (Mexico) 2005: Kalidas Samman 2008: John D. Rockefeller Award 2011: Bharat Muni Samman 2012: Sangeet Natak Akademi Fellowship (Akademi Ratna) 2013: Bhupen Hazarika Foundation Award His pathbreaking contribution in the world of Indian theatre is immense and the void will never be filled again.


India Today
2 minutes ago
- India Today
Bobby to Saiyaara: Bollywood's timeless legacy of youthful musical love stories
At a time when Hindi cinema has been obsessed with reboots, sequels, and biopics, 'Saiyaara' has emerged as a game-changer. The film's director, Mohit Suri, is credited by audiences and critics for reviving a genre which had been neglected due to filmmakers' obsession with Pan-India romantic-drama featuring Ahaan Pandey and Aneet Padda in lead roles has created a rage among the youth. The young movie-goers resonated with it not just for the rebellious charm, but also for the soulful melody, visuals and emotional depth. While Ahaan's debut and one film old Aneet remains the talking point behind the film's success due to their raw energy and screen presence, what sets apart 'Saiyaara' from other Bollywood musicals?advertisementMusic is an essential element in the Indian film industry. Tamil, Telugu, Malayalam and Kannada industries have also worked faithfully towards creating spectacular soundtracks in cinema. However, the Hindi film industry has had a profound impact irrespective of geographical and cultural diversity. The Ahaan-Aneet starrer yet again proves how soul-stirring musicals unify art lovers. In an era where digital media is dominating visual consumption and streaming platforms are often blamed for low audience turnover in theatres, 'Saiyaara' has redefined the perception of a successful film. Prior to the film, many cinematic love stories in the past decades had a similar impact on the audiences, proving naysayers do musical romantic-dramas about youth aspirations and relationships always turn into cult classics? What could be the reason behind the Hindi film audiences' fascination with melodious love sagas? Is it the most successful recipe for creating a commercial blockbuster? Here's a glimpse into the origin of young Bollywood love stories and how they have evolved over the (1973) Actors Rishi Kapoor and Dimple Kapadia made their debut in Raj Kapoor's musical teenage romance - 'Bobby' (1973). Raj Kapoor attempted a young teenage love story for the first time after the heartbreaking debacle of his ambitious 'Mera Naam Joker' (1970). The legendary director launched his son, actor Rishi Kapoor, in the musical romance - 'Bobby' (1973). Actor Dimple Kapadia who made her debut with the movie, played the titular role. Raj Kapoor got the inspiration behind the film after reading the American comic series - 'Archies'. However, the film became iconic not just for its stylish gadgets and glamour but also for its phenomenal it 'Jhooth Bole Kauva Kaate', inspired by a folk song to the flirtatious 'Hum Tum Ek Kamre Me', the music of 'Bobby' became a youth anthem for many decades. The film not only redefined fashion, but also introduced the world with musical geniuses like Laxmikant-Pyarelal, Anand Bakshi and Shailendra Singh. The music wasn't just a part of the film but became a metaphorical character which conveyed the teenage love story through melodious Story (1981) A love story about star-crossed lovers, yet again found a connection with young audiences. The film, directed by Rahul Rawail, marked the acting debut of veteran actor Rajendra Kumar's son, actor Kumar Gaurav. Actor Vijayta Pandit was paired opposite Gaurav in the movie. The film's success is also attributed to its music. Its songs - 'Teri Yaad Aa Rahi Hai' and 'Dekho Maine Dekha Hai Yeh Ek Sapna'-appealed to film lovers. At a time when the angry young men-Amitabh Bachchan, Dharmendra, Vinod Khanna, etc. were ruling cinema, 'Love Story' rekindled the film industry's faith in youth-oriented (1983) Before becoming the poster-boy of larger-than-life action-dramas, actor Sunny Deol made his acting debut with director Rahul Rawail's 'Betaab'. Actor Amrita Singh also made her debut opposite Deol in the musical love story, loosely inspired by William Shakespeare's 'The Taming of the Shrew'. RD Burman's music and Anand Bakshi's lyrics became one of the USPs for the movie, which resonated with the youth for its innocence, drama, soundtrack and simplicity. 'Jab Hum Jawa Honge' by Lata Mangeshkar, Shabbir Kumar, is considered one of the most popular songs from the 'Betaab' album till date. Though, later Deol came to be known for his action image, his first film proved that a musical love story is the successful recipe for launching Hai (2000) Director Rakesh Roshan's musical action love-story gave Bollywood its millennium phenomenon. Actors Hrithik Roshan and Ameesha Patel's acting debut was unique and a pop-culture hysteria in the early 2000s Indian cinema. The blockbuster not only established Hrithik as a superstar but also set a benchmark for future musical romantic dramas. Apart from the dance sequences and action, all the songs in the film remain fan favourites till date. From 'Ik pal ka jeena', 'Chaand sitaare', 'Sitaron ki mehfil' to the title track, Rajesh Roshan's music won hearts. The album of 'Kaho Hai' amplified the movie's commercial success, which had a lasting impact, especially on Hrithik's movie Vishk (2003) Director Ken Ghosh's college romance brought a new flavour to love stories with age-appropriate casting. Actors Shahid Kapoor, Amrita Rao and Shehnaz Treasurywala played young students navigating love and life's aspirations. The film's album was its soul as it rightfully complemented the theme of the narrative. Shahid became the next youth icon after Hrithik post the success of 'Ishq Vishk'. The visually appealing songs and melodious tracks depicting youth emotions, were a testament to sincere storytelling. 'Chot Dil Pe Lagi' and the title track emerged as the most popular songs of 2003. Once again, the music became the narrator, which helped in showing human sentiments and relationships with the heartfelt 2 (2013) Mohit Suri's romantic-drama, loosely based on 'A Star Is Born' (1937), became a milestone in the acting careers of Aditya Roy Kapur and Shraddha Kapoor. The film was a spiritual sequel to director-producer Mahesh Bhatt's 'Aashiqui' (1990). The soul of all these films was the emotional depth of the soundtrack. 'Aashiqui 2' gained popularity for its songs, especially 'Tum Hi Ho', 'Sun Raha Hai', 'Chahu Main Ya Na' and 'Hum Mar Jayenge'. The tragic love story of a couple yearning for solace and a stable future in their complex relationship is well documented in Irshad Kamil and Mithoon's lyrics. Arijit Singh's vocals only add to the passion and intensity of the heartbreak, which is the crux of Suri's musical romance.'Saiyaara' carries forward the legacy of classics like 'Bobby' and 'Betaab'. It's a sincere musical romance which doesn't lose its engagement quotient and always finds its it the Indian film industry or Hollywood, 'La La Land', 'Aashiqui 2' and ' Pyaar Hai', have proved time and again about the universal relevance of musicals in artistry. Irrespective of their craft or quality of storytelling, musical romance remains a timeless theme in cinema.- Ends