‘Law & Order' and ‘SVU' Renewed at NBC
The longest-running drama in American primetime history will continue to add to its record. The show that spawned it — and the second longest-running drama ever — is also set to return.
NBC has renewed Law & Order: SVU and Law & Order for the 2025-26 season. SVU will go into its 27th season in the fall, and the L&O mothership will enter its 25th season. Between them, the two shows will have 1,096 episodes to their credit at the end of this season.
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The Law & Order renewals follow on the heels of NBC renewing all three of its Chicago series. The pickups assure that the two franchises — which come from mega-producer Dick Wolf's Wolf Entertainment and Universal TV — will remain intact on NBC next season as the broadcaster likely reduces its scripted footprint to make room for primetime NBA telecasts. (The third current Law & Order series, Organized Crime, now streams on Peacock and is midway through its fifth season.)
Both shows are still reliable audience draws for NBC, with SVU averaging about 5.9 million viewers and Law & Order about 5.2 million in Nielsen's seven-day linear ratings — and significantly more on streaming. NBC says streaming of L&O on Peacock has more than doubled this season (though it doesn't provide detailed numbers) vs. 2023-24. SVU ranks 21st among all network shows in Nielsen's 35-day, all-platform rankings for the season with 8.7 million viewers. NBC says 44 million people have watched at least a little of the two shows this season.
SVU alum Michele Fazekas, who was a writer and producer on the series from 2001-06, is set to take over as showrunner next season. The current season's executive producers are Wolf, David Graziano, Julie Martin, series lead Mariska Hargitay, Norberto Barba, Kenneth Brown and Peter Jankowski.
Season 24 of Law & Order is executive produced by Wolf, Rick Eid, Pamela Wechsler, Alex Hall and Jankowski.
Follow all the network scripted renewals, cancellations and new series orders with THR's broadcast scorecard.
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Nicole Scherzinger, Sunset Boulevard — 12/5 3. Jasmine Amy Rogers, Boop! The Musical — 9/2 4. Jennifer Simard, Death Becomes Her — 7/1 5. Megan Hilty, Death Becomes Her — 8/1 BEST ACTOR (MUSICAL) 1. Darren Criss, — 16/5 2. Jonathan Groff, Just in Time — 4/1 3. Tom Francis, Sunset Boulevard — 5/1 4. Jeremy Jordan, Floyd Collins — 5/1 5. Andrew Durand, Dead Outlaw — 7/1 6. James Monroe Iglehart, A Wonderful World: The Louis Armstrong Musical — 9/1 BEST FEATURED ACTRESS (MUSICAL) 1. Natalie Venetia Belcon, — 8/5 2. Joy Woods, Gypsy — 9/2 3. Justina Machado, Real Women Have Curves: The Musical — 5/1 4. Julia Knitel, Dead Outlaw — 6/1 5. Gracie Lawrence, Just in Time — 8/1 BEST FEATURED ACTOR (MUSICAL) 1. Jak Malone, — 29/20 2. Danny Burstein, Gypsy — 4/1 3. Jeb Brown, Dead Outlaw — 11/2 4. Taylor Trensch, Floyd Collins — 13/2 5. Brooks Ashmanskas, Smash — 7/1 BEST DIRECTOR (MUSICAL) 1. — 39/20 2. Sunset Boulevard — 57/20 3. Dead Outlaw — 11/2 4. Death Becomes Her — 13/2 5. Buena Vista Social Club — 17/2 BEST ORIGINAL SCORE 1. — 13/8 2. Dead Outlaw — 37/10 3. Death Becomes Her — 11/2 4. Operation Mincemeat — 6/1 5. Real Women Have Curves: The Musical — 17/2 BEST MUSICAL BOOK 1. — 46/25 2. Dead Outlaw — 19/5 3. Operation Mincemeat — 9/1 4. Death Becomes Her — 6/1 5. Buena Vista Social Club — 17/2 BEST ORCHESTRATIONS 1. — 17/10 2. Just in Time — 4/1 3. Maybe Happy Ending — 9/2 4. Sunset Boulevard — 6/1 5. Floyd Collins — 8/1 BEST CHOREOGRAPHY 1. — 17/10 2. Boop! The Musical — 17/5 3. Smash — 11/2 4. Death Becomes Her — 13/2 5. Gypsy — 15/2 BEST SCENIC DESIGN (MUSICAL) 1. — 31/20 2. Death Becomes Her — 9/2 3. Swept Away — 11/2 4. Just in Time — 6/1 5. Buena Vista Social Club — 8/1 BEST COSTUME DESIGN (MUSICAL) 1. — 13/8 2. Boop! The Musical — 7/2 3. Buena Vista Social Club — 5/1 4. Just in Time — 7/1 5. Maybe Happy Ending — 17/2 BEST LIGHTING DESIGN (MUSICAL) 1. — 29/20 2. Maybe Happy Ending — 9/2 3. Floyd Collins — 5/1 4. Death Becomes Her — 13/2 5. Buena Vista Social Club — 17/2 BEST SOUND DESIGN (MUSICAL) 1. — 39/20 2. Sunset Boulevard — 31/10 3. Just in Time — 5/1 4. Maybe Happy Ending — 15/2 5. Floyd Collins — 8/1 SEE Tony Talk: Our final winner predictions in all 26 categories, including competitive Best Actress in a Musical and Best Play Revival BEST PLAY 1. — 7/4 2. Purpose — 82/25 3. John Proctor Is the Villain — 9/2 4. The Hills of California — 15/2 5. English — 17/2 BEST PLAY REVIVAL 1. — 7/4 2. Eureka Day — 13/5 3. Our Town — 9/2 4. Romeo + Juliet — 5/1 BEST ACTRESS (PLAY) 1. Sarah Snook, — 29/20 2. Laura Donnelly, The Hills of California — 9/2 3. Sadie Sink, John Proctor Is the Villain — 5/1 4. LaTanya Richardson Jackson, Purpose — 6/1 5. Mia Farrow, The Roommate — 8/1 BEST ACTOR (PLAY) 1. Cole Escola, — 29/10 2. Jon Michael Hill, Purpose — 9/2 3. Daniel Dae Kim, Yellow Face — 5/1 4. George Clooney, Good Night, and Good Luck — 11/2 5. Louis McCartney, Stranger Things: The First Shadow — 7/1 6. Harry Lennix, Purpose — 8/1 BEST FEATURED ACTRESS (PLAY) 1. Jessica Hecht, — 11/5 2. Kara Young, Purpose — 53/20 3. Fina Strazza, John Proctor Is the Villain — 9/2 4. Marjan Neshat, English — 7/1 5. Tala Ashe, English — 8/1 BEST FEATURED ACTOR (PLAY) 1. Conrad Ricamora, — 46/25 2. Francis Jue, Yellow Face — 31/10 3. Gabriel Ebert, John Proctor Is the Villain — 5/1 4. Bob Odenkirk, Glengarry Glen Ross — 5/1 5. Glenn Davis, Purpose — 8/1 BEST DIRECTOR 1. — 39/20 2. John Proctor Is the Villain — 10/3 3. The Picture of Dorian Gray — 4/1 4. The Hills of California — 7/1 5. English — 17/2 BEST SCENIC DESIGN (PLAY) 1. — 17/10 2. Good Night, and Good Luck — 19/5 3. The Hills of California — 5/1 4. The Picture of Dorian Gray — 6/1 5. English — 17/2 BEST COSTUME DESIGN (PLAY) 1. — 41/20 2. The Picture of Dorian Gray — 11/4 3. Good Night, and Good Luck — 11/2 4. Stranger Things: The First Shadow — 13/2 5. The Hills of California — 7/1 BEST LIGHTING DESIGN (PLAY) 1. — 9/5 2. 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