Celebration in Aurora puts children in the spotlight
Saturday was a day for kids as the Aurora Hispanic Heritage Advisory Board hosted its annual El Dia de los Ninos celebration at West Aurora High School.
The four-hour community event centered on children featured book giveaways, arts and crafts, inflatables and games, food vendors, raffles and more.
Bianca Guzman of Aurora came to the celebration Saturday with her son Lorenzo, 2.
'This is something I wanted to do. I have Lorenzo now and he's a lot more active and into different activities and I'm trying to get him involved in the community,' Guzman said. 'Getting kids raised up and involved in the community, for them to do educational activities is important.'
Tony Martinez, who works for the city of Aurora and serves as the liaison to the Hispanic Heritage Advisory Board, said that the event in Aurora has been going on for more than a decade 'to celebrate the day of the children – how they are important to our society.'
'Children are important to our society and it's important to raise them to be the leaders of the future,' he said. 'It's a day for families to get together and we have food vendors, literary stations, games and more. We used to hold this outside but over the years it's always been raining, so we've moved it to an indoor location.'
The event has drawn 500 to 1,000 guests per year, a number that Martinez said has remained steady.
A mariachi band was brought back this year for the first time in a while, he said.
'We give out prizes and books as we have Disney characters and try to keep it fun for the family and all ages,' he said. 'At the end of the day we really want people to value the children in our community and what they do to contribute. We want to get them out in the community and know we're all together here in the city of Aurora.'
Vanessa Saenz of Batavia and her husband Daniel Lopez came to the event with their children and said this was their first time at the festival.
'We really care about cultural immersion for our children and making sure we are keeping tradition in their lives,' Vanessa Saenz said. 'That part of it is really important for us, bringing them to where they have the music, the food, the culture. It reinforces their background.'
Daniel Lopez noted that 'Dia de los Ninos is something that we celebrate as a community. We've done it my whole life growing up.'
'It's nice to pass along a little bit of us and keep the tradition going with the kids. It's a little bit different because we usually did it (the celebration) at church, so we weren't coming to a lot of events like this,' he said. 'This is something we want to expand on. It gets the kids out of the house and away from the TV and this keeps the momentum going.'
Jaimie Paprocki of Aurora was seen pushing her 6-month-old son Joel in a stroller while her 8-year-old son was inside playing at the festival.
'We wanted to bring the kids over and have some exposure to their culture and have some fun and be part of the community of Aurora,' she said. 'My son is going crazy in there. He went to the bounce castle and the obstacle course and he's having a blast. I think having a day to celebrate kids is spot on. It's showing kids they can come together more and we're celebrating them and showing we have a whole community behind them and getting their parents out and backing them as well.'
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Best Mary Poppins Behind The Scenes Facts
First, Walt Disney started going after the rights to adapt P.L. Travers' Mary Poppins in 1938, four years after the first book was published. However, Travers repeatedly refused to give over the rights. Over the next several years, Disney continued to send offer after offer to Travers in an attempt to adapt the book. In 1959 — 21 years after starting the pursuit — Travers finally agreed to have Mary Poppins adapted by Disney, but she would have "final say" on the script. According to the documentary, Supercalifragilisticexpialidocious: The Making of Mary Poppins, Disney personally flew to London in 1959 and met with Travers to once again try to convince her to let him adapt Mary Poppins. Speaking of the meeting, Travers reportedly said that talking to Disney was "like talking to a friendly, charming uncle who took from his pocket a gold pocketwatch and dangled it enticingly before your eyes." After working on adapting the book for two years, P.L. Travers came to Disney Studios and apparently "didn't like anything" that was written. In recordings and sketches from a 1961 meeting, Travers said, "The book should be read very carefully for accuracy." Some of the things she had a problem with were that Mary should "never be impolite to anybody," and she didn't like that the parents would start out harsh and not pay attention to their children so they could eventually have a "change of heart." In the documentary, Supercalifragilisticexpialidocious: The Making of Mary Poppins, composer Richard Sherman said the "key to the story" was the parents being so preoccupied with their own lives that there was a "need" for Mary Poppins to come, so it was essential that they start a little cold, especially the Travers signed off on the project and was billed as a consultant on the film. Mary Martin, Bette Davis, and Angela Lansbury were all considered for the role of Mary Poppins before Julie Andrews. When Disney did a sequel to the film in 2018, titled Mary Poppins Returns, Lansbury actually appeared as a woman selling balloons in the park. At the time, Martin was best known for her work on stage in South Pacific, Peter Pan, and The Sound of Music. Meanwhile, Davis was fresh off her renowned work in Now, Voyager and All About Eve, and Lansbury had just starred in The Picture of Dorian Gray. Julie Andrews caught the attention of the Sherman brothers and Walt Disney after they saw her in Camelot. After Andrews and Richard Burton performed "What Do The Simple Folk Do?" on The Ed Sullivan Show, Disney flew to NYC to see Camelot on Broadway. In an interview at the Mary Poppins premiere, Disney said, "I went backstage and I tried to convince her that I was capable of making a picture with live actors as well as cartoons. I didn't know what she thought of me." In an interview from 1973, Andrews recalled that Disney "started acting out the whole of the script of Mary Poppins" while visiting her backstage at Camelot. Then, Disney invited Andrews and her then-husband, Tony Walton, to Los Angeles to see the storyboards for the film. Walton, who was a costume and set designer, ultimately ended up working on Mary Poppins, too. Initially, it was unclear if Julie Andrews would be able to star in Mary Poppins because she was the logical choice to star in My Fair Lady, after she played Eliza Doolittle on the West End and Broadway. However, Jack Warner ultimately cast Audrey Hepburn, citing that they needed "a name" to carry the film. Ultimately, Andrews and Hepburn were pitted against each other all awards season, with Andrews winning both the Golden Globe and Oscar for Mary Poppins, and she even thanked Warner in her Golden Globes acceptance speech. In her speech, Andrews said, "Finally, my thanks to a man who made a wonderful movie and who made all of this possible in the first Jack Warner."Looking back on her career with the Hollywood Reporter in 2015, Andrews said the one thing she wished she had was a recorded version of her My Fair Lady to show her grandchildren. She also said that while she understood the decision, getting passed over for the film only reinforced the idea she had in her head that she wasn't "pretty enough" for movies. Dick Van Dyke "begged" Walt Disney to let him play Mr. Dawes Sr., according to Julie Andrews in her memoir Home Work. Van Dyke wanted the role of Dawes Sr. so badly that he reportedly offered to play it for free. Andrew wrote in her memoir, "[Disney] took Dick up on that offer, and also persuaded him to make a $4,000 donation to the California Institute of the Arts, which Walt had recently cofounded." Disney made Van Dyke screentest for the role, too, as a little joke. According to Andrews, "Word flew around the Studios that he had been hilarious, totally persuasive and completely unrecognizable." Dick Van Dyke calls his accent for Bert the "worst Cockney accent [he's] ever done." While filming Mary Poppins, he asked J. Pat O'Malley, an Irish actor who voiced some of the animated characters in the film, to help him with his accent. Van Dyke joked in 2012 that he "made up a story" that it wasn't a Cockney accent, but rather an accent from "a little obscure county in the north of England." He also said that to this day, British people will come up to him and tell him what a horrible accent he does as Bert in Mary Poppins. Artist Peter Ellenshaw hand-painted 100 matte paintings for the backdrops that are seen in Mary Poppins. For the cityscape of London at dusk, Ellenshaw purposefully put little holes in the painting so that lights could shine through the back to make it look like the lights in the city. He said, "The lights would all come on gradually all over the city, or appear to." He previously worked with Disney on Treasure Island and 20,000 Leagues Under the Sea. The first scene they filmed for Mary Poppins was the "Jolly Holiday" sequence, which means it was also the first thing Julie Andrews ever shot for a film in her career. In her memoir, Andrews recalled, "My first filmed scene simply required that I strike a pose, hands on my umbrella, while Bert said, 'You look very pretty today, Mary Poppins!' I then had to walk past him and say, 'Do you really think so?' I was extremely nervous and fretted over how to say that one simple line. I had no idea what my voice would sound like or how to appear natural on film." Bert and Mary walking arm-in-arm during "Jolly Holiday" was also one of the first pieces of choreography Andrews and Dick Van Dyke learned during rehearsals. Andrews said in her memoir, "I performed Mary Poppins's demure, ladylike version of the step — but Dick flung his long legs up so high that I burst out laughing. To this day, he can still execute that step." Over the course of the development of Mary Poppins, the Sherman brothers wrote around 32 songs, with only 14 making the final version of the movie. When they started working on the songs, there wasn't a script yet, so instead they worked off of P.L. Travers' book and used chapters to figure out what a song could be. Walt Disney's favorite song was "Feed The Birds." In one of the stories in the book, Mary Poppins spins a compass, and the Sherman brothers actually wrote songs for each of the places the compass lands on, like "North Pole Polka," "The Land of Sand," and melody for "The Land of Sand" was later used in The Jungle Book for "Trust In Me." Since Mary Poppins flies a lot, most of her costumes had to be duplicated in a larger size to accommodate the harness Julie Andrews had to wear. In her memoir, Andrews revealed, "This was a thick elastic body stocking, which started at my knees and ended above my waist. The flying wires passed through holes in the costume and were attached to steel panels on either hip." She continued, writing, "I literally did a lot of 'hanging around' between takes, and when I was suspended, the steel panels pressed on my hip bones, which became very bruised. Sheepskin was added, which helped, although it was barely enough, since I couldn't look too bulky." Since the penguins, fox, and more animated characters weren't actually on stage with the actors, cardboard cutouts were used in between takes so the actors would know where they should look and have the proper sightline before the cutouts were taken away to film the scene. The merry go round horses were the only things on set most of the time. In her memoir, Home Work, Julie Andrews recalled, "For the tea party under the willows with the penguin waiters, a cardboard penguin was placed on the table in front of me. Once I'd established the sightline, the penguin was taken away, and when cameras rolled, I had to pretend it was still there." In order to add in the penguins that Bert dances with during "Jolly Holiday," it was just Dick Van Dyke alone on the stage, and the animators then had to figure out how to add in the penguins after the footage was shot. Frank Thomas was the lead animator on the penguins. He previously worked on countless Disney animated movies like Snow White and the Seven Dwarfs, Bambi, Cinderella, and more. "When I get over on the stage, I'd say, 'Where am I going to put my penguins?'," Thomas recalled in the documentary, Supercalifragilisticexpialidocious: The Making of Mary Poppins. He continued, saying, "Because I would get the film of Dick actually doing the dance, here's hit feet flying all around and stepping on my penguins. How are you going to know ahead of time where he's going to be and where Dick Van Dyke's going to be? So I was losing more penguins every day. I had them duck, and I had them jump, and I had them get out of the way anyway they could." The entire "Jolly Holiday" and "Supercalifragilisticexpialidocious" scenes were created using the sodium vapor process. Instead of having the actors on a blue or green screen, which is common today, the actors were filmed against a white screen that was lit with yellow-hued sodium vapor lights. This process made it easier to isolate Julie Andrews, Dick Van Dyke, and the other actors from the background so the animators could animate both behind and next to them. Since they didn't film the scene against a blue backdrop, it also didn't put a limit on the colors that could be used in costumes, like Bert's blue bowtie and socks. Since "Step In Time" was such a demanding musical number, it was one of the few that required an extensive rehearsals. Dick Van Dyke revealed that it was a six week rehearsal process because it was "so complicated." He added, "It was amazing, the six weeks of rehearsal kind of got me into shape, and once we started shooting, I was ready." Van Dyke wasn't a trained dancer prior to Mary Poppins. Van Dyke told Conan O'Brien in 2012 that he asked Gower Champion, who was the chroegpraher for Bye By Birdie, which he starred in on Broadway and in the film, to help him learn to dance. He's loved dancing ever since. Mary's magic carpet bag was created by combining footage of Julie Andrews on a soundstage getting fed items up through the bag by a crew member hiding below the table, and footage of Karen Dotrice and Matthew Garber reacting to a clear table as Jane and Michael. Dotrice recalled, "We didn't know she was going to pull all of this stuff out of it! We were told to react to what she was taking out of the carpet bag. All of the things she pulled out of that carpet bag were a complete shock." She added, "Our reactions were completely genuine ... It was very exciting." In order to film the moment when Mary, Bert, Jane, and Michael climb the staircase made out of smoke, the crew created what was called "the black sponge stairs." On set, it was a seemingly ordinary staircase, but the stair treads were made of a sponge-like material so the actors' feet would slightly sink in, as if they were walking on the smoke. In a documentary, Karen Dotrice recalled filming the moment, saying, "I don't know how many takes it took to walk up that smoke staircase because we're following Julie holding broomsticks, walking up this smoke screen staircase, but it was like sinking." For the tea party with Uncle Albert, played by Ed Wynn, the sets were recreated a few different ways to help film the moment when everyone is floating and spinning in the air while laughing. The set was tilted 90 degrees in various directions, so the roof would be in a different spot, even with the ceiling being upside down at one point. Depending on the camera angle, the actors were either suspended on wires or sitting on a seesaw on top of a ladder, if it was a close-up. In the documentary, Supercalifragilisticexpialidocious: The Making of Mary Poppins, Tony Walton recalled, "Walt [Disney] himself came up with the technical approach to achieve the fact that they are laughing, [and] they are all floating about in the air." "Practically Perfect" was a song that was initially going to introduce Mary Poppins; however, it was cut from the film. Instead, the melody was repurposed into "Sister Suffragette," which Mrs. Banks sings. When Glynis Johns was brought in to play Mrs. Banks, she actually requested she have her own musical number, which is how "Sister Suffragette" was born. In a documentary about Mary Poppins, Johns revealed, "I said to Walt [Disney], it might give me incentive, if I could have my own little number." Richard Sherman said that after that, Disney leaned over to her and said they just finished a number for Mrs. Banks, and she'll love it. At the time, Richard and Robert hadn't even written the musical number yet. "The Chimpanzoo" was a song that was originally going to follow "I Love to Laugh" and was going to be sung by Julie Andrews while Mary, Bert, and the children were floating in the air at Uncle Albert's. The whole scene was developed but the number was scrapped the day recording on the song was going to take place. Richard Sherman revealed that Walt Disney felt the sequence wasn't necessary, and instead, after "I Love to Laugh," they all joke while drinking tea and then float down to the floor. And finally, costume designer Tony Walton hid little Easter eggs and details into the lining of Mary Poppins' outfits. In an interview with Vanity Fair in 2022, Julie Andrews revealed, "He said, 'You know, you're very prim and proper on the outside, but I think Mary Poppins has a kind of secret life, maybe, and I'm gonna give her, when you open your coat or when you turn and dance, you'll see marvelously-colored petticoats and wonderful linings of your clothes.'" Andrews said Walton's approach to the costumes helped her discover who Mary really was. She told Vanity Fair, "He said, 'Because I think that's what gives her pleasure. Very formal on the outside and a little bit wicked on the inside, so to speak.' And it completely gave me a clue as to her character. Big, big help for me." Is there another Mary Poppins behind-the-scenes fact that you love that isn't mentioned above? Tell us about it in the comments below!
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Jim Henson's Daughter Makes Rare Public Appearance to Join Fans at the Closing of Muppet Vision 3D at Disney World
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25 Disney And Universal Theme Park Essentials
Hey guys! I'm Samar Hadri, a BuzzFeed shopping writer and Orlando, Florida native 🍊. I've been a Disney World *and* Universal Studios Annual Passholder for well over a decade (I may or may not have even gotten married at Disney 😅), so yeah, I'm something of a theme park expert. These are the products that I've tried and can recommend firsthand to make sure your amusement park experience is as smooth and stress-free as possible. With these products, you can feel prepared for almost any situation that pops up during a full day of trudging through the parks. First things first, a mid-size sling backpack to carry all of your essentials, while being small enough to fit in the pouch of whichever rides you love the most. With several compartments inside the bag, as well as a front pouch on the strap, you can keep everything incredibly organized to cut down on the time it takes for you to dig for your phone for spontaneous photos or sunscreen for your two-hour reapplications. Plus, it even has mesh pockets for your water bottle and umbrella! A reusable rain poncho for the buckets of water that can suddenly, without warning, drop from the Florida skies. With a long body piece and a big hooded cap, this poncho will keep you dry head to toe. It also comes with a matching carrying case so you don't have to worry about lugging a drenched poncho around the park after your excursion down a "waterfall" at Kali River Rapids in Animal Kingdom. A four-pack of cooling towels because that Florida sun can be brutal. Just soak it in some cold water at any sink/water fountain, wring it, and place it on your neck for some much-needed relief! These towels will stay chilly for several hours, saving you from having to refresh in every country you pass through in Epcot. Bonus: each towel comes with a carrying pouch and a carabiner clip, so you can just clip it onto your backpack for easy access! A Disney ear holder that clips onto your backpack for the times when your head is tired of propping up those famous Mickey ears (or new Universal headbands!), but you still want them on public display. With the ability to hold up to two ears, this strap is great for parents when your little ones might be over wearing the ears, and you don't want them to take up any space in your bag. A trendy pair of polarized sunglasses to block out the sun's rays while you're enjoying the weather. No need to fear losing these bad boys while aboard Hagrid's Motorbike Adventure at Universal; these polarized glasses (while cute) are extremely affordable, so you can even keep a backup pair on hand in case Fluffy happens to board your ride and run away with your original pair! A handheld fan that will bring some much-needed cooling relief as you trek your way through your favorite rides. Small and compact, with two different speed functions, this fan is a necessity, especially during the height of summer. No need to let the humidity ruin your day, this FAN-tastic device will ensure your vacation remains as cool as can be. (Plus: the fan also works as a backup portable charger!) And a stroller fan so that your little one stays cool in the heat as well! The fan's head can adjust vertically and horizontally in any direction to create the perfect cooling breeze, while also having three speeds so you can ensure your baby is the perfect temperature. Now, the fear of your child overheating can disappear as swiftly as Peter Pan at the sight of an adult! A four-pack of reusable straws because absolutely nobody enjoys the taste of the soggy paper straws that grace every Disney concession stand and restaurant. 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A two-pack of reusable snack bags because sometimes hunger pangs hit right in the middle of a line, when exiting to purchase a bite to eat is pretty much impossible. These bags come with a zippered closure and are made from waterproof fabric, so no need to fear the splatters from Tiana's Bayou Adventure tainting your go-to snack. A foldable water bottle that will take up little space and be the hydrating savior of your park day. Buying several bottles of water while inside the park will get expensive FAST, so having a refillable bottle on hand is key, especially when they can roll into a small size so that they don't take up too much room. A much-needed addition to your park essentials when you find yourself incredibly thirsty while waiting to meet Toothless. A 10-pack of mosquito-repellent bracelets you will be incredibly grateful you packed when love-bug season hits Florida. Powered by essential oils such as citronella, these bands can help repel the pests without the need to douse yourself in bug spray several times a day. No mosquito will dare approach you as you embark on your theme park adventures; these bracelets will help keep the creepy-crawlies far, far away! A tube of Neutrogena Ultrasheer SPF 70 sunscreen to protect your skin from the harsh rays of the sun. This lightweight formula helps prevent sunburn without the heavy finish and is conveniently travel-sized, making it the perfect addition to your pre-Disney routine. With this lotion, the only sun you need to fear is the one that comes barreling toward you on Guardians of the Galaxy: Cosmic Rewind. A pack of compression socks that can help your circulation, foot swelling, and pain, and make it easier for you to hike across the Magic Kingdom parking lot. You can say goodbye to the days of leg swelling and hello to *sweet* relief as you march countless miles each day of your trip. Don't let the potential pain stop you from having the time of your life at the Happiest Place on Earth! A Color Wow Dreamcoat anti-frizz hairspray to maintain those picture-perfect locks, despite the heat! This spray repels moisture to stop humidity from impacting your hair, leaving your hair feeling smooth and silky. Just spray it liberally on damp, towel-dried hair, then blow dry for the finishing touch. With this spray, your blowout will stay as perfect as Princess Belle herself! A Burt's Bees after-sun lotion perfect for bringing some relief to any sunburns that may occur while you're skipping across Tomorrow Land. With aloe and coconut oil, this skin lotion can soothe and bring hydrating relief to your sun-kissed skin. An Anker portable charger because you will be constantly using your phone to check the wait times, plan ahead with your Genie+, or just playing Charades with your family (or random strangers) while stuck in a line. Don't let its slim exterior fool you; this device is one of the highest reviewed power banks on Amazon for a reason. It can charge a smartphone up to three times while still being light enough to comfortably carry around Hollywood Studios as you search for hidden Mickeys! A pill organizer to keep all of your meds on hand so that you're not trying to dig through your bag for different bottles. With eight multi-size compartments, this carrier can safely store any size pill or vitamin you need. Small enough to fit in your pocket, this organizer will be your saving grace as you attempt to squeeze in just one more plushy from the Emporium into your bag. A travel umbrella designed to block out both the constant Florida showers and the overbearing midday sun. This is a heavy-duty umbrella has eight sturdy fiberglass ribs, making it incredibly wind-resistant, while still being able to fold into a small size. Don't miss your chance to join the line for Pandora's Flight of Passage just because of a little rain, this umbrella will help you make the most of your day no matter the weather! A set of travel perfume carriers that can hold all of your favorite eau de parfums as you make your way around The Isle of Berk. After sweating under the sun for a whole day, you will be happy you packed these sprays so that you can refresh yourself at your convenience. A Miss Mouth's stain remover spray to help wipe away the Mickey Ice Cream Bar residue from your little one's shorts. Designed to remove even the toughest of stains, this spray is a necessity when wrangling your family through the parks while attempting to keep their clothes Instagram-worthy. A three-pack of Disney-inspired lanyards so your family can keep their key cards strapped close to them at all times. With pouches to hold any additional cards or cash, these are great for anyone trying to waltz around Disney without the feeling of being weighed down by a wallet. Perhaps one of the most important items on this list, these ID holders are necessary for those who tend to misplace things more often than not. A pair of aqua socks to protect your feet and save you from any pool slipping incidents while at Typhoon Lagoon or Volcano Bay. Super lightweight and flexible, these socks are perfect for your water excursions during your ultimate Disney vacation! A hand sanitizer holder because you should always have one on hand when you're in a place as crowded as Disney or Universal. Hook these cute keychains to your backpack and don't fear losing them on the monorail, your favorite scented sanitizer is always close by! Ta-da! I declare you ready for your theme park adventure!
