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A new cruise ship has scored pole position at the famous Monaco Grand Prix

A new cruise ship has scored pole position at the famous Monaco Grand Prix

The Advertiser02-05-2025

The Netflix series
Drive to Survive
turned a lot of people into Formula 1 fans, but the motorsport has been linked to cruising for decades. The prestigious Monaco Grand Prix, held every May, is a popular part of luxury cruise itineraries. Windstar pioneered Grand Prix cruises in the 1990s, but a new line has scored pole position.

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Charlie Vickers on ‘The Survivors', Building Character and Coming Home
Charlie Vickers on ‘The Survivors', Building Character and Coming Home

Man of Many

time8 hours ago

  • Man of Many

Charlie Vickers on ‘The Survivors', Building Character and Coming Home

By Dean Blake - News Published: 6 June 2025 |Last Updated: 4 June 2025 Share Copy Link Readtime: 10 min Every product is carefully selected by our editors and experts. If you buy from a link, we may earn a commission. Learn more. For more information on how we test products, click here. Charlie Vickers is on the rise. After an impressively devilish rendition of Middle-Earth's Sauron in Rings of Power, the Aussie actor is returning home to star in Netflix's The Survivors: an adaptation of Jane Harper's novel of the same name that focuses on the small, coastal town of Evelyn Bay and a series of deaths that echo through the years. In some ways, The Survivors was a particularly personal project for Vickers, who saw his own echoes in the show—a big-town man returning to his small-town roots—and who connected with the inherent Australianness of it all. Since studying acting at the College of Speech and Drama in London, Vickers has been largely living overseas, and the opportunity to return home, especially for a script he felt excited by, was too good to pass up. We caught up with Vickers ahead of The Survivors launch on Netflix on 6 June to talk though what drew him to the project, how he got started in acting, and what it was like coming back to Australia. Charlie Vickers in 'The Survivors' | Image: Netflix To start with, I wanted to get an idea of what it was about The Survivors that got you excited. What sold you on being a part of it? I love shows that adapt novels, really. The Survivors is a novel that I hadn't read, but I'd read a few other books by Jane Harper and this just sounded like a really fun adventure to be able to go on. So when I had the opportunity to potentially do it, I thought, 'It's in Tasmania, I grew up in Melbourne, but I'd somehow never been to Tasmania,' and being able to work with a whole bunch of new, amazing people and having Tony in charge of the whole project got me really excited. Also, just being able to be part of an Australian story. It's quintessentially Australian. I live in the UK now so I want to do as many Australian projects as possible, and this was such an enticing opportunity, really. The character of the town, although it's fictional, its kind of its own character in this story, and being able to film so much of it on location got me really excited. I also thought the story was interesting, and the way the script adapted the novel made me quite interested. It's quite cool seeing small-town Australia highlighted—I wanted to ask about that. Was that part of the charm for you? Is that something that reminds you of your childhood in Australia? In a way, it is . There are a huge amount of similarities between Tasmania and Victoria, and I grew up in a small coastal town exactly like . It's funny, the character of Kieran is still quite far away from who I am but he's also returning from a big city, in his case Sydney, to his childhood town, and there was a bit of familiarity there for me. I live overseas in a big city and often find myself coming back to my small, coastal town, and I think my son was about 6 months old when I was filming this, and he has a 4 month old, so there was a lot of 'world's colliding'. Having the opportunity to tell a story set in a coastal town, and you have all the dynamics . I was watching the show with my brother the other day, and he said 'god, some of these characters feel like they could be from our home town', it's crazy. Charlie Vickers in 'The Survivors' | Image: Netflix I wanted to get an idea of what you look for in a role? There's no shared characteristics of any roles , I often look for something that when I read it I get inspired, or I get excited by the idea of doing it. These roles can be completely different, but the thing they share is that I think I can bring something to the project: it has to ignite my imagination, reading it. Those kinds of jobs are few and far between, that make you excited, and this was one of those jobs. I've played quite a lot of villains in my career so far, but that's just coincidental and because of the material I've been given. How do you find your characters? When you're given a script or a treatment, how do you go about turning those words into action? For me, I try to keep it as simple as possible. I don't properly believe in the idea of 'character'. It's useful to use it in terms of referring to the character of Kieran, for example, but his 'character' is just the sum of a whole bunch of little moments. So I try not to look at things through a wide-angle lens, you know? And sometimes I watch the final product of things and find that 'oh wow, he's an entirely different person to how I had imagined him', because I tend to approach it from a moment to moment basis, and react to the circumstances he's in, and try to play to each moment truthfully, and then that paints a bigger picture of this character's life during the time period on screen. The only thing you have to be mindful of, I guess, is to think of the journey of the character throughout the show, but the specificity of each moment we see creates the 'character', I think. Charlie Vickers in 'The Survivors' | Image: Netflix Beyond being able to come back to Australia, what was the highlight of the filming process for The Survivors? There were so many. I loved being able to be in a really special place, Tasmania, that I'd never been to, with a whole bunch of amazing actors and creatives. To be able to work with these people made it an amazing experience: Actors that I've watched since I was a kid on screen. People like Damien or Robyn or Catherine and then there's this whole other amazing generation of actors like Yerin , Jess , Thom and George , and I think that's what I really love about projects. I've been really fortunate in my career in that you can just kind of go somewhere for six months and work on something and be fully immersed in the world of whatever you're doing, and then you get to move on and some of the relationships endure. That's the lasting memory of working in Tasmania : the combination of the location and the people. It was probably really good to have that filming location be somewhere you'd never been but also being very familiar in a way. Exactly, I don't know why I'd never been to Tasmania, but it really does feel different. There's an atmospheric quality to that place that is inherent, just when you're walking around. The energy there can be heavy, and I'm sure that's what Jane was trying to tap into when she wrote the novel. You mentioned earlier that you've enjoyed doing adaptations of novels, and you've done quite a few of them at this point: is there any book adaptations that you'd love to work on? I love Tim Winton's novels, and I read The Shepherds Hut recently, and also The Riders, and Eyrie, which is about a retired climate worker that lives in Freemantle, and I just think his stories are so evocatively written and I'd love to be a part of an adaptation of one of those novels on screen. I think they're pretty rarely adapted, though, and the adaptation process to take a novel to screen is often a really complex one. Those novels, when I read them, I really connected to a few of the characters and thought it'd be really cool to be a part of. I love imagining the world, that's part of the amazing thing about reading books. Charlie Vickers in 'The Survivors' | Image: Netflix You've worked in a few genres so far – is there anything you'd want to do that you haven't been given the chance to yet? It's quite a boring answer, but I'm lucky that I've been given the chance to work on bigger productions and smaller productions and things that are in pretty wildly contrasting genres that I don't really have that itch to do anything in particular. I just kind of want to work on stories that are exciting, the genre could be anything, really. If it's something that creatively inspires me, I'd be keen to do it, but there's no particular world I want to jump into anymore: which is nice, it's a nice place to be. How did you get started in acting? I did a lot of plays at school. I remember being in year 12, and I was playing Richard the 3rd in our school production of it, and it was the same year it was being done by the Melbourne Theatre Company, and Ewen Leslie was playing Richard the 3rd, and I remember going to see it and just thinking 'wow, that's so much better than what I'm doing', and thinking 'I'd love to be able to do that one day'. I remember that moment of 'wouldn't it be cool to be an actor', but then I never found it to be an accessible path. I think I was afraid. I knew you could go and audition for drama school, it just didn't seem to be a thing that was in my world, it didn't feel possible to me: getting in to a drama school and then going on to be an actor, so I didn't do it for a few years after school finished. In those intervening years I was studying a music/business degree, and while I loved uni and being around my mates and that whole period of my life, but I was really just treading water. I had no idea what I was doing, and throughout Uni I was doing amateur theatre productions. Melbourne Uni has this amazing theatre called the Union Theatre, so I did a lot of work there. Eventually, I drummed up the courage to do it, and that changed my life. I thought, maybe I should just have a go at trying for a drama school because I really didn't know what I was doing. The school I went to, the Central School of Speech and Drama in London, they come and do audition weekends in Sydney, and I decided I was going to go to it. I flew up and didn't tell anyone because I was afraid of telling people I auditioned and I didn't get in, so I did the audition over a weekend and then found out six weeks later that I'd got in, and then had to decide whether I wanted to uproot my life or did I want to wait until the end of the year and maybe try some of the Australian schools. But when you get into a drama school, it's so unlikely in the first place that I just thought I have to take this opportunity – it might not happen again. So yeah, I moved to London, and that was really the moment the direction of my life changed. The Survivors launches exclusively on Netflix on 6 June.

‘I can't coach Queensland': Cheika on trophies, Aussie snubs and a future in league
‘I can't coach Queensland': Cheika on trophies, Aussie snubs and a future in league

Sydney Morning Herald

time9 hours ago

  • Sydney Morning Herald

‘I can't coach Queensland': Cheika on trophies, Aussie snubs and a future in league

'The whole turnaround thing, which has been something I've done always pretty much, you know, trying to do that in the year, I released I probably needed to accelerate a few things.' The Tigers have won eight of twelve games since. English style In his first season coaching in England, Cheika has been surprised, and impressed, with the amount of expansive rugby he has encountered. Though once considered a kick-heavy, forward-dominated competition, the average per-game tries in the Premiership now sits just under that of Super Rugby. 'It surprised me,' he said. 'There's some teams over here that are playing some extremely expansive footy. Like to a point where you've got to strategise defensively differently in order to cope with it 'There's a few others that are playing a lot less kicking and a lot of running from everywhere. It's been an interesting, good challenge for me to have to – I always thought I was the guy who was involved with the teams that are running the most, and I was probably the guy who's running the team that's running one of the least.' Hob-nobbing in Monaco Cheika and Kidwell found themselves with a close-up view of a high-performing Aussie in action – Oscar Piastri – when, via a coaching mentoring group, they were invited into the McLaren garage during qualifying at the Monaco Grand Prix in May. 'The whole day there, you know, they were so kind to us,' he said. 'They've got a really interesting set-up. They gave access to so many interesting people for the day. I'm hoping that I'll get another chance to go in with them again in the near future, because it's a very different sport to ours, but there's a lot of crossover in the human management of people and in the key moments, and they have so many key moments in that world. So it was great.' Homeward bound Cheika has made no secret of his interest in pursuing a coaching opportunity in the NRL, after working with the Roosters and coaching Lebanon at the Rugby League World Cup in 2022. He has been linked to the Dragons, Souths and the Eels, and will resume duties with the Cedars later this year. But, mindful of the peril of becoming the guy floated for every NRL job vacancy, Cheika deflects when asked if interested in coaching the new PNG franchise in 2028. 'I've got some experience ... but I understand totally I am a bit of an outlier,' Cheika said. 'I'm sort of an outsider in both games, a bit, mate. 'I'm going to be pushing for that opportunity, but only in a way that if there's a club there that thinks they need the skill set I have, and along with the team that can put together, et cetera. That's how will work out. 'It's not something where I will go and put my CV in for everything that comes up. It's got to be if the team wants you, and sees the skill set you have and if that alignment occurs from the top. 'If that happens in league, that would be awesome because to master that challenge, that would be huge.' Rugby future With Rugby Australia focused soberly on stability and aligned high performance, the opinionated Cheika appears to be viewed as a square peg. And the still-smouldering second stint of Eddie Jones is also no help, either. 'It's pretty clear what their opinion is,' Cheika said. 'And I am not saying that in a negative way. That's the management decision, so that's fine. I have to then assess my options accordingly.' Loading He believes the meeting with Waugh about the Wallabies job at a Milson Point restaurant was 'never a serious thing', and probably done out of respect for the third party who lined it up. 'It got put in a very public place, and it got out pretty publicly. As soon as that happened, I thought, oh, ok, this isn't too fair dinkum,' he said. Cheika said he'll return home and then figure out his coaching future, be it in league or overseas rugby, where he has options to explore if interested. 'But I've got my businesses and stuff which I can get involved in and wait and see what unfolds,' Cheika said. 'I've got other opportunities [in Europe], but I actually want to go back and see my people and my family. 'I'm really grateful to my wife and kids. They've been so good about the whole thing, you know, moving around, supporting different teams. 'So maybe I will go back for a while, and then see what happens. I have no set plans at the moment.' There are some options on the horizon in Australian rugby, despite Cheika's view. Simon Cron has a year left on his contract at the Western Force, and Kiss' promotion means the Reds are now in the market for a head coach for 2027. But with sky-blue blood, Cheika has an old-school view on the notion of coaching Queensland. 'I can't coach Queensland,' Cheika says. 'No, seriously, I couldn't. It would be like me going to coach Munster against Leinster. Loading 'I understand it's a professional game and all that business. I get it. And I respect the guys at Queensland, I like (QRU chief executive) Dave Hanham a lot. He's a top fellow and they're good guys, and a good team. A great team, right? 'But there are just some rivalries … like, why would you disrespect the people from Waratahs that were on that journey back then (in 2013-2015)? 'I couldn't. I don't think it's right. I just don't think it would be the right thing to do. 'But that's me. I'm like that.'

‘I can't coach Queensland': Cheika on trophies, Aussie snubs and a future in league
‘I can't coach Queensland': Cheika on trophies, Aussie snubs and a future in league

The Age

time9 hours ago

  • The Age

‘I can't coach Queensland': Cheika on trophies, Aussie snubs and a future in league

'The whole turnaround thing, which has been something I've done always pretty much, you know, trying to do that in the year, I released I probably needed to accelerate a few things.' The Tigers have won eight of twelve games since. English style In his first season coaching in England, Cheika has been surprised, and impressed, with the amount of expansive rugby he has encountered. Though once considered a kick-heavy, forward-dominated competition, the average per-game tries in the Premiership now sits just under that of Super Rugby. 'It surprised me,' he said. 'There's some teams over here that are playing some extremely expansive footy. Like to a point where you've got to strategise defensively differently in order to cope with it 'There's a few others that are playing a lot less kicking and a lot of running from everywhere. It's been an interesting, good challenge for me to have to – I always thought I was the guy who was involved with the teams that are running the most, and I was probably the guy who's running the team that's running one of the least.' Hob-nobbing in Monaco Cheika and Kidwell found themselves with a close-up view of a high-performing Aussie in action – Oscar Piastri – when, via a coaching mentoring group, they were invited into the McLaren garage during qualifying at the Monaco Grand Prix in May. 'The whole day there, you know, they were so kind to us,' he said. 'They've got a really interesting set-up. They gave access to so many interesting people for the day. I'm hoping that I'll get another chance to go in with them again in the near future, because it's a very different sport to ours, but there's a lot of crossover in the human management of people and in the key moments, and they have so many key moments in that world. So it was great.' Homeward bound Cheika has made no secret of his interest in pursuing a coaching opportunity in the NRL, after working with the Roosters and coaching Lebanon at the Rugby League World Cup in 2022. He has been linked to the Dragons, Souths and the Eels, and will resume duties with the Cedars later this year. But, mindful of the peril of becoming the guy floated for every NRL job vacancy, Cheika deflects when asked if interested in coaching the new PNG franchise in 2028. 'I've got some experience ... but I understand totally I am a bit of an outlier,' Cheika said. 'I'm sort of an outsider in both games, a bit, mate. 'I'm going to be pushing for that opportunity, but only in a way that if there's a club there that thinks they need the skill set I have, and along with the team that can put together, et cetera. That's how will work out. 'It's not something where I will go and put my CV in for everything that comes up. It's got to be if the team wants you, and sees the skill set you have and if that alignment occurs from the top. 'If that happens in league, that would be awesome because to master that challenge, that would be huge.' Rugby future With Rugby Australia focused soberly on stability and aligned high performance, the opinionated Cheika appears to be viewed as a square peg. And the still-smouldering second stint of Eddie Jones is also no help, either. 'It's pretty clear what their opinion is,' Cheika said. 'And I am not saying that in a negative way. That's the management decision, so that's fine. I have to then assess my options accordingly.' Loading He believes the meeting with Waugh about the Wallabies job at a Milson Point restaurant was 'never a serious thing', and probably done out of respect for the third party who lined it up. 'It got put in a very public place, and it got out pretty publicly. As soon as that happened, I thought, oh, ok, this isn't too fair dinkum,' he said. Cheika said he'll return home and then figure out his coaching future, be it in league or overseas rugby, where he has options to explore if interested. 'But I've got my businesses and stuff which I can get involved in and wait and see what unfolds,' Cheika said. 'I've got other opportunities [in Europe], but I actually want to go back and see my people and my family. 'I'm really grateful to my wife and kids. They've been so good about the whole thing, you know, moving around, supporting different teams. 'So maybe I will go back for a while, and then see what happens. I have no set plans at the moment.' There are some options on the horizon in Australian rugby, despite Cheika's view. Simon Cron has a year left on his contract at the Western Force, and Kiss' promotion means the Reds are now in the market for a head coach for 2027. But with sky-blue blood, Cheika has an old-school view on the notion of coaching Queensland. 'I can't coach Queensland,' Cheika says. 'No, seriously, I couldn't. It would be like me going to coach Munster against Leinster. Loading 'I understand it's a professional game and all that business. I get it. And I respect the guys at Queensland, I like (QRU chief executive) Dave Hanham a lot. He's a top fellow and they're good guys, and a good team. A great team, right? 'But there are just some rivalries … like, why would you disrespect the people from Waratahs that were on that journey back then (in 2013-2015)? 'I couldn't. I don't think it's right. I just don't think it would be the right thing to do. 'But that's me. I'm like that.'

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