
Gaurav Gupta reveals BTS photos and inspiration behind Aishwarya Rai's stunning Cannes ensemble
Above Aishwarya Rai Bachchan x Gaurav Gupta couture (Photo: courtesy of Gaurav Gupta Couture)
Offering fashion enthusiasts a look at unexpected details, Gupta highlighted the Banarasi brocade cape, which was handwoven in Varanasi, India. Embroidered into the back of the cape was a deeply personal Sanskrit shloka (verse) from the Bhagavad Gita . The shloka reads: 'कर्मण्येवाधिकारस्ते र्ा फलेषु कदाचन।' which means, 'You have a right to perform your actions, but not to the fruits of those actions'. Gupta emphasised this was 'not just decoration — it's intention'. He added that the cape grounds the look in heritage, creating an exciting contrast with the gown's galactic form.
Also read: The visionary designs of Gaurav Gupta
Above Aishwarya Rai Bachchan's look in this custom Gaurav Gupta creation is being hailed as a fashion comeback by many (Photo: courtesy of Gaurav Gupta Couture)
Comparing this look to her previous viral Birth of Venus moment at Cannes in 2022—which was part of the Gaurav Gupta couture collection from that year—Gupta drew a clear distinction. While the 2022 look was 'cinematic — dramatic, fluid and full of movement, this year's creation is the opposite, it's intentionally quiet'. He hopes this ensemble will lead people to see Rai 'in a new light — not just as a beauty icon, but as a monument', describing it as 'the kind of look that speaks softly, but stays with you'.
The ensemble has been widely celebrated as a major Cannes comeback moment for Rai, who delivered elegance without excess, like a queen.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Vogue Arabia
7 days ago
- Vogue Arabia
First Look: Janhvi Kapoor Makes her Cannes Film Festival Debut
Janhvi is the 28-year-old daughter of Bollywood producer Boney Kapoor and late actress Sridevi. Her sister Khushi Kapoor is also an actress, as is her cousin, Sonam Kapoor. She has appeared in over a dozen films since making her acting debut in 2018, and has also starred on runways for labels like Rahul Mishra, Amit Aggarwal and Kalki at Lakme Fashion Week in India. For her first-ever red carpet look at Cannes, she placed her trust in Tahiliani and her cousin – stylist Rhea Kapoor – to conceptualise the outfit. 'I think she [Rhea] really wanted to bring out a side of me that hasn't been explored much, and focus more on my face and on how she sees me,' Janhvi explains. Making the dress: Tarun Tahiliani Making the dress: Tarun Tahiliani For both of the Kapoors, it was important that Janhvi wear an Indian designer for her first Cannes appearance. 'I really think it's their time to shine. I mean, I've known this for a really long time,' says the actress. 'A lot of the textiles that are put on these international garments, on these international red carpets, on these huge Western actors or huge global stars from all around the world have been textiles that were manufactured and created in India by Indian and craftsmen. So I think it is high time that's put on a global stage and our designers are given the kind of credit that they deserve," she adds, pointing out that the Met Gala last month saw a great turnout of Indian designers, from Sabyasachi to Gaurav Gupta and Prabal Gurung. 'I think I look the best and I feel my most comfortable in Indian clothes. And if I'm being put on a global stage like this, I'd like to feel my most comfortable and confident. So it was honestly a very organic decision for me.' 'Specifically for the film that I've come here with, it was important for me to stay in touch with my roots,' continues Janhvi, who is in Cannes for the premiere of her film, Homebound, directed by Neeraj Ghaywan. Also starring Ishaan Khatter and Vishal Jethwa, it tells the story of two friends from a village in North India who find their friendship impacted when they pursue jobs as police officers. Janhvi says that although the plot is rooted in India, it has global relevance. 'It's a story that I think is the need of the hour. It invites people to introspect at being perpetrators, or at the receiving end of any sort of social exclusion, which I think is a human tragedy that's occurring all around the world in different countries," she shares. "It's an observational piece on different sorts of social hierarchies, and a study of human nature.' This content can also be viewed on the site it originates from. Keeping these themes in mind, she gave Rhea a brief about the film, and expressed the kind of energy she wanted to embody, in terms of being taken 'a little more seriously' for her Cannes debut. And while Janhvi acknowledges that fashion is a massive aspect of the festival, she points out that the event is ultimately about the movies being honoured. 'I really wanted the attention to stay on the fact that we're here representing a film,' she says. 'It's a huge opportunity to even be in the vicinity of so many artists that I admire and look up to, and the fact that our movie is in competition is nerve-wracking, but very exciting. I'm thrilled, and constantly pinching myself.'


Tatler Asia
27-05-2025
- Tatler Asia
Cannes standing ovations: which films got the loudest love (and lived up to it)?
'Fahrenheit 9/11' (2004) Above Controversial, polarising and a Cannes Palme d'Or winner Cannes reception: The standing ovation for Michael Moore's polarising documentary about the events that led up to the 9/11 terrorist attacks reportedly clocked in at 20 minutes. The documentary took home the Palme d'Or—Cannes' highest honour—becoming only the second documentary ever to do so. Post-Cannes performance: It made history at the box office, becoming the highest-earning documentary ever with over US$222 million in box-office receipts globally. Controversies and detractors aside, it fuelled political discourse and reshaped how audiences and filmmakers engaged with the documentary genre. 'Sentimental Value' (2025) Above This Cannes favourite is already being called one of the best movies of the year Cannes reception: Earning a reported 19-minute standing ovation, Joachim Trier's Norwegian-language family drama made a powerful impression at this year's festival. Not only did it secure the third-longest ovation on record, it also took home the coveted Grand Prix—Cannes' second-highest honour. Post-Cannes performance: How it does beyond Cannes has yet to be seen, but critics are already calling it one of the best films of the year. Winning the Grand Prix has also secured its chances for worldwide release and positioned it as a strong contender for future awards season. 'Mud' (2012) Above 'The McConaissance' started at the 2012 Cannes Film Festival. Cannes reception: Jeff Nichols' moody coming-of-age tale—often described as having echoes of Mark Twain and starring Matthew McConaughey and Reese Witherspoon—earned an impressive 18-minute standing ovation at its Cannes premiere. Post-Cannes performance: The indie film was well received by critics and performed respectably at the box office, earning US$32 million worldwide against a reported US$10 million budget. It's also widely credited for what's been called 'The McConaissance'—Matthew McConaughey's comeback and shift to more serious roles. After Mud , he starred in other critically acclaimed projects including Dallas Buyers Club , Interstellar and True Detective . 'The Neon Demon' (2016) Above Praised for its stunning visuals, criticised for its weak plot Cannes reception: The polarising psychological horror film about the dark side of the modelling industry from director Nicolas Winding Refn was met with a 17-minute standing ovation at Cannes. Post-Cannes performance: The movie's reception was as divisive as it was at Cannes. While some praised its striking visuals and star Elle Fanning's electric performance, many found the plot paper-thin and the violence unnecessarily excessive.


Tatler Asia
26-05-2025
- Tatler Asia
Gaurav Gupta reveals BTS photos and inspiration behind Aishwarya Rai's stunning Cannes ensemble
Above Aishwarya Rai Bachchan x Gaurav Gupta couture (Photo: courtesy of Gaurav Gupta Couture) Offering fashion enthusiasts a look at unexpected details, Gupta highlighted the Banarasi brocade cape, which was handwoven in Varanasi, India. Embroidered into the back of the cape was a deeply personal Sanskrit shloka (verse) from the Bhagavad Gita . The shloka reads: 'कर्मण्येवाधिकारस्ते र्ा फलेषु कदाचन।' which means, 'You have a right to perform your actions, but not to the fruits of those actions'. Gupta emphasised this was 'not just decoration — it's intention'. He added that the cape grounds the look in heritage, creating an exciting contrast with the gown's galactic form. Also read: The visionary designs of Gaurav Gupta Above Aishwarya Rai Bachchan's look in this custom Gaurav Gupta creation is being hailed as a fashion comeback by many (Photo: courtesy of Gaurav Gupta Couture) Comparing this look to her previous viral Birth of Venus moment at Cannes in 2022—which was part of the Gaurav Gupta couture collection from that year—Gupta drew a clear distinction. While the 2022 look was 'cinematic — dramatic, fluid and full of movement, this year's creation is the opposite, it's intentionally quiet'. He hopes this ensemble will lead people to see Rai 'in a new light — not just as a beauty icon, but as a monument', describing it as 'the kind of look that speaks softly, but stays with you'. The ensemble has been widely celebrated as a major Cannes comeback moment for Rai, who delivered elegance without excess, like a queen.