
Nancy Silverton's Korean-Italian Pasta Bar Should Open This Fall in Koreatown
Nancy Silverton's next Los Angeles restaurant is opening in Koreatown this fall. Lapaba, a new restaurant blending Italian and Korean cooking, is set to debut in October 2025 on the corner of Sixth Street and Western Avenue. Silverton first announced the restaurant on the February 20 episode of How Long Gone, a podcast hosted by Chris Black and Jason Stewart. The name is a portmanteau of 'la pasta bar,' a language device often used in Korean; other examples include 'somaek,' which combines soju and maekju (beer), and mukbang, a blend of meokneun (eating) and bangsong (broadcast).
Husband-and-wife chef team McKenna Lelah and Matthew Kim, who met while working at Osteria Mozza under Silverton, will lead the kitchen at Lapaba. After Osteria Mozza, Kim went on to work at Alinea's sister restaurant, Next, while Lelah worked with chef Tim Hollingworth. The duo later worked together to open Dave Beran's Michelin-starred Dialogue, before Kim joined Pasjoli as chef de cuisine. Kim also made cannabis edibles for some with Oui'd Confection before shuttering the brand in May 2025.
At Lapaba, expect classic Italian dishes with Korean twists, like kimchi suppli stuffed with Spam and mozzarella, and a little gem Caesar with doenjang. Pastas, which will be made on site in a dedicated pasta room, comprise dishes like cappelletti in a galbi brodo with mandu filling and campanella with basil and perilla pesto. Bucatini all'Amatriciana sauce will add in jjagang (Korean black bean paste), while tonnarelli comes with clams, garlic, and braised kombu. Desserts include Tiramisu-Garu, made with misugari and makgeolli, shaved ice, and soft serve. The interior, which features a curved stone bar looking into an open kitchen, was designed and fabricated in Italy by Costa.
Silverton will open the restaurant with partners Robert Kim (Norikaya, AB Steak, Mama Lion), and siblings Tanya and Joe Bastianich, who are also co-owners at Osteria Mozza, Chi Spacca, and Mozza2Go. Joe Bastianich is also a co-owner of Eataly, where he worked with Mario Batali under their restaurant group, B&B Hospitality. Batali has since been removed from the group after several employees alleged sexual misconduct in 2015, and the name has since been changed to Pasta Resources. At the time of the investigation, the New York state attorney general found that both men were responsible for the toxic environment, and the group was ordered to pay $600,000 in a settlement.
Lapaba will open with dinner service from Wednesday to Saturday, with plans to expand to lunch later on.
Lapaba is set to open in October 2025 at 558 S. Western Avenue, Los Angeles, CA 90020.
Interior rendering of Lapaba. Lapaba
Street view of Lapaba. Lapaba
Eater LA
All your essential food and restaurant intel delivered to you Email (required)
Sign Up
By submitting your email, you agree to our Terms and Privacy Notice . This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Boston Globe
7 hours ago
- Boston Globe
At Jacob's Pillow, Eun-Me Ahn's hologram-enhanced ‘Dragons' glitters
Advertisement In her director's note, Ahn described the symbolic significance of the Korean dragon as 'aspiration toward … truly unlimited potential.' For the premiere of 'Dragons' in Becket, Ahn collaborated with the Gen Z dancers and used projection technology to create 'a new time-space of the dragon, guiding us into a future we have never seen before.' When developing the piece during the pandemic, her original dancers were unable to practice together in a physical space, so Ahn moved rehearsals to Zoom and choreographed from a distance. As the show evolved, seven Korean dancers joined the production, and Ahn worked holograms of the original dancers into the piece, projecting them alongside the live performers throughout the show. Advertisement "Dragons" by Eun-Me Ahn was performed twice during week six at Jacob's Pillow Dance Festival. Jean Marie Chabot. For Ahn's choreography, behind a translucent fabric projection screen, the Duke's stage was lined with giant silver foil springs that resemble HVAC tubing. One shiny tube snaked out beyond the rest, and Ahn floated onto stage in a sparkling empire-waist gown reminiscent of the traditional Korean Hanbok. Two short sticks dangling little rainbow ribbons jutted out of her fluffy hat like antennas. She began rhythmic vocalizations, as a bare-chested dancer wearing a black skirt kicked and flipped through the air to the beat of her accompaniment. Although she won't return to the stage until the end of the piece, Ahn started the show with a playful unpredictability that persisted through the piece. Ahn's choreography is distinct in its athletic and detailed blend of traditional Korean and pan-Asian dance techniques with contemporary dance forms and sensibilities. It is also a spectacle. In addition to the textured, undulating set, Ahn designed 150 costume pieces — there seemed to be a costume change nearly every other minute — that outfitted dancers in skirts and dresses that became increasingly elaborate over the 75-minute performance. Later, after leaping through the air with sweeping kicks, a dancer in an impossibly long black dress careened to the floor, then sprang back to their feet. They snapped the hem of their skirt to the floor with a flourish, and thousands of light specks exploded from the ground beneath them. Dancers moved about inside digitally created soap bubbles, images of clouds drifted across the stage, and rainbows formed on glistening circle skirts. For the most part, the dance and digital art enhanced each other, but a few moments that used the scrim as a video screen without live dancers onstage felt gratuitous. An extended montage of dramatic underwater portraits demonstrated the exceptional image quality the theater's projectors can produce, but was far less compelling than the charismatic dancers that had leapt weightlessly moments before. Advertisement A dance with a digitally created "bubble" in "Dragons" by Eun-Me Ahn. Jean Marie Chabot Over the course of the night, the audience learned quite a bit about the virtual dancers through audio recordings accompanied by projected subtitles — who they are, why they started dancing, and their hopes for the future — but gained no insight into the identities of the spectacular performers in the room with us. It conjured a sense of memorial for the isolation of lockdown, but left the current company's identity anonymous. The technical demands of this maximalist production included quick shifts of light, expertly mapped and timed projections, and numerous props along with the outfit changes. Wednesday's opening performance appeared seamless — thanks to the Pillow's Director of Technical Production Jason Wells and crew. The ever-changing costumes, lights, and projections contributed more style than substance, but the result was whimsical and eye-catching. Toward the show's end, in an especially beautiful moment, the live dancers sat downstage with their legs folded beneath them. Between each performer was an original dancer's hologram. With elbows folded, the dancers moved their arms decisively and slowly unfurled their hands. Bringing palms to thighs: slap-slap-slap, clap-clap-clap — everyone moved in perfect unison. The piece was a perfect showcase for the spectacular new Advertisement One foot stands on tradition, the other on innovation — just like Eun-Me Ahn. DRAGONS At Jacob's Pillow's Doris Duke Theatre, Becket, July 30 Sarah Knight can be reached at sarahknightprojects@

Hypebeast
19 hours ago
- Hypebeast
Armani, Gucci Face Labor Scandals & Zendaya x On Unveil New Sneaker in This Week's Top Fashion News
An Italian regulator has hit theArmaniGroup with a $4 million USD fine for making misleading ethical and social responsibility claims. This fine comes after a year-long court administration for unethical practices, where it was found that the company outsourced leather goods production to third parties that violated health and safety regulations and employed illegal workers. Armani has denied the claims and intends to appeal the decision. This action is part of an ongoing regulatory effort in Italy to hold luxury brands accountable for labor and manufacturing practices. UnionizedGucciemployees in Italy, represented by trade unions Filcams Cgil, Fisascat Cisl, and Uiltucs, have declared a 'state of unrest' and are threatening to strike. Approximately 1,000 retail and logistics workers are involved, and the dispute stems from their parent company,Kering, failing to pay welfare bonuses that were promised for the 2022-2024 period. The scandal comes at a critical time for Gucci, already experiencing a steep drop in sales, and it adds to a growing list of similar labor scandals affecting other major luxury brands in the industry. Zendayaand Swiss brandOnhave collaborated on a new release and campaign called 'Be Every You,' which features a new footwear model, theCloudzone Moon. Though the partners have united for campaigns before, the new sneaker marks Zendaya's first time co-creating a silhouette with the brand. The release also includes a capsule of active apparel designed by Zendaya and celebrity stylistLaw Roach, rooted in their years-long creative journey as collaborators. The campaign film, directed by Bardia Zeinali, features Zendaya styled by Law Roach and explores the idea of embracing the various facets of identity. The Cloudzone Moon sneakers are currently available for purchase at On's webstore and physical stores worldwide. Ralph LaurenCorp reported a 30% rise in net income for Q1 2025, which led the company to raise its fiscal year outlook. This positive performance, which beat analysts' expectations, was attributed to strong sales growth in North America (12%), Europe (10%), and Asia (18%). The company's shares increased by over 3% following the news, adding to the 90% growth seen in the last year. The numbers are attributed to Ralph Lauren's strategic price increases, employed to mitigate the impact of tariff uncertainties and lower consumer spending. Despite the strong results, the company maintains a tone of cautious optimism due to new duties and the potential for an inflationary environment. Marc Jacobshas released the new '72 Spring Sneaker, a Y2k-inspired tech runner that marks a significant shift from the brand's typically dramatic footwear. The shoe, designed in collaboration with product development studio Areté, features a slim silhouette with a busy upper of mesh and technical overlays, available in eye-catching colorways, expressive materials, as well as classic black and white. Priced at $225 USD, the sneaker is available on the brand's webstore and at select retailers. The brand's new silhouette arrives as rumors spread thatLVMHis considering selling off the label. The Icelandic performance wear brand,66°NORTH, celebrated its upcoming 100th anniversary atCopenhagen Fashion Week SS26with an immersive exhibition titled '100 Years of Progress. Still Made for Life.' The event showcased the brand's history, its new SS26 collection, and its dedication to durability through features like a wind machine and GORE-TEX® weather simulator. The exhibition also highlighted the brand's 100-year-old repair initiative with a live repair station and an atelier inspired by its factories. In a statement about the showcase, CEO Helgi Óskarsson emphasized the company's commitment to innovation, craftsmanship, and creating long-lasting garments.
Yahoo
20 hours ago
- Yahoo
'We're Going Up, Up, Up': Netflix's KPop Demon Hunters Just Hit Its Biggest Milestone Yet
A K-pop girl group saving the world from demons. That premise alone was enough to grab the attention of millions of Netflix viewers around the world who also love K-pop — but what "KPop Demon Hunters" has done since its June debut on the streaming giant is nothing short of staggering. The animated musical adventure, featuring original songs performed by actual K-pop stars, has just become the #4 most-watched Netflix movie of all time, with 158.8 million views to date (based on Netflix's latest Top 10 data). Let's repeat that: "KPop Demon Hunters" isn't Netflix's 4th biggest animated movie. We're talking fourth biggest movie overall, period. And the momentum isn't slowing down, more than a month after it first arrived on the streamer. For the 7-day stretch ending August 3, "KPop Demon Hunters" was still holding strong at #2 globally among Netflix's original films, racking up another 26.3 million views — oh, and that's after an unheard-of seven weeks into its run. These HUNTR/X heroines are "Golden," indeed. Read more: 14 Apple TV+ Shows That Are As Good As Or Better Than Anything On Netflix A Netflix Hit Backed By Genuine K-Pop Power From Sony Pictures Animation and directors Maggie Kang and Chris Appelhans, "KPop Demon Hunters" follows the (fictional, obviously) chart-topping K-pop girl group HUNTR/X who secretly moonlight as demon slayers. The boy band that emerges in the movie as the girls' biggest chart rival actually turns out to be a group of demons that want to steal the girls' fanbase and generally unleash chaos. Needless to say, both fictional groups perform top-tier, hook-filled tunes throughout the movie that I guarantee you'll still be singing to yourself long after the credits roll. Appelhans credits the cast with giving the film "an original tone," per Netflix's press material, one that mixes K-drama emotion with comedic energy. The music of "KPop Demon Hunters" was also produced by industry heavyweights like TEDDY, 24, and Jenna Andrews, while the Twice track "Takedown" (performed by real-life Twice members Jeongyeon, Jihyo, and Chaeyoung) turned the film's climactic battle into a true pop spectacle. The film's breakout anthem, "Golden" — with its soaring line, "We're going up, up, up" — has also become a hit on its own and the soundtrack to many a meme across social media. It's gone on to top the Billboard Global 200 and made history as the first all-female group song to hit #1 on the Billboard streaming songs chart. As for the movie itself, it ends on a high note as the girls choose their fans over fame and learn how to embrace their authentic selves. Long story short, what started as a fun genre mashup has grown into a true global pop culture event. Read the original article on BGR.