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Netflix 'Sirens': Milly Alcock talks awkward gum sharing scene with Julianne Moore — 'I actually ate her gum'

Netflix 'Sirens': Milly Alcock talks awkward gum sharing scene with Julianne Moore — 'I actually ate her gum'

Yahoo25-05-2025

FromThe White Lotus to The Perfect Couple, Meghann Fahy has thrived in stories centred around messy wealthy people, but her character in the Netflix series Sirens, starring alongside Julianne Moore and Milly Alcock, is a bit different for the actor. Fahy plays Devon, who we first meet as she's just released from a Buffalo police station after being held overnight, having to get herself home to her father Bruce, who has dementia, played by Bill Camp.
Devon has lost touch with her sister Simone (Milly Alcock), but they have a word they use for emergencies, "sirens." Simone isn't answering any of Devon's messages, and she gets pushed over the edge when she finds an Edible Arrangement Simone sent waiting at her doorstep. That's when Devon decides to travel on Labor Day weekend (with the fruit arrangement) to an island occupied by the rich to get her sister's attention.
Simone is a live-in assistant working for Michaela (Julianne Moore), who she calls "Kiki," a socialite and bird conservationist married to billionaire Peter (Kevin Bacon). Simone is also in the middle of a "summer fling" with a wealthy older man on the island, Ethan (Glenn Howerton).
As Devon is quick to discover, Michaela and Simone are incredibly close. Simone helps her boss sext her husband while he's away, and Michaela even takes gum out of her mouth and gives it to Simone.
"The gum scene, that was like my first day with her, and I actually ate her gum," Alcock told Yahoo Canada about working with Julianne Moore. "There was one [take], I thought they were going to use it, you know when you take gum out and it gets caught on your teeth, just a string."
But gum aside, Alcock stressed that Moore was always an "open" and "accessible" actor, who comes to set "willing to play."
It's the closeness between Michaela and Simone, and how Michaela is worshipped by the other wealthy women on the island, that makes Devon wonder if her sister is actually an assistant to a cult leader. But maybe Devon is just being dramatic. That's what we unpack throughout the show's eight episodes, in addition to Simone and Devon being really vulnerable with each other about how their present day actions have been impacted by the traumas of their childhood.
There's one moment, which we won't entirely spoil, but it's a particularly impactful and emotional scene between the sisters after they leave a big dinner and talk about their past with each other, and their parents. Impressively, that scene was shot at around 10:00 p.m. at night, and Alcock and Fahy were "exhausted."
"I think it's the most mature fight that we have in the show, they're just so honest with the way that they see each other and it's painful," Alcock said. "I'm so blunt with you ... I don't think there's any going back after that."
"And I think the most real they are with each other," Fahy added. "The whole thing shifts after that."
But while Michaela and Simone love each other, that's not the case for the rest of the staff, including Jose, played by Felix Solis.
With a core part of his job being security for Michaela and her husband, he draws a line in the sand with Michaela that he's Peter's right hand, not hers. And with all of Michaela's odd antics, there's a particularly satisfying moment where Jose is able to stand up to Michaela and her demands for him.
"It starts with the fact that you have a really good scene partner," Solis said about working with Moore. "A level of trust between actors allows you to be mean to each other, because it's not personal, it's not real, it's the story that needs to be told."
"We never talked about it beforehand when we shot it, but I went ahead and trusted that I knew that, given who she is and how her energy is off-camera, that I was able to trust that she wouldn't take it personal and that she wouldn't say, 'What are you doing?' Or, 'Don't do that.'"
Core to this moment in the show is how Solis navigates Jose being "direct," but there's still the "servitude" element.
"There's really just only one moment for my character, throughout the story, where he gets to be direct. Everything else is covered, everything else is veiled," Solis explained. "Everything else is in servitude, which is, for me, one of my favourite colours to play, if you will. Servitude, for me, is always a beautiful thing to play, because I am an actor who's always doing something to the other person."
"I don't care about what my character wants, I never have. I struggled with that earlier in my career as an actor, and I didn't know why. And then it was my mother that said, well the reason why you're struggling with an objective, which is what the character wants, is because you feel like you're not a selfish person, so you're butting up against who you are naturally. ... That's what allowed for that moment to happen. There was no selfish moment in that moment, ... it was about affecting her. It was about doing something to her."
Glenn Howerton was also quick to praise Solis for that scene in particular, highlighting it as one of the best in the show.
"It's such a testament to Felix as an actor, honestly, that he was able to convey power through the entire episode, yet subservience," Howerton said. "It would have been so easy to fall into the trap of being like, oh in this moment now I get to really show my power. ... And instead he did it with such lightness and humour that plays so against the message that he's sending, which is like, I don't even have to get mad. It's not a problem for me."
"You always hear about actors, you want to play the opposite of a scene, in a way, and for a long time that didn't make sense to me. But that's a perfect example of one that's done really brilliantly well."
The entire show is really a balancing act between emotional and traumatic moments in the lives of these characters, and having to reconcile with those experience, and laugh out loud comedy. It's not the easiest balance to strike, but a character like Bill Camp's Bruce is a perfect example. The realities of his dementia are difficult to sit with, the way he treated his daughters when they were young is disturbing, but he also offers the audience some serious laughs.
"One thing that I was constantly thinking was, I'm looking for delight," Camp said. "Because somebody I know who is now progressively much worse in that position, and my age, at one point stated to me that was his goal every day, was to look for delight, because it is such a dark place."
Fahy also highlighted that it was a "dream come true" to play Camp's daughter.
"I've been such a fan of Bill's for so long, I couldn't believe that I was going to get to work with him in this capacity," Fahy said. "It was such a dream come true."
"He's just such a thoughtful, egoless actor. He just cares about, why are we doing that? What's the motivation here? ... It was genuinely an honour to kind of witness him and his work, and the way that he kind of dropped into the character, and the tiny little choices that he would make that he wouldn't even tell anyone else about."
The actor also highlighted that finding that all starts with a great script by Molly Smith Metzler, who was also regularly on set and open to the actors changing and adjusting their dialogue.
"She was always ready to be like, 'You want to say something different? Do you want to try this line? Do you want change this word to this word?' Let's see," Solis said. "Then the improvisational child in us as actors gets to play."

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A memorial grows for Jonathan Joss
A memorial grows for Jonathan Joss

CNN

time24 minutes ago

  • CNN

A memorial grows for Jonathan Joss

A family who moved to a south-side San Antonio neighborhood roughly six years ago said that they were warned right away about an eccentric man who lived across the street. They were told, they said, that Jonathan Joss would play drums on his roof at all hours of the night and would yell obscenities and racial slurs at people outside. They said that, when confronted, Joss would often say that he was rehearsing for a role. He really was an actor, though. He played the role of John Redcorn in the animated show 'King of the Hill' for more than a dozen seasons, including in the show's upcoming revival. Another neighbor, Daniela Ruano, 19, said she lived next door to Joss her entire life. He would yell racist slurs at her family, she said, honk his horn in the middle of the night and threaten to hurt them. The behavior, she said, had accelerated. 'I'd say like the last two years have been the worst with him. He started breaking down my fence from the back,' she said. 'We would call the police on him a lot.' Two years ago, she said, Joss threatened another neighbor's brother with a crossbow. Police reports confirm that officers responded to the incident, but did not find a crossbow on Joss when they arrived at the scene. Earlier this year, Joss' family home was destroyed in a fire. But he still came by, neighbors said. In a video Ruano took of the actor on June 1, he is seen walking around the neighborhood and yelling; he is carrying a makeshift pitchfork. At one point, he said he is 'rehearsing a scene.' That day she took the video, Joss, his husband Tristan Kern de Gonzales and another friend were there to pick up mail. The group had just returned from Austin, de Gonzales said, where Joss had participated in a fan meet-and-greet event. Joss, 59, arrived in the usual manner that his neighbors said that they had grown unhappily accustomed to, makeshift pitchfork included. Then, Sigfredo Ceja Alvarez – the neighbor whose brother said he had been threatened by Joss with the crossbow two years ago – drove up behind Joss who was parked in his driveway. He got out, the two exchanged words, witnesses said, and seconds later, Joss was dead. 'I shot him,' Ceja told police, according to an incident report. Ceja, 56, was arrested and charged with murder. His bond was set at $200,000, which he posted on Monday. He was released from jail with GPS monitoring on Wednesday afternoon and is due to appear in court on August 19, according to the Bexar County Sheriff's Office public information officer. When most people think of an actor's life, they tend to imagine gleaming houses high in the Hollywood Hills. For years, Joss lived in the modest house his father built in the 1950s. This week, a makeshift memorial for Joss began growing at the property's fence. A man pulled up in a truck with a royal blue memorial cross adorned with ribbons and flowers. He tied the cross to the fence above the growing memorial. The man, Adrian Reyes, told CNN he had known Joss since high school; they were both in the class of 1984 at Dillard McCollum High School, which recently held its 40th year reunion. 'We're very, very close with him in that class. We track him everywhere,' said Reyes. 'We helped him financially. We helped him get to his events when he didn't have transportation.' 'It's a shame that people are learning about him now that he's gone rather than when he was alive and how talented he was and what a talent we lost,' Reyes said. 'He was a different kind of guy, but he was the life of the party.' Neighbors said there were years, maybe even decades, of disputes, particularly between Joss and Ceja. San Antonio Police logs show numerous calls to both addresses over the past year. 'Me and Jonathan had all these fun little side projects where we were coming up with these little scripts, most of them just for fun to make ourselves laugh. And we would be acting them out in the yard and I guess to the outside world maybe it looked a little crazy,' de Gonzales told viewers on Instagram Live. He did say that although they would sometimes walk around the neighborhood with things like a stick or pitchfork, they never 'threatened' or 'pointed any weapons at anybody.' Police were called to Joss' residence nearly 50 times since January 2024. In some instances, officers were dispatched multiple times in a single day. Neighbors said Joss' behavior turned more erratic and harassing as the years went on. Some said they saw him throw trash and wine bottles onto a nearby property under construction and damage that neighbor's mailbox. 'He went over there and yanked the mailbox off the top, and it was in a brick casing. So he yanked off the door and beat it up where our neighbor had to go replace it,' said one neighbor, who spoke to CNN but asked that their name not be used due to the attention the killing was bringing to their street. 'Jonathan and I had no weapons. We were not threatening anyone. We were grieving. We were standing side by side. When the man fired, Jonathan pushed me out of the way. He saved my life,' de Gonzales said after the shooting, about their trip back to the burned-down home site. De Gonzalez said that the person who killed Joss yelled 'violent homophobic slurs' before opening fire. 'He was murdered by someone who could not stand the sight of two men loving each other,' de Gonzales said. (CNN has attempted multiple times to contact Ceja and also reached out to his lawyer.) The San Antonio Police Department issued a statement on Monday rebutting this. 'Despite online claims of this being a hate crime, currently the investigation has found no evidence to indicate that Mr. Joss's murder was related to his sexual orientation,' the department posted online. But, on Wednesday, as the police department was sharing a Pride Month community forum event, they also released a new statement saying they were continuing the investigation. 'Although we arrested a suspect, our homicide detectives continue to follow every lead to fully understand what led to this senseless act.' On Thursday, San Antonio police expressed more regret. 'We issued a statement the day after Jonathan Joss's murder that was way, way, way premature,' SAPD Chief William McManus told CNN affiliate KENS on Thursday. 'We shouldn't have done it. It was way too soon before we had any real information and I will own that.' He echoed similar sentiments at a forum hosted by San Antonio Pride and the SAPD on Thursday evening, explaining that a judge can attach a hate crime to charges later on. He said they will gather all of the facts leading up to Jonathan Joss' death and will present the case to the District Attorney's office to make that call. He added that police are also investigating the January fire at Joss' home. Joss had told everyone that he was going through a lot. Online, he said he was fighting an uphill battle with financial difficulties. In November, Joss spoke about the difficult living conditions he and his then-fiancé were facing. He said that their home lacked basic utilities such as gas and electricity and described using a fire pit to heat coffee. Despite the challenges, he expressed hope about 'getting through some rough times.' There was one bright spot: his marriage to de Gonzales. Still, Joss also talked about using a stove to heat up water for a hot shower. On Instagram, he showed the poor condition of his house, revealing several holes in the walls and ceiling. In January, Joss experienced two house fires. The second destroyed the house and his car and killed his three dogs, according to social media posts from Joss and his partner. 'Everything I owned… gone. My memories, my keepsakes, my family, my comfort in this world lost in the flames,' he wrote on Facebook. In the months that followed, Joss frequently took to social media to ask fans for financial support. He regularly shared a GoFundMe link started by a fan, which has now raised over $20,000. He sold autographed photos, personalized video messages, t-shirts and '$1 wisdom sayings.' He also posted about marrying his partner on Valentine's Day. In one post with de Gonzales, Joss wrote: 'We shall endeavor to persevere together.' He frequently tried to secure transportation and financial support on Facebook to be able to make celebrity appearances at conventions. Just two days before he was killed, Joss showed up at a 'King of the Hill' Revival Sneak Peek event at the Paramount Theater in Austin, Texas – although he had already written on Facebook that he was not invited to attend. Attendee Brandon Robinson said Joss walked up to the Q&A mic and started 'ranting.' Robinson originally thought Joss' speech was planned but said he soon realized it wasn't. After making some references to his character in 'King of the Hill,' Joss said: 'My house burned down three months ago because I'm gay.' The panelists then announced Joss as the voice of the show's character John Redcorn, prompting applause from the audience. Joss spoke about feeling ignored at the event in one of his final interviews, which took place on 'Bwaaa! A King of the Hill podcast.' But he also said he'd loved his life as an actor. 'I've just been really lucky to have really decent parts. I mean, I never had a – I've never done a bad thing when it comes to acting,' Joss said. Another family showed up this week to remember Joss at the site of the shooting. Paul Gonzalez and Tiffany Zurita said that they lived nearby, but never knew Joss lived in the area. 'We grew up watching the cartoon, you know, me and my wife when we were kids – so just shocked by it,' Gonzalez said of the killing. They brought a pinwheel to place at the memorial, explaining that it helped their own family when experiencing loss. It was something 'to kind of bring that little life back in,' Zurita said. 'You know, the wind's blowing, you see it blowing in the wind, and it just, you know, kind of reminds you that that person's still here,' she said. 'It's a symbol of peace and serene surroundings.' They both said prayers for everyone involved in the tragic incident – and for the neighbors as well. 'I hope they all find peace in time,' said Gonzalez. CNN's Lisa Respers France, Dianne Gallagher, Devon Sayers, Andy Buck, Jeremy Grisham, and Leah Thomeer contributed to this report.

This corny ‘conservative credit card' ad signals a very scary future for AI
This corny ‘conservative credit card' ad signals a very scary future for AI

Fast Company

time26 minutes ago

  • Fast Company

This corny ‘conservative credit card' ad signals a very scary future for AI

A fresh glimpse at our AI-filled future arrived this week, in the form of an unmemorable ad by a company most people have never heard of. The ad is kind of flat and will probably scan as goofy to everyone outside its target demo, but don't write it off just yet: It could signal the beginning of some very big (and scary) changes. The upstart fintech company Coign claims to be a 'conservative credit card company,' a distinction that boils down to the founders' pledge to never donate to liberal causes and candidates. And while that self-definition raises some questions, it pales in comparison to the actual ad. The 30-second clip is a patriotic parade of red-blooded, red-voting Americans boasting about recent Coign-fueled purchases such as deer-hunting gear, a stack of cartoonish gold bars, and the 'biggest American flag' available. But here's the most striking thing about the ad: All of those situations, and all of the actors, were created by AI. There's something a little off about Coign's ad, to be clear. The pacing of the phony satisfied customers' movements feels too jittery at times, and there's an eagle at the end that is not exactly natural looking. While the ad is spiritually the same AI slop as Shrimp Jesus, it doesn't carry the same overtly synthetic visuals. In that regard, it's a lot more casually AI-generated than many of its predecessor ads. When Coca-Cola released an AI-generated holiday spot last fall, it sparked an uproar. Creatives were livid about such a monumentally successful company neglecting to splash out on an all-human production, and even casual observers noticed the glaring flaws in the video: The truck's tires glided over the ground without spinning, Santa's hand was bizarrely out of proportion with the Coke bottle it gripped, and the entire ad sat squarely in the 'uncanny valley.' The same goes for the ad Toys R Us released last year using OpenAI's text-to-video tool Sora: The kindest thing one could say is that its human characters looked marginally more lifelike than the unsettling, motion-captured Tom Hanks from The Polar Express two decades earlier. So far, AI-generated ads have been rare enough and mostly the domain of heavy-hitter companies, making them lightning rods for attention and backlash just about every time a new one is released. The simple fact that they were AI-made has been enough to generate headlines, even before factoring in the slop. But maybe not for much longer. If the Coign ad is any indication, there may be an entire class of AI ads coming that will be subject to far less attention—and far less scrutiny. We're at a precarious moment with AI, collectively feeling out its least objectionable uses through trial and error. So far, uncanny ads from massive companies have triggered backlash, but when lesser-known brands dabble—especially without obvious visual glitches—they often escape notice. Advertising legend David Droga once noted the existence of a ' mediocre middle ' in marketing and entertainment, and that may be exactly where AI quietly thrives: in ads from companies too small to spark outrage. Advertising, after all, is already the most disposable and least emotionally protected form of media—expensive to make, widely avoided, and largely unloved. That makes it the perfect Trojan horse for AI—slipping past scrutiny not because it's good, but because few people care enough to notice. On a moral and economic level, the advertising industry should not be diving headlong into a technology that makes large swaths of professional workers expendable. And on an aesthetic level, just because AI technically can create an ad doesn't mean it can create a good one. Once a seemingly harmless use case eases people's minds about a given technological breakthrough, it's only a matter of time before the more flagrantly objectionable use cases take hold. The facial recognition tech that first allowed Facebook users to tag their friends in photos was eventually used to strengthen the surveillance state and threaten privacy everywhere. Today's drones that make aerial photography easier become tomorrow's drones that mistakenly blow up weddings in other countries and threaten to displace delivery workers. Obviously, AI is going to play some role in humanity's future. The size of that role, however, is not yet set in stone. As machine learning creeps into all creative fields, workers need regulations to ensure the technology doesn't spread too far too fast. The good news is that a majority of Americans seem to want AI regulation. Although the House of Representatives recently passed a major tax and spending bill with a provision forbidding state governments to regulate AI over the next 10 years, that clause is getting bipartisan blowback. According to a recent poll, 81% of voters agree that 'advances in AI are exciting but also bring risks, and in such fast-moving times, we shouldn't force states to sit on the sidelines for a full decade.' Even the CEO of generative AI company Anthropic is a full-throated advocate for stricter AI regulation. The people have spoken. Whether they are listened to is another matter altogether. A single, silly credit card ad may seem an unlikely step toward a dystopian future of unfettered AI and full unemployment, but if we laugh it off now, the bill may still come due later.

A memorial grows for Jonathan Joss
A memorial grows for Jonathan Joss

CNN

time33 minutes ago

  • CNN

A memorial grows for Jonathan Joss

A family who moved to a south-side San Antonio neighborhood roughly six years ago said that they were warned right away about an eccentric man who lived across the street. They were told, they said, that Jonathan Joss would play drums on his roof at all hours of the night and would yell obscenities and racial slurs at people outside. They said that, when confronted, Joss would often say that he was rehearsing for a role. He really was an actor, though. He played the role of John Redcorn in the animated show 'King of the Hill' for more than a dozen seasons, including in the show's upcoming revival. Another neighbor, Daniela Ruano, 19, said she lived next door to Joss her entire life. He would yell racist slurs at her family, she said, honk his horn in the middle of the night and threaten to hurt them. The behavior, she said, had accelerated. 'I'd say like the last two years have been the worst with him. He started breaking down my fence from the back,' she said. 'We would call the police on him a lot.' Two years ago, she said, Joss threatened another neighbor's brother with a crossbow. Police reports confirm that officers responded to the incident, but did not find a crossbow on Joss when they arrived at the scene. Earlier this year, Joss' family home was destroyed in a fire. But he still came by, neighbors said. In a video Ruano took of the actor on June 1, he is seen walking around the neighborhood and yelling; he is carrying a makeshift pitchfork. At one point, he said he is 'rehearsing a scene.' That day she took the video, Joss, his husband Tristan Kern de Gonzales and another friend were there to pick up mail. The group had just returned from Austin, de Gonzales said, where Joss had participated in a fan meet-and-greet event. Joss, 59, arrived in the usual manner that his neighbors said that they had grown unhappily accustomed to, makeshift pitchfork included. Then, Sigfredo Ceja Alvarez – the neighbor whose brother said he had been threatened by Joss with the crossbow two years ago – drove up behind Joss who was parked in his driveway. He got out, the two exchanged words, witnesses said, and seconds later, Joss was dead. 'I shot him,' Ceja told police, according to an incident report. Ceja, 56, was arrested and charged with murder. His bond was set at $200,000, which he posted on Monday. He was released from jail with GPS monitoring on Wednesday afternoon and is due to appear in court on August 19, according to the Bexar County Sheriff's Office public information officer. When most people think of an actor's life, they tend to imagine gleaming houses high in the Hollywood Hills. For years, Joss lived in the modest house his father built in the 1950s. This week, a makeshift memorial for Joss began growing at the property's fence. A man pulled up in a truck with a royal blue memorial cross adorned with ribbons and flowers. He tied the cross to the fence above the growing memorial. The man, Adrian Reyes, told CNN he had known Joss since high school; they were both in the class of 1984 at Dillard McCollum High School, which recently held its 40th year reunion. 'We're very, very close with him in that class. We track him everywhere,' said Reyes. 'We helped him financially. We helped him get to his events when he didn't have transportation.' 'It's a shame that people are learning about him now that he's gone rather than when he was alive and how talented he was and what a talent we lost,' Reyes said. 'He was a different kind of guy, but he was the life of the party.' Neighbors said there were years, maybe even decades, of disputes, particularly between Joss and Ceja. San Antonio Police logs show numerous calls to both addresses over the past year. 'Me and Jonathan had all these fun little side projects where we were coming up with these little scripts, most of them just for fun to make ourselves laugh. And we would be acting them out in the yard and I guess to the outside world maybe it looked a little crazy,' de Gonzales told viewers on Instagram Live. He did say that although they would sometimes walk around the neighborhood with things like a stick or pitchfork, they never 'threatened' or 'pointed any weapons at anybody.' Police were called to Joss' residence nearly 50 times since January 2024. In some instances, officers were dispatched multiple times in a single day. Neighbors said Joss' behavior turned more erratic and harassing as the years went on. Some said they saw him throw trash and wine bottles onto a nearby property under construction and damage that neighbor's mailbox. 'He went over there and yanked the mailbox off the top, and it was in a brick casing. So he yanked off the door and beat it up where our neighbor had to go replace it,' said one neighbor, who spoke to CNN but asked that their name not be used due to the attention the killing was bringing to their street. 'Jonathan and I had no weapons. We were not threatening anyone. We were grieving. We were standing side by side. When the man fired, Jonathan pushed me out of the way. He saved my life,' de Gonzales said after the shooting, about their trip back to the burned-down home site. De Gonzalez said that the person who killed Joss yelled 'violent homophobic slurs' before opening fire. 'He was murdered by someone who could not stand the sight of two men loving each other,' de Gonzales said. (CNN has attempted multiple times to contact Ceja and also reached out to his lawyer.) The San Antonio Police Department issued a statement on Monday rebutting this. 'Despite online claims of this being a hate crime, currently the investigation has found no evidence to indicate that Mr. Joss's murder was related to his sexual orientation,' the department posted online. But, on Wednesday, as the police department was sharing a Pride Month community forum event, they also released a new statement saying they were continuing the investigation. 'Although we arrested a suspect, our homicide detectives continue to follow every lead to fully understand what led to this senseless act.' On Thursday, San Antonio police expressed more regret. 'We issued a statement the day after Jonathan Joss's murder that was way, way, way premature,' SAPD Chief William McManus told CNN affiliate KENS on Thursday. 'We shouldn't have done it. It was way too soon before we had any real information and I will own that.' He echoed similar sentiments at a forum hosted by San Antonio Pride and the SAPD on Thursday evening, explaining that a judge can attach a hate crime to charges later on. He said they will gather all of the facts leading up to Jonathan Joss' death and will present the case to the District Attorney's office to make that call. He added that police are also investigating the January fire at Joss' home. Joss had told everyone that he was going through a lot. Online, he said he was fighting an uphill battle with financial difficulties. In November, Joss spoke about the difficult living conditions he and his then-fiancé were facing. He said that their home lacked basic utilities such as gas and electricity and described using a fire pit to heat coffee. Despite the challenges, he expressed hope about 'getting through some rough times.' There was one bright spot: his marriage to de Gonzales. Still, Joss also talked about using a stove to heat up water for a hot shower. On Instagram, he showed the poor condition of his house, revealing several holes in the walls and ceiling. In January, Joss experienced two house fires. The second destroyed the house and his car and killed his three dogs, according to social media posts from Joss and his partner. 'Everything I owned… gone. My memories, my keepsakes, my family, my comfort in this world lost in the flames,' he wrote on Facebook. In the months that followed, Joss frequently took to social media to ask fans for financial support. He regularly shared a GoFundMe link started by a fan, which has now raised over $20,000. He sold autographed photos, personalized video messages, t-shirts and '$1 wisdom sayings.' He also posted about marrying his partner on Valentine's Day. In one post with de Gonzales, Joss wrote: 'We shall endeavor to persevere together.' He frequently tried to secure transportation and financial support on Facebook to be able to make celebrity appearances at conventions. Just two days before he was killed, Joss showed up at a 'King of the Hill' Revival Sneak Peek event at the Paramount Theater in Austin, Texas – although he had already written on Facebook that he was not invited to attend. Attendee Brandon Robinson said Joss walked up to the Q&A mic and started 'ranting.' Robinson originally thought Joss' speech was planned but said he soon realized it wasn't. After making some references to his character in 'King of the Hill,' Joss said: 'My house burned down three months ago because I'm gay.' The panelists then announced Joss as the voice of the show's character John Redcorn, prompting applause from the audience. Joss spoke about feeling ignored at the event in one of his final interviews, which took place on 'Bwaaa! A King of the Hill podcast.' But he also said he'd loved his life as an actor. 'I've just been really lucky to have really decent parts. I mean, I never had a – I've never done a bad thing when it comes to acting,' Joss said. Another family showed up this week to remember Joss at the site of the shooting. Paul Gonzalez and Tiffany Zurita said that they lived nearby, but never knew Joss lived in the area. 'We grew up watching the cartoon, you know, me and my wife when we were kids – so just shocked by it,' Gonzalez said of the killing. They brought a pinwheel to place at the memorial, explaining that it helped their own family when experiencing loss. It was something 'to kind of bring that little life back in,' Zurita said. 'You know, the wind's blowing, you see it blowing in the wind, and it just, you know, kind of reminds you that that person's still here,' she said. 'It's a symbol of peace and serene surroundings.' They both said prayers for everyone involved in the tragic incident – and for the neighbors as well. 'I hope they all find peace in time,' said Gonzalez. CNN's Lisa Respers France, Dianne Gallagher, Devon Sayers, Andy Buck, Jeremy Grisham, and Leah Thomeer contributed to this report.

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