
Natalia's night: Royal Ballet puts the spotlight on Osipova
Marcelino Sambé and Natalia Osipova rehearse Errand Into the Maze by Martha Graham
Errand Into the Maze is one of two pieces performed live in the production Osipova/Linbury
The other is The Exhibition, which Osipova rehearses here with Christopher Akrill
The Exhibition is a world premiere by Norwegian choreographer Jo Strømgren
Sambé and Osipova in Errand Into the Maze, inspired by the myth of Ariadne and the Minotaur
Osipova rehearses with Akrill for The Exhibition. The Russian ballerina also stars in a new film of Frederick Ashton's Five Brahms Waltzes in the Manner of Isadora Duncan as part of the evening
Osipova and Akrill in The Exhibition, which will be staged in the Royal Ballet's intimate Linbury theatre
Osipova in Errand Into the Maze, a 1947 duet choreographed by Martha Graham
Sambé and Osipova in rehearsals for Errand Into the Maze
Rehearsals for The Exhibition choreographed by Strømgren, a former dancer who is also a playwright and theatre director
The Exhibition has costumes by Bregje van Balen, lighting by Ryan Joseph Stafford, sound by Florence Hand and set design by Strømgren
Osipova and Akrill in The Exhibition
Errand Into the Maze has music by Gian Carlo Menotti, costume designs by Martha Graham, sets by Isamu Noguchi, original lighting design by Jean Rosenthal and revival lighting design by Chris Wilkinson
Osipova/Linbury is at the Linbury theatre, London, 6-10 March
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Record
21 hours ago
- Daily Record
Netflix fans binge-watching Black Mirror 'dupe' mini-series in one day
The six-part mini series has a standalone episode, which has been described as viewers as 'disturbing enough to make it a decent watch' Netflix fans are convinced they have discovered a hidden gem on the streaming platform and it's been dubbed as a 'Scandanavian Black Mirror'. The platform offers a bundle of options from gripping hit crime series and your classic films. The mini-series has been hailed as underrated, and is apparently so good some have been left binge-watching the anthology series in one night. It seems the Norwegian version of the classic Black Mirror has slipped under the radar for some. Bloodride consists of six episodes, all consisting of half an hour running time each. It was first released back in 2020, and each offers its own unique episode as a standalone horror story. Each opening scene in an episode features a spooky and mysterious 'spectral bus', which transports passengers to whatever doomed destination awaits them ahead. One episode follows a man leaving a psych hospital, who joins his brothers for a road trip. However things quickly unravel, as the ride turns into a dark, twisted descent none of them saw coming. Another is centred on a corporate drug trial which locks co-workers in a room with a serum that strips away all social niceties. As ambition and fear take over, office politics turn into a grotesque and bloody free-for-all. Taking to Reddit, one fan gushed about how incredible they thought the show was. "Bloodride on Netflix is phenomenal," they began. "I started watching it pretty casually over the weekend and boy was I blown away." Describing it as a horror anthology series 'with vaguely Black Mirror vibes', they added: "I haven't thoroughly enjoyed a show on Netflix for a little while now and then came this little gem of a show." A second fan agreed: "It's excellent and original," as a third wrote: "I really hope they do another season of this show... worth 30 minutes of your time to watch. IMO a fun series to watch." A fourth added: "I watched it in a single day. It was a bit predictable but highly enjoyable. I hope they make a season 2!" Another weighed in: "A more concise Black Mirror. Plenty of twists and turns, predictable or otherwise, to keep your mind occupied and entertained." But not everyone rated the series as highly, according to its Tomatoes score. It wasn't rated by critics and earned just 59 percent from fans. "Kind of a mixed bag," one viewer said. "Great if you are looking for a short watch as all of the episodes are stand alone. All of the episodes are also well made. I will say some episodes are definitely better than others." Another summed it up: "Basically the Scandinavian version of a Black Mirror type anthology series, but horror (not tech/sci-fi). Each episode is like an interesting short story based on some horror concept, mostly realistic, that could be brought about by human flaws with a distinct mental illness vibe (think 'The Yellow Wallpaper'). "Not as highbrow or expertly crafted as Black Mirror, but each episode is interesting and disturbing enough to make it a decent watch."


Glasgow Times
4 days ago
- Glasgow Times
Ballet Nights to make Scottish premiere in Glasgow this July
Ballet Nights will arrive at Glasgow's Theatre Royal on July 4, bringing a programme of classical ballet, contemporary dance, and live music performed by internationally acclaimed artists. The show has previously been performed on stages across the globe, including London, Brisbane, and Kuala Lumpur. Read more: Glasgow workshop aims to inspire potential community organisers Jamiel Devernay-Laurence, founder and artistic director of Ballet Nights and a former soloist with Scottish Ballet, will compère the evening. He said: "Glasgow holds a very special place in my heart and my creative soul. "In bringing my show concept to my old home, Ballet Nights offers me and many fellow returning Scottish Ballet stars the chance to reconnect with the audiences that made us. "I'm equally excited to showcase the global acts we've been growing the show with in London, alongside rarely seen Scottish voices—bringing our unique blend of artistry and innovation to Glasgow, and celebrating the magic of dance with audiences old and new." The line-up includes Scottish Ballet alumni such as Sophie Martin, Eve Mutso, and Constance Devernay-Laurence, as well as Royal Ballet principal Steven McRae and Birmingham Royal Ballet's former principal Tyrone Singleton. Glasgow-born dancer Andrew Cummings will also perform. Dancers Steven McRae and Constance Devernay-Laurence will perform at the event (Image: Mich Rose (L) and Deborah Jaffe (R)) The show will feature the world premiere of I Married Myself, performed by Constance Devernay-Laurence and choreographed by Christopher Wheeldon OBE. Other highlights include Death of The Bachelors, choreographed and performed by BLACBRIK, and Elite Syncopations, featuring Constance Devernay-Laurence, Kevin Poeung, and Tyrone Singleton. Tickets for the Glasgow show are available to be purchased at Following the performance, Ballet Nights will host a day of masterclasses for young students on July 5 at the Royal Conservatoire of Scotland Wallace Studios, led by Steven McRae. Read more: Portaloo transformed into mini-cinema puts spotlight on hidden health issue Megan Peasgood, course leader and ballet tutor at the Dance School of Scotland, said: "The Glasgow Ballet Nights Masterclasses are an exciting opportunity for the young aspiring dancers of Scotland to learn and develop their skills with prestigious industry professionals and Ballet Nights stars. "The day will provide a versatile mix of dance and coaching to inspire the students alongside their everyday dancing." The masterclasses are open to students in three age groups: junior (9–11), mids (12–14), and senior (15–16).


Scotsman
5 days ago
- Scotsman
Warning over classroom game accused of 'brainwashing' UK schoolchildren
Campaigners have accused the educational game of targeting children with 'propaganda' 💻 Sign up to our daily newsletter – Regular news stories and round-ups from around Scotland direct to your inbox Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... EnergyTown is an online city builder game aimed at helping UK schools teach pupils about the energy system It is funded by energy giant Equinor, and hosts yearly school competitions Materials associated with the game describe renewable energy sources as 'less reliable' Climate campaigners accuse it of targeting children with fossil fuel propaganda But Equinor says the game demonstrates how the green energy transition is about balance Environment campaigners have sounded the alarm over a free online game being marketed to UK schoolchildren - which they say is designed to make them feel more positively about fossil fuels. EnergyTown is funded by Norwegian energy giant Equinor. Aimed at children aged nine to 14, it comes with free educational resources to be used in lessons. It allows them to build and power a city that will survive until the year 2050 - while juggling factors like their 'green score', community happiness, and finances. Advertisement Hide Ad Advertisement Hide Ad The game first launched in October 2023, and as of last year, Equinor said that it had reached more than 81,400 pupils across the UK. The game also holds a schools competition with a £1,000 cash prize, with this year's event set to close on Friday (June 6). But Greenpeace accuses it of being an attempt to 'brainwash schoolchildren'. The game suggests that oil can be part of a green energy mix, and in an online help page - titled 'how to improve your score in EnergyTown - on the game's Equinor-funded host site, it warns young players that renewable energy is 'less reliable'. The EnergyTown game is marketed towards UK schoolchildren, and funded by energy giant Equinor | (Image: National World/Adobe Stock/Getty/AFP via Getty) 'If you're relying on electricity from renewable energy resources like wind and solar power, you may have less electricity due to these energy resources being less reliable,' the page says. 'You should invest in a more reliable way to generate electricity, such as nuclear, oil, natural gas or hydrogen.' Equinor is also the majority owner of the controversial Rosebank oil and gas field development, 80 miles west of Shetland, which is thought to be the largest untapped oilfield in UK waters. In January this year, its consent was quashed by the Scottish Court of Session as unlawful, the BBC reports, meaning its owners must seek fresh approval from the UK Government before they begin extracting oil. Advertisement Hide Ad Advertisement Hide Ad But the project has been widely protested by campaigners, who say that new oil and gas projects are not compatible with the UK's climate commitments. 'We know exactly what Equinor is playing at,' Mel Evans, the head of Greenpeace UK's climate team, said. 'This so-called educational game is a thinly-disguised attempt to greenwash oil and gas by targeting children with fossil fuel propaganda. The bitter irony is that while fossil fuels may help build a 'sustainable' energy future in the game's fictional world, they're driving more devastating floods in some of these schoolkids' communities,' she continued. 'For that reason alone, this cynical PR ploy is doomed to fail. We know many young children know a lot about the climate crisis and what's driving it. If Equinor wants to win young hearts and minds, it should get serious about ditching fossil fuels and shifting to clean energy.' Advertisement Hide Ad Advertisement Hide Ad Equinor spokesperson Magnus Frantzen Eidsvold told us that the game was part of Equinor's ordinary activities and programs 'to stimulate the interest in science and technology (STEM) among young people, and not developed as part of any Rosebank campaign'. 'Equinor wants to contribute to ensuring the next generation is equipped with the skills needed to drive the energy industry and transition forward,' he continued. The game had been developed using data from the International Energy Agency (IEA), which verified the scenarios used in EnergyTown to 'ensure they are realistic and representative of the UK's current energy system'. The game was designed to reflect this complexity and showed that the energy transition was about balance, he added, requiring a mix of sources over time. 'The IEA forecast that fossil fuels may be required in 2050 especially in areas where renewables alone can't meet demand. EnergyTown is not about endorsing any one solution, rather it's about equipping the next generation with knowledge to make better decisions.' The game was developed by marketing agency We Are Futures, and was quality-asserted for UK schoolchildren by the Association for Science Education (ASE). We have approached both organisations for comment. Advertisement Hide Ad Advertisement Hide Ad