
Faissal Khan claims Aamir Khan asked to give up his signatory rights: ‘A doctor will say you will need a guardian in front of the judge'
Aamir Khan
and
Faissal Khan
don't see eye to eye. However, after Faissal Khan's recent media interview, their feud has once again caught everyone's attention. In his recent interview, Faissal made several shocking claims, including that Aamir Khan asked him to give up his signatory rights.
Faissal Khan was asked to give up his signatory rights by Aamir Khan
Faissal Khan revealed that his family believed he was mentally ill and force-fed him medicine. After a lot of resistance from his side, Aamir Khan let him move to another house, and later, left him all alone on his own. During his interaction with Pinkvilla, Faissal added that after a couple of years, Aamir asked him to go to court and give him signatory rights.
'Aamir said, 'We want your signatory rights. To tumko kal jana hai court mein aur bolna hai ki tum kuch faisla le nahi paate ho.
Judge ke saamne ek doctor bolega aur tumhare liye ek guardian rakha jayga.' Toh tab mujhe shock hua. ('You will have to go to the court tomorrow and say that you can't make your own decisions. A doctor will say you need a guardian in front of the judge.' I was shocked to hear it)' mentioned the 'Mela' actor.
Additionally, he disclosed that he had told Aamir that he would go to court the following day, but ultimately chose to leave his house.
Faissal Khan says his family believed he was a threat to others
Faissal Khan shared that his family was sure that he was mentally challenged and was a threat to society, 'They were saying I've got schizophrenia and I'm a mad person. I can harm society.'
'I was looking at myself ki yaar main iss chakravyuh se kaise niklu. Chakravyuh ho gaya tha mere liye. Main usme fass gaya tha kyunki saari family mere khilaaf jaa rahi thi. Mujhe pagal samjh rahe the (I was looking at myself, wondering how to come out of this mess.
My whole family was against me. They thought I was mad)' he added.
The actor also said that Aamir Khan locked him in the house for a year, and he was cut off from the outside world. 'Mobile le liya, main bahar nahi jaa sakta. Bodyguard mere room ke bahar. Dawaiyan de rahe hain (took my mobile, I wasn't allowed to go out. There were bodyguards outside my room, and they were forcefully giving me medicine,' said Faissal Khan.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Indian Express
3 hours ago
- Indian Express
Business of films: Why Aamir Khan took Sitaare Zameen Par to YouTube
Actor-filmmaker Aamir Khan this month released his Sitaare Zameen Par on the Google-owned video-sharing platform YouTube, rather than an over-the-top (OTT) platform such as Netflix or Amazon Prime Video, after the film had completed its theatrical run. The film, in the genre of comedy-drama known as 'dramedy', earned Rs 216 crore at the box office worldwide. Since August 1, it has been available for rent on YouTube for Rs 100 (and for half that price from August 15-17). What is the business logic for Aamir Khan's decision? Theatre owners were upset: multiplex giant PVR INOX said Sircar had 'vitiated the atmosphere of mutual partnership' between theatres and filmmakers. But amid the Covid-19 lockdown, direct-to-OTT was a fait accompli of sorts. Prime announced plans for six more digital-only premieres of Malayalam, Tamil, and Kannada films. In 2021, more than 100 films had opted for direct-to-OTT releases. But this Covid-era momentum faded quickly. In 2024, only 60 films were released directly on digital platforms — a more-than-42% decline compared to 2022, according to a report by the trade association FICCI and multinational accounting firm EY published this year. Direct-to-OTT films have not done particularly well either. Between January and June this year, 30 films in multiple languages were released on OTT platforms, of which only five ranked among the 50 most-watched streaming originals, Ormax Media, a Mumbai-based research firm, reported. The number of films being released in theatres first and subsequently on OTT has steadily increased — doubling from 217 in 2022 to 440 in 2024, according to FICCI-EY reports of 2024 and 2025. Filmmakers are confronted with two broad realities: 🔴 Footfall in theatres has recovered from pandemic-driven lows, but has been declining generally — having fallen from 994 million in 2022 to 857 million in 2024, according to the 2025 FICCI-EY report. This has been attributed to the narrowing theatre-to-OTT window: the availability of films on OTT platforms soon after their theatrical release is believed to depress theatre footfall. But this allows the OTT platforms to benefit from the theatre-marketing buzz. 🔴 The FICCI-EY report noted that 'cost pressures' led to subdued digital releases in 2024. With OTT platforms now focused on profitability, 'tentpole' films — big-budget productions that are expected to perform well — and small-budget ones were in demand, but mid-sized films had few takers. In some cases, it was 'understood that theatrical performance was required to market the film for OTT platforms as well', the FICCI-EY report said. Aamir's decision to go to YouTube effectively adds another distribution channel for films. 'We need a 'pay-per-view' (PPV) window between theatrical and OTT, and that's what I am pushing to create,' he told Matthew Beloni on the podcast The Town. In the PPV model, viewers essentially pay only for what they want to watch, not for a subscription. 'Once the theatrical run is exhausted, that's when I want to come on pay-per-view, and that's a window [for the theatrical run] that can be flexible. It should certainly not be below six weeks. And then, you should give pay-per-view a good three months, and then the film can come on OTT. That's the ideal window,' Aamir said. According to Aamir, the 'bulk of India does not subscribe to OTT platforms', and YouTube potentially has greater reach, including globally. He also suggested that YouTube could offer a more favourable deal than the traditional 50-50 split between the production house and theatres, and that the PPV model could open a path for younger filmmakers and smaller-budget films that do not get distribution in theatres. In 2024, only 30% of all films were released on OTTs (including digital-first and theatre-first), according to the FICCI-EY report. As such, there are a large number of unsold films that could find audiences on AVOD (advertising-based video-on-demand) and TVOD (transactional video-on-demand) platforms such as YouTube. AVOD allows free access to videos, but with advertisements. TVOD, which is the same as PPV, allows viewers to pay a one-time rent for a specific piece of content. The FICCI-EY report points out that TVOD releases (parallel to or shortly after theatre runs) would get audiences in regions with limited theatre access. Also, a Rs 100 rent fee is less than the average ticket price of Rs 139 (in 2024). Several factors work in favour of YouTube as the platform of choice for filmmakers. 🔴 YouTube accounted for 92% of all online video consumption in 2024; 🔴 It has the highest penetration in India among social media platforms, according to a 2024 report by Comscore, a media analytics company; 🔴 It is popular across generations — 91% of Gen Z and more than 80% of millennials and Gen X were on YouTube; 🔴 While the majority of YouTube consumption is on mobile phones, it also has an expanding CTV (connected TV) base: between March 2023 and March 2024, it was the most-watched streaming service on Indian CTV. There is not much publicly available data on YouTube's TVOD offerings. In 2024, TVOD revenues were more than Rs 13 billion in India, lagging behind SVOD (subscription video on demand) revenue from services like Netflix or JioHotstar, which charge an annual or monthly subscription fee for access to a large volume of content. According to a report by accounting firm PwC, SVOD accounted for 75% of OTT revenue in India in 2023, while TVOD and AVOD accounted for 5% and 20% respectively. However, the FICCI-EY report said TVOD is expected to scale amid rising OTT subscription costs and CTV penetration. Smaller OTT platforms may opt for TVOD models, with films that were previously unsold, and more major players may start offering a mix of SVOD and TVOD, following in the footsteps of Prime and Apple TV.


Mint
14 hours ago
- Mint
Lokesh Kanagaraj's 'Coolie' roars at box office; here's what Rajinikanth, Aamir Khan and others charged for their roles
Superstar Rajinikanth's 'Coolie' has landed on the silver screen on 14 August and has become the biggest Tamil opener worldwide, minting a gross of ₹ 151 crore on opening day. Industry trade tracker Sacnilk reported on Thursday that the movie earned ₹ 76.75 crore in India alone. On Friday, all the shows of 'Coolie' across all languages are running full and have minted an estimated ₹ 25.94 crore India net on Day 2. According to a report by Deccan Herald, Rajinikanth has taken home the biggest pay cheque of ₹ 200 crore for 'Coolie'. The report added that as part of his remuneration, Rajinikanth was getting ₹ 150 crore, but his fees was revised following the spike in advance sales. Among other details, some reports stated that Aamir Khan drew a cheque for ₹ 20 crore for his brief appearance, while other said that the Bollywood superstar did not charge a single penny for his role as a respect to Rajinikanth. Other actors like Nagarjuna Akkineni – playing Simon in 'Coolie' – charged ₹ 10 crore for his performance in the film, while Shruti Haasan got ₹ 4 crore. Actor Sathyaraj received a remuneration of ₹ 5 crore, while Kannada star Upendra drew a cheque for ₹ 5 crore. Director Lokesh Kanagaraj has been paid ₹ 50 crore by the producers. Music director Anirudh Ravichander has been paid around ₹ 15 crore for his contribution in the film. Besides Rajinikanth, the ensemble cast features Nagarjuna Akkineni, Shruthi Haasan, Upendra, Sathyaraj, Soubin Shahir, and Aamir Khan in key roles. Sumit Kadel's revie states, 'The film is packed with non-stop twists and turns every 15–20 minutes. Coolie tells the story of how Deva goes to unimaginable lengths to avenge the death of his friend Rajshekhar and protect his daughters….Overall, while Coolie may not reach the exact heights of Vikram or Kaithi, it is still a very good film.'


News18
21 hours ago
- News18
Aamir Khan Removes Shoes, Lights Lamp As He Inaugurates IMMF 2025
On August 14, Aamir Khan commenced the Indian Film Festival of Melbourne 2025 and said that it is a great initiative of cinema that brings people and cultures together. Bollywood superstar Aamir Khan officially inaugurated the Indian Film Festival of Melbourne (IFFM) by lighting the ceremonial lamp. Speaking at the inauguration, Aamir shared his heartfelt thoughts, 'It is truly an honour to open the Indian Film Festival of Melbourne. It's great to be here celebrating cinema that brings us all together." He added: 'I have been meaning to come here for the longest time and I'm glad I could finally make it. All my colleagues always spoke highly of the warmth of IFFM and I can now truly feel it coming my way." The actor, honouring the customs and traditions on an international soil, respectfully removed his shoes before lighting the ceremonial lamp. Aamir also introduced the festival's much-anticipated Opening Night Film Baksho Bondi, in the presence of its cast and crew, including acclaimed actors Tillotama Shome and Jim Sarbh, who also serves as the film's producer. Talking about the film, Aamir said: 'I wish the team of Baksho Bondi and all other films at the festival all the very best and I hope the Melbourne audiences enjoy these films and cinema". Festival Director Mitu Bhowmik Lange said that having Aamir Khan to inaugurate IFFM 2025 is an immense honour. 'Baksho Bondi is the perfect Opening Night Film — it's bold, it's moving, and it showcases the kind of storytelling we love to champion. Seeing talents like Tillotama Shome, Jim Sarbh, Tanushree Das here in Melbourne is a testament to how far Indian cinema has reached." The eleven-day cultural extravaganza runs from 14 to 24 August. On August 14, Aamir commenced the Indian Film Festival of Melbourne 2025 and said that it is a great initiative of cinema that brings people and cultures together. Aamir expressed, 'It's great to be here in Melbourne. I'm elated to be part of the Indian film festival of Melbourne." 'It's a great initiative of cinema that brings people and cultures together. I'm certain the films and the filmmakers who are showcasing at the festival will have a great experience," added the superstar. First Published: Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.