Florence Pugh Pops in Springtime Green McQueen Dress With Layered Ruffles for ‘Thunderbolts' Los Angeles Premiere
Florence Pugh forewent her Gothic romance styling streak in favor of springtime hues for the 'Thunderbolts*' premiere on Monday in Los Angeles. The actress joined costars Sebastian Stan, David Harbour, Wyatt Russell and more for the latest installment in the Marvel Cinematic Universe.
Pugh opted for a strapless design courtesy of McQueen's fall 2025 ready-to-wear collection. The actress' dress featured a mint green tone with a bevy of ruffles layered throughout the dress. Pugh's look also featured a fitted bodice with ruching at the sweetheart neckline. The bodice transitioned to a structured waistline, featuring more ruffled effects. The skirt featured tiered layering and cascading ruffles.
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As for the rest of her look, Pugh styled shoes courtesy of Aquazzura. The Oscar-nominated actress wore delicate earrings in silver tones and a bracelet to boot, though the centerpiece of Pugh's look remained her dress.
The actress' blond hair was coiffed courtesy of stylist Hyungsun Ju, with makeup provided by artist Alex Babsky. Pugh's look was curated by stylist Rebecca Corbin-Murray, who's also collaborated with Simone Ashley and Gemma Chan, among others.
Pugh's McQueen dress made its runway debut during Paris Fashion Week last March. The collection was curated by designer Seán McGirr, who took over the role as creative director from Sarah Burton following her departure in September 2023.
'The show started with a run of terrific sharp, black tailoring. Jackets drew on a Victorian silhouette with pleated collars, peaked shoulders and shaped waists, and were worn with archival kickback trousers and wicked-looking, extra-elongated pointy shoes. (McGirr said he meets with the brand archivist every other week.) Other looks had ivory ruffles spilling out, Marianne Faithfull style, or were accessorized with a dandy's cocked hat,' Booth Moore wrote in WWD's review of the collection.
'Fluid silk gowns in fuchsia, inky blue, pale green and lavender had drama without sacrificing wearability, which was clearly a priority for McGirr, who also brought in more casual and contemporary pieces, like a glossy shrunken leather bomber with punk buckle details, and a tailcoat parka with dense crystal shard embroidery at the neck.'
Marvel's 'Thunderbolts*' follows a group of antiheroes who team up to defeat a new evil on Earth while confronting their respective pasts. The film hits theaters Friday.
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Launch Gallery: Alexander McQueen Fall 2025 Ready-to-Wear Collection
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Associated Press
an hour ago
- Associated Press
A Sikh Captain America and other stories: Takeaways from AP's report about faith themes in comics
Representation of many of the world's faiths and spiritual traditions has been minimal to nonexistent in the mainstream comics universe. Even when they are portrayed in comics, their presentation, as experts point out, is often inauthentic and sometimes, negative. Recently, however, comic book writers and academics who study the intersection of religion and comics are observing a renaissance of sorts. They say this is because people close to these faith traditions have begun to tell these stories with a reverence and an authenticity that resonate with a wider audience. Here's a look at some of the creators and trends: A Sikh superhero with a message 'Captain America doesn't wear a beard and a turban, and he's white.' Vishavjit Singh looked at the boy who uttered those words, and then he looked at himself — a skinny, bespectacled, turbaned, bearded Sikh in a Captain America suit. 'I wasn't offended, because I knew that this kid was going to have this image of me, a Sikh Captain America, forever in his mind,' Singh said. Singh's journey began after the attacks of Sept. 11, 2001, triggered anti-Sikh hate incidents. Having faced hate and exclusion throughout his life, he decided to spread his message of kindness and inclusion by capitalizing on the appeal of comics and superheroes — an area where he found Sikh representation to be 'virtually zero.' In 2016, Singh gave up his full-time job to travel around the country to schools, government agencies and corporations to share his story and educate youth about his culture and faith. Incorporating Black mythology and spirituality Brooklyn-born Haitian American comic book writer Greg Anderson Elysée said he didn't learn about African and Caribbean religious traditions until he was a teenager. For the past decade, he's written a series of comics about Is'nana, the son of Anansi the Spider, the god of wisdom, knowledge and mischief in the Akan religion of West Africa. What drives his vision and his creativity, Elysée said, is the need to see more Black mythology, deities and spirituality showcased with the same level of respect as European fairy tales and Greek mythology. 'When I started going to ceremonies and rituals, I saw how much power there is in it. When we know who we are — whether you believe in the religion or not — it fills you with joy, a purpose and a sense of being.' Africana religions in comics Marvel's Black Panther heralded better representation for Africana religions in the U.S., according to Yvonne Chireau, a professor of religion at Swarthmore College in Pennsylvania. However what is seen in Black Panther or other comics is a synthesis of different African religions and cultural practices, she said. The turn of the last century was a time of revival for Black-centric comics, she said, adding that immigration from African and Caribbean countries, including Haiti, led to increased understanding of religious practices originating in those places. Zen comics that heal, ground and center Zen Buddhism has informed much of John Porcellino's work. For over three decades, he has produced and self-published King-Cat Comics and Stories, a largely autobiographical mini-comic series. He gave the example of a wordless story titled 'October,' featured in King-Cat's 30th issue, that shows him as a high school student walking the dog one night and suddenly catching a glimpse of the stars. 'It's the experience of being in everyday, mundane life ... and then suddenly breaking through to some kind of transcendence,' he said. Why representation matters for children Teresa Robeson, who grew up in Hong Kong around Buddhist relatives, wrote a graphic novel about the 14th Dalai Lama, She said she jumped at the opportunity to tell the story of the Dalai Lama in graphic novel form because the book focused on a pivotal moment in the spiritual leader's life, when he fled Tibet for India after the Chinese occupation. Robeson took on the project because she liked the idea of it representing a religion and culture that do not get much attention in media. The comics renaissance in India Amar Chitra Katha was a comic book company started by the late Anant Pai in Mumbai in 1967 as a way to teach Indian children about their own mythology and culture. The first title was 'Krishna,' an important god in Hinduism and protagonist of the Bhagavad Gita, one of the religion's main sacred texts. Reena I. Puri, the company's managing director and a veteran of the industry, said Pai started with Hindu mythology and gods but soon expanded to other faiths and more secular themes. But religion remains the mainstay of Amar Chitra Katha, according to Puri. Atheism, Paganism and ... Lucifer British comic book writer Mike Carey is known for his 2000-2006 DC Comics series 'Lucifer,' which depicts the titular character's adventures on Earth, in Heaven and in various realms after abandoning Hell. Carey portrayed Lucifer as the 'son of God, but as a rebellious disobedient son who wants to find himself as distinct from his father.' He has also explored Pagan themes, particularly what he calls the 'weird interface between British folklore and British religious traditions.' Carey delved into the concepts of faith, God and morality in a series titled 'My Faith in Frankie,' which tells the story of a teenager with a personal god called Jeriven who gets jealous of her boyfriend. ___ Associated Press religion coverage receives support through the AP's collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content.
Associated Press
an hour ago
- Associated Press
A Sikh Captain America? Why religious diversity matters in the comics universe
'Captain America doesn't wear a beard and a turban, and he's white.' Vishavjit Singh looked at the boy who uttered those words, and then he looked at himself — a skinny, bespectacled, turbaned, bearded Sikh in a Captain America suit. 'I wasn't offended, because I knew that this kid was going to have this image of me, a Sikh Captain America, forever in his mind,' Singh said. 'This image has so much power to it that it opens up conversations about what it means to be American.' Representation of non-Abrahamic religions and spiritual traditions, particularly in the mainstream comics universe, is minimal. Even when they are portrayed in comics, their presentation, as Singh and others in the field point out, is often inauthentic and sometimes negative. Recently, however, comic book writers and academics who study the intersection of religion and comics observe a renaissance of sorts, which they say is happening because people close to these faith traditions are telling these stories with a reverence and sincerity that resonate with a wider audience. A Sikh superhero with a message Singh's journey to make that connection began after the attacks of Sept. 11, 2001, triggered anti-Sikh hate incidents. Having faced hate and exclusion throughout his life, he decided to spread his message of kindness and inclusion by capitalizing on the appeal of comics and superheroes — an area where he found Sikh representation to be 'virtually zero.' He suited up as Captain Sikh America in Manhattan for the first time in summer 2013 — one year after a self-proclaimed white supremacist opened fire inside a Sikh temple in Oak Creek, Wisconsin, killing six and injuring four others. New York's reaction to Captain Sikh America was joyous. 'Strangers came up and hugged me,' Singh said. 'Police officers wanted photos with me. A couple wanted me to be part of their wedding ceremony. I felt I had a certain privilege I'd never had before.' In 2016, Singh gave up his full-time job to travel around the country to schools, government agencies and corporations to share his story and educate youth about his culture and faith. He doesn't speak directly about religion but rather the core values of Sikhism. 'I talk about equality, justice and about the universal light being present in every speck of creation,' he said. Africana religions in comics Marvel's Black Panther heralded better representation for Africana religions in the U.S., according to Yvonne Chireau, a professor of religion at Swarthmore College in Pennsylvania. However what is seen in Black Panther or other comics is a synthesis of different African religions and cultural practices, she said. For example, one page might talk about the Orishas, divine spirits that play a key role in the Yoruba faith of West Africa, while another might feature Egyptian gods. One of the first superheroes with African roots, Chireau said, was Brother Voodoo, created in the 1970s by Marvel publisher Stan Lee, writer Len Wein and artist John Romita. He was the first Haitian superhero. The turn of the last century was a time of revival for Black-centric comics, she said, adding that immigration from African and Caribbean countries, including Haiti, led to increased understanding of religious practices originating in those places. 'It's definitely gotten a lot better and much more authentic because the people who are telling these stories care about those religious practices,' she said. Incorporating Black mythology and spirituality Brooklyn-born Haitian American comic book writer Greg Anderson Elysée said he didn't learn about African and Caribbean religious traditions until he was a teenager. Elysée was raised Catholic, but he now considers himself agnostic. For the past decade, he's written comics about Is'nana, the son of Anansi the Spider, the god of wisdom, knowledge and mischief in the Akan religion of West Africa. What drives his vision and his creativity, Elysée said, is the need to see more Black mythology, deities and spirituality showcased with the same level of respect as European fairy tales and Greek mythology. 'When I went looking for anything on African spirituality in the bookstore, I found it in the occult section as opposed to the religion or mythology section,' he said. Common depictions of African faith as voodoo and witchcraft are colonialist narratives aimed at demonizing Indigenous spiritual practices, he added. 'When I started going to ceremonies and rituals, I saw how much power there is in it. When we know who we are — whether you believe in the religion or not — it fills you with joy, a purpose and a sense of being.' Elysée is excited and relieved by the reaction to his work. 'While this is entertainment, you also don't want to offend those who believe in it and truly get so much power from it,' he said. 'Some of my portrayals of these religions in my comics may not be 100% authentic, but there is a level of research and respect that goes into every piece of it.' Zen comics that heal, ground and center Zen Buddhism has informed much of John Porcellino's work. For over three decades, he has produced and self-published King-Cat Comics and Stories, a largely autobiographical mini-comic series. Porcellino was drawn to Buddhism in his 20s after what he describes as a period of intense mental suffering and health problems. As a punk rock fan, Porcellino saw commonalities between punk and Zen because 'they are both concerned with the essence of things rather than appearances.' Both are ways of life — simple yet nuanced. He gave the example of a wordless story titled 'October,' featured in King-Cat's 30th issue, that shows him as a high school student walking home one night from school. When he gets home, his mom asks him to take the dog outside; as he steps out, he sees the stars. 'It's the experience of being in everyday, mundane life ... and then suddenly breaking through to some kind of transcendence,' he said. Porcellino views these comics as a healing presence in his life. 'They are an important part of my spiritual practice,' he said. 'Any time I have a major crisis in my life, my first reaction is to sit down and start making comics and put my focus into that. It just helps ground me.' Why representation matters for children Teresa Robeson, who wrote a graphic novel about the 14th Dalai Lama, said that even though her mother was Catholic and raised her in the faith, her grandmother was Buddhist. She grew up in Hong Kong, with memories of relatives praying to Buddhist gods, taking in the fragrance of burning incense and the sound of Buddhist chants. Though she practices neither Catholicism nor Buddhism at this time, Robeson jumped at the opportunity to tell the story of the Dalai Lama in graphic novel form because the book focused on a pivotal moment in the spiritual leader's life, when he fled Tibet for India after the Chinese occupation. Robeson liked the idea of representing a religion and culture that do not get much attention in media. 'Children's books are like mirrors and windows for kids,' she said. 'It's helpful especially for children of immigrants who don't often see themselves in mainstream literature. They don't see anyone who looks like them or prays like them. At the same time, it also helps kids who are not Asian or Buddhist to learn something about those communities.' The comics renaissance in India Amar Chitra Katha was a comic book company started by the late Anant Pai in Mumbai in 1967 as a way to teach Indian children about their own mythology and culture. The first title was 'Krishna,' an important god in Hinduism and protagonist of the Bhagavad Gita, one of the religion's main sacred texts. Pai was an engineer turned comic books seller who used varied marketing techniques, including walking around with planks, nails and hammers in his bag so he could build shelves for bookstores that refused to display his comics because they lacked shelf space, said Reena I. Puri, the company's managing director and a 35-year veteran of the business. Pai started with Hindu mythology and gods but soon expanded to other faiths, releasing a globally successful comic titled 'Jesus Christ' and others about Buddha, Sikh gurus and Mahavira, who founded Jainism. Later came secular comics about historical figures and folktales. But religion remains the mainstay of Amar Chitra Katha, and books that teach children about faith, history and culture are also the most popular in the diaspora, Puri said. 'Most recently we've also portrayed (Indigenous) religions and have gathered folktales relating to these traditions from all over India,' she said. Amar Chitra Katha comics faced criticism in the past for their portrayal of gods as fair-skinned and 'asuras' — often the antagonists to the gods — as dark-skinned with demonic facial features. But that has changed, Puri said. 'We've educated ourselves and realized that our ancient texts were not as racist or colorist as we may be today,' she said. 'We're correcting those misconceptions now.' Atheism, paganism and ... Lucifer British comic book writer Mike Carey is known for his 2000-2006 DC Comics series 'Lucifer,' which depicts the titular character's adventures on Earth, in Heaven and in various realms after abandoning Hell. Carey counts himself an atheist who went to Sunday school only 'for the fun, stories and chocolate.' Carey portrayed Lucifer as the 'son of God, but as a rebellious disobedient son who wants to find himself as distinct from his father.' He has also explored pagan themes, particularly what he called the 'weird interface between British folklore and British religious traditions.' Carey delved into the concepts of faith, God and morality in a series titled 'My Faith in Frankie,' which tells the story of a teenager with a personal god called Jeriven who gets jealous of her boyfriend. Even though many of his comics and novels explore religion and ethics, Carey said, he has never 'felt any temptation whatsoever to believe.' 'I've become more and more entrenched in that position, because organized religions are like any organization that sustain themselves, amass power, wealth and authority,' he said. 'So I've never really grappled with religious issues. What I do sometimes is explore, play with and tease out moral issues that were important and meaningful to me.' ___ Associated Press religion coverage receives support through the AP's collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content.
Business Insider
2 hours ago
- Business Insider
'The Phoenician Scheme' has a star-studded cast — here's where else you might have seen them
Benicio Del Toro plays Zsa-Zsa Korda "The Phoenician Scheme" follows Zsa-zsa Korda, an arms dealer, as he tries to teach his daughter how to run his organization after a near-successful assassination attempt. Benicio Del Toro, who plays the character, who won an Oscar in 2001 for his supporting role in "Traffic." He previously worked with Anderson on his 2021 movie " The French Dispatch." Del Toro also appeared in three Marvel movies as the Collector, and starred in "Star Wars: The Last Jedi," "Sicario," and "The Usual Suspects." Mia Threapleton as Liesl Liesl, Zsa-Zsa's eldest daughter, was raised in a convent away from her family's criminal enterprise. Although she wants to be a nun, her father wants her to be the heir to his estate, distracting her from her faith. Mia Threapleton, who plays Liesl, may seem familiar to fans even if they haven't seen her act before. That's because she's Kate Winslet's daughter. Threapleton made her acting debut at 13 with "A Little Chaos." Before "The Phoenician Scheme," her biggest role was playing Honoria Marable in the AppleTV+ series "The Buccaneers." Michael Cera plays Bjorn Bjorn joins Zsa-zsa and Liesl on their adventure as Zsa-zsa's personal tutor about insects. He is played by Michael Cera, who is best known for his roles in films such as "Barbie," "Scott Pilgrim vs. the World," "Juno" and "Superbad." Steve Park plays the pilot Early in the film, Steve Park appears as a pilot for Zsa-zsa. This is the third Anderson film Park has appeared after starring in "The French Dispatch" and "Asteroid City." Park has also starred in "Death of a Unicorn," "Mickey 17," "Do the Right Thing," and "Fargo." Rupert Friend plays Excalibur Excalibur leads the shady consortium attempting to sabotage Zsa-zsa's organization in the movie. Rupert Friend, who plays Excalibur, starred in Anderson's 2021 movie "The French Dispatch" and his 2024 short films "The Swan" and "The Rat Catcher." Friend also played Mr Wickham in the 2005 version of "Pride & Prejudice," and starred in the "Obi-Wan Kenobi" and "Anatomy of a Scandal" series. Riz Ahmed plays Prince Farouk Riz Ahmed stars as Prince Farouk, the son of the King of Lower Western Independent Phoenicia, who has partnered with Zsa-zsa to build a tunnel across the region. This is Ahmed's first Wes Anderson movie, but he has starred in "Rogue One: A Star Wars Story," "Venom," and "Sound of Metal." Tom Hanks plays Leland Leland is part of the Sacramento Consortium, which is in business with Zsa-Zsa and Prince Farouk to build the tunnel. Beloved American actor Tom Hanks plays Leland. Hanks starred in Anderson's 2023 movie "Asteroid City," but is better known for his older roles like "Forrest Gump," "Cast Away," and "Big." Bryan Cranston plays Reagan Reagan is Leland's brother, also part of the Sacramento Consortium. Bryan Cranston, who plays Reagan, has starred in two of Anderson's movies — "Asteroid City and "Isle of Dogs." Cranston is best known for starring in the TV drama "Breaking Bad" and "Malcolm in the Middle." Mathieu Amalric plays Marseille Bob Marseille Bob is a French nightclub owner and leader of the Savarin-Montrachet Gang. He is also part of Zsa-zsa's Phoenician business scheme. Mathieu Amalric, who starred in Anderson's "Isle of Dogs" and "The Grand Budapest Hotel," plays Marseille Bob. Amalric has also played a Bond villain, Dominic Greene, in 2008's "Quantum of Solace." Richard Ayoade plays Sergio Sergio is the leader of the Intercontinental Radical Freedom Militia Corp jungle unit, which attacks Marseille Bob's nightclub in the movie. Richard Ayoade, a British comedian, plays Sergio after starring in two of Anderson's short films, "The Wonderful Story of Henry Sugar" and "The Rat Catcher." Ayoade mainly has voice acting roles, but has appeared on-screen in the sitcom "The IT Crowd" and "Paddington 2." Jeffrey Wright plays Marty Marty is a shipping magnate and the leader of the Newark Syndicate gang. He is also in cahoots with Zsa-zsa. Jeffrey Wright plays Marty, making "The Phoenician Scheme" his third Anderson movie. He also starred in "Asteroid City" and "The French Dispatch." Wright has also starred in "American Fiction," "The Batman," "Quantum of Solace," and three "Hunger Games" movies. Scarlett Johansson plays Hilda Sussman-Korda Hilda Sussman-Korda is Zsa-zsa's second cousin and has an intimate relationship with him. She is also part of Zsa-zsa's business scheme because she is constructing a trans-basin hydroelectric embankment within her private utopian outpost in Phoenicia. Scarlett Johansson, who is best known for her roles in Marvel movies, "Her" and "Lost in Translation," plays Hilda. Johansson has worked with Anderson twice before, starring in "Asteroid City" and "Isle of Dogs." Benedict Cumberbatch plays Uncle Nubar Benedict Cumberbatch plays Zsa-zsa's brother, Uncle Nubar. Though Uncle Nubar is part of Zsa-zsa's business plan, the brothers often oppose each other. Benedict Cumberbatch, another Marvel star, plays Uncle Nubar. He starred in Anderson's 2024 short films "The Wonderful Story of Henry Sugar" and "Poison." Cumberbatch is also known for his roles in "Star Trek: Into Darkness," "The Imitation Game," and the "Sherlock" TV series. F. Murray Abraham, Willem Dafoe, Bill Murray, Hope Davis have small cameos in the movie Though they do not appear in the film's trailers, F. Murray Abraham, Willem Dafoe, and Bill Murray all have cameos in hallucination scenes. Abraham, who cameos as a prophet, has starred in Anderson's 2014 movie "The Grand Budapest Hotel," "Amadeus" and HBO drama "The White Lotus." Dafoe has brief appearance as a knave and has appeared in 4 of Anderson's films since starring in 2004's "The Life Aquatic with Steve Zissou." Dafoe has also starred in four "Spider-Man" movies, "Aquaman," "Poor Things," and "Nosferatu." Murray makes a cameo as god and has made appearances in 10 of Anderson's films, skipping only "Bottle Rocket" and "Asteroid City." Murray is best known for starring in "Lost in Translation," "Groundhog Day" and the "Ghostbusters" movies. Hope Davis, who makes a small appearance in the trailers, plays Mother Superior in the movie, Liesl's superior in her convent. She also appeared in Anderson's last feature "Asteroid City," "Captain America: Civil War" and the "Succession" TV series.
