Siddharth-Sri Ganesh's 3 BHK gets a release date
The technical crew of the film comprises cinematographers Dinesh Krishnan B and Jithin Stanislaus, editor Ganesh Siva, art director Vinoth Rajkumar N, and music director Amrit Ramnath.
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Hindustan Times
an hour ago
- Hindustan Times
3BHK on OTT: Siddharth's family drama is now streaming and here are 5 reasons to watch it now
3BHK, the recently released Tamil family drama is now streaming on Prime Video. Available in Tamil and Telugu to watch, the film follows a humble Indian family's struggle to own a house that they can call their own. Starring Siddharth and other known actors, directed by Sri Ganesh, the film can be on your weekend watch list. Here are the reasons: Siddharth, Sarathkumar and Devayani in a still from 3BHK 3BHK on OTT: 5 reasons why you should watch Siddharth's family drama A star-studded ensemble 3BHK features known cast members, including actors Siddharth and Sarathkumar at the forefront. The film also features Good Night fame Meetha Ragunath, Devayani, Chaithra J Achar in her Kannada debut, Yogi Babu and others. With such known faces, the cast serves as a major highlight for 3BHK, driving relatability with audience easily able to get associated with the story and their characters. A story rooted in reality 3BHK takes a simple plot, that is a middle-class family striving to own a house of their own. It is the average dream of any such Indian family. The film takes this as the concept, and makes a screenplay that is relatable on many levels. Not only this, 3BHK also delves into other woes of middle-class such as education loans, the pressure of conducting extravagant weddings, and working-class pressure to entwine it as a family drama. Reunion of iconic duo Sarathkumar and Devayani 3BHK marks the reunion of iconic onscreen pair Sarathkumar and Devayani. The duo last shared screen space in the 1997 film Surya Vamsam. The veteran actors play the elderly couple with two children, as they strive hard to give decent lives to their offsprings, while morally support each other. Fan of Surya Vamsam? Not only do the iconic pair of Surya Vamsam has come together in 3BHK, but the film also explores the sturdy and steady growth of middle-class individuals. Surya Vamsam is a celebrated family drama which explores the family dynamics between a father and son. In 3BHK, not only the film explores the same bond, but also talks about other issues like cons of arranged marriage, the placement of women in society, the gender norms in a limited way. While 3BHK may not concentrate these in depth, it certainly acknowledges them. A film for all Looking to watch for a film that can be enjoyed by all? Then 3BHK is your go-to this weekend. A family entertainer, it has some for all. Be it the pressure of being a breadwinner, or a woman's constraints in case of marital discord, 3BHK explores these issues.
Time of India
2 hours ago
- Time of India
Siddharth's '3BHK' garners love on OTT, hailed for its authentic middle-class tale
'3BHK', starring actor Siddharth in the lead role, released in theaters last month. The film was a huge success both critically and commercially due to its rich story and emotionally connected journey of the protagonists. Now, the film has been released on OTT platform Amazon Prime. Within a few days of its release, fans across social media have been praising the film for touching the edges of their hearts. Here's a closer look. Fans praise its emotional take on buying a home Fans, who say "What a beautiful film it is," have said that 3BHK has conveyed the emotions behind the attempt to buy a house in a simple and painful way. They praised the film for its excellent portrayal of the problems, losses, laughter, and hopes that a middle-class family faces in their quest to buy a single house. Some have also said that this film has made a direct connection to their lives. Relatable, clean storytelling wins over all age groups Fans also say that the film combines emotion, humor, and family constraints very neatly, with comments such as "No rush, no noise, just storytelling at its finest," without violence or deviations. The natural acting of Siddharth and the other actors has been described by some as a 'green, green journey of a lifetime.' This makes it a family-friendly film that everyone from children to adults can watch. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Up to 70% off | Shop Sale Libas Undo Sri Ganesh delivers a heartfelt middle-class family drama Directed by Sri Ganesh, the plot of '3BHK' revolves around the trials and tribulations faced by a middle-class family in pursuit of their dream of buying a small house. But the film portrays not just the house, but the relationships, pain, joy, and hope behind that endeavor with great emotion. After a huge success in theaters, 3BHK is now reaching another peak with OTT fans. Sarathkumar, Devyani, and Metha Raghunath played crucial roles, while the film has music composed by Amrit Ramnath.
NDTV
3 hours ago
- NDTV
71st National Film Awards: Was This The Most Commercial Bollywood Year Ever? All Signs Say Yes
New Delhi: For years, the National Film Awards have been the holy grail of artistic validation, often accused, rightly or wrongly, of being indifferent to Bollywood's big-budget extravaganzas. But this year, on a seemingly ordinary Friday in August 2025, something unprecedented happened: Shah Rukh Khan and Rani Mukerji, two of Bollywood's most enduring icons, finally won their first National Awards. And in that moment, the line between 'mass entertainer' and 'award-winner' blurred like never before. The Big Bollywood Comeback The 71st National Film Awards marked a dramatic shift in what had become a familiar pattern during the pandemic years: South Indian cinema sweeping top honours while Bollywood remained largely on the sidelines. Starting around 2020, when COVID-19 disrupted theatrical releases and OTT platforms reshaped viewership, Hindi cinema entered a creative slump, while Malayalam, Kannada, Tamil and Telugu films rose in stature and acclaim. At the 70th National Awards, regional films took home major prizes, including Best Feature Film and Best Actor. Even the year before, regional films dominated categories that Bollywood once called its own. But this year, Bollywood spectacularly reclaimed its lost ground. Hindi films won across all major categories: Shah Rukh Khan bagged Best Actor for Jawan, Rani Mukerji took home Best Actress for Mrs Chatterjee Vs Norway, and 12th Fail, an inspiring real-life drama headlined by Vikrant Massey, won Best Feature Film. Bollywood also secured awards for Best Popular Film (Rocky Aur Rani Kii Prem Kahaani), Best Choreography, Best Child Artist, Best Lyrics, and even Best Hindi Film (Kathal). A still from Kathal Compare this to last year's 70th edition, where Bollywood found itself sidelined. South Indian cinema, Malayalam, Kannada, and Tamil had a near-total sweep. Malayalam film Aattam won Best Feature Film, Best Screenplay and Best Editing, while Kannada film Kantara won Best Popular Film and fetched Rishab Shetty the Best Actor award. Hindi cinema, despite big releases, had to settle for just six awards across all categories, and most of which were not top-tier honours. Even the year before that, at the 69th National Film Awards, it was South Indian cinema again - Tamil, Malayalam and Kannada films - that earned the critical spotlight and national jury approval. Bollywood had receded into the background, mostly with a few wins in less prominent categories. So, What Changed This Year? The big turning point seems to be a shift in how Bollywood now balances spectacle with story. 12th Fail, for example, is a relatively modest Rs 20 crore film, but its powerful real-life story and emotional heft made it both a critical darling and a sleeper hit. A still from 12th Fail On the other hand, Jawan, which cost nearly Rs 300 crore to make, blended mass appeal with socio-political undertones, something that seemed to strike the right chord with both audiences and juries. Shah Rukh Khan, who's been in the industry for over three decades and had never before won a National Award, called the win "something to cherish for a lifetime," adding, "The National Award is not just about achievement, it's a reminder that what I do matters." His sentiment echoed across the industry, where it was widely seen as a moment of overdue recognition. Rani Mukerji, too, called her win a culmination of her 30-year-long career, saying: "It's a validation of my body of work, my dedication to my craft, and my passion for cinema." Her role in Mrs Chatterjee Vs Norway was powerful and rooted in maternal emotion, a far cry from traditional "award-bait" drama. A still from Mrs Chatterjee Vs Norway The Rise Of The Commercial Films This year's awards raise a compelling question: Are we witnessing the most commercial Bollywood year at the National Awards? Going purely by the budgets and scale of the winning films, the answer appears to be yes. Shah Rukh Khan's Jawan is one of the most expensive Indian films ever made, with a budget of around Rs 300 crore. Karan Johar's Rocky Aur Rani Kii Prem Kahaani, which won Best Popular Film and Best Choreography, had a budget of over Rs 160 crore. Even Sam Bahadur, which won for Best Film Promoting National and Social Values, had a budget north of Rs 55 crore. A still from Rocky Aur Rani Kii Prem Kahaani Contrast this with previous winners over the last decade, and the difference is striking. From Village Rockstars (2017, budget: Rs 40 lakh) to Court (2014, under Rs 2 crore), and even Soorarai Pottru (2020, low-budget Tamil film), the National Awards were traditionally a bastion of low to mid-budget regional cinema. Even Best Actor winners reflect that shift: 2017's Riddhi Sen won for the Bengali indie Nagarkirtan (Rs 2-3 crore). 2018 saw Ayushmann Khurrana win for Andhadhun (Rs 32 crore), alongside Vicky Kaushal for Uri (Rs 25 crore). Suriya won for Soorarai Pottru (Rs 45 crore) in 2020. In 2022, Rishab Shetty won for Kantara, a Rs 16 crore film rooted in folklore and performance art. This year's winners, by contrast, are from distinctly big-banner productions with wide releases, international promotion and massive box-office ambition. Why Bollywood Was Losing Until Now In the past decade, Bollywood was often criticised for playing it too safe, chasing box office numbers with formulaic rom-coms or action flicks, while South Indian cinema led with bold experimentation, folk-rooted narratives and social commentary. Films like Kantara, Aattam, and Thiruchitrambalam brought fresh voices and formats that made them jury favourites. South Indian films didn't just dominate the screen; they brought stories that had something to say, often without the frills or pretensions of mainstream cinema. Bollywood, during this time, was also dealing with its internal crisis-calls for nepotism reform, creative stagnation and an identity conflict in the post-pandemic OTT boom. The result was a run of critically underwhelming films with bloated budgets and little innovation. But in 2023-24, Bollywood slowly began recalibrating. A Jury With New Tastes The shift is also indicative of changing jury preferences. For years, National Award juries prioritised thematic depth, regional representation and innovation. Now, as the lines blur between "commercial" and "meaningful", especially with the rise of pan-India storytelling and streaming services, there appears to be greater openness toward recognising films that unite mass and critical appeal. A still from Jawan The fact that films like Jawan and Rocky Aur Rani can now be celebrated alongside indie-style entries like 12th Fail or Kathal points to a more inclusive understanding of cinematic merit. The Final Word Whether this year's National Film Awards signal a permanent shift or simply a new chapter in cinema's cyclical evolution remains to be seen. But one thing is clear: this was the most commercial Bollywood has ever been at the National Awards, and it didn't come at the cost of quality. If anything, the industry finally seems to have found a way to be both dazzling and deserving, crowd-pleasing yet credible. And for stars like Shah Rukh Khan and Rani Mukerji, who waited over 30 years for this recognition, it's the kind of validation that suggests the heart of Bollywood is still very much in the right place, even when the budgets soar sky-high.
