logo
reVolver Podcasts Unveils "Prueba de Fe" and "Escándalos": A Bold Fusion of Faith, Fiction, and Controversy

reVolver Podcasts Unveils "Prueba de Fe" and "Escándalos": A Bold Fusion of Faith, Fiction, and Controversy

Yahoo28-05-2025
Two Spanish-language anthology series dramatize Vatican-approved miracles and infamous international scandals in captivating audio storytelling
DALLAS, May 28, 2025 /PRNewswire/ -- reVolver Podcasts, the premier destination for top-tier Spanish-language audio content in the U.S., announces the release of two powerful new scripted series: Prueba de Fe and Escándalos. Both shows are compelling, stand-alone anthologies that explore the extraordinary—one rooted in divine faith, the other in global intrigue.
Prueba de Fe ("Test of Faith") brings to life dramatized versions of the rare and rigorous Vatican-approved miracles required to canonize a saint. Each episode blends emotional storytelling with spiritual mystery, offering listeners an immersive journey into the miraculous. In contrast, Escándalos ("Scandals") dives into dramatized retellings of famous international controversies. From political corruption to celebrity downfall, every story is inspired by real events—with names changed, but the impact intact.
"These projects are unlike anything in the podcast space right now," said Jack Hobbs, President of reVolver Podcasts. "Whether it's the deeply spiritual nature of Prueba de Fe or the raw revelations in Escándalos, these series showcase our commitment to bringing bold, culturally resonant content to Latino audiences across the U.S."
Both series are produced by V.I.P. 2000 TV, Inc., distributed by World Media Pictures LLC, and Creation Services LLC, marking a milestone in cross-platform audio-visual storytelling. With the growing appetite for rich, serialized audio dramas in the Hispanic market, Prueba de Fe and Escándalos position reVolver Podcasts at the forefront of genre innovation.
reVolver Podcasts is a leading force in digital audio content, dedicated to providing diverse, innovative, and engaging podcasts across various genres. With a commitment to inclusivity and accessibility, reVolver Podcasts continues to shape the future of digital storytelling, programming is free to millions of listeners in the U.S. and around the world across Apple Podcasts, Spotify, Pandora, Deezer, iHeartRadio app, Amazon Music, available in the reVolver Podcasts App on Roku streaming devices and at www.revolverpodcasts.com.
About reVolver PodcastsreVolver Podcasts is the leading multicultural, audio-on-demand content creator and distributor in the U.S. Home to Erazno y La Chokolata, El Show de Piolín, The Shoboy Show, Panda Show - Picante, and Don Cheto Al Aire, plus more than 70 additional programs spanning sports, music, finance, entertainment, lifestyle, health and wellness, inspiration, news, branded content, and live events, distributed across Apple Podcasts, Spotify, Deezer, Pandora, iHeartRadio app, Amazon Music, also available in the reVolver Podcasts App on Roku streaming devices and at reVolverPodcasts.com. For more information about the company, visit www.revolverpodcasts.com.
View original content:https://www.prnewswire.com/news-releases/revolver-podcasts-unveils-prueba-de-fe-and-escandalos-a-bold-fusion-of-faith-fiction-and-controversy-302466864.html
SOURCE reVolver Podcasts
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Conjunto music pioneer Flaco Jimenez is dead at 86
Conjunto music pioneer Flaco Jimenez is dead at 86

UPI

time31 minutes ago

  • UPI

Conjunto music pioneer Flaco Jimenez is dead at 86

Aug. 1 (UPI) -- Texas conjunto music pioneer Flaco Jimenez, 86, died while surrounded by his family at one of his son's homes on Thursday night, his family announced. Flaco was born in San Antonio in 1939 and began performing with Tex-Mex bands at age 15, which led to his earning multiple Grammy Awards many years later. "It is with great sadness that we share tonight the loss of our father, Flaco Jimenez," his family said on Thursday in a Facebook post. "He was surrounded by his loved ones and will be missed immensely," his family said. "Thank you to all of his fans and friends -- those who cherished his music," the family continued. "His legacy will live on through his music and all of his fans." The post was signed by Arturo and Lisa Jimenez, Javier and Raquel Fernandez, Gilbert Jimenez and Cynthia Jimenez. Flaco Jimenez suffered from a long-term illness prior to his death, the San Antonio Express-News reported without saying the nature of the illness. His last words were, "Ya estoy cansado," which is Spanish for "I'm tired," Arturo Jiminez said. Flaco and his brother, Santiago Jr., were born and raised in San Antonio and became leading performers of conjunto music, which their grandfather, Patricio Jimenez, pioneered. Conjunto music combines Mexican, German, Polish and Czech waltz and polka musical traditions to create a danceable form that features the accordion with accompaniment from guitars, bass and drums. Conjunto is particularly popular in northern Mexico and Texas, and Flaco played a three-row button Hohner accordion and sang. He recorded his first regional hit, "Hasta La Vista," in 1955 for the Tipico record label. Flaco's early conjunto recordings were made for small record labels and later were collected by folk recording label Arhoolie. Flaco in a 1973 interview described conjunto as "happy music" and said it combined polka with rock and roll and cumbia forms. "You can't just stick with polka and redova and schottisches," he told Arhoolie owner Chris Strachwitz in the interview. "You have to play what's going on in the world." Flaco recorded with fellow conjunto pioneer Doug Sahm in New York City in 1972 and contributed to Ry Cooder's 1976 album, "Chicken Skin Music," which helped spread conjunto beyond its Tex-Mex roots in San Antonio. He also performed with the Rolling Stones, Bob Dylan and Dr. John, among others. Flaco was especially influential as a solo performer and as a member of the Texas Tornados and Los Super Seven musical acts. Flaco's career led to his receipt of many awards, including six Grammy Awards from 1987 to 2015. One of his Grammys was a Lifetime Achievement award. Notable deaths of 2025 Ryne Sandberg Chicago Cubs Chicago Cubs Hall of Fame second baseman Ryne Sandberg waves to the crowd before throwing out a ceremonial first pitch at Wrigley Field in Chicago on October 12, 2015. Sandberg died on July 28 after a battle with cancer at the age of 65. Photo by Brian Kersey/UPI | License Photo

Flaco Jimenez, Texas accordionist who expanded popularity of conjunto and Tejano music, dies at 86
Flaco Jimenez, Texas accordionist who expanded popularity of conjunto and Tejano music, dies at 86

San Francisco Chronicle​

timean hour ago

  • San Francisco Chronicle​

Flaco Jimenez, Texas accordionist who expanded popularity of conjunto and Tejano music, dies at 86

HOUSTON (AP) — Flaco Jimenez, the legendary accordionist from San Antonio who won multiple Grammys and helped expand the popularity of conjunto, Tejano and Tex-Mex music, died Thursday. He was 86. Jimenez's death was announced Thursday evening by his family on social media. 'It is with great sadness that we share tonight the loss of our father, Flaco Jimenez. He was surrounded by his loved ones and will be missed immensely. Thank you to all of his fans and friends—those who cherished his music. And a big thank you for all of the memories. His legacy will live on through his music and all of his fans,' Jimenez's family said in a statement. His family did not disclose a cause of death. Jimenez's family had announced in January that he had been hospitalized and had been 'facing a medical hurdle.' His family did not provide any other information on his medical condition at the time. Born Leonardo Jimenez in 1939, he was known to his fans by his nickname of Flaco, which means skinny in Spanish. He was the son of conjunto pioneer Santiago Jimenez. Conjunto is a musical genre that originated in South Texas and blends different genres and cultural influences. According to the Butler School of Music at the University of Texas at Austin, the development of conjunto 'began more than a century ago when Texans of Mexican heritage (Tejanos) took an interest in the accordion music of German, Polish, and Czech immigrants. The ensuing Tejano accordion music, accompanied by the bajo sexto (replacing the European tuba) soon came to represent the Tejano way of life, which was closely associated with working in the agricultural fields. The music remains unchanged and serves as a symbol that binds many Tejano communities in South and Central Texas.' Jimenez refined his conjunto musical skills by playing in San Antonio saloons and dance halls. He began performing in the 1960s with fellow San Antonio native Douglas Sahm, the founding member of the Sir Douglas Quintet. Jimenez also played with Bob Dylan, Dr. John and Ry Cooder. Throughout his career, Jimenez added other influences into conjunto music, including from country, rock and jazz. In the 1990s, Jimenez was part of the Tejano supergroup the Texas Tornados, which included Sahm, Augie Meyers and Freddy Fender. The group won a Grammy in 1991 for the song, 'Soy de San Luis.' Jimenez also won another Grammy in 1999 as part of another supergroup, Los Super Seven. Jimenez earned five Grammys and was awarded a Grammy Lifetime Achievement Award in 2015. He was also inducted into the National Hispanic Hall of Fame and NYC International Latin Music Hall of Fame and was named a Texas State Musician in 2014. When Jimenez was named a 2022 National Medal of Arts recipient, the White House said he was being honored for 'harnessing heritage to enrich American music' and that by 'blending Norteño, Tex Mex, and Tejano music with the Blues, Rock n' Roll, and Pop Music, he sings the soul of America's Southwest.' 'Flaco, your legacy will forever be remembered with fond memories. We appreciate the gift of your musical talent, which brought joy to countless fans. Your passing leaves a void in our hearts,' the Texas Conjunto Music Hall of Fame and Museum said in a post on social media. Kyle Young, the CEO of the Country Music Hall of Fame and Museum in Nashville, Tennessee, said Jimenez 'was a paragon of Tejano conjunto music.' 'Whether he was recording with Bob Dylan, Linda Ronstadt or the Rolling Stones, or working with his own supergroup, the Texas Tornados, Flaco drew millions of listeners into a rich musical world they might not have discovered on their own,' Young said.

Anaheim finally has a bookstore that ‘feels like home'
Anaheim finally has a bookstore that ‘feels like home'

Los Angeles Times

time2 hours ago

  • Los Angeles Times

Anaheim finally has a bookstore that ‘feels like home'

The crowd inside the Untold Story in Anaheim was ready for open mic night to begin last week, but there was no way it would start on time. Whenever owner Lizzette Barrios Gracián tried to approach the podium, someone pulled her away for a hug. A congrats. A recommendation. A thanks. The bookstore opened last year in an industrial part of the city so isolated that 911 dispatchers couldn't find it when Barrios Gracián called about a medical emergency. Though it quickly earned a loyal following for focusing on BIPOC books and allowing activists to meet there without having to buy anything, the location wasn't working, and Barrios Gracián was ready to close what had been a longtime dream. Then she found a better, if smaller, place in a strip mall near downtown, within walking distance of her home. The Untold Story reopened a few weeks ago, and this was the first open mic night at the new spot. 'Oh my god, what a difference location makes,' Barrios Gracián told me as people kept filing in on July 25. 'They're coming to hang out, they're coming to buy, they're coming to organize, they're coming from across the country.' Among the customers she talked to that day: Toby from Florida. Nick from Kentucky who lives in Utah. A group of teenage girls in town for a water polo tournament. Anton Diubenko of Ukraine, who was in Orange County to see a friend and told me he visits bookstores around the world. 'This one's really nice,' Diubenko said. 'If I was a local, I'd come here every week.' Barrios Gracián finally reached the podium. She was 20 minutes late. No one cared. 'Thank you muchachos!' the 52-year-old said in a loud, warm tone that hinted at her day job as a history teacher at Gilbert High in Anaheim. 'Bienvenidos to our new location of the Untold Story, Chapter 2! Your job tonight is to support, clap and give lots of love.' Over the next two hours, the audience snapped their fingers, applauded, hooted in approval or nodded as speakers poured out their proverbial hearts in English, Spanish and Nahuatl. Local political blogger Vern Nelson tickled out on his electric keyboard the Mexican children's tune 'El Ratón Vaquero' as adults and teens alike sang and clapped along. Every time someone went up to perform, Barrios Gracián sat in their seat, because all the others were occupied. 'The greatest success of this bookstore,' she said in closing, flashing a smile as bright as her gunmetal gray hair, 'is uniting all of you.' Although the night was officially over, no one left. They wanted to exult in the moment. Vivian Lee, who organizes board game get-togethers at the bookstore through her role as community engagement coordinator for the Orange County Asian and Pacific Islander Community Alliance, said that 'welcoming spaces' can be hard to find in her native city. 'People like Liz are just so incredible,' said Lee, 30. 'She's game for anything that helps community.' Paola Gutierrez teaches monthly bilingual poetry classes at the Untold Story. 'When I first asked if she could sell my book, she said not just 'Yes' but 'We will promote you and help you,'' the 47-year-old said. 'How can I not say I'm free for whatever you need?' She pointed at a massive couch and laughed. 'Liz needs me to move this freakin' thing again? Let's do it!' I visited Barrios Gracián the following day when things were chiller. The Untold Story's design is bohemian Latinx. All the fixtures and artwork are donated, including bookshelves, massive mirrors and a bust of the Egyptian goddess Isis as well as a replica of the Titanic above the used fiction section. Insulation peeks out from sagging ceiling tiles. A stand next to the gift section offers free toiletries and canned and dried food. 'We're going through hard times,' Barrios Gracián said as Argentine rock gods Soda Stereo played lightly from speakers. 'I can't give a lot, but I can give.' How did she think open mic night went? 'It was very successful for our first time here,' she responded. 'You never know if people will follow you when you move.' A customer walked in. 'Hi, welcome!' Barrios Gracián exclaimed, the first of many times she would do that during our chat. 'Don't shy away, you don't have to buy!' Born in Guadalajara, Barrios Gracián came to Anaheim with her parents in the 1980s without papers, eventually legalizing through the 1986 amnesty. A bookworm from a young age, she found her 'safe space' as a teen and young adult in long-gone bookstores such as Book Baron in Anaheim ('I loved how disorganized it was') and the bilingual Librería Martínez in Santa Ana. When the latter closed in 2016, Barrios Gracián vowed to open a version of it when her daughters were older. In 2021, she launched the Untold Story as a website and a pop-up, aiming to eventually open a storefront in her hometown. 'Anaheim is nothing but breweries,' she said. 'That's the teacher in me. There's nothing cultural for our youth — they have to go to Santa Ana to find it, while [Anaheim] lets gentrification go crazy.' Rent proved prohibitive at most spaces. At others, prospective landlords would offer a lease only if the Untold Story dropped its books on critical race theory, which she refused to do. 'Those are the untold stories,' Barrios Gracián said. 'Anaheim needs to hear them. Everyone needs to hear them.' She greeted Benjamin Smith Jr. of Riverside, who had read the previous night and was returning now with his poetry books. 'I can sell them, but we should have an event just for you, because people like to meet the author of the book they might buy,' Barrios Gracián told Smith. He beamed. 'Liz gives people chances,' Smith, 68, told me. 'I'm no one famous, but look at me here now.' Barrios Gracián is keeping her job at Gilbert High, where she also heads the continuation school's teen parent support program. At the Untold Story, she wants to host more author signings and launch an oral history project for students to record the stories of Anaheim's Latino elders. 'We're in a crucial moment where our stories must be told from the past,' she said. 'Ellos sobrevivieron, también nosotros [They survived, we can as well]. It brings hope.' One thing I suggested she work on is the business side. The books are ridiculously affordable — used copies of a J. Robert Oppenheimer biography and a book about the rise of Nazism in L.A. before World War II set me back $11. Barrios Gracián's training consisted of a free entrepreneur course through the city of Anaheim, a video by the American Booksellers Assn., talking to other bookstore owners and Googling 'how to open a bookstore.' She laughed. 'I tell my students we learn by falling and then getting back up,' she said. 'If I can make money, it would be great, but that's not the point here. Might sound crazy for business people, right?' The numbers are thankfully going 'in the right direction,' said the Untold Story's manager, Magda Borbon. Barrios Gracián was one of her favorite teachers at Katella High School, 'so now it's time to pay it back' by working at the store, she said. Like me and too many other Anaheimers, Borbon moved to Santa Ana 'because I didn't see myself culturally in Anaheim. Now I do.' Barrios Gracián excused herself to greet more customers. I walked over to a table where a group of women were painting book covers as part of their book club. It was everyone's first time at the Untold Story. 'This is very much an extension of Liz,' said Angela Stecher, who has worked with Barrios Gracián before. 'She's been talking about doing something like this for years, and it's wonderful to see her do it.' 'This is like something that you'd see in San Francisco,' added Maria Zacarias, who grew up in Anaheim and now lives in Santa Ana. 'You go to a bookstore, you feel like you can't touch anything because everything is so neat,' said Liliana Mora. She waved around the room as more people streamed in. 'Here, it feels like home.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store