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Yemenat
15-07-2025
- Yemenat
The Impact of the Digital Space on Yemeni Poetry
Abdulaziz Al-Zaraei would often sneak into his uncle's room, an Arabic language teacher, to browse through books and read works by Al-Bardoni and other treasures of Arabic literature and heritage. This ignited his curiosity and passion for knowledge. In his small village, 'Bani Al-Zaraei,' perched atop the towering Kusher mountains in the Hajour region of Hajjah, where clouds graze the peaks overlooking the lush plains of Tihama, he would wake up early each morning with a book in hand, immersing himself in the words and experiences of literary characters. Each book opened a window to new worlds, fueling his dream of becoming a recognized poet. As his talent grew, he began writing poetry while still in high school, expressing himself in his unique style. He ventured to Sana'a, where he earned first place at the university and received the Yemeni President's Prize in Poetry in 2009. His journey did not stop there; he soared higher, being crowned the 'Prince of Poets' in the fourth edition of Abu Dhabi Authority for Culture and Heritage competition in 2011, becoming the first Yemeni poet to receive this prestigious honor. Dr. Al-Zaraei has published five poetry collections: An Introduction to the Ignition of Clay, Splittings of Yemeni Agate, Wounding Passersby, Bitter Roses, and Hunters Assuring Their Prey. He has also authored two critical studies: Time in the Poetic Image: A Linguistic Study of Al-Bardoni's Poetry and The Poetic Discourse on Facebook. He is not only a creative writer and poet but also a researcher who opens new horizons through his book The Poetic Discourse on Facebook, which presents a digital linguistic approach to selected examples of Yemeni poets. He dedicates this work to creators in Yemen's remote villages, who seek internet signals atop mountains to share their creations. In his opening remarks, Dr. Al-Zaraei expresses gratitude to Professor Dr. Emad Abdullatif, a professor of rhetoric and discourse analysis at Qatar University, and to Professor Dr. Abdulrahman Al-Muhsini, a professor of rhetoric and criticism at King Khalid University in Saudi Arabia, for their generosity in reviewing the draft of this study and providing valuable feedback. He also thanks his wife, Ms. Hana Al-Rubou'i, a member of the linguistic proofreading department at the Supreme Court, for her efforts in the final proofreading of the manuscript. The book includes a comprehensive index of its content, followed by a presentation from Dr. Emad Abdullatif, who emphasizes the significance of this work within the context of Arabic literary studies. He notes that the book combines various methods from linguistics, semiotics, and discourse analysis, reflecting the depth of the author's critical vision. It also addresses new poetic phenomena, such as the use of images and video clips, and explores how readers interact with the texts. The book serves as a bridge between traditional and contemporary approaches, making it an important reference for future studies. It reveals poetry's ability to express creativity even in times of crisis, highlighting the aesthetics of art in the face of challenges and emphasizing poetry's role as a means of communication and expression of cultural identity in an era where digital media intertwines with daily life. Following this, Professor Dr. Abdulrahman bin Hassan Al-Muhsini offers an in-depth reading of the book, pointing out the significance of the digital space as a new platform for artistic expression and the role of technology in reshaping the relationship between poets and their readers. He highlights how poets have utilized Facebook as a means of direct communication, allowing for immediate interaction with their audience and transcending traditional boundaries, thereby making their texts more widespread and accessible. Al-Muhsini also reviews the critical issues raised by Al-Zaraei, such as the impact of the digital space on the form and content of poetic texts. Facebook has become not just a publishing platform but a space that influences writing style and topic selection, reflecting contemporary social and cultural changes. He emphasizes the importance of studying digital literature to understand the fundamental transformations in how poetry is approached and engaged with. He concludes by affirming that The Poetic Discourse on Facebook represents a significant contribution to expanding the horizons of literary criticism, encouraging reflection on the preservation of poetic texts amid digital changes, and advocating for the use of new tools to enhance creativity in the current era. In the introduction to the book, Dr. Al-Zaraei notes that social media, particularly Facebook, is one of the most prominent features of the information technology revolution in our digital age. It has diminished the role of traditional books while opening new avenues for artistic creativity. Facebook has become an interactive space that allows for the formation of new poetic discourses, transcending traditional forms to reflect contemporary cultural and social transformations. The research explores the grammatical and semantic changes in Arabic poetry, questioning whether a poet's page can be considered a cohesive poetic discourse and examining the role of comments in reshaping texts. It focuses on the accounts of young Yemeni poets, taking into account the social and political contexts in Yemen. The significance of this research lies in its examination of digital literature as a growing phenomenon, necessitating a critique that aligns with this transformation. In the current circumstances, Facebook has become the primary platform for literary publication, requiring creative and digital skills from poets. Therefore, enhancing collaboration between critics and programmers is essential to develop the necessary skills for navigating these platforms. This study is among the first to highlight the phenomenon of Facebook poetry in Yemen, emphasizing the importance of examining digital tools and their impact on literary content and how messages reach their audiences within this complex context. The book consists of 254 pages and was published by the Arab Foundation for Studies and Publishing in Lebanon in 2022. It encompasses six main chapters that reflect the depth of research into Facebook's poetic discourse. In the first chapter, the researcher presents a comprehensive theoretical approach, supported by a historical background that sheds light on the contexts contributing to the formation of this discourse, providing a conceptual framework for understanding the phenomenon. In the second chapter, the researcher dedicates efforts to studying the syntactic level, addressing the linguistic and grammatical structure of poetic texts on Facebook. He examines how sentences are organized and the use of linguistic constructions that express the identities and experiences of the poets. The third chapter delves into the semantic level of the discourse, exploring the meanings and concepts embedded in poetic texts and how they interact with the surrounding cultural and social contexts. The researcher discusses how these texts reflect community interests and interactions. In the fourth chapter, the researcher moves to the pragmatic level, analyzing audience interaction with poetic discourse on Facebook. He discusses how comments and shares influence the creation of meaning, highlighting the importance of this interaction in shaping the understanding of texts. The fifth chapter addresses the rhetorical and artistic level, pointing out the rhetorical devices and artistic techniques used in the texts and how they enhance the beauty of the discourse. The researcher explores the relationship between form and content, showing how rhetoric draws the audience's attention. Finally, in the sixth chapter, the researcher discusses the digital level, clarifying the impact of the digital space on the production and distribution of poetry. He explores how digital technologies contribute to changing writing styles and communication methods between poets and their audiences, opening new avenues for poetic creativity in the age of globalization. The book presents a radical shift in digital literature, offering added value that contributes to a new understanding of poetic discourse in the digital age. It focuses on various issues such as the digital compound and digital metaphor, reflecting the deep interconnection between linguistic performance and the digital space. These issues are not merely research topics but embody the essence of digital work and its anticipated outcomes, qualifying them to be new research avenues in the field of digital literary studies. Al-Zaraei employs a comprehensive methodology to examine the impact of Facebook as a medium for sharing poetry in Yemen, highlighting the significance of this medium in the context of declining traditional means of poetry dissemination. This book reflects the author's ability to integrate diverse analytical procedures derived from linguistics, semiotics, and poetics, enabling him to explore what could be termed 'Facebooking poetry'—the process of adapting poetry to fit Facebook's characteristics, thus opening new avenues for understanding poetic phenomena in this space. The poetic phenomena examined within the context of Facebook include themes, language, rhythm, and the distribution of verses, as well as linguistic structures and their references to reality. The book also provides in-depth analyses of the poem's impact on its readers and their responses, reflecting a deep familiarity with the subject. Al-Zaraei's ability to integrate traditional and contemporary approaches in studying Arabic poetry reflects his accumulated expertise and profound understanding of the circumstances surrounding poetry composition and its motivations. He does not limit himself to an overview of the texts and their authors but goes beyond that to study the non-discursive factors influencing the text. Thanks to its cohesive methodology, the book can serve as an important starting point for researchers in this field, offering a valuable lesson on how to incorporate audience rhetoric into the traditional analysis of Arabic poetry. In the face of a challenging Arab reality, this book becomes a platform for exploring beauty and creativity from the depths of suffering, marking it as a significant contribution to contemporary literary studies. Al-Zaraei's key ideas manifest in these texts through a series of axes that reflect the depth of his vision. He emphasizes the importance of interaction between poets and their audiences on social media platforms, noting how this interaction shapes meanings and rewrites texts. He also points to the transformations in poetic structure, where changes in syntax and grammar reflect the digital age's impact on writing styles. He views Facebook poetic texts as a mirror reflecting cultural and social contexts, making poetry an effective tool for expressing current issues and collective feelings. He also discusses the role of rhetorical and artistic techniques in enriching the texts, illustrating how these elements enhance the aesthetic quality of poetic discourse. Additionally, he examines the impact of digital technologies on poetry production and distribution, clarifying how communication methods between poets and their audiences have changed in the age of digital globalization. He presents a new vision of poetry as an interactive and evolving art form that adapts to modern contexts and utilizes the digital space as a new platform for expression and creativity. These ideas converge to form a comprehensive perspective on the role of poetry in the digital age and the influence of social media on its forms and content. Al-Zaraei's emotional and sensitive approach to the issues that concern poets and the audience on social media is evident. He expresses a deep sense of the transformations poetry undergoes in the digital age, where individual emotions intertwine with collective experiences, reflecting a tension between tradition and modernity. He also conveys a sense of nostalgia for the traditional aspects of poetry, where it was viewed as a means of pure artistic expression. However, he realistically embraces the changes brought about by social media, demonstrating an ability to adapt to the new realities of the time. This duality between nostalgia and acceptance reflects complex psychological emotions, ranging from passion and creativity on one hand to anxiety about losing authenticity on the other. The influence of environment and time is evident in Dr. Abdulaziz Al-Zaraei's writings on 'The Poetic Discourse on Facebook,' through his deep engagement with the social and cultural contexts surrounding poets. Al-Zaraei draws from his personal experience and critical perspective to present a comprehensive study that reflects the reality of Facebook poetry, highlighting how young poets interact with contemporary changes. The environment in which Al-Zaraei lives, including the political and social conditions in Yemen, forms an important backdrop for his studies, reflecting the influence of these contexts on poetic texts. Through the digital space, poetry transforms into an expressive tool reflecting people's concerns and experiences. Additionally, time, as a significant factor, is evident in his analysis of the nature of Facebook poetry, where it interacts with current events and responds to them. The external environment, including technological developments, contributes to reshaping poetic styles and methods of interaction between poets and their audiences. Through his study, Al-Zaraei underscores the importance of communication and interaction, creating new texts characterized by renewal and modernity. Moreover, Al-Zaraei employs technical terms related to the digital space, such as 'social platforms' and 'digital communication,' illustrating how technology contributes to shaping literary texts. Through this diverse lexicon, he manages to provide a rich study that clearly and deeply expresses the reality of Facebook poetry, contributing to understanding poetic transformations in the modern era. He also clearly connects reality and metaphor in his writing, reflecting the depth of his analysis of poetic discourse on Facebook. Al-Zaraei discusses how Facebook poetry combines direct expressions of reality (truth) with the use of poetic imagery and figurative language, enhancing the beauty of the texts. Furthermore, the book features a smooth and precise language that facilitates readers' understanding of the presented ideas. Al-Zaraei avoids excessive complexity, making his study accessible to researchers and poetry enthusiasts alike.
Yemenat
10-07-2025
- Yemenat
Guide to the Luminaries of Yemeni Art and Literature
Arweqa Foundation for Studies, Translation, and Publishing in Cairo has released a new book titled Guide to the Luminaries of Yemeni Art and Literature by the renowned Yemeni writer Mustafa Rajeh. This publication marks a new beginning in Rajeh's literary journey, delving into the realms of Yemeni arts and literature and offering a rich exploration that touches the roots of the country's cultural identity. The book features a remarkable collection of works that illuminate contemporary Yemeni history, highlighting prominent figures such as Ahmed Qasim Damaj, Omar Al-Jawi, and Mohammed Ali Al-Rabadi, among others. Additionally, the book includes a first chapter dedicated to philosophical writings related to literature, reading, and poetry, further enriching the themes discussed. The text predominantly focuses on Yemeni artists, showcasing their contributions and influence on the cultural landscape of Yemen. In a post on his Facebook page, Rajeh revealed a new project centered on Al-Homini poetry, which is set to be published at the beginning of 2026. While Mustafa Rajeh is well-known for his political writings, he has recently shifted the focus of his creativity toward literature and the arts. Drawing on his extensive knowledge of Yemeni culture and heritage, Rajeh skillfully employs cultural symbols in his works, presenting readers with literary texts that blend depth and beauty.
Saba Yemen
07-07-2025
- Saba Yemen
'Jaffa trembles' book announced, inaugurated
Sana'a - Saba: Today, the Martyr Zaid Ali Musleh Foundation for Media and Cultural Production organized a book signing and launch event for the Yemeni novelist and writer Murad Shali, "Jaffa Trembles," at the Cultural House in Sana'a. During the signing and launch event, Minister of Youth and Sports Dr. Ali Al-Mawlid congratulated writer Murad Shali on the launch of his new book, "Jaffa Trembles," and the signing of the book. He described the book as a cultural, intellectual, and literary contribution that everyone is proud of. He said, "The writer Shali, the director of the Youth and Sports Office in Hajjah Governorate, belongs to the Youth and Sports Foundation. This is a source of pride, and we congratulate him on this achievement and encourage him to continue his contributions." He added, "These days, we see writers and authors who inspire hope that literature, writing, and poetry are being used in a genuine way, far removed from the many narratives that lack authenticity and do not serve our authenticity, environment, or identity." Minister Al-Muwallad emphasized the need to connect generations, readers, and youth to the nation's central cause. He said, "We want to connect our generations, our readers, our children, our youth, and our literature to our main cause. What's the point of writing love poetry when you see the enemy attacking you, besieging you, and starving you? He doesn't want good for you, and if he gets the better of you, he will kill you. This is the reality." He expressed his happiness at the presence of writers and poets who have begun to take a sound direction and make the right start in the cultural and literary field. At the ceremony, attended by the head of the General Book Authority, Abdul Rahman Murad, Raed Jabal, director of the Martyr Zaid Ali Musleh Foundation, explained that the launch and signing of the book "Jaffa Trembles" comes amid a sensitive phase in the nation's history, characterized by a comprehensive struggle at various political, military, cultural, economic, and other levels. He said, "This is a phase that requires us to have deep awareness and penetrating insight, given the major challenges, imminent dangers, and exposed conspiracies facing the Islamic nation, orchestrated by America and Israel." Jabal explained that the book recounts the nights of terror experienced by the occupiers in the city of Jaffa. It includes narrative documentation of the religious and military symbols of the Zionist entity's leaders, their beliefs and myths, the extent of their hatred, and the sources of their cowardice. It also highlights the landmarks of the city of Jaffa. He pointed out that the author began his narrative with the Battle of the Flood and its nights of terror, anticipating a response from the jihad and resistance front. He explained that the nation today is being targeted in its religion and worldly affairs, and is being subjected to a comprehensive attack that is not limited to weapons but extends to what is known as the soft war, which aims to mislead it intellectually and culturally, distort its value and moral system, undermine its loyalty and identity, and spread deviation, deception, and despair among its ranks. He addressed the brutal, unjust war and genocide being waged against our brothers in Gaza by the Zionist enemy, the Great Satan, America, and its allies from the infidel Western countries and the hypocritical and treacherous regimes. This war is accompanied by a misleading media campaign that attempts to divert attention from the heinous crimes committed against a defenseless people who represent an integral part of the nation. The director of the foundation emphasized the enemy's efforts to implement strategies and projects targeting the peoples of the nation, sowing division and discord, distancing the nation from its religion and the Quran, distorting the culture of jihad, dampening morale, and attempting to cover up its failures in the face of the steadfastness and resilience of the mujahideen in Gaza. Cultural activist Ali Jahez noted that writer and novelist Murad Shali, with his fresh style, demonstrated in this unique work, is forging a new path and establishing a new narrative school, in what appears to be a dynamic adaptation to the flood of changes that has swept the region, the repercussions of which have reached far and wide across the globe. He stated that the creative Murad Shali is working to bring about a significant and broad change in the deepest literary genre, namely narrative. He is influenced by fantasy that invades reality and the dramatic events that multiply within the confines of a dulled consciousness. He relies on his solid Quranic culture and wealth of knowledge, which informs the structures and narratives of his stories and the scenes he depicts in the space of each night of Jaffa. He said, "When we follow the tales of Jaffa Nights, which the creative Shali publishes from his resting place in the city of Hajjah, we did not expect the nights to be so long. However, the longer they are, the more challenging the narrator becomes, proving himself to be greater than the challenge by keeping pace with them and blending them into his amazing daily narrative forms." Jahez pointed out that this literary icon being celebrated today is the amazing pen whose first narrative book, dedicated to the Leader's Ramadan lectures of 1445 AH, was celebrated as the first narrative approach to reading Ramadan lectures in a new narrative style. He added, "The writer Murad Shali amazed us with his brilliance. What's even more amazing is that, as we prepare this work for printing, we anticipate Murad's new narrative for the Leader's Ramadan lectures of 1446 AH these days. It seems he is preparing to document a different phase of the confrontation with Zionism, the beginnings of which we are witnessing." The writer Murad Shali dedicated this book to the martyred leader Yahya Sinwar, the terror of the occupiers, and through him to all the martyrs of the Palestinian resistance and all the civilians martyred at the hands of the Israeli criminal machine. Through them, he also dedicated it to Gaza, the city of the free, the destination of steadfastness, and the icon of resistance. At the conclusion of the event, which was attended by a group of intellectuals, writers and cultural figures, the book was signed. Whatsapp Telegram Email Print more of (Local)
