logo
'K-pop Demon Hunters' cast and directors break down Netflix hit's worldbuilding

'K-pop Demon Hunters' cast and directors break down Netflix hit's worldbuilding

Korea Herald2 days ago
Behind-the-scenes clip reveals the creative process behind the chart-dominating animated phenomenon
The creative team behind Netflix's record-breaking animated hit "K-pop Demon Hunters" pulled back the curtain on their demon-slaying spectacle in a new behind-the-scenes video released Friday.
Directors Maggie Kang and Chris Appelhans, alongside voice stars Arden Cho, May Hong, Yoo Ji-young and Ahn Hyo-seop, dished on everything from character design to cultural representation in the clip, which details the meticulous world-building that went into the project.
"I've always wanted to make an animated movie set in Korea that really showcased our culture and our mythology," said Kang, noting how demons provided the visual spectacle while K-pop became "the last ingredient in the concept." When Appelhans first heard the pitch, his reaction was instant: "Please let me make this movie with you because I love all those things."
The film follows Huntrix, a girl group that secretly protects the world from demons using music and dance. Cho, who voices the lead character Rumi, praised her character's mix of strength and style.
"Rumi slays demons, sings, is gorgeous, has killer fashion sense. I love her luscious purple hair. She's edgy and hip but still kind of girly," Cho said.
Hong described her character Mira as "a skeptic, rebellious, sarcastic," while Yoo highlighted "maknae" — the youngest member of the group — Zoey's "professional obligation to be the cutest and the most energetic."
The cast couldn't help but gush about their demonic boy band rivals, the Saja Boys.
"We hate the Saja Boys, but darn them for being so cute," Cho joked, while Hong admitted that everyone on set was humming their infectious track "Soda Pop."
The directors clearly had fun with them too, with Kang joking about lighting decisions: "How do we light these abs so that we can really enjoy them?"
Beyond the eye candy, the team stressed their commitment to authentic Korean representation.
"Seeing it altogether, it just touched me," Hong said of showing the Korean American experience on screen.
The film's attention to cultural detail shines through its depiction of bustling Seoul's Gangnam streets, authentic Korean comfort food and traditional mythology woven throughout the narrative.
The soundtrack includes tracks by K-pop superstar Twice, a collaboration Kang called "really awesome" for "legitimiz(ing) the film in the K-pop space."
And the film's reach has spilled well beyond the Netflix platform.
Seven tracks from the soundtrack are currently charting on the Billboard Hot 100, with 'Golden' peaking at No. 23, while the full album sits at No. 3 on the Billboard 200 —making it the highest-charting soundtrack of the year.
moonkihoon@heraldcorp.com
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

South Korea's premier water music festival S2O Korea makes splash in Gwacheon
South Korea's premier water music festival S2O Korea makes splash in Gwacheon

Korea Herald

time10 hours ago

  • Korea Herald

South Korea's premier water music festival S2O Korea makes splash in Gwacheon

From W&W, Dimension, Medvza to KSHMR, global DJs lit up Gwacheon S2O Korea, one of the best-known water-themed music festivals in the country, lit up Gwacheon with energy and excitement on Sunday, drawing massive crowds despite the humid summer heat. Inspired by Thailand's traditional Songkran water festival, S2O made its Korean debut in 2022 and has grown into one of the country's most iconic summer music events. This year's festival took place over the weekend at Seoul Land in Gwacheon, Gyeonggi Province. Although Sunday's weather was hot and cloudy, festivalgoers in colorful summer outfits armed with water guns and waterproof pouches for their smartphones flocked to Seoul Land. The festival featured performances across two main stages: the Welcome Stage near the park entrance and the Main Stage, known for its intense water cannon blasts. The Main Stage was outfitted with three massive screens, offering vibrant visual displays in sync with the music. As the festival continued into early evening — it is scheduled to run until 10 p.m. — the crowd thickened, with more and more people gathering in front of the stage. 'I came to last year's S2O as well, and out of all the water-themed music festivals, S2O definitely uses the most water and has the most spectacular stage setups. I was super satisfied and have been looking forward to this year's too,' said a festivalgoer in her 20s, dressed in a striking red outfit. From around 3 p.m., performances by DJ Soda and Aster & Neo took to the main stage. When water cannons began to fire, adding to the thrill, the audience responded with loud cheers. Sunday's Main Stage lineup featured headline performances by KSHMR, an Indian American DJ known for his signature Indo-inspired rhythms, Dimension, famed for his dreamy melodies, Dutch house duo W&W and Italian house music producer Medvza.

Hwang Sok-yong to speak at Edinburgh Book Festival
Hwang Sok-yong to speak at Edinburgh Book Festival

Korea Herald

time11 hours ago

  • Korea Herald

Hwang Sok-yong to speak at Edinburgh Book Festival

International Booker Prize-nominated author Hwang Sok-yong will attend the Edinburgh International Book Festival on Aug. 19, in a session titled 'Hwang Sok-yong: The Voice of a Divided Nation.' A towering figure in the Korean literary world, Hwang is renowned for chronicling the country's turbulent modern history. His latest translated novel in English, "Mater 2-10" — shortlisted for the 2024 International Booker Prize and co-translated by Sora Kim-Russell and Youngjae Josephine Bae — is a sweeping epic that spans more than a century of Korean history. It traces the lives of three generations of railway workers and a laid-off factory worker staging a high-rise sit-in, unfolding from the Japanese colonial era through liberation and into the 21st century. Festival organizers describe Hwang as 'unmatched in depicting the social and political realities of his ruptured homeland,' noting his literary career across five decades and a list of Korea's most prestigious literary prizes. Hwang spent years in exile and was imprisoned for an unauthorized trip to North Korea in 1989 to foster artistic exchange between the two Koreas. He was sentenced to seven years in prison and released in 1998 on a special pardon by then-President Kim Dae-jung. Meanwhile, Sun Seung-hye, director of the Korean Cultural Center UK, will speak at the festival on Aug. 12 alongside Sean Xie, representative of the Beijing International Book Fair. Together, they will explore the global rise of web novels, how they are redefining the way stories are written, shared and consumed.

K-culture begins with the arts: National Theater of Korea launches new season with global ambitions
K-culture begins with the arts: National Theater of Korea launches new season with global ambitions

Korea Herald

time13 hours ago

  • Korea Herald

K-culture begins with the arts: National Theater of Korea launches new season with global ambitions

72 productions, 2 new festivals and vision that bridges tradition, global reach When Korean cultural references like gat, dopo robes, magpies and tigers appear in hit animated film "K-Pop Demon Hunters," it's a sign that the stature of Korean culture has changed significantly, according to Park In-gun, CEO of the National Theater of Korea. 'And K-culture begins with the fundamental arts. I hope to see powerful works that expand across the world," Park said during a recent press conference at the Korea Press Center in Seoul. Building on that foundation, the National Theater of Korea has announced its 2025-26 season lineup, opening Aug. 20. Under the slogan 'Together, Go Further,' the theater aims to position itself as a platform that actively engages with contemporary audiences while remaining rooted in Korea's traditional performing arts. This season marks the largest slate yet, with 72 productions — 11 more than the previous season — including 25 new works. As part of its expanded programming, the National Theater is introducing two major new festivals: the Korea International Music Theater Festival and the 2025 Korean Traditional Dance Festival. These additions reflect the theater's evolving role as both a custodian of heritage and a hub for contemporary expression. Running from Sept. 3 to 28, the inaugural Korea International Music Theater Festival will center on East Asia, featuring music theater from Korea, China and Japan. The festival is expected to grow into a global event that showcases a wide spectrum of musical theater from around the world. Scheduled for Oct. 30-31, the 2025 Korean Traditional Dance Festival will bring together 10 national and regional public dance companies in a sweeping celebration of Korean dance. The National Theater's three resident companies — the National Changgeuk Company, the National Dance Company and the National Orchestra of Korea — will premiere new works this season and revive audience favorites. The National Changgeuk Company will present "Pansori Theater Shim Cheong" (Sept. 3-6), a revisionist take on the Korean folktale heroine, reframing her with greater agency and contemporary resonance. Another major production is "Hyomyeong: The Prince of Art" (June 23-28, 2026), which blends changgeuk with royal court dance to portray Crown Prince Hyomyeong, a pivotal figure in the development of late Joseon-era court performance traditions. "The Story of Lee Nal-chi" (Nov. 21-29) and "Boheoja: The One Who Paces the Void" (March 19-29, 2026) will also return to the stage. The National Dance Company will explore themes of family in a new production titled "Home," while also reviving modern reinterpretations of traditional aesthetics in works such as "Book of the Dead," "Mongyudowonmu" and "Mask Off." The National Orchestra of Korea will collaborate with classical guitarist and celebrated film composer Lee Byung-woo, best known for his work on "The King and the Clown" and "The Face Reader." The season also includes "Acoustic," an experimental project reimagining the sound design of Haeoreum Grand Theater and "Modern Folk Song," a nostalgic revisiting of beloved melodies. The new season also features expanded collaborations with both public and private performing arts groups. Three major productions from the National Theater Company of Korea — "Dangerous Playground" (Aug. 28-31), "The Orphan of Zhao: Seeds of Revenge" (Nov. 21-30) and a new play by Cho Kwang-hwa (May 22-31, 2026) — will be staged at the National Theater. Among private sector collaborations, the production of "The Dresser" (Dec. 27-March 1) stands out. Based on Ronald Harwood's acclaimed play, the work unfolds in a wartime theater dressing room and explores the fragile dynamics of ego, dependency and aging. Veteran actor Song Seung-hwan will star in the lead role.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store