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Chanel marks 110 years with style - and stars - by supersizing its couture salon in a palace

Chanel marks 110 years with style - and stars - by supersizing its couture salon in a palace

PARIS (AP) — Only Chanel would call its legendary Rue Cambon salon 'too small' — then rebuild it, supersized, in a palace.
On Tuesday, as the house marked 110 years of its haute couture — a century and more of Coco Chanel's revolution in how women dress — it blew up its atelier as a giant set inside the freshly restored Grand Palais, turning intimacy into spectacle for a nature-drenched show at
Paris Couture Week
.
Chanel, whose founder banished corsets and reimagined luxury as liberation, showed just how far that legacy stretches — from the tiny salons of 1915 to its modern colossus.
It was a flex only a handful of luxury giants could pull off — and perhaps, as one front-row guest suggested, a dazzling distraction as the fashion world counts down to the debut of Chanel's
new designer Matthieu Blazy
.
Penélope Cruz, Keira Knightley, Naomi Campbell, Kirsten Dunst and the house's tightest VIP circle scaled gilded steps, sweating past marble and gold, to enter the reconstructed atelier. The set by Willo Perron was classic Chanel — intimate yet monumental, Old World yet futuristic.
'It just felt special,' Campbell said, 'like stepping into a memory and something completely new. There's warmth, intimacy, nostalgia. Chanel can recreate anything, and it works.'
Chanel goes country
More drama unfolded on the runway. This was couture as nature fantasy, filtered through the Chanel prism. Menswear tailoring added swing to sculpted jackets and coatdresses, while mohair suits in deep greens and plums channeled autumn's hush. Bouclé tweeds mimicked sheepskin; feathers and tweed created illusionary faux fur.
Gold-sprayed wheat ears — the house symbol of abundance — were everywhere: stitched into flounces, embroidered on necklines, set on every guest's seat. The theme may have been country, but make no mistake: This was as close as Chanel gets to 'roughing it.'
Technique dazzled at every turn: jewel-buttons, embroidered florals and a finale of lamé so luminous it mimicked sunlight on harvest fields. The studio team, holding the fort after Virginie Viard's abrupt and unceremonious exit last year, anchored the show in classic codes but played with wit and lightness.
That obsessive handwork matters — not just for tradition, but for business. Chanel is fashion's juggernaut: Privately held, the brand reported $18.7 billion in revenue for 2024, cementing its status as one of the world's most powerful luxury houses. Couture may be the crown, but its influence drives global sales in fragrance, bags and jewelry, making it the envy of rivals.
New era for the luxury giant
Change is always looming at Chanel. For more than 30 years, Karl Lagerfeld transformed the brand from Parisian legend to pop phenomenon, staging ever-grander spectacles at the Grand Palais.
After his death in 2019
, Viard, his longtime deputy, guided Chanel into a softer, more discreet era.
Now the industry is holding its breath for Blazy, a Belgian talent with stints at Margiela, Celine and most recently Bottega Veneta, where he won fans for his blend of innovation and reverence for craft.
Campbell said of Blazy, whom she knows personally: 'He's focused, open-minded — he'll bring something special.'
Tuesday's show unfolded inside the Grand Palais' newly restored Salon d'Honneur, its gold and stone revealed after a 600-million-euro, multiyear restoration co-funded by Chanel. It's more than a venue; it's an advertisement of the house's power and commitment to Parisian heritage.
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Giant trolls built from trash want to save humans from themselves
Giant trolls built from trash want to save humans from themselves

Hamilton Spectator

time5 hours ago

  • Hamilton Spectator

Giant trolls built from trash want to save humans from themselves

WOODSIDE, Calif. (AP) — Nestled in forests around the world, a gentle army of giant wooden trolls want to show humans how to live better without destroying the planet. The Danish recycle artist Thomas Dambo and his team have created 170 troll sculptures from discarded materials such as wooden pallets, old furniture and wine barrels. Twelve years after he started the 'Trail of a Thousand Trolls' project, his sculptures can be found in more than 20 countries and 21 U.S. states. Each year Dambo and his team make about 25 new trolls, which stand up to 40 feet (12 meters) tall. 'I believe that we can make anything out of anything,' said Dambo, speaking from his farm outside Copenhagen. 'We are drowning in trash. But we also know that one man's trash is another man's treasure.' An installation of six sculptures called 'Trolls Save the Humans' is on display at Filoli, a historic estate with 650 acres of forests and gardens in Woodside, California, about 30 miles (50 kilometers) south of San Francisco. 'They bring us back to be connected to the earth and to nature,' said Jeannette Weederman, who was visiting Filoli with her son in July. Dambo's trolls each have their own personality and story. At Filoli, the troll Ibbi Pip builds birdhouses, Rosa Sunfinger plants flowers and Kamma Can makes jewelry from people's garbage. 'Each of them has a story to tell,' said Filoli CEO Kara Newport. 'It inspires people to think of their own stories, what kind of creatures might live in their woods and make that connection to living beings in nature.' Dambo's trolls don't like humans because they waste nature's resources and pollute the planet. The mythical creatures have a long-term perspective because they live for thousands of years and have witnessed the destructive force of human civilizations. But the six young trolls at Filoli have a more optimistic view of human nature. They believe they can teach people how to protect the environment. 'They want to save the humans. So they do this by teaching them how to be better humans — be humans that don't destroy nature,' said Dambo, 45, a poet and former hip hop artist. 'They hope to save them from being eaten by the older trolls.' Dambo's trolls are hidden in forests, mountains, jungles and grasslands throughout Europe and North America as well as countries such as Australia, Chile and South Korea. Most were built with local materials and assembled on-site by his team of craftsmen and artists with help from local volunteers. 'My exhibition now has four and a half million visitors a year globally, and it's all made out of trash together with volunteers,' said Dambo, a poet and former rap artist. 'That is such a huge proof of concept of why we should not throw things out, but why we should recycle it.'

'The Osbournes' changed Ozzy's image from grisly to cuddly, and changed reality TV
'The Osbournes' changed Ozzy's image from grisly to cuddly, and changed reality TV

San Francisco Chronicle​

time9 hours ago

  • San Francisco Chronicle​

'The Osbournes' changed Ozzy's image from grisly to cuddly, and changed reality TV

LOS ANGELES (AP) — There was Ozzy before 'The Osbournes' and Ozzy after 'The Osbournes.' For much of his life, the Black Sabbath founder and legendary heavy metal frontman who died at 76 on Tuesday was known to much of the public as a dark purveyor of deeds ranging from decadent to downright Satanic. Wild stories followed him. Clergy condemned him. Parents sued him. But with the debut of his family reality show on MTV, the world learned what those who'd been paying closer attention already knew: Ozzy Osbourne was soft and fuzzy under the darkness. During its relatively short run from 2002 to 2005, 'The Osbournes' became a runaway hit and made stars of his wife Sharon and kids Jack and Kelly. But more than that, it made a star of the domesticated version of Ozzy Osbourne, and in the process changed reality TV. In 2025, when virtually every variety of celebrity has had a reality show, it's hard to see what a novelty the series was. MTV sold it as television's first 'reality sitcom." 'Just the idea of the Black Sabbath founder, who will forever be known for biting the head off a bat during a 1982 concert, as a family man seems strange,' Associated Press Media Writer David Bauder wrote on the eve of 'The Osbournes' premiere. But on the show, Osbourne was "sweetly funny — and under everything a lot like the put-upon dads you've been seeing in television sitcoms for generations.' Danny Deraney, a publicist who worked with Osbourne and was a lifelong fan, said of the show, "You saw some guy who was curious. You saw some guy who was being funny. You just saw pretty much the real thing.' 'He's not the guy that everyone associates with the 'Prince of Darkness' and all this craziness,' Deraney said. "And people loved him. He became so affable to so many people because of that show. As metal fans, we knew it. We knew that's who he was. But now everyone knew.' Reality shows at the time, especially the popular competition shows like 'Survivor,' thrived on heightened circumstances. For 'The Osbournes,' no stakes were too low. They sat on the couch. They ate dinner. The now-sober Ozzy sipped Diet Cokes, and urged his kids not to indulge in alcohol or drugs when they went out. He struggled to find the History Channel on his satellite TV. They feuded with the neighbors because, of all things, their loud music was driving the Osbournes crazy. 'You were seeing this really fascinating, appealing, bizarre tension between the public persona of a celebrity and their mundane experiences at home,' said Kathryn VanArendonk, a critic for Vulture and New York Magazine. The sitcom tone was apparent from its first moments. 'You turn on this show and you get this like little jazzy cover theme song of the song 'Crazy Train,' and there's all these bright colors and fancy editing, and we just got to see this like totally 180-degree different side of Ozzy which was just surprising and incredible to watch," said Nick Caruso, staff editor at TVLine. Like family sitcoms, the affection its leads clearly had for each other was essential to its appeal. 'For some reason, we kind of just fell in love with them the same way that we grew to love Ozzy and Sharon as like a marital unit," Caruso said. What was maybe strangest about the show was how not-strange it felt. The two Ozzies seemed seamless rather than contradictory. 'You're realizing that these things are personas and that all personas are these like elaborate complex mosaics of like who a person is,' VanArendonk said. 'The Osbournes' had both an immediate and a long-term affect on the genre. Both Caruso and VanArendonk said shows like 'Newlyweds: Nick and Jessica,' which followed then-pop stars Jessica Simpson and Nick Lachey after they married, was clearly a descendant. And countless other shows felt its influence, from 'The Kardashians' to 'The Baldwins' — the recently debuted reality series on Alec Baldwin, his wife Hilaria and their seven kids. ''The Baldwins' as a reality show is explicitly modeled on 'The Osbournes,' VanArendonk said. 'It's like you have these famous people and now you get to see what their home lives are like, what they are like as parents, what they're eating, what they are taking on with them on vacation, who their pets are, and they are these sort of cuddly, warm, eccentric figures.'

How Ozzy Osbourne became the original King of reality TV with 'The Osbournes'
How Ozzy Osbourne became the original King of reality TV with 'The Osbournes'

New York Post

time11 hours ago

  • New York Post

How Ozzy Osbourne became the original King of reality TV with 'The Osbournes'

It was a crazy train. On Tuesday, Ozzy Osbourne died at age 76, five years after he announced his Parkinson's disease diagnosis in January 2020. He passed away, 'surrounded by love,' his family said in a statement to The Post. The rock star was the Prince of Darkness, the father of heavy metal, but perhaps the strangest Ozzy milestone is starring on one of the first reality TV shows – with the seminal series, 'The Osbournes,' which aired on MTV from 2002 to 2005. Sue Kolinsky, who worked as a producer on 'The Osbournes,' exclusively told The Post, 'We realized early on that anything Ozzy did was going to be funny. Like making a milkshake – we were gonna have [that be] three minutes of an episode. He was so funny, and he had no idea how funny he was.' 12 Ozzy, Sharon, Jack, and Kelly on 'The Osbournes' in 2003. AP She added, 'No one ever said to Ozzy, 'hey, can you say that again?' Whatever you shot, that's what we had to use. And that's what made the show so brilliant, because it really was real.' Kolinsky continued, 'Everything he did was kind of like a crazy rocker version of 'Father Knows Best.' And he was kind.' Jason Mittell, professor of Film and Media Culture at Middlebury College, exclusively told The Post, 'It's pretty amazing that it started in 2002, which was really the very beginning of the reality TV boom. 'Survivor' and 'Big Brother' had only been on for a couple of years at that point.' He explained that when 'The Osbournes' premiered, 'There was a real sense at the time that reality TV was a passing fad.' 12 Ozzy Osbourne and Sharon Osbourne at the MTV EMA's 2014 at The Hydro on November 9, 2014 in Glasgow, Scotland. Dave Hogan/MTV 2014 With 'The Osbournes' diving into the family's life and following them as characters, 'that really had not been done before on TV,' he shared. It was swiftly followed by Paris Hilton's 'The Simple Life' in 2003, and the reign of the Kardashian family, which first launched on TV when 'Keeping Up With the Kardashians' premiered in 2007, just two years after 'The Osbournes' ended. The show followed the outrageous antics and home life of the Black Sabbath frontman, his wife Sharon, 72, his daughter Kelly, 40, and son Jack, 39. The couple's other daughter, Aimee, 41, chose not to participate in the series. 12 Sharon Osbourne, Ozzy Osbourne, Jack Osbourne, Minnie, Kelly Osbourne, Robert Osbourne in 2003. ©MTV/courtesy Everett 'He and the family were the ones who really put reality TV on the map. I believe the reason why the show was so successful was because they really were a loving family,' Kolinsky said. 'And we got such creative freedom because it was new. I don't know what other family in the rock world would have been able to pull this off.' She added, 'The family was just so gracious with giving us access to everything about their lives. They let us film them when they woke up in the morning. They let us film them in every situation that they were going through. They never said, 'No, we don't want to see ourselves in that light.'' 12 Ozzy Osbourne in Hollywood in 2024. ALEXJR / BACKGRID Kolinsky recalled an incident when Ozzy and Sharon were leaving on a trip, but 'The Osbournes' wasn't allowed to film on a plane. So, the creative team filmed the pair sitting in 'a black SUV that kind of looked like a private plane,' she recalled. 'And we found shots of a pilot's hand punching in instruments. We used that and cut to his assistant. So, we made his assistant the pilot, and tilted the shot, to make it look like the car was taking off.' She recalled showing Ozzy the footage before it aired, 'and he was on the floor, hysterical. Like 'Oh my God, I can't believe you made the car a plane and used Tony as the pilot!' At the time, 'The Osbournes' was the highest-rated show in MTV's history, drawing over 5 million viewers per episode. 12 Sharon and Ozzy Osbourne at their home on December 31, 2004 in Buckinghamshire, England. Getty Images During a 2021 appearance on the 'Armchair Expert' podcast, Kelly said that when 'The Osbournes' began, 'No one had ever done what we did before. So as we were doing it, we didn't know either. We didn't know what they were going to use, and what they weren't, because they filmed everything.' She recalled that when the show premiered, 'The next day, everything changed. It was like Beatlemania, except for 'The Osbournes.'' In 2002, the Kardashians and 'Real Housewives' weren't even a twinkle in TV producers' eyes. 12 Khloe Kardashian, Kris Jenner, Kourtney Kardashian, Kim Kardashian, Kylie Jenner, Kendall Jenner on 'Keeping Up With the Kardashians' in 2013. Brian Bowen Smith/E! Reality TV existed – that was the year 'The Bachelor' premiered, too – but it was mostly competition shows like 'American Idol' or ones about niche industries, such as 'Monster Garage.' Today, fame-hungry people let viewers into their lives all the time – on shows like 'Vanderpump Rules' or 'Below Deck.' A slew of celebs also have their own reality shows, such as Sylvester Stallone in the 2023 Paramount+ show 'The Family Stallone,' Denise Richards (her first of several shows, 'Denise Richards: It's Complicated,' premiered in 2008). Alec and Hilaria Baldwin currently have TLC's 'The Baldwins.' 12 Kim Kardashian,, Kourtney, Khloe, and Kris Jenner on 'Keeping Up With the Kardashians.' 12 Mia Regan, Romeo Beckham, Cruz Beckham, Harper Beckham, David Beckham, Victoria Beckham, Brooklyn Beckham and Nicola Peltz attend the Netflix 'Beckham' UK Premiere at The Curzon Mayfair on October 3, 2023 in London, England. WireImage David and Victoria Beckham also saw viral success with their 2023 Netflix series, 'Beckham.' But, the Osbournes 'set the template,' Mittell explained. About Ozzy's unlikely path from heavy metal rocker to reality TV star, he said, 'I think a lot of [the show's appeal] was just the combination of the sense of, here's this guy who is known for these massive rock shows and this flamboyant onscreen personality and the piercing voice. And here he is, just watching history documentaries. Or, wandering around the house, and living the normal family life.' He added, 'So I think that was a big part of [the show's success], was the idea that it was such an unusual contrast to what we would think the life of an iconic rocker would be.' 12 Annemarie Wiley, Erika Jayne, Dorit Kemsley, Kyle Richards, Garcelle Beauvais, Sutton Stracke, Crystal Minkoff on 'The Real Housewives of Beverly Hills' in 2023. Emily Shur/Bravo In a 2019 SiriusXM interview, reporter Jess Cagle told Sharon, 'Without you, you realize, there would be no Kardashians.' The family matriarch replied, 'It was really Ozzy. He was the one that was in the public eye. He was the celebrity, and he's the one that took all the risks….I think it paid off for Ozzy because people saw how funny he is. He's just hysterical, and a teddy bear.' 'The Osbournes' showed the metal star as a foul-mouthed loving father who was often amusingly bewildered by mundane daily life. 12 Sharon Osbourne, Kelly Osbourne, Jack Osbourne and Ozzy Osbourne appear as guest presenters on MTV TRL at The Penthouse, Leicester Square on December 17, 2004 in London. Getty Images For instance, in the series premiere episode, Ozzy struggled to figure out how to use a TV remote. 'I'm a very simple man. You've got to have computer knowledge to turn the f–king TV on and off,' he said. 'I pressed this one button…I'm going: 'What is this? Where am I, man?'' 'He just didn't really care that much about doing anything embarrassing,' Mittell told The Post. 12 The show only lasted four seasons. Getty Images Cameron Glendenning, who became a camera operator on 'The Osbournes,' told The Post that Ozzy would hang out in the garage with the show's crew at night when he was bored, and he'd prank fans who would turn up at his gate by turning the sprinklers on them. 'He'd come in there and he would be like, 'Oh yeah, let's get him! Let's go get him,'' he recalled. To Glendenning, it was just another day in the office. 'He's a f–king rock legend and we were just a bunch of kids in his garage shooting a TV show about his life and he would like break that fourth wall, walking in the garage, and we would all, you be like, 'Oh s–t! The boss is here,' but you know he was just so funny,' he added. 12 Ozzy has mixed feelings about his time on television. Los Angeles Times via Getty Images The 'War Pigs' singer had mixed feelings about his own show, which is why it lasted only four seasons, despite its outsized impact on TV history. 'I don't know how the Kardashians have done it for so long — it sent us crazy at the end,' Ozzy recounted in January 2023. 'I am not sorry I did it, but after three or four years I said, 'Do you know what, we're going to lose somebody because it is getting too crazy. There is rock 'n' roll fame, which is pretty intense, but that Osbourne level was just unbelievable.' Kolinsky remembers the show as being 'part of something so special, and so unique, and so iconic.' She recalled an incident where she felt the show's impact. Shortly after it premiered, the producers went out to the House of Blues. There were no seats available, but when it came out that they worked on 'The Osbournes,' they were swiftly escorted to the venue's VIP section. 'That was the effect that show had on people. Everybody wanted to know you. [Ozzy] united different generations. The fact that he was a heavy metal rocker didn't dismay an older crowd from being hooked on the show. And, to so many people who didn't know him from his music, he was just this funny TV dad.'

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