
Trinny Woodall: There was nothing I could have done about ex-husband's suicide
On Fearne Cotton's Happy Place podcast, the 61-year-old reflected on the former drummer and businessman's death in 2014, and praised the work of charities looking into mental health and suicide.
Asked about her regrets by Cotton, Woodall said: 'I think going back to earlier, it's that would've, should've, could've – so do I regret that I didn't do more for my ex-husband to stop him killing himself? No, because it was nothing I could have done.
'So to ponder on the regret of somebody who kills himself, it can take you into the darkest hole, but you can also know when somebody who is in that situation switches off, and that is their path and nobody can get in.
'I had to learn.'
Woodall said there are 'fabulous charities' working in the area of mental health and suicide – which she said is the biggest cause of death in men under 50.
She went on to speak about how she guided daughter Lyla, who was 11 at the time, through Elichaoff's death.
She explained: 'When I heard about Lyla's dad, Lyla was at school and my first challenge was how can I even tell her, how can I say the words to tell her.
'My sister was a friend of a woman called Julia Samuel, who wrote an amazing book, Grief Works, and she's fantastic.
'Julia came around to our house and I just said, 'I need some words', and so she said, 'you're going to tell her he had a heart attack in his head'.
'We told her (Lyla) and she screamed really loudly and it was like an animal scream, and then 20 minutes later she's downstairs getting a snack, so children's absorption of what has happened is that there's that gut, she really loved her dad.
'This thing is just, she can't quite understand it, but she knows that he's not coming back in some daily way and then we had a cremation so then there's a real awareness.
'There's a lot of people saying, 'I'm so sorry about your dad, Lyla', so she's manic a little, she was running around with her friends and then there was a memorial only 10 days after that, and there were 1,200 people in the church.
'Lyla got up and read If, but she didn't read it, she said it with nothing and didn't cry and it wasn't that she was being strong.'
The beauty entrepreneur was also asked if she regrets taking drugs for a decade.
She added: 'I actually don't, because it gave me such a depth of having to deal with life at an early age, some testing things that it rounded me up more as a person.
'When I got into my 30s, I had a lot of experience to draw on to be resilient, so thereby I don't regret that it happened and I should draw upon it.'
Best known for hosting BBC fashion show What Not To Wear with Susannah Constantine, Woodall is also the founder of cosmetics brand Trinny London.
The full interview can be heard on the Happy Place podcast available on Apple Podcasts, YouTube and Spotify.
Help and support is available now if you need it.
The Samaritans can be contacted any time, from any phone, free on 116 123, email at jo@samaritans.org , or visit samaritans.org to find your nearest branch. Details of other services and more information can be found on the NHS website here .
Get all the latest news from around the country Follow STV News
Scan the QR code on your mobile device for all the latest news from around the country
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Belfast Telegraph
22 minutes ago
- Belfast Telegraph
Ulster Orchestra bringing sounds of sea to Belfast as Shipping Forecast celebrates its 100th birthday
The Ulster Orchestra will experience all weathers on Friday night when it helps the BBC celebrate the centenary of the Shipping Forecast. The show at Belfast's Ulster Hall is part of the annual Henry Wood Promenade Concerts, the majority of which are held at the Royal Albert Hall in London.


Daily Mirror
23 minutes ago
- Daily Mirror
'I watched nuclear attack docu-drama deemed 'too horrifying for TV' by BBC'
The War Game is one of the most harrowing pieces of television every produced Anyone of a certain age will have less-than-fond memories of the terrifying public information films that would be shown in school and on TV, warning us of the dangers of playing on building sites or messing around with matches. The War Game, a 1966 docu-drama, which the BBC deemed 'too horrifying for the medium of broadcasting' and banned from TV for almost 20 years, takes this to the extreme. Framed as a factual documentary, the film shows the brutal reality of what would happen if the UK was hit by a nuclear attack, narrated by the authoritative tones of newsreader Michael Aspel. The 47-minute film written and directed by Peter Watkins wasn't aired on TV until 1985, although it was shown in cinemas in the 1960s, and won the 1967 best documentary Oscar. While it's often been difficult to track down a way to watch The War Game, it's now available on BBC iPlayer. Comparisons with 1984's infamous TV film Threads, which graphically depicts a nuclear attack on Sheffield, are perhaps inevitable. The War Game isn't quite as graphic as Threads - which at one point makes the viewer watch a child burn alive - but it's no less horrifying. The black and white film begins with a depiction of rising tensions between the East and West, with the British government declaring a state of emergenc, and people are evacuated from larger towns and cities. The film doesn't skirt around the social and racial tensions of the time - with rationing in place, people are shown protesting that they already don't have enough food to feed their own families, and one woman's first question when she's told she'll have to house a group of evacuees asks what ethnicity they are. The actual moment the missiles strike is brief, but shocking, with Michael Aspel grimly describing horrors such as melting eyeballs and burning skin, and a young boy is shown screaming in pain after being blinded by the flash. Aspel's description of the shockwave sent by the detonation as sounding like 'an enormous door slamming in the depths of hell' is genuinely chilling. The scenes following this show what is left of the UK descend into bleak chaos, with police struggling to hold back starving masses desperate for something to eat and every doctor attempting to treat hundreds of patients. It doesn't shy away from the stark decisions faced, with doctors shown shooting patients who are beyond help in the head and police executing agitators by firing squad. It's a far cry from the stiff upper lip Spirit of Dunkirk of just a couple of decades before. The spectre of the bombings of Hiroshima, Nagasaki, and Dresden looms large. Key to the impact of the film is how real it all looks. There's no Hollywood glamour at play - the people look, speak, and dress like real people you'd see on the street, and the nondescript part of Canterbury much of the footage is set in looks like it could just be around the corner. Years later Threads would use a similar trick by setting its action around the working-class communities of 1980s Sheffield. And if you're expecting a sense of hope or light at the end of the tunnel, there's none to be found here. Seeing a traumatised small boy asked what he wants to be when he grows up reply 'don't want to be nothing' is one of the bleakest things I've ever seen on screen. Harrowing though it may be, its impact is undeniable, with a 93 per cent rating on film reviews site Rotten Tomatoes. One reviewer said: "The stark documentary realism of the film makes it effectively scary and unsettling even today, the retina burning images of despairing children in the aftermath of nuclear war will stay at the front of your mind for a long time." Another wrote: "Despite this being made over 40 years ago it is still hard-hitting stuff and I'm not surprised in the slightest the BBC banned it." Another, however, suggested it amounted to "scaremongering propaganda". "Almost seems a bit insulting to a modern audience but there's no arguing that this is excellently done," they said. With international tensions building day by day, The War Game stands as sobering viewing of a reality which isn't as far removed from our own as we might hope. If you've got the stomach for it, The War Game is available now on BBC iPlayer.


BBC News
23 minutes ago
- BBC News
Adam Henson: 'TV's kept me from sheep shearing but I miss it'
Countryfile's Adam Henson is known to households across the UK as one of the most famous farmers in the country. But his media work means he has not sheered a sheep for more than two years, which is something he misses."I grew up on a farm and still love it," says Henson from his Bemborough farm in the heart of the Cotswolds."The telly world has taken me slightly away from that, though I do get to tour the country meeting farmers and picking up ideas."If one day my face doesn't fit and the BBC drop me, I'll go back to being a proper farmer." In person, he's as passionate about farming as he comes across on screen."It's a joy, something I adore doing," he says."I wake up in morning and walk the dogs and I'm immediately in beautiful countryside, watching swallows overhead. "I genuinely can't wait to get away from my computer and get outside."His farm employs more than 100 people and neighbours the Cotswold Farm Park attraction in Gloucestershire, which was founded by his dad Joe in 1971."Dad had a passion for keeping old-fashioned farm animals," he says."Breeds such as the Old Gloucester Cattle, Gloucester Old Pig and Cotswold Sheep were going extinct, so dad decided to start keeping them."Eventually he had 50 different breeds, so to pay for them he decided to open the farm up to make it work. "He was very much ahead of his time allowing visitors to bottle-feed a lamb or hold a chick." Clearly proud of his father's legacy, Adam is as enthusiastic about the wider farm suggests we jump in his car to properly see the full 650-acre estate and soon we're in open countryside. He points excitedly to one field in the distance."That was a grass field for a long time, but our old landlord invested heavily to create a farm centre," he there's rye grass growing as part of an environmental scheme to benefit birdlife. Given the weather, this year, he says it is plots such as the rye grass that pays best and a third of the farm is involved in environmental schemes of one kind or another."Spring was horrible," says Henson."The crops won't yield, and prices are low for the grain we'll sell."The commercial flock lambed well, and prices are good, so the sheep will break even."But it's the support of the SFI - the Sustainable Farming Incentive from the government - that will help this year. Public money for public goods, supporting conservation and wildlife - that helps a great deal." Adam admits farming is tough and many might be surprised to learn he doesn't actually own the farm."I'd love to, but I'll never be rich enough to buy it," he it's part of a farm business tenancy he runs with his business partner Duncan Andrews."When I'm away doing media work, Duncan runs the farm," he addsHenson admits he hasn't sheered a sheep in more than two years and now works more on the farm's overall strategy."My hands are soft," he says, referring to his lack of manual labour."I still get out and work with livestock which is my favoured part of the business. I did used to drive the combine or sheer the sheep, but I popped a disc a few years ago and have a bad back which gives me a good excuse not to sheer anymore."