How a chance meeting at a Providence market launched a friendship and an aspiring filmmaker's career
'We talked for a while. He said that he and his wife [actress and author
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The two not only became fast friends, but Rockwell offered the 2019
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This film is about a flower delivery driver who, Osubor said, is trying to outrun the evils of his childhood. He's the success story of his town, because he's the only one of his friends who is not dead, in prison, or in rehab.
'On the contrary, he has a good, decent job and he stays out of trouble … but in life even though you might try to avoid trouble, trouble can still find you,' he said. The protagonist begins to suspect that the life he's been living isn't actually what he thought it was and, as Osubor explained, 'everything he knew and believed to be gospel was all just a facade. What happens when you have to choose not between 'good' and 'bad' options, but between the lesser of two evils?'
The Hamilton, Ohio, native – an only child whose parents emigrated to the United States from Nigeria in 1997, a year before he was born – said he is 'very proud' of 'Big Daddy's Flowers,' which he made on a shoestring budget of just $2,000. Some of the cost-saving measures included starring as the lead – in addition to directing and producing – hiring non-actors, and working out a deal with Parsons to be in his film.
'Karyn is the author of children's books and runs a nonprofit that tells children stories about the achievements of African Americans. She needed help with her website, so I told her I would do that if she would be a part of this film, since I could never afford her,' said Osubor, who since 2020 has owned a multimedia consulting company that develops media narrative campaigns for clients, including Narragansett Brewing Company, Google, and the New England branch of the Environmental Protection Agency.
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Osubor, who lives in Providence with roommates, said that filming in Rhode Island has been 'wonderful' not only because it is less expensive than elsewhere, but people have been 'so accommodating and supportive.'
'I've found the infrastructure/community more open to risk-taking and enterprising filmmaking,' he said. 'We had a lot of support rather than apprehension about what our intentions were.'
Osubor didn't always want to be a filmmaker. His original plan was to go to law school after he graduated from Brown. But he changed his mind after an internship in a government legal office in Washington, D.C., where he witnessed behavior that 'went against much of what I stand for.'
It was his disenchantment with politics and witnessing the polarization of people with different viewpoints – and the importance of compromise – that sparked Osubor's idea for his feature film, which he referred to as 'solid and vulnerable.'
'Films are accessible to people and often take up a fair amount of space in public discourse,' he said. 'I love literature [he majored in literary arts at Brown], but you don't hear people referencing [books] the way you hear them say, 'Hey, did you watch this series? Did you see this film?' '
Osubor is quick to point out that as much as he enjoyed making 'Big Daddy's Flowers,' it didn't come without challenges – mostly due to minimal funding. But he said obstacles led to the necessity to 'reorient your mind and look at things differently.'
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'Rejection should be viewed as a nudge … it had helped me to learn and grow,' he said.
Rockwell, 68, a father of two who was raised in Cambridge, Mass., said he mentored and worked with many young filmmakers when he was at NYU, and he liked what he saw in Osubor and in his work.
'His way of seeing things, his voice, his narrative … it's unique. He's fun and interesting and kind of odd. Right away I liked his work,' Rockwell said. 'He's very talented and very eager and willing. He jumps right into a situation.'
Osubor said he is grateful for Rockwell's support, mentorship, and now what has grown into a 'great friendship.'
He said Rockwell has been very helpful and he's looking forward to working in tandem with him to navigate next steps and 'defy these norms, think differently and find solutions to whatever future roadblocks that might exist.'
'This industry is becoming more accessible for filmmakers like me to enter the arena,' Osubor said, 'and the sense of confidence I've gained from making this film has been a great takeaway.'
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Los Angeles Times
a day ago
- Los Angeles Times
Allensworth Rising: A Fight for Water
Neenma: 'Allensworth Rising: A Fight for Water' is a labor of love, justice and storytelling. As a journalist and filmmaker, I was drawn to Allensworth because of its rich history as California's first town founded by African Americans and its continuing fight for basic rights like access to clean water. What drew me to this story was the intersection of environmental injustice, racial inequity and historical erasure, and the resilience of residents who refuse to let their town be forgotten. My vision was to create an intimate, people-centered film that amplifies the voices of those leading the fight, showing their strength and unwavering hope. I want audiences to see Allensworth not just as a place of struggle, but as a community of visionaries reclaiming their story and demanding justice. I hope viewers leave with a deeper understanding of how environmental racism persists today and feel moved to support communities defending their right to thrive. Isabella: One of the goals of the film is to show the reality of what it's like to live in a predominantly Black and Latino community in a rural Central Valley town. Allensworth serves as an example of the kind of systemic neglect marginalized communities in California have suffered for generations. Here is a community that the state government has failed to protect from contaminated water, with high levels of arsenic. When developing the concept for this film, I wanted to join the history of the town with its long-running water crisis to show how much the past affects the lives of people living there now.


Miami Herald
7 days ago
- Miami Herald
‘Joined at the Roots' is an exhibit to change the Haitian and Black American narrative
Haitians and Black Americans have lived side by side in South Florida for decades. While the relationship between the two communities has not always been smooth, they have managed to coexist, 'building families, businesses, churches, and communities that defied the odds,' according to Bart Mervil, CEO of My Urban Contemporary Experience (MUCE) and organizer of the 'Joined at the Roots' exhibit, currently on view at the Little Haiti Cultural Complex through Saturday, Aug. 30. The exhibition aims to shift public perception by exploring shared stories that connect Haitians and African Americans, emphasizing the historical and ongoing ties between the communities. It showcases the works of a diverse group of artists working across painting, sculpture, and photography. 'Joined at the Roots was born out of a need to honor the quiet, powerful history of solidarity between Haitians and African Americans,' says Mervil, describing a legacy often eclipsed by stories of division. He notes that while both communities have made significant contributions, their impact is rarely part of mainstream conversations. 'From local politics to high school championships to shared porches and block parties, we have had real moments of collaboration, unity, and brotherhood,' adds Mervil. 'This hybrid culture did not just survive poverty. It gave rise to entrepreneurs, educators, artists, and a thriving Black middle class. This exhibition is a love letter to that shared struggle and success.' According to Mervil, every artwork featured in the exhibition contains an element of the shared narrative of the two black communities in Miami. Mervil explains that the exhibition highlights significant historical examples of collaboration between Haitians and African Americans in South Florida. 'The first wave of Haitian immigrants were welcomed by Black churches; residents in Overtown opened their homes, shared meals, and offered resources,' says Mervil. A central quote prominently displayed within the exhibition reads, 'We're either going to come together or we're going to perish together.' Mervil describes this message as pivotal. 'That quote hits deep because it's not just a warning, it's a truth. We chose it because it speaks to the heartbeat of the exhibition: We go together,' according to Mervil.. He continues, 'There is no separation in this family. Haitian, Bahamian, African, Jamaican, African American, we are all branches from the same root. When we see ourselves as one body, one vision, imagine the power of our collective economics, our collective voice, our collective vote. We don't rise until we rise together.' The idea for the exhibit began with a series of conversations with artists and community leaders about the underrepresented stories of cooperation between Haitian and African American residents in Miami. Among the artists contributing to the exhibit is Fabienne Polycarpe, a first-generation Haitian American and cultural wellness curator. She contributed a series rooted in her upbringing around her mother's beauty salon. Polycarpe's art explores hair as a profound cultural symbol, reflecting both Haitian traditions and Black American influences. 'Hair has always been more than just hair; it's been ritual, identity, memory, and survival,' says Polycarpe. As a child, she remembers how her Haitian mother instilled the importance of hairstyles that reflected discipline and respectability. 'I wore ribbons and 'boule gogo' [braid balls]; my hair parted into clean plaits,' she says. 'But deep down, I admired the colorful beads Black American girls wore.' Over time, Polycarpe began to recognize how her artistic voice was influenced by both cultures. 'And as I got older,' she adds, 'I realized my artistic voice was formed by that dual gaze, the Haitian lens of structure and reverence, and the Black American lens of freedom, creativity, and expression.' Ultimately, she concludes, her art exists in the space where these two cultures meet, carrying the language of both traditions. Another featured artist, Nate Dee, who grew up in Miami, presents a portrait of Uncle Al (Albert Leroy Moss), an African American DJ and community leader whose legacy helped bridge cultural gaps. Dee, a Haitian American muralist, recalls coming of age during a period when being Haitian carried social stigma. DJ Uncle Al's visible support for the Haitian community left a lasting impression on him. 'I went to high school down here in the 1990s, and it was really rough to be Haitian, especially in the late '80s and early '90s,' Dee says. 'So, to see a person like DJ Uncle Al, who wasn't Haitian, showing love was big for me.' Reflecting on those years, Dee adds, 'As a teen I listened to his music and even grew up thinking he was a Haitian American DJ, only to find out later that he was in fact African American. This was in part because he was very active in Little Haiti.' DJ Uncle Al, recalls Dee, founded the Peace in the Hood festival to bring together people from various neighborhoods and cultural backgrounds. His goal was to celebrate community and demonstrate that peaceful coexistence and mutual respect were possible and necessary. 'He wanted to show that we have more in common than what differentiates us, that we are all truly the same. Just different branches from the same tree.' Artist Tawana Dixon contributed two pieces to the exhibition. One pays tribute to Arthur Teele, an African American political figure whose work helped lay the foundation for the Little Haiti Cultural Complex. The other captures the vibrant Haitian presence at the West Indian American Day Parade in Brooklyn. 'I ultimately chose to center the portrait around Teele because I wanted to explore the relationship between communities,' says Dixon, who was raised in New York and now resides in Miami. 'In doing so, I hoped to honor the bond between Haitian and African American communities in a way that wasn't too literal or expected.' Reflecting on her second piece, Dixon says her New York upbringing made it essential to include Brooklyn's Little Haiti in the show. 'While Miami's Little Haiti came first and is home to established institutions like the Cultural Complex, Brooklyn has the largest Haitian population in the U.S. and a community that has fought hard for recognition,' she says. She adds, 'Haitians in New York were once seen as underdogs in the Caribbean community, but through resilience and pride, they've earned deep respect. Their presence, especially during the West Indian Day Parade, is powerful.' Ruth Louissaint, an educator and Haitian artist, contributed a shrine centered around Dana A. Dorsey, Miami's first Black millionaire. Her installation incorporates flags, religious symbols, and historical elements that reflect the intersection of culture and spirituality. 'To me, the shrine embodies all three themes of the exhibition: identity, resistance, and unity,' says Louissaint. Other artists in the exhibition also explore the emotional depth of blended identities. Joe Wesley's photography captures moments of intimacy, pride, and joy between community members. Oscar Martinez sculpts a tribute to Dana A. Dorsey. Rico Melvin's paintings evoke ancestral memory, while his textile art speaks in the quiet, powerful language of heritage passed down. The works of Edwaffle, Nica Sweet, and Anthony Lumpkin add layers of generational reflection, migration, and domestic life. For Mervil, the exhibit reflects MUCE's broader mission to preserve heritage while diversifying the artistic landscape in South Florida. 'MUCE has always believed in bringing culture to the people, not keeping it hidden behind museum walls,' he says. 'This exhibit lives right where it belongs: in the neighborhood, in the community, and in a space built for cultural expression.' Beyond its artistic value, the exhibit aims to foster real-life conversations among community members and visitors alike. Polycarpe says the community's response has been emotional and affirming. 'What I cherish most is when someone stands in front of my work, pauses, and says, 'That's my story,'' she explains. Dee hopes younger generations inspired by his tribute to Uncle Al will learn about the DJ's contributions. 'I hope they explore his legacy and all of the positive impact he had on the Miami cultural scene,' he says. Louissaint echoes the sentiment, emphasizing the role of art in countering the divisiveness currently shaping American discourse. 'We are currently in a strange time in the U.S. where much of the rhetoric is divisive. I think events like this are important and an act of resistance against this growing trend throughout the country.' 'Joined at the Roots' also acknowledges the evolving nature of cultural identity in cities like Miami, where gentrification and displacement threaten to erase long-standing community narratives. Artists like Polycarpe see their participation as a form of preservation, a way to anchor the stories of a vanishing neighborhood in memory and meaning. 'There's a deep sense of loss, but also a sense of responsibility to share my stories of witnessing and experiencing the forever that are no longer 'forevers' but a love letter to Little Haiti,' Polycarpe says. 'Being part of this exhibition is an honor. It feels like I am giving something back to the place that raised me.' WHAT: 'Joined at the the Roots' WHEN: 9 a.m. to 9 p.m., Monday through Friday; Saturday and Sunday schedule may vary based on programming and events. Through Saturday, Aug 30. WHERE: Little Haiti Cultural Complex, 212 NE 59th Terr., Miami COST: Free INFORMATION: 305-960-2969 or or is a nonprofit media source for the arts featuring fresh and original stories by writers dedicated to theater, dance, visual arts, film, music, and more. Don't miss a story at

Indianapolis Star
30-07-2025
- Indianapolis Star
Conner Prairie shows Promised Land as Proving Ground for African American journey
Promised Land as Proving Ground exhibit is Conner Prairie's newest permanent exhibit. The exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. Photo taken Thursday, July 24, 2025 in Fishers. Kelly Wilkinson/IndyStar Kelly Wilkinson/IndyStar Promised Land as Proving Ground exhibit is Conner Prairie's newest permanent exhibit. The exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. This is the Origins Cabin Thursday, July 24, 2025. Kelly Wilkinson/IndyStar Promised Land as Proving Ground exhibit is Conner Prairie's newest permanent exhibit. The exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. This is the Origins Cabin Thursday, July 24, 2025. A short film gives information. Kelly Wilkinson/IndyStar Promised Land as Proving Ground exhibit is Conner Prairie's newest permanent exhibit. The exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. This is the Origins Cabin Thursday, July 24, 2025. The exhibit highlights the importance of food, family, faith and fellowship in the journey. Kelly Wilkinson/IndyStar Promised Land as Proving Ground exhibit is Conner Prairie's newest permanent exhibit. The exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. This is a Zimbabwean Mbira, a musical instrument, seen in the Origins Cabin Thursday, July 24, 2025 in Fishers. Kelly Wilkinson/IndyStar Charlotte Gwin, as Mary Curtis, the blacksmith's wife, hems a petticoat in Conner Prairie's immersive exhibit, 1836 Prairietown, Thursday, July 24, 2025, in Fishers. Kelly Wilkinson/IndyStar Promised Land as Proving Ground exhibit is Conner Prairie's newest permanent exhibit. The exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. This is the Resistance Cabin Thursday, July 24, 2025. Kelly Wilkinson/IndyStar Promised Land as Proving Ground exhibit is Conner Prairie's newest permanent exhibit. The exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. This is the Resistance Cabin Thursday, July 24, 2025. Conner Prairie's Senior Manager of Public Relations and Communications Hyacinth Rucker, left, and Manager of Exhibit Development Allison Cosbey look at the displays. Kelly Wilkinson/IndyStar Promised Land as Proving Ground exhibit is Conner Prairie's newest permanent exhibit. The exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. This is the Resistance Cabin Thursday, July 24, 2025. African American history of the 19th century is explored. Kelly Wilkinson/IndyStar Promised Land as Proving Ground exhibit is Conner Prairie's newest permanent exhibit. The exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. This is the Resistance Cabin Thursday, July 24, 2025. African American history of the 19th century is explored. This image shows The Indianapolis Recorder, one of the top African American newspapers in the country. It was established as a weekly newspaper in 1897. Kelly Wilkinson/IndyStar Promised Land as Proving Ground exhibit is Conner Prairie's newest permanent exhibit. The exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. This is the Resistance Cabin Thursday, July 24, 2025. African American history of the 19th century is explored. This image shows Milton Robinson in his Grand Army of the Republic uniform, a fraternal organization for Union veterans, posing with his sons. Kelly Wilkinson/IndyStar Conner Prairie's Manager of Exhibit Development Allison Cosbey poses in the Resistance Cabin at the Promised Land as Proving Ground exhibit Thursday, July 24, 2025. The newest permanent exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. This cabin focuses on 19th century African American history. Cosbey stands by a map shows free Black communities in 19th century Indiana. Kelly Wilkinson/IndyStar Promised Land as Proving Ground exhibit is Conner Prairie's newest permanent exhibit. The exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. This is the Resistance Cabin Thursday, July 24, 2025. African American history of the 19th century is explored. Kelly Wilkinson/IndyStar Promised Land as Proving Ground exhibit is Conner Prairie's newest permanent exhibit. The exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. This is the Resistance Cabin Thursday, July 24, 2025. African American history of the 19th century is explored. The tree, with roots stretching down and branches stretching upwards, is a common motif in the exhibit. Kelly Wilkinson/IndyStar Conner Prairie's Manager of Exhibit Development Allison Cosbey shows the interactive digital experience that allows visitors to scan a QR code and identify photos in the Resistance Cabin at the Promised Land as Proving Ground exhibit Thursday, July 24, 2025. The newest permanent exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. This cabin focuses on 19th century African American history. Kelly Wilkinson/IndyStar Conner Prairie's Manager of Exhibit Development Allison Cosbey shows the interactive digital experience that allows visitors to scan a QR code and identify photos in the Resistance Cabin at the Promised Land as Proving Ground exhibit Thursday, July 24, 2025. The newest permanent exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. This cabin focuses on 19th century African American history. Kelly Wilkinson/IndyStar A sleepy orange butterfly rests on a plant Thursday, July 24, 2025 at Conner Prairie. Kelly Wilkinson/IndyStar A QR code allows visitors to hear people's stories and historic experiencs at the Promised Land as Proving Ground exhibit Thursday, July 24, 2025 at Conner Prairie. Their newest permanent exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. Kelly Wilkinson/IndyStar Promised Land as Proving Ground exhibit is Conner Prairie's newest permanent exhibit. The exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. This is the Reclamation Cabin, left, and Reflections Cabin, Thursday, July 24, 2025. Kelly Wilkinson/IndyStar Promised Land as Proving Ground exhibit is Conner Prairie's newest permanent exhibit. The exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. This is the Reclamation Cabin, Thursday, July 24, 2025. Kelly Wilkinson/IndyStar Promised Land as Proving Ground exhibit is Conner Prairie's newest permanent exhibit. The exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. This is the Reclamation Cabin, Thursday, July 24, 2025, focusing on the 20th and 21st centuries. Kelly Wilkinson/IndyStar Promised Land as Proving Ground exhibit is Conner Prairie's newest permanent exhibit. The exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. This is the Reclamation Cabin, Thursday, July 24, 2025, focusing on the 20th and 21st centuries. Kelly Wilkinson/IndyStar Promised Land as Proving Ground exhibit is Conner Prairie's newest permanent exhibit. The exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. This is the Reclamation Cabin, Thursday, July 24, 2025, focusing on the 20th and 21st centuries. Kelly Wilkinson/IndyStar Promised Land as Proving Ground exhibit is Conner Prairie's newest permanent exhibit. The exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. This is the Reclamation Cabin, Thursday, July 24, 2025, focusing on the 20th and 21st centuries. Kelly Wilkinson/IndyStar Promised Land as Proving Ground exhibit is Conner Prairie's newest permanent exhibit. The exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. This is the Reclamation Cabin, Thursday, July 24, 2025, focusing on the 20th and 21st centuries. Kelly Wilkinson/IndyStar Conner Prairie's Senior Manager of Public Relations and Communications Hyacinth Rucker checks out the interactive display with information about The Negro Motorist Green Book, Thursday, July 24, 2025, in the Reclamation Cabin of the Promised Land as Proving Ground exhibit. The book, started in 1936, was published to help African Americans travel around the U.S. safely, during the time of Jim Crow laws and segregation. Conner Prairie's newest permanent exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. The Reclamation Cabin focuses on the 20th and 21st centuries. Kelly Wilkinson/IndyStar The Negro Motorist Green Book is displayed, Thursday, July 24, 2025, in the Reclamation Cabin of the Promised Land as Proving Ground exhibit. The book, started in 1936, was published to help African Americans travel around the U.S. safely, during the time of Jim Crow laws and segregation. Conner Prairie's newest permanent exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. The Reclamation Cabin focuses on the 20th and 21st centuries. Kelly Wilkinson/IndyStar An interactive display shows information about sundown towns as mentioned in The Negro Motorist Green Book, Thursday, July 24, 2025, in the Reclamation Cabin of the Promised Land as Proving Ground exhibit. The book, started in 1936, was published to help African Americans travel around the U.S. safely, during the time of Jim Crow laws and segregation. Conner Prairie's newest permanent exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. The Reclamation Cabin focuses on the 20th and 21st centuries. Kelly Wilkinson/IndyStar An interactive display shows information about The Negro Motorist Green Book, Thursday, July 24, 2025, in the Reclamation Cabin of the Promised Land as Proving Ground exhibit. The book, started in 1936, was published to help African Americans travel around the U.S. safely, during the time of Jim Crow laws and segregation. Conner Prairie's newest permanent exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. The Reclamation Cabin focuses on the 20th and 21st centuries. Kelly Wilkinson/IndyStar An interactive display shows information about The Negro Motorist Green Book, Thursday, July 24, 2025, in the Reclamation Cabin of the Promised Land as Proving Ground exhibit. The book, started in 1936, was published to help African Americans travel around the U.S. safely, during the time of Jim Crow laws and segregation. Conner Prairie's newest permanent exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. The Reclamation Cabin focuses on the 20th and 21st centuries. Kelly Wilkinson/IndyStar Conner Prairie's Senior Manager of Public Relations and Communications Hyacinth Rucker looks at The Negro Motorist Green Book, Thursday, July 24, 2025, in the Reclamation Cabin of the Promised Land as Proving Ground exhibit. The book, started in 1936, was published to help African Americans travel around the U.S. safely, during the time of Jim Crow laws and segregation. Conner Prairie's newest permanent exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. The Reclamation Cabin focuses on the 20th and 21st centuries. Kelly Wilkinson/IndyStar A West African Ashiko Drum, created by Anthony J. Artis, of Amoah's African Drum Works, is displayed Thursday, July 24, 2025, in the Reclamation Cabin of the Promised Land as Proving Ground exhibit. Conner Prairie's newest permanent exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. The Reclamation Cabin focuses on the 20th and 21st centuries. Kelly Wilkinson/IndyStar A family tree of African American music is displayed Thursday, July 24, 2025, in the Reclamation Cabin of the Promised Land as Proving Ground exhibit. Conner Prairie's newest permanent exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. The Reclamation Cabin focuses on the 20th and 21st centuries. The tree, with its roots stretching down and its branches reaching up, is a common theme seen throughout the exhibit. Kelly Wilkinson/IndyStar A family tree of African American music is displayed Thursday, July 24, 2025, in the Reclamation Cabin of the Promised Land as Proving Ground exhibit. Conner Prairie's newest permanent exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. The Reclamation Cabin focuses on the 20th and 21st centuries. The tree, with its roots stretching down and its branches reaching up, is a common theme seen throughout the exhibit. Kelly Wilkinson/IndyStar A gallery displays Israel Solomon's art Thursday, July 24, 2025, in the Reclamation Cabin of the Promised Land as Proving Ground exhibit. He is the artist in residence. Conner Prairie's Promised Land is its newest permanent exhibit, woven into the 1836 Prairietown exhibit, exploring Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. The Reclamation Cabin focuses on the 20th and 21st centuries. Kelly Wilkinson/IndyStar A gallery displays Israel Solomon's art Thursday, July 24, 2025, in the Reclamation Cabin of the Promised Land as Proving Ground exhibit. He is the artist in residence. Conner Prairie's Promised Land is its newest permanent exhibit, woven into the 1836 Prairietown exhibit, exploring Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. The Reclamation Cabin focuses on the 20th and 21st centuries. Kelly Wilkinson/IndyStar A gallery displays Israel Solomon's art Thursday, July 24, 2025, in the Reclamation Cabin of the Promised Land as Proving Ground exhibit. He is the artist in residence. Conner Prairie's Promised Land is its newest permanent exhibit, woven into the 1836 Prairietown exhibit, exploring Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. The Reclamation Cabin focuses on the 20th and 21st centuries. Kelly Wilkinson/IndyStar Conner Prairie's Manager of Exhibit Development Allison Cosbey shows the Reflections Cabin at the Promised Land as Proving Ground exhibit Thursday, July 24, 2025 at Conner Prairie. Their newest permanent exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. This cabin allows visitors to reflect on what they have seen in the exhibit. Kelly Wilkinson/IndyStar A visitor's note is displayed in the Reflections Cabin at the Promised Land as Proving Ground exhibit Thursday, July 24, 2025 at Conner Prairie. Their newest permanent exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. This cabin allows visitors to reflect on what they have seen in the exhibit. They can share a thought with others by hanging it on the wall. Kelly Wilkinson/IndyStar A visitor's note is displayed in the Reflections Cabin at the Promised Land as Proving Ground exhibit Thursday, July 24, 2025 at Conner Prairie. Their newest permanent exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. This cabin allows visitors to reflect on what they have seen in the exhibit. They can share a thought with others by hanging it on the wall. Kelly Wilkinson/IndyStar A visitor's note is displayed in the Reflections Cabin at the Promised Land as Proving Ground exhibit Thursday, July 24, 2025 at Conner Prairie. Their newest permanent exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. This cabin allows visitors to reflect on what they have seen in the exhibit. They can share a thought with others by hanging it on the wall. Kelly Wilkinson/IndyStar Interpreters in period clothing and character, walk through Conner Prairie's immersive exhibit, 1836 Prairietown, Thursday, July 24, 2025, in Fishers. Kelly Wilkinson/IndyStar Muskmelons grow in the garden at the Promised Land as Proving Ground exhibit Thursday, July 24, 2025 at Conner Prairie. Their newest permanent exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. Planted in the garden are foods that were grown in Africa or are substitutes for African cuisine. Many times people would hide seeds in their hair to bring their favorites from their homeland. Kelly Wilkinson/IndyStar Conner Prairie Interpreter Courtney Hammill talks about the garden at the Promised Land as Proving Ground exhibit Thursday, July 24, 2025 at Conner Prairie. Their newest permanent exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. Planted in the garden are foods that were grown in Africa or are substitutes for African cuisine. Many times people would hide seeds in their hair to bring their favorites from their homeland. Kelly Wilkinson/IndyStar Okra is one of the plants in the gardens at the Promised Land as Proving Ground exhibit Thursday, July 24, 2025 at Conner Prairie. Their newest permanent exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. The exhibit highlights the importance of food, family, faith and fellowship in the journey. Kelly Wilkinson/IndyStar Peanut plants flourish in the garden at the Promised Land as Proving Ground exhibit Thursday, July 24, 2025 at Conner Prairie. Their newest permanent exhibit, woven into the 1836 Prairietown exhibit, explores Black history from pre-colonial Africa to present-day America, the struggles, triumphs and contributions of African Americans. Planted in the garden are foods that were grown in Africa or are substitutes for African cuisine. Many times people would hide seeds in their hair to bring their favorites from their homeland. Kelly Wilkinson/IndyStar A goat grazes at Conner Prairie, Thursday, July 24, 2025, in Fishers. Kelly Wilkinson/IndyStar Goats and farm animals graze and enjoy the shade at Conner Prairie, Thursday, July 24, 2025, in Fishers. Kelly Wilkinson/IndyStar Conner Prairie's 1839 Balloon Voyage rises over the property Thursday, July 24, 2025, in Fishers. Kelly Wilkinson/IndyStar