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How a chance meeting at a Providence market launched a friendship and an aspiring filmmaker's career
How a chance meeting at a Providence market launched a friendship and an aspiring filmmaker's career

Boston Globe

time18-07-2025

  • Entertainment
  • Boston Globe

How a chance meeting at a Providence market launched a friendship and an aspiring filmmaker's career

Advertisement 'We talked for a while. He said that he and his wife [actress and author Get Globe Rhode Island Food Club A weekly newsletter about food and dining in Rhode Island, by Globe Rhode Island reporter Alexa Gagosz. Enter Email Sign Up The two not only became fast friends, but Rockwell offered the 2019 Advertisement This film is about a flower delivery driver who, Osubor said, is trying to outrun the evils of his childhood. He's the success story of his town, because he's the only one of his friends who is not dead, in prison, or in rehab. 'On the contrary, he has a good, decent job and he stays out of trouble … but in life even though you might try to avoid trouble, trouble can still find you,' he said. The protagonist begins to suspect that the life he's been living isn't actually what he thought it was and, as Osubor explained, 'everything he knew and believed to be gospel was all just a facade. What happens when you have to choose not between 'good' and 'bad' options, but between the lesser of two evils?' The Hamilton, Ohio, native – an only child whose parents emigrated to the United States from Nigeria in 1997, a year before he was born – said he is 'very proud' of 'Big Daddy's Flowers,' which he made on a shoestring budget of just $2,000. Some of the cost-saving measures included starring as the lead – in addition to directing and producing – hiring non-actors, and working out a deal with Parsons to be in his film. 'Karyn is the author of children's books and runs a nonprofit that tells children stories about the achievements of African Americans. She needed help with her website, so I told her I would do that if she would be a part of this film, since I could never afford her,' said Osubor, who since 2020 has owned a multimedia consulting company that develops media narrative campaigns for clients, including Narragansett Brewing Company, Google, and the New England branch of the Environmental Protection Agency. Advertisement Osubor, who lives in Providence with roommates, said that filming in Rhode Island has been 'wonderful' not only because it is less expensive than elsewhere, but people have been 'so accommodating and supportive.' 'I've found the infrastructure/community more open to risk-taking and enterprising filmmaking,' he said. 'We had a lot of support rather than apprehension about what our intentions were.' Osubor didn't always want to be a filmmaker. His original plan was to go to law school after he graduated from Brown. But he changed his mind after an internship in a government legal office in Washington, D.C., where he witnessed behavior that 'went against much of what I stand for.' It was his disenchantment with politics and witnessing the polarization of people with different viewpoints – and the importance of compromise – that sparked Osubor's idea for his feature film, which he referred to as 'solid and vulnerable.' 'Films are accessible to people and often take up a fair amount of space in public discourse,' he said. 'I love literature [he majored in literary arts at Brown], but you don't hear people referencing [books] the way you hear them say, 'Hey, did you watch this series? Did you see this film?' ' Osubor is quick to point out that as much as he enjoyed making 'Big Daddy's Flowers,' it didn't come without challenges – mostly due to minimal funding. But he said obstacles led to the necessity to 'reorient your mind and look at things differently.' Advertisement 'Rejection should be viewed as a nudge … it had helped me to learn and grow,' he said. Rockwell, 68, a father of two who was raised in Cambridge, Mass., said he mentored and worked with many young filmmakers when he was at NYU, and he liked what he saw in Osubor and in his work. 'His way of seeing things, his voice, his narrative … it's unique. He's fun and interesting and kind of odd. Right away I liked his work,' Rockwell said. 'He's very talented and very eager and willing. He jumps right into a situation.' Osubor said he is grateful for Rockwell's support, mentorship, and now what has grown into a 'great friendship.' He said Rockwell has been very helpful and he's looking forward to working in tandem with him to navigate next steps and 'defy these norms, think differently and find solutions to whatever future roadblocks that might exist.' 'This industry is becoming more accessible for filmmakers like me to enter the arena,' Osubor said, 'and the sense of confidence I've gained from making this film has been a great takeaway.'

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