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This Less-traveled South American Country Is a Natural Paradise—and a Photographer's Dream
Of all the natural splendors photographer Ike Edeani witnessed in Guyana—dinosaur-like reptiles, murderous-sounding monkeys, needle-nosed anteaters—the sight that stayed with him the longest was that of a single white flower. From left: 'It only blooms at dusk,' said Edeani of the Victoria amazonica flower he photographed near Karanambu Lodge, in central Guyana. 'I shot this lit by a flashlight from the boat.'; 'This is a close-up of two lily pads. They're amazing to look at, with their texture and their tiny holes.'.
'We were on a boat on a massive pond, surrounded by lily pads,' Edeani said. 'As soon as the sun dipped, the lily buds slowly started to open. They're called Victoria amazonica, and they only bloom at dusk. By nightfall, they were fully open. It was pretty incredible. It felt like being on another planet.' Left: 'I saw this grasshopper outside my room at the Caiman House. It was 5 a.m. and the light was very soft.'. Right: 'This was my room at Karanambu Lodge. It was fairly rustic, with brick walls and a thatched roof. At night, I had to charge my batteries in the office.'.
Edeani, who was born in Nigeria and lives in Brooklyn, does not consider himself an outdoorsy person. He has previously photographed Tim Cook, André Leon Talley, Adrien Brody, and Lena Waithe; for Travel + Leisure, he shot a feature on city life in Lagos.
But when the opportunity arose to photograph Guyana—a country he knew little about—he embraced the adventure. 'I love to put myself in situations that are uncomfortable or different,' he said. 'Or places that I haven't been.' 'We were on the Rupununi River when one of the guides pointed out this red howler monkey. They were able to spot things that I couldn't see.'.
A jungle-cloaked country on the northeastern coast of South America, Guyana is short on paved roads, modern airstrips, and reliable electricity—not to mention luxury resorts and Michelin-worthy restaurants.
Whatever comforts it may lack, however, the country more than makes up for in unspoiled natural beauty. About 60 percent of its landmass is covered with virgin rainforest, which is home to more than 820 species of birds, 320 documented species of reptiles and amphibians—some of which are unique to the region—and some 228 species of mammals, including the jaguar, Guyana's national animal. Left: 'This was also at the Bourda Market. She was washing vegetables, and I was drawn to the colors.' Right: 'A chef gave us a tour of the Bourda Market, in Georgetown.' The wiri-wiri peppers reminded Edeani of cherries.
There are also more than 8,000 species of plants, with botanists discovering new varieties every year. Kaieteur Falls, in central Guyana, is the world's tallest single-drop waterfall at 741 feet, roughly five times higher than Niagara Falls. 'You have to be incredibly still to see them,' Edeani said of the cock-of-the-rock, spotted near the Atta Rainforest Lodge, where he spent one night. 'This bird is special to Guyana.'.
While tourist infrastructure is in its infancy, what does exist is often owned and operated by members of Guyana's protected Indigenous communities. That was a key selling point for Ker & Downey, a tour operator best known for luxury safaris in Africa. 'Your tourism dollars aren't just trickling down; they're going straight to the community and supporting the local people,' said Elizabeth Frels, the company's director of product management and development.
Other considerations weighed in Guyana's favor, too: English is the official language; it's in the same time zone as the East Coast; and there are direct flights to Georgetown, the Caribbean-inflected capital, from New York and other American cities. ' We were on the savanna near Karanambu Lodge. The guy on the horse is a vaquero, or cowboy. His job was to spot anteaters and try to gently guide them in our direction.'.
So about three years ago, Ker & Downey began organizing adventure tours to Guyana's rainforests, savannas, and mountains. The was a flurry of inquiries, but expectations needed to be set. Accommodations are bare-bones. Ground vehicles can be shoddy. Connecting flights are on antiquated prop planes. Bugs are ever-present. And it's often sweltering.
'This is not for people looking for super-high-end luxury hotels and VIP treatment,' Frels said. 'This is for people who really want to get to the heart of a destination and have authentic interactions with local people.' 'The Iwokrama Canopy Walkway is near the Atta Rainforest Lodge and rises a hundred feet above the forest floor. It was pretty scary; it was swaying the whole time.'.
Suitably forewarned, Edeani packed his Sony Alpha 7R V mirrorless camera and three lenses and, accompanied by a Ker & Downey travel expert and Indigenous guides, spent a week in Guyana last August, when the heat index regularly hit triple digits. 'These skeletons were on display at the Caiman House,' a wildlife-research station along the banks of the Rupununi River that has a guest lodge. 'They study caimans there,' Edeani said. 'There's a turtle nursery, too.'.
He spent four days exploring the rainforests and rivers of central Guyana before returning to the capital. Some of his photos took a split-second to capture, like the black caiman that poked its head out of the water to gobble up a passing bird. Others, like the water lily, took a couple of hours to get right—plus the time it took to paddle back to the lodge in total darkness.
'I came away from this trip being pretty amazed by nature,' Edeani said. 'The fact that there are creatures and organisms operating at so many different scales that are somehow able to coexist. That was really profound, actually.' 'Every evening, these herons returned to the same nests along the Rupununi River.'.
A version of this story first appeared in the July 2025 issue of Travel + Leisure under the headline "Guyana in Focus. "
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Forbes
3 hours ago
- Forbes
Nat Geo's ‘Underdogs' Turns Weird Wildlife Into Must-See TV
A portrait of a dusky langur. National Geographic/Karl Davies For more than a century, National Geographic has made icons out of elephants, whales, and lions. But what about butt-glowing larvae or manatees that fart to stay afloat? Those unsung misfits finally get their moment in Underdogs, a new five-part wildlife series narrated by Ryan Reynolds. Underdogs is unique among nature documentaries. It is anything but another majestic voiceover about alpha predators. This is nature storytelling flipped inside out, spotlighting the overlooked, misunderstood, and just plain bizarre animals that keep ecosystems humming behind the scenes. And with Reynolds narrating, it's also genuinely funny. To better understand what went into creating this wildly unique series, I spoke with Doug Parker, field director and assistant producer on Underdogs. Parker is no stranger to extreme environments—but even he admits this series pushed him to the edge. 'There was one day in Greenland,' Parker told me, 'we were filming barnacle geese on a cliff face 400 feet up. Suddenly, we heard thunder. It wasn't rain. It wasn't lightning. It was an avalanche, crashing down the valley just feet from the nest.' His team had debated filming from a ledge nearby but decided it was too risky. 'Thankfully, we followed our safety protocol. If we hadn't, we might not be having this conversation.' It's easy to forget that these shows require cutting-edge tools to capture behavior most people have never seen before. Parker stressed that the success of Underdogs—especially the empathy and comedy it relies on—comes down to technology. 'You can't have comedy without empathy, and you can't create empathy without immersing yourself in the world of the character we're showing you,' he said. That immersion came from rigs like the RED Raptor on a motion-controlled buggy system, which let the crew mimic the stealthy crawl of an elephant seal sneaking through a beach harem. For scenes inside New Zealand's glowworm caves—where any stray white light would ruin the bioluminescent spectacle—they used cameras like the Sony FX6 and A7S paired with ultra-fast macro lenses. 'It looks like a starry sky,' Parker explained. 'We lit the cave with light that matched the glowworms' own wavelength. That, paired with motion control rigs and low-light sensors, let us show how they lure prey—without interfering.' This isn't just flashy gear. It's what makes the difference between a quick glimpse and a story. And it allowed the crew to capture moments never filmed before, like the glowworm's predatory hunt or an avalanche thundering past a bird's nest. Each Underdogs episode explores a different survival strategy. 'Superzeroes' kicks things off with creatures whose powers seem made up—like a shrimp that stuns prey with a sonic blast as hot as the sun. 'Terrible Parents' reveals awful parenting decisions in the animal world, from koalas feeding poop to their young to geese nesting on cliffs. In 'Sexy Beasts,' Reynolds follows creatures navigating the messy world of attraction. One standout is Sebastian, a bowerbird in Australia who arranges trash—including toy handcuffs and bottle caps—outside his stick tunnel to impress a mate. 'We looked at 45 different bowers,' Parker recalled. 'Sebastian's was right next to a gas station. Watching him strut around while couples came and went at the bus stop—it was like reality TV for birds.' From a cable dolly system rigged to follow a sloth's glacial descent, to hiding motion sensors in urban environments, Parker emphasized that the production never leaned on animation or cheap tricks. The animals carry the story. Reynolds just gives it voice. 'Bringing Ryan and Maximum Effort in from day one made it clear we were telling character-driven stories,' Parker said. 'You end up falling in love with these creatures. And that emotional connection—that's what lets the comedy land.' Beneath the jokes and clever editing is something deeper. Underdogs celebrates the animals that survive not by dominating, but by adapting. They fake, they hide, they glow, they stink—but they make it work. In an era obsessed with power and perfection, these misfits remind us that it's often the weirdos who keep the world running. All episodes of Underdogs are available to stream on Disney+ and Hulu. And yes, that's Green Day roaring in the trailer with an all-new anthem titled 'Underdog.' Don't miss it. The world's most relatable animals are finally ready for their close-up.
Yahoo
3 hours ago
- Yahoo
How LadyLand, the Scrappy Festival That Could, Is Shaping Queer Culture & Live Music In NYC
'The first thing we do when we book: we type in your name, and we write 'homophobic,'' says nightlife promoter and producer Rayne Baron of finding acts for her annual festival, LadyLand. If nothing incriminating shows up, the artist has 'passed the first test.' Next up: Has the musician in question wished fans 'happy Pride'; have they collaborated with LGBTQ artists before; have they ever just flat-out said, 'I love gay people'? Sitting in Greenpoint's quaint McGolrick Park as a light rainstorm hovers above, Baron — better known to New York City music venues and party people as Ladyfag — is telling Billboard how she and her tiny team go about booking acts for her LGBTQ music festival, which debuted in 2018. Baron is laughing, but she's entirely serious: LadyLand is a very queer and very Brooklyn affair that takes place during Pride Month — a time when the last thing any self-respecting LGBTQ person wants to do is watch a hater, or even a lukewarm ally, onstage. More from Billboard Madonna Hits LadyLand 2024 to Celebrate NYC Pride Don Was Remembers Brian Wilson's 'Mystical' Genius: 'He Explored Creative Territory Where No Musicians Had Gone Before' Shooter Jennings Reveals Three Albums of Unreleased Waylon Jennings Songs Are On the Way Over the course of seven years (during which it took a pandemic breather), LadyLand has grown from a 5,000-strong party at Bushwick's Brooklyn Mirage to one with 10,000 revelers at Greenpoint's Under the K Bridge Park, the fest's home since 2023; this year, LadyLand is expected to draw some 20,000 to the official-but-DIY-coded outdoor space on June 27-28, with Cardi B and FKA Twigs headlining. 'It's not a party with problems,' she muses of the event, which takes her three-person team all year to plan. 'It is a problem, and you keep solving them until you have a festival.' 2025 marks her second year working with Bowery Presents on LadyLand, which they co-produce. 'It was a struggle from the start to find investors,' she admits. 'People said the numbers don't work, there's a reason it doesn't exist.' But Baron — who by the time LadyLand launched in 2018 was an NYC nightlife legend thanks to seamlessly executed ongoing parties like Holy Mountain and Battle Hymn — was undeterred, intuitively sensing that queer New Yorkers, Brooklyn residents in particular, could use something that was 'part party, part concert, part festival, part gay Pride.' LadyLand has been called 'gay Coachella,' a label that Baron embraces while noting that it doesn't quite give the full scope of the experience. ('But that's fine, because people need something to reference,' she says.) While Coachella brings to mind influencers snapping selfies in the desert, LadyLand is an inner-city gathering for LGBTQ people whose very identity reshapes culture — not merely reposting or recreating it after it's made the rounds. 'In Brooklyn, we are still the heart of queer counterculture. We still write the prophecies for fashion, our DJs are playing the tracks with the ripple effect and the slang we use is a solid three years ahead of Hollywood,' says Charlene, a local performer and writer who's become a mainstay of Brooklyn's queer scene over the last decade (she recently took over summer Sunday BBQs at long-running gay bar Metropolitan from 'Mother of Brooklyn Drag' Merrie Cherry.) 'LadyLand is the only festival in New York that happily places our club fixtures and family alongside acts that are frankly too big for the club.' 'What makes LadyLand stand apart is how it celebrates the full spectrum of queer creativity — New York DJs, underground legends, dancers, fashion kids — it's all there,' says dance music and ball culture legend Kevin Aviance, who made a surprise appearance in 2019 and returns this year. 'Ladyfag curates with such intention, and it shows. Unlike circuit parties, this isn't just about a beat — it's about art, community and freedom.' As for what to expect from his DJ set, he adds, 'Get ready, because I'm bringing the heat. Beats will be served, and the dolls will dance.' That club-meets-festival vibe means that despite LadyLand's big headcount, it doesn't feel like a sprawling, isolating affair. 'If it's 10,000 people, 5,000 of them know the other 5,000; if they don't know them, they might want to sleep with them. So you have to make it feel more familiar,' Baron says of pulling together the three-stage festival every year. 'It's a really strange concept to explain [to investors].' Baron says Bowery Presents (which owns and operates many NYC venues) has been an open-minded co-producer. 'It's nice to feel supported,' she says. 'They're concert people, they know.' She also hails 12-year partner Red Bull: 'They don't do bullsh-t. They have never tried to do things that would affect the integrity of LadyLand.' This year, the energy drink brand helped her create a new stage that will bring Paul's Dolls, a weekly party in Manhattan celebrating trans artistry, to the fest. 'It's a club, and you cannot have a gay club without dolls. We need them they need us. Gay culture is an ecosystem,' Baron explains. 'In general, gays to the front. You don't have to be gay to be here, but it helps.' Ladyfag took her signature festival (including those giant inflatable green forearms with blazing red nails) from the Brooklyn Mirage to Under the K Bridge in 2023 for a simple reason. 'Mirage kicked me out because I didn't make enough money,' she frankly admits. When she started looking around her own neighborhood of Greenpoint, she was struck by the fact that the freshly built state park (where folks sometimes held illegal raves during the pandemic) reminded her of an electronic music festival in London which takes place in a park under a bridge. 'I was always obsessed with Junction 2 Festival — my wife is English,' she says. After connecting with the parks department, she pulled everything together ('shoutout to my little team, Veronica and Carlos') in just three months, putting on the first big event of any kind at the Under the K Bridge Park: 'There was no template.' Since then, the state park has hosted numerous live music events, with the inaugural CBGB Festival set to take place there on Sept. 27. To appeal to an extremely discerning nightlife crowd ('people can be c-nty,' she sighs) and live music lovers in a city that has no shortage of concerts, Baron goes through a high-wire balancing act every year while booking the lineup. Her team needs to nab headliners who sell tickets, but not book so many A-listers that it turns into a gathering of Stan armies. 'I don't want mega fandom,' she says. 'We don't want people standing in front of stage for 20 minutes waiting for the next performer, ruining the vibe.' She mixes in LGBTQ legends with up-and-coming artists, and spotlights local talent while also bringing in names who rarely make it to NYC. Plus, there are radius clauses with other NYC events and scheduling conflicts — oddly enough, Glastonbury has proved to be some of her biggest competition simply because it often goes down the same weekend and can pay more to performers than her scrappy little fest can. 'We are a small festival, as far as fests go,' she acknowledges. 'Agents' jobs are to make their artists money and there have been a lot of kindnesses shown my way.' Her long history in NYC nightlife has helped in that area, too — including for this year's day-one headliner. Prior to Cardi B's meteoric rise, when she was just another reality star (Love & Hip Hop) trying to break into music, Ladyfag booked her to play her monthly party Holy Mountain in February 2017. 'She got very excited about being with the gays,' Baron recalls, her lips curving and eyes twinkling. 'She was only supposed to do a few songs, but she wouldn't stop. Within a few months, she became one of the biggest stars in the world — and she always remembered it.' With that shared history, Baron was able to get the hip-hop superstar for less than what Cardi B would get from Madison Square Garden. 'Was it free? F–k no,' she laughs. 'Was it $4,000 that she put in her bra back in the day? No, we have all evolved from that.' This year's day-two headliner, FKA Twigs, is someone Baron knows 'outside of her agent,' too. LadyLand's 2018 headliner Eve came from a similar situation ('We met at a party') and she notes that while the inaugural edition 'didn't make any money, we didn't lose money.' The following year, her nightlife background helped her nab Pabllo Vittar to pinch hit at LadyLand when headliner Gossip dropped out the last minute. 'We jumped in blind not really knowing what to expect, but I was completely blown away,' says the Brazilian drag juggernaut, who returns to play the fest this year. 'It was amazing! The community, the energy, the artists, the vibe. I am so honored she asked me to play again this year officially, it feels very full circle with her.' Despite that extensive Rolodex, LadyLand now books dozens of acts each year — meaning long gone are the days when everyone on the bill is a pal or acquaintance. To fill out the lineup — and bring in artists outside the NYC nightlife realm — Baron and her team spend months sending each other clips of singers, DJs and rappers, debating their musical merits and keeping an eye on who's buzzing on queer socials. Oftentimes, that means she can book rising artists before they become big names and demand higher price tags. One such case was 070 Shake, who blew up after signing on for the inaugural LadyLand but before the festival made its bow; this year, she sees 19-year-old rapper Cortisa Star in that vein. But intuition without dollars only goes so far. With palpable remorse, she talks about the year where she almost booked a pre-fame Megan Thee Stallion but wasn't able to afford the private plane that would have been required to take the rapper from point A to point B. Miley Cyrus has been a white whale for LadyLand; she says they've tried to get Ethel Cain every year; Grace Jones is on her wish list; and once she almost had Charli xcx locked, but her stage setup was too large for LadyLand's then-home at Brooklyn Mirage. 'Those are the things that happen that people don't understand,' Baron says ruefully. But with each passing year, she checks another name off her wish list. For 2025, that 'bucket list' booking was New York dance legend Danny Tenaglia, who plays Friday, the same day as Cobrah and Sukihana. Plus, there are leftfield surprises that seem to fall into her lap thanks to LadyLand's reputation as an experience that is queerer, edgier and more communal than most Pride Month events. 'I appreciate those people who don't need me and did it anyways. Madonna doesn't need me, she had just done Brazil — the biggest concert she'd ever done — and then she came to my festival,' Baron shares of the 2024 edition, where the Queen of Pop popped by to help judge a ball. 'She wanted to make a moment for gay people, and she did.' Her careful, intuitive curation has brought everyone from SOPHIE to Honey Dijon to Pussy Riot to Christina Aguilera to the LadyLand lineup. 'For a lot of people, it was the only time they ever got to see SOPHIE,' Baron says. One of those in attendance at the late electronic pioneer's 2018 set was indie singer-songwriter Liam Benzvi, who is on this year's bill. 'The BQE is an institution of noise, and I'm proud to call it a friend and a bandmate,' says Benzvi of delivering his synth-pop gems at a state park that is literally under the Brooklyn-Queens Expressway. 'Being from Brooklyn, I expect to see quality live music while surrounded by cool people, and cool is usually LGBTQ, so it's a win-win for me.' Bringing thousands of people to a state park entails 'so much more work,' Baron chuckles as the raincloud above us finally burst open, forcing us to move the interview indoors to her apartment. 'It's a neighborhood. People live here — I live here — and you can't have people partying after until 7 a.m. We need to make sure there's enough bathrooms so that people aren't pissing everywhere…. These are things that people don't think about, nor should they have to.' Plus, there's 'boring festival stuff with agents and managers, arguing about the run of the show, the size of the name on the poster.' To ensure each day's lineup has an organic flow and isn't solely based on least-to-most Instagram followers, there's oftentimes an extended back-and-forth with artist reps, who care less about sonic juxtaposition and more about optics. 'Sometimes agents do win and it's a pisser,' she says. 'I'm usually right on vibes.' As anyone who has spent a moment at LadyLand (or any of her ongoing parties) can attest, Ladyfag does indeed know vibes — arguably, she's become the premier connoisseur of queer nightlife vibes in NYC over the last decade. And in doing so, she's not only spotlighting queer culture, but changing it. 'Ladyfag has created the pinnacle opportunity for us to show off the cultural engine we are,' Charlene says, 'and in doing so has reshaped my relationship to the word 'Pride.'' 'It feels like church for the children, honey,' says Aviance. 'A safe, fierce space where you're seen, heard and celebrated. I've been to a lot of parties in my time, but LadyLand is truly one of the best.' Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart


Geek Girl Authority
3 hours ago
- Geek Girl Authority
THE LIBRARIANS: THE NEXT CHAPTER Recap: (S01E05) And the Memory Crystal
In The Librarians: The Next Chapter 's 'And the Memory Crystal,' the question of how much of who we are is because of who we've been is posed as a pseudo-academic, polymathic megalomaniac attempts to gain the future at the price of the past. Every team member's very existence depends on stopping the malefactor. RELATED: Catch up with our recap of the previous episode of The Librarians: The Next Chapter , 'And the Thief of Love' It's a real team-centered adventure. Like Charlie (Jessica Green) with her starry-eyed moment meeting Dame Anna (Arielle Dombasle) in The Librarians: The Next Chapter, 'And the Dance of Doom!' Lysa (Olivia Morris) goes a bit fangirl when she meets one of her heroes here. For those keeping score, so far this season, Connor (Bluey Robinson) has climbed on top of a moving ghost train and the Eiffel Tower. He gets to show off those skills again, while Charlie's in the crosshairs of the artifact's powers, and Vikram (Callum McGowan) gets to beat up a bad guy. Photograph by Aleksandar Letic The Librarians: The Next Chapter, 'And the Memory Crystal' Lysa takes Vikram to the College of Science Observatory to get him up to speed on modern science. They attend Rosalind Kirch's (Ana Sofrenović) lecture. Kirch developed a hypothesis on interstellar dust and active galactic nuclei while sitting under a tree on campus, watching the oil droplets in her tea. Dr. Stanaris (Paul Leonard Murray) introduces Dr. Kirch. RELATED: Olivia Morris Shares How The Librarians: The Next Chapter Hooked Her From Page One Dr. Kirch takes the podium and begins to speak about developing her hypothesis on X-ray emission as a predictor of an accreting black hole system. Reminiscing about the moment under the tree, she suddenly stops speaking. Her eyes flicker with a blank light. She becomes confused, and Dr. Stanaris helps her off the stage. A Sharp Mind Dulled Lysa and Vikram return to the Annex. Connor joins them. Lysa believes Dr. Kirch suffered a neuro-cognitive episode. Vikram thinks Kirch's memory loss is caused by a spell. Charlie comes in with the pendulum, having given it a tune-up. The pendulum flies out of her hand to the map table and indicates an event at the College of Science Observatory. They review Lysa's recording of Dr. Kirch speaking. Using Lysa's AI-enhanced 3D program, they're able to zoom in and freeze on the moment her eyes go blank. Lysa grudgingly admits the magical event had something to do with Kirch's memory loss. When the team finds Dr. Kirch, she is solving a hitherto unsolvable integral problem. RELATED: Read our Leverage: Redemption recaps Kirch tells them the solution came to her in a flash the night before. Lysa asks Kirch about her episode at the lecture. Kirch tells her that the famous moment under the tree has completely vanished from her memory. In its place, she now has the solution to a Millennium Prize Problem no one thought would be solved for decades. The Value of Memories After leaving Dr. Kirch, Vikram berates the younger team members, arguing that people in the modern world have stopped using their brains and hearts. As he finishes his tirade, a student walks by, describing how he couldn't remember how he got into the classroom, never mind what he needed to know to write the test. Vikram concludes the spell is spreading. After questioning the students who have lost their memories, the common thread is that they have all been to the observatory recently. Vikram vows violent vengeance on the spell-caster(s). Charlie reminds him that their mission is to contain the magic, not beat up bad guys. RELATED: TV Review: Leverage: Redemption Season 3 Vikram mistakenly addresses Lysa as Anya. He covers for the slip and quickly sends her and Connor to the Astronomy Department Office to suss out any artifacts. He and Charlie will try to figure out who is stealing the memories. Meeting the Suspects In the Astronomy Department Office, Connor and Lysa meet Dr. Stanaris's teaching assistant, Filip (Vukašin Jovanović), while Vikram introduces himself to Dr. Stanaris in the observatory. Charlie shadows Vikram and quietly examines the observatory setting and telescope. In the office, Lysa distracts Filip while Connor snoops in the back rooms. He finds an antique portfolio filled with papers and steals it. Connor finds Lysa having an unproductive conversation with a clearly uncomfortable Filip. Lysa gets Connor's hint that they should get going, and they leave quickly, to Filip's relief. RELATED: On Location: The Belgrade Fortress on The Librarians: The Next Chapter Outside, they meet up with Vikram and Charlie. Connor shows them the portfolio and explains that it contains documents kept by Nicholas Culpeper, a 17th-century artifact collector. Vikram connects Culpeper to the Crystal of Dr. John Dee. Photograph by Aleksandar Letic John Dee's Crystal John Dee, Queen Elizabeth I's court magician, used his crystal to see the future, but eventually saw something that made him lose his mind and memory. Among the Culpeper Papers, Connor finds John Dee's own papers on the crystal, an instruction manual. They're written in High Enochian, a language Dee invented, which Vikram can read. Back at the Annex, Vikram translates that the crystal is harmless when in its necklace setting. If taken out, it can grant a single, desired glimpse into the future in exchange for a memory. When the crystal is amplified to the point of clearing the past, the knowledge of the future is limitless. Some of Dee's papers are missing. RELATED: Dean Devlin Dishes on The Librarians: The Next Chapter 's Magical Homecoming Connor reports that the crystal and papers were stolen from the London Science Museum. Vikram leads the team back to the college, determined to confront Filip and Dr. Stanaris and force them to confess. Lysa and Charlie try to convince him that violence is the last resort. Suddenly, Lysa notices Filip in a very expensive car. Vikram sends Connor and Charlie to find Stanaris while he and Lysa question Filip. Suspicious Minds When Vikrim confronts Filip, the teaching assistant tries to make a getaway, but Vikrim jumps into the back of the convertible. Filip's eyes flicker blank as he's driving at top speed. He's forgotten how to drive. They swerve and careen around campus roads and plazas nonstop, somehow avoiding crashing into people, buildings, and trees. Also, not slowing down. Vikram calls Connor using his cell phone. Connor and Charlie run out of the observatory and spot Vikram and Filip on the plaza. Charlie grabs a bicycle and chases down Filip's car. Jumping into the passenger side, she pulls the emergency brake, bringing the car to a stop. She looks around, confused. When Connor and Lysa join them in the car, she doesn't know who they are. RELATED: 5 Great Books About Libraries and Librarians Vikram tries to remind Charlie of who they are and what they're doing, but she's lost the memory of Jacob Stone (Christian Kane) recalling her to be Vikram's Guardian. Elsewhere, Filip tells Lysa and Connor he bought the car with casino winnings after he had a vision of a roulette wheel. The Vault Since Charlie's memory gap is bigger than Filip's, Vikram concludes the crystal's power is growing. Connor reports that Filip told them that Stanaris traveled to England the weekend the crystal disappeared from the Science Museum. Filip believes the crystal might be in the vault in the basement. Charlie still doesn't trust the team. She suspects they are actually the Library's enemies, trying to corrupt her. Vikram sends the others on to the vault and briefs Charlie on everything she's done as part of their team in the past five weeks. In the basement, Lysa uses her AI-enhanced 3D program on her phone to enhance a still of Stanaris's face to fool the vault's retinal scan. RELATED: 10 Out-of-This-World Predictions for Resident Alien Season 4 Lysa goes outside to bring Vikram and Charlie in. As they pass through the office space, a portrait of Dr. Kirch morphs into a man. In the vault, Vikram finds the case the crystal was stored in, but it's empty. Lysa runs in with a copy of Dr. Kirch's book, only the cover image and authorship have changed to a man named Dr. Laszlo Maisch. Remembering the crystal's instructions, they realize the crystal's effect is erasing past events, not just the memories of them. Dr. Stanaris's desire for limitless knowledge of the future is costing actual historical events. Vikram deems Stanaris a 'remorseless monomaniac.' Lysa translates that as a modern-day sociopath. Magical Causality The team reasons that Stanaris must feed the crystal other people's memories to amplify its powers. Each time someone looks through the crystal, it takes more memories and grows in strength. Connor asks when Charlie would've looked through the crystal. Vikram remembers that she looked through the telescope when they visited Stanaris in the observatory. Filip and Dr. Kirch also looked through the telescope. The crystal must be in the telescope's viewer. Dr. Stanaris suddenly appears at the vault door and locks them in. Lysa tries to appeal to his conscience, but he proudly declares that he doesn't care about the effects of his plan and expresses his rage and disdain for those who have undervalued his intellect. RELATED: TV Review: Resident Alien Season 4 While they try to figure out a way to escape the vault, Lysa shares that erasing past events takes time to catch up to the present. So when Charlie's lost memory of joining the team catches up with the present, no one will save them from the drekavac (in The Librarians: The Next Chapter series premiere), and they'll be dead. Crystal Moments In the observatory, a magical bubble forms around the telescope's viewer. In the vault, Connor recalls that museum security systems like the vault's have a fire override failsafe. Lysa finds the sensor in the ceiling. Connor hands her a lighter to trigger it, opening the vault door. The magical bubble in the observatory grows to fill the room. Stanaris holds the necklace setting in his hand and steps inside. Connor and Lysa run into the bubble and immediately become confused. Charlie and Vikram reach through, pull them out, and drag them into a corridor. To get the crystal away from Stanaris, Vikram intends to enter the bubble himself, arguing that his mental discipline will protect him from the effects of the crystal. RELATED: Revival : The Dead Have Rejoined the Living in Official Trailer Vikram enters the bubble. Stanaris wonders how he can resist the crystal's effects. Vikram claims to be able to partition his memories from his active brain. He holds onto what he needs and gives away meaningless memories to the crystal's appetite for energy. It's still a struggle, though. He stumbles closer to Stanaris and the telescope's viewer. Stanaris suddenly asks what Vikram values most in the world. Involuntarily, Vikram thinks of Anya, and the crystal consumes his memory of her. An Upper Hand Losing Anya breaks Vikram mentally, and he falls to the ground. Stanaris smiles in victory, asking Vikram innocently if he forgot something. Downstairs, in the mechanical room, Charlie shows Connor and Lysa that her hand is phasing out of existence. Connor runs outside and climbs to the top of the observatory. In the bubble, Stanaris pulls out the John Dee papers he kept, which explain that wearing the crystal's necklace protects the wearer from the crystal's effects. Down in the mechanical room, Lysa holds Charlie as other parts of the Guardian's body begin to fade. She begs Charlie to fight the effects. RELATED: Revival : Check Out 9 First-Look Photos From Melanie Scrofano-Led Series Connor reaches the opening in the observatory's roof just as the crystal's bubble grows bigger than the observatory. Once engulfed, he forgets why he's up there and falls through, barely holding onto the ledge. Vikram looks up and sees Connor. This jolts his memory for a moment, and when Stanaris also sees Connor hanging from the observatory's opening, Vikram sneaks up and rips the necklace off him. Vikram throws the necklace to Connor. When Connor catches it, he remembers why he's there. He leaps onto the telescope and slides down it, breaking the viewer off and knocking the crystal loose. Photograph by Aleksandar Letic Magic Managed Stanaris picks up the crystal with no idea what it is. Vikram knocks it out of his hand with his cane at Connor. On the backswing, he knocks Stanaris to the ground. Connor pops the crystal back into the necklace, and the bubble disappears. Running down to the mechanical room, Vikram and Connor are relieved to see Charlie whole and happy. The next day, Lysa sits down with Dr. Kirch, who describes the sensation of disappearing, then remembering the moment when she developed her hypothesis. Lysa notes that Kirch has erased the solution to the Millennium Prize Puzzle equation. Kirch tells her she didn't trust the equation, not knowing how it popped into her head. 'Scientific advancement,' she tells Lysa, 'should come through replication of scientific method.' RELATED: Read our recaps of The Librarians: The Next Chapter Back at the Annex, the team debriefs on everyone affected by the crystal as Vikram packs it and John Dee's papers into a lockbox. Charlie reports she's feeling better. Vikram asks her what vision of the future she saw. She unconvincingly claims it disappeared once the crystal was contained. Connor wonders where Stanaris ended up. In a white room, Stanaris lectures on the reverse amplified view of the universe, claiming it proves that the great minds of science added nothing to the world compared to him and his glimpse into the future. He rants that he'd still be viewing the future if it wasn't for those meddling Librarians. New episodes of The Librarians: The Next Chapter air on TNT on Mondays at 9 pm ET. REVIVAL: Co-Creators Aaron B. Koontz and Luke Boyce on Crafting 'Weird' New Series Diana lives in Vancouver, BC, Canada, where she invests her time and energy in teaching, writing, parenting, and indulging her love of all Trek and a myriad of other fandoms. She is a lifelong fan of smart sci-fi and fantasy media, an upstanding citizen of the United Federation of Planets, and a supporter of AFC Richmond 'til she dies. Her guilty pleasures include female-led procedurals, old-school sitcoms, and Bluey. She teaches, knits, and dreams big. You can also find her writing at The Televixen, Women at Warp, TV Fanatic, and TV Goodness.