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Nat Geo's ‘Underdogs' Turns Weird Wildlife Into Must-See TV

Nat Geo's ‘Underdogs' Turns Weird Wildlife Into Must-See TV

Forbes7 hours ago

A portrait of a dusky langur.
National Geographic/Karl Davies
For more than a century, National Geographic has made icons out of elephants, whales, and lions. But what about butt-glowing larvae or manatees that fart to stay afloat? Those unsung misfits finally get their moment in Underdogs, a new five-part wildlife series narrated by Ryan Reynolds.
Underdogs is unique among nature documentaries. It is anything but another majestic voiceover about alpha predators. This is nature storytelling flipped inside out, spotlighting the overlooked, misunderstood, and just plain bizarre animals that keep ecosystems humming behind the scenes.
And with Reynolds narrating, it's also genuinely funny.
To better understand what went into creating this wildly unique series, I spoke with Doug Parker, field director and assistant producer on Underdogs. Parker is no stranger to extreme environments—but even he admits this series pushed him to the edge.
'There was one day in Greenland,' Parker told me, 'we were filming barnacle geese on a cliff face 400 feet up. Suddenly, we heard thunder. It wasn't rain. It wasn't lightning. It was an avalanche, crashing down the valley just feet from the nest.'
His team had debated filming from a ledge nearby but decided it was too risky. 'Thankfully, we followed our safety protocol. If we hadn't, we might not be having this conversation.'
It's easy to forget that these shows require cutting-edge tools to capture behavior most people have never seen before. Parker stressed that the success of Underdogs—especially the empathy and comedy it relies on—comes down to technology.
'You can't have comedy without empathy, and you can't create empathy without immersing yourself in the world of the character we're showing you,' he said. That immersion came from rigs like the RED Raptor on a motion-controlled buggy system, which let the crew mimic the stealthy crawl of an elephant seal sneaking through a beach harem.
For scenes inside New Zealand's glowworm caves—where any stray white light would ruin the bioluminescent spectacle—they used cameras like the Sony FX6 and A7S paired with ultra-fast macro lenses.
'It looks like a starry sky,' Parker explained. 'We lit the cave with light that matched the glowworms' own wavelength. That, paired with motion control rigs and low-light sensors, let us show how they lure prey—without interfering.'
This isn't just flashy gear. It's what makes the difference between a quick glimpse and a story. And it allowed the crew to capture moments never filmed before, like the glowworm's predatory hunt or an avalanche thundering past a bird's nest.
Each Underdogs episode explores a different survival strategy. 'Superzeroes' kicks things off with creatures whose powers seem made up—like a shrimp that stuns prey with a sonic blast as hot as the sun. 'Terrible Parents' reveals awful parenting decisions in the animal world, from koalas feeding poop to their young to geese nesting on cliffs.
In 'Sexy Beasts,' Reynolds follows creatures navigating the messy world of attraction. One standout is Sebastian, a bowerbird in Australia who arranges trash—including toy handcuffs and bottle caps—outside his stick tunnel to impress a mate. 'We looked at 45 different bowers,' Parker recalled. 'Sebastian's was right next to a gas station. Watching him strut around while couples came and went at the bus stop—it was like reality TV for birds.'
From a cable dolly system rigged to follow a sloth's glacial descent, to hiding motion sensors in urban environments, Parker emphasized that the production never leaned on animation or cheap tricks.
The animals carry the story. Reynolds just gives it voice.
'Bringing Ryan and Maximum Effort in from day one made it clear we were telling character-driven stories,' Parker said. 'You end up falling in love with these creatures. And that emotional connection—that's what lets the comedy land.'
Beneath the jokes and clever editing is something deeper. Underdogs celebrates the animals that survive not by dominating, but by adapting. They fake, they hide, they glow, they stink—but they make it work. In an era obsessed with power and perfection, these misfits remind us that it's often the weirdos who keep the world running.
All episodes of Underdogs are available to stream on Disney+ and Hulu. And yes, that's Green Day roaring in the trailer with an all-new anthem titled 'Underdog.'
Don't miss it. The world's most relatable animals are finally ready for their close-up.

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All About Blake Lively And Ryan Reynolds' Kids, Names, Ages
All About Blake Lively And Ryan Reynolds' Kids, Names, Ages

Yahoo

time5 hours ago

  • Yahoo

All About Blake Lively And Ryan Reynolds' Kids, Names, Ages

Blake Lively and Ryan Reynolds love their four kids. Blake Lively is as multifaceted as they come. She's an actress who has starred in titles like Gossip Girl, A Simple Favor, and The Sisterhood of the Traveling Pants (plus It Ends With Us). She's the founder of Betty Buzz, which has a variety of non-alcoholic mixers that taste just as good on their own as they do with liquor. And, she's also a mom. Lively has been outspoken about protecting her children from the paparazzi, making rare public appearances with them for events like her husband Ryan Reynolds' Hollywood Walk Of Fame Ceremony and cozy date nights. When Blake Lively and Ryan Reynolds seemingly announced the birth of their fourth child in 2023, we melted. On July 26, Ryan Reynolds confirmed that he and Blake Lively's fourth baby, born in February 2023, is a boy in an Instagram video supporting mental health charity Walking 4 Hope. Speaking with founder John Bell, who struggled with suicidal ideation after the 2020 loss of his son Jake, Reynolds says, 'I want to share with you that I, too, have a John, if I love him one-tenth as much as you love Jake, I'll feel like I've done a pretty d—mn good job.' Considering how adorable James, Inez, and Betty are, I can only imagine how cute Blake Lively's son is! Blake Lively in 2023 showing what appears to be a post-baby body with the caption "Been busy." Lively confirmed her fourth pregnancy in September 2022 when she arrived at her Forbes event in NYC cradling a baby bump and by hoping that "the 11 guys waiting outside [her] home for a 🦄 sighting will leave [her] alone." Yes, Taylor Swift loves Blake Lively's kids! The family has shown up to the Eras Tour multiple times, and most recently supported the popstar at her concert in New Orleans, Louisiana. 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Nat Geo's ‘Underdogs' Turns Weird Wildlife Into Must-See TV
Nat Geo's ‘Underdogs' Turns Weird Wildlife Into Must-See TV

Forbes

time7 hours ago

  • Forbes

Nat Geo's ‘Underdogs' Turns Weird Wildlife Into Must-See TV

A portrait of a dusky langur. National Geographic/Karl Davies For more than a century, National Geographic has made icons out of elephants, whales, and lions. But what about butt-glowing larvae or manatees that fart to stay afloat? Those unsung misfits finally get their moment in Underdogs, a new five-part wildlife series narrated by Ryan Reynolds. Underdogs is unique among nature documentaries. It is anything but another majestic voiceover about alpha predators. This is nature storytelling flipped inside out, spotlighting the overlooked, misunderstood, and just plain bizarre animals that keep ecosystems humming behind the scenes. And with Reynolds narrating, it's also genuinely funny. To better understand what went into creating this wildly unique series, I spoke with Doug Parker, field director and assistant producer on Underdogs. Parker is no stranger to extreme environments—but even he admits this series pushed him to the edge. 'There was one day in Greenland,' Parker told me, 'we were filming barnacle geese on a cliff face 400 feet up. Suddenly, we heard thunder. It wasn't rain. It wasn't lightning. It was an avalanche, crashing down the valley just feet from the nest.' His team had debated filming from a ledge nearby but decided it was too risky. 'Thankfully, we followed our safety protocol. If we hadn't, we might not be having this conversation.' It's easy to forget that these shows require cutting-edge tools to capture behavior most people have never seen before. Parker stressed that the success of Underdogs—especially the empathy and comedy it relies on—comes down to technology. 'You can't have comedy without empathy, and you can't create empathy without immersing yourself in the world of the character we're showing you,' he said. That immersion came from rigs like the RED Raptor on a motion-controlled buggy system, which let the crew mimic the stealthy crawl of an elephant seal sneaking through a beach harem. For scenes inside New Zealand's glowworm caves—where any stray white light would ruin the bioluminescent spectacle—they used cameras like the Sony FX6 and A7S paired with ultra-fast macro lenses. 'It looks like a starry sky,' Parker explained. 'We lit the cave with light that matched the glowworms' own wavelength. That, paired with motion control rigs and low-light sensors, let us show how they lure prey—without interfering.' This isn't just flashy gear. It's what makes the difference between a quick glimpse and a story. And it allowed the crew to capture moments never filmed before, like the glowworm's predatory hunt or an avalanche thundering past a bird's nest. Each Underdogs episode explores a different survival strategy. 'Superzeroes' kicks things off with creatures whose powers seem made up—like a shrimp that stuns prey with a sonic blast as hot as the sun. 'Terrible Parents' reveals awful parenting decisions in the animal world, from koalas feeding poop to their young to geese nesting on cliffs. In 'Sexy Beasts,' Reynolds follows creatures navigating the messy world of attraction. One standout is Sebastian, a bowerbird in Australia who arranges trash—including toy handcuffs and bottle caps—outside his stick tunnel to impress a mate. 'We looked at 45 different bowers,' Parker recalled. 'Sebastian's was right next to a gas station. Watching him strut around while couples came and went at the bus stop—it was like reality TV for birds.' From a cable dolly system rigged to follow a sloth's glacial descent, to hiding motion sensors in urban environments, Parker emphasized that the production never leaned on animation or cheap tricks. The animals carry the story. Reynolds just gives it voice. 'Bringing Ryan and Maximum Effort in from day one made it clear we were telling character-driven stories,' Parker said. 'You end up falling in love with these creatures. And that emotional connection—that's what lets the comedy land.' Beneath the jokes and clever editing is something deeper. Underdogs celebrates the animals that survive not by dominating, but by adapting. They fake, they hide, they glow, they stink—but they make it work. In an era obsessed with power and perfection, these misfits remind us that it's often the weirdos who keep the world running. All episodes of Underdogs are available to stream on Disney+ and Hulu. And yes, that's Green Day roaring in the trailer with an all-new anthem titled 'Underdog.' Don't miss it. The world's most relatable animals are finally ready for their close-up.

CCTV-4's Special Central Asia Season A Celebration of Regional Exchange and Cooperation
CCTV-4's Special Central Asia Season A Celebration of Regional Exchange and Cooperation

Yahoo

time8 hours ago

  • Yahoo

CCTV-4's Special Central Asia Season A Celebration of Regional Exchange and Cooperation

BEIJING, June 17, 2025 /PRNewswire/ -- To coincide with the 2nd China-Central Asia Summit, being held in Astana, the capital of Kazakhstan, from June 16 to 18, CCTV-4 has produced a series of special programs celebrating the six countries' close historical ties and their peoples' shared development aspirations. Highlights of the season are the six-part documentary "Home" and the five-episode feature series "Learning to Return", both co-productions by China Media Group's Chinese Language Global Program Center and its broadcasting partners in the five Central Asian countries. "Home" is the first humanistic documentary co-produced and broadcast by the six nations under the framework of China-Central Asia cooperation. In exploring the shared history and contemporary partnerships that draw them together, it presents compelling stories of cross-border collaboration in culture, scientific innovation and connectivity. "Learning to Return" tells the stories of young people from the five Central Asian countries whose dream has been to study in China and develop skills that will help them, when they return home, to contribute to the Belt and Road Initiative. By showcasing examples of cooperation in areas such as sport, culture and education, these special programs offer a multi-dimensional perspective on the efforts to build a China-Central Asia community with a shared future rooted in mutual support, shared development, common security and enduring friendship. View original content to download multimedia: SOURCE CCTV4 擷取數據時發生錯誤 登入存取你的投資組合 擷取數據時發生錯誤 擷取數據時發生錯誤 擷取數據時發生錯誤 擷取數據時發生錯誤

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