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Podcast Corner: Unpacking the theme music to some of your favourite shows

Podcast Corner: Unpacking the theme music to some of your favourite shows

Irish Examiner2 days ago
There's something comforting about pressing play on your favourite podcast and hearing the familiar intro music playing, whether it's Corduroy by 'our friends from Pearl Jam' on The Bill Simmons Show or, closer to home and amid similarly familiar sporting soundbites, My God is the Sun by Queens of the Stone Age soundtracking Second Captains.
That's not to mention all of the original music that has been created for myriad podcasts over the last decade plus. The jingles that intro Serial and Welcome to Night Vale sound like old friends and feature on episode 429 of Switched on Pop - 'How podcasting got its sound'. A podcast about the making and meaning of popular music hosted by musicologist Nate Sloan and songwriter Charlie Harding, we've featured this show in the past and it's one of those that's always great to dip into - you always learn something.
The first half of the episode is like a history lesson, going perhaps a little too far back with the band the Grateful Dead's Truckin' ('the first audio distributed by RSS, the technology that makes podcasts possible'), before then returning to the early 2000s and a host of names piloting what would become known as podcasting.
They discuss WTF with Marc Maron and how Brooklyn DIY musician John Montagna created its intro: 'That cool strumming sound is a violin bass like the style of bass that Paul McCartney played. And he's strumming it with a pick like it's a guitar, micing it with a microphone, while also plugging it in and blending those sounds together. He's using kids' toys to create his drums. It has that anyone-can-do-it kind of quality just like the world of podcasting.'
As for the Serial theme, Sloane says: 'I thought this was totally new. Something we had never heard before. In many ways it absolutely was. But the music was part of a much longer lineage.'
If that all sounds a bit too nerdy, the second half of the episode is an interview with the mysterious Breakmaster Cylinder - he hides behind a robot mask a la Daft Punk. The Switched on Pop hosts call him the 'Hans Zimmer of podcasting' as he's made over 200 podcast themes over the past decade-plus.
Ultimately the chat isn't really worth listening to. As Sloane says afterwards, it's 'truly one of the most odd interviews that I've ever attempted'. It really is - Breakmaster Cylinder just sounds like he doesn't want to be interviewed. Sloane puts to him at one point: 'I'm feeling a little bit of hesitancy of accepting that you have really heavily put your fingerprint on this sound of podcasting.'
Breakmaster's response: 'There are a lot of podcasts, man.' He's not wrong.
Read More
Tom Dunne: Moisturizer from Wet Leg already feels like my album of the year
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Podcast Corner: Unpacking the theme music to some of your favourite shows
Podcast Corner: Unpacking the theme music to some of your favourite shows

Irish Examiner

time2 days ago

  • Irish Examiner

Podcast Corner: Unpacking the theme music to some of your favourite shows

There's something comforting about pressing play on your favourite podcast and hearing the familiar intro music playing, whether it's Corduroy by 'our friends from Pearl Jam' on The Bill Simmons Show or, closer to home and amid similarly familiar sporting soundbites, My God is the Sun by Queens of the Stone Age soundtracking Second Captains. That's not to mention all of the original music that has been created for myriad podcasts over the last decade plus. The jingles that intro Serial and Welcome to Night Vale sound like old friends and feature on episode 429 of Switched on Pop - 'How podcasting got its sound'. A podcast about the making and meaning of popular music hosted by musicologist Nate Sloan and songwriter Charlie Harding, we've featured this show in the past and it's one of those that's always great to dip into - you always learn something. The first half of the episode is like a history lesson, going perhaps a little too far back with the band the Grateful Dead's Truckin' ('the first audio distributed by RSS, the technology that makes podcasts possible'), before then returning to the early 2000s and a host of names piloting what would become known as podcasting. They discuss WTF with Marc Maron and how Brooklyn DIY musician John Montagna created its intro: 'That cool strumming sound is a violin bass like the style of bass that Paul McCartney played. And he's strumming it with a pick like it's a guitar, micing it with a microphone, while also plugging it in and blending those sounds together. He's using kids' toys to create his drums. It has that anyone-can-do-it kind of quality just like the world of podcasting.' As for the Serial theme, Sloane says: 'I thought this was totally new. Something we had never heard before. In many ways it absolutely was. But the music was part of a much longer lineage.' If that all sounds a bit too nerdy, the second half of the episode is an interview with the mysterious Breakmaster Cylinder - he hides behind a robot mask a la Daft Punk. The Switched on Pop hosts call him the 'Hans Zimmer of podcasting' as he's made over 200 podcast themes over the past decade-plus. Ultimately the chat isn't really worth listening to. As Sloane says afterwards, it's 'truly one of the most odd interviews that I've ever attempted'. It really is - Breakmaster Cylinder just sounds like he doesn't want to be interviewed. Sloane puts to him at one point: 'I'm feeling a little bit of hesitancy of accepting that you have really heavily put your fingerprint on this sound of podcasting.' Breakmaster's response: 'There are a lot of podcasts, man.' He's not wrong. Read More Tom Dunne: Moisturizer from Wet Leg already feels like my album of the year

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Drummer Matt Cameron leaves Pearl Jam after 27 years
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Drummer Matt Cameron leaves Pearl Jam after 27 years

Pearl Jam drummer Matt Cameron has said he is leaving the band after "27 fantastic years". The US rock band, known for songs including Spin The Black Circle and Alive, formed in Seattle, Washington, in 1990, with Cameron joining in 1998 following the break-up of rock group Soundgarden. Vocalist Eddie Vedder, bassist Jeff Ament, and guitarists Mike McCready and Stone Gossard, said the drummer would be "deeply missed" in a message to Pearl Jam's social media pages. "After 27 fantastic years, I have taken my final steps down the drum riser for the mighty Pearl Jam," Cameron said in a social media post on Monday. "Much love and respect to Jeff, Ed, Mike and Stone for inviting me into the band in 1998 and for giving me the opportunity of a lifetime, one filled with friendships, artistry, challenges and laughter. "I am forever grateful to the crew, staff and fans the world over. It's been an incredible journey. More to follow. Thank you all from the bottom of my heart." The band said: "From being one of our first musical heroes in the bands Skin Yard and the mighty Soundgarden, to playing on our first demos in 1990, Matt Cameron has been a singular and true powerhouse of a musician and drummer. "He has propelled the last 27 years of Pearl Jam live shows and studio recordings. "It was a deeply important chapter for our group and we wish him well always. He will be deeply missed and is forever our friend in art and music. We love you Matt." The band, who blend classic rock with grunge and 1980s punk, were inducted into the Rock And Roll Hall Of Fame in 2017. Last year, they released their 12th studio album, Dark Matter.

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