
The best Marvel game you (probably) skipped is free for Prime Day — and it's not the only gaming freebie at Amazon right now
Right now, you can score 29 free video games via the gaming hub, and that includes the fantastic, and overlooked, Marvel's Midnight Suns.
If you're unaware of Prime Gaming, it's included with all Amazon Prime subscribers as standard and offers a rotating selection of completely free PC games. These aren't just little time-wasters or bargain bin picks either. We're talking about major blockbuster games from juggernaut franchises.
There are currently 29 free games to choose from, but my pick of the bunch is definitely the brilliant and extremely content-rich Marvel's Midnight Suns.
Marvel's Midnight Suns: FREE (w/ Prime) @ AmazonIn Marvel's Midnight Suns, you create your own hero, known as The Hunter, and then set out on a world-saving mission to defeat the fearsome Lilith. Mixing strategic turn-based battles that utilize a customizable deck-building system, with a superhero life sim, Midnight Suns is a unique blend that lets you fight alongside the biggest heroes in Marvel's roster, and then befriend them at your home base. It's a lengthy tactical RPG that Marvel fans won't want to miss.
This 2022 superhero title from developer Firaxis mashes together a tactical battle system with surprisingly gripping life-sim elements, letting you team up with some of Marvel's most iconic heroes by day, and then befriend them at your home base in the evening. Because who doesn't want to go fishing with Captain America or play chess against Iron Man and Doctor Strange?
In our Marvel's Midnight Suns review, we praised the game for delivering 'satisfying strategic battles, as well as a full-fledged superhero social sim.' Plus, it's jam-packed with Marvel heroes from Wolverine and Spider-Man to Scarlet Witch and Ghost Rider. The cast is expanded further via optional DLC to include fan-favorites like Deadpool, Venom, and the X-Men's Storm.
Unfortunately, despite its high-quality and well-conceived mixture of strategic turn-based battles and Persona-like social sim elements, not to mention its meaty length (even a rushed playthrough will take you around 50 hours), the game was a sales disappointment. So, if you skipped it at launch, don't miss your chance to correct that error for free via Amazon Prime Gaming.
Not a Marvel fan or already played Midnight Suns? That's no problem, Midnight Suns is just the tip of the iceberg when it comes to Prime Gaming freebies.
Right now, you can also pick up free copies of Football Manager 2024, Star Wars Jedi Knight: Dark Forces II, Amnesia: The Dark Descent, Saints Row IV: Re-Elected and Tomb Raider I-III Remastered Starring Lara Croft.
Amazon Prime: for $139/yearAmazon Prime gives shoppers access to a whole host of benefits, Prime Gaming among them. Also included is free shipping on over 100 million products, plus access to additional services like Prime Video and Prime Music. You can pay an annual $139 fee or choose a monthly plan at $14.99.
And these are just some of the 29 PC games currently available for free on Prime Gaming. To claim any (or all of them), head over to the Prime Gaming hub, and then click the 'claim game' button on the title(s) you want, follow the simple on-screen instructions and you'll be playing your free game in no time. Plus, each title is yours to keep even if your Prime subscription expires.
Prime Day 2025 is offering a host of excellent gaming deals across PlayStation, Nintendo and Xbox, and while deep discounts are pretty unmissable, it's hard to beat free games. Especially when the free games are of the caliber of Marvel's Midnight Suns. So, even if you're planning to keep your wallet locked down over Prime Day, don't miss these epic gaming freebies on Amazon.
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Geek Tyrant
21 minutes ago
- Geek Tyrant
Mr. Fantastic and His Powers Were Underutilized in THE FANTASTIC FOUR: FIRST STEPS; He Deserved Better — GeekTyrant
The Fantastic Four: First Steps missed a huge opportunity with one of Marvel's most visually creative superheroes. Reed Richards, aka Mister Fantastic, is supposed to be a stretchy powerhouse with abilities that defy the laws of physics. In the film, though, those powers are barely touched. What should've been a display of inventive, wild, and over-the-top visuals turned into a muted, limited showcase that felt more like an afterthought than a highlight. Now, credit where it's due, the film did a decent job of portraying Reed's intellect and leadership. He's thoughtful, composed, and clearly the brain of the group. But that's only half the picture. In the comics, Reed has a subtle charm and awkward charisma that makes him both relatable and admirable. That side of his personality was barely explored. He didn't need to crack jokes or go full Tony Stark, but a bit more emotional depth and nuance would've made him feel more alive. The biggest letdown, though, was how the film's creative team handled his powers. Mr. Fantastic can stretch, mold, twist, flatten, inflate… you name it. There are comic book moments where he's used his body as a net, wrapped himself around massive cosmic entities like Galactus, and turned into practically any shape needed to solve a problem. But in the film, his powers a very underutilized and limiting. At one point in the film we are watching Galactus strech Mr. Fantastic like a rubber band and he's screaming in pain. When you see how far is stretching ability goes in the comics, Galactus stretching him like that shouldn't have been an issue for him because it was nothing compared to what we've seen him do in the comics! We barely see any of those cool visuals from the comics in this film. His action moments are stiff and uninspired. Instead of showing Reed's resilience, it just made him look weak. The movie ignored everything fans know about how cool and versatile his powers really are. The creativity behind Reed's abilities is what makes him stand out in the superhero landscape. His power set should be a director's playground. You can do so much with the elasticity and adaptability of his body, yet the movie seemed afraid to go there. We didn't see him shape-shift in creative ways, use his body as a shield or slingshot, or even do something as simple as multitask with extended limbs in a high-stakes moment. They kept his abilities small, which is the opposite of what Mr. Fantastic should be. At the end of the day, The Fantastic Four: First Steps didn't give Mister Fantastic the treatment he deserved. His powers were underused, his moments of brilliance were too few, and his potential was left on the table. Reed Richards is a genius, yes, but he's also a one-man Swiss Army knife of superpowers. Hopefully, future film will fully embrace what makes Mister Fantastic truly fantastic.

an hour ago
Movie Review: Kristin Scott Thomas directs Scarlett Johansson in comedic drama 'My Mother's Wedding'
Before Kristin Scott Thomas turned 12, she lost her father and stepfather. Both were Royal Navy pilots who died in crashes. The first happened when she was 5. The second at age 11. Thomas uses these facts, a kind of origin story, as the basis for her directorial debut, 'My Mother's Wedding,' a comedic drama about family, trauma and getting on with it that opens in theaters Friday. Knowing that the story comes from a real place is important for the experience. It gives 'My Mother's Wedding,' a perfectly average film that doesn't quite land the way it should, an emotional depth that it's otherwise lacking. This is a strange shortcoming considering the caliber of the cast, including Thomas as the bride to be, and Sienna Miller, Emily Beecham and Scarlett Johansson as her daughters. But it's a cruel reminder that a good hook, talented actors, one killer monologue and a picturesque setting (in this case, the English countryside) aren't guarantees that a movie will work. In the film, the deaths may be in the distant past, but they continue to haunt Diana's (Thomas) adult daughters as she prepares to marry another. Diana's new man is not a dashing pilot, forever preserved in handsome youth. Geoffrey (James Fleet) is very gray. He likes to talk about birds, ospreys in particular, has never had children and comes with a very silly last name (Loveglove) that she plans to take. Her girls are not exactly impressed, though they've all got their own stuff to deal with. It should be said that Johansson is indeed playing a British woman in this film, and while I don't feel qualified to comment on the nuances of her accent, all I can say is that there is a consistently strange disconnect to hear it coming out of her mouth. Johansson is a great actor who I've believed in many wilder roles, from Marvel movies right on down to her Ellen Greene riff during 'Saturday Night Live's' 50th anniversary show. But, somehow, she's hard to buy as Katherine Frost: A British, lesbian Royal Navy officer in a longtime relationship with a woman named Jack (played by fellow beauty Freida Pinto). Miller's character is Victoria, a Hollywood actor known for franchise dreck (no one can remember whether the latest 'Dame Of Darkness' is the fourth or fifth in the series) and short-lived relationships. And Beecham is the youngest Georgina, a nurse who suspects that her husband is having an affair. To find out, the girls hire a private detective to surveil her house and show them the footage after the wedding. It's a very busy, fraught weekend for everyone. There's lots of fretting over why Katherine won't marry Jack, and why Victoria is dancing around a relationship with a wealthy, older French man when her childhood crush still pines for her. There's lingering anxiety about their mom marrying this man who seems so unlike the two heroes that came before and much discussion about the importance of last names, marriage and making sure kids feel like they belong to someone. Some things get resolved, but it's hard to shake the feeling that everyone might need a new therapist by the end. 'My Mother's Wedding' also has a silly lightness to it that's aiming for something along the lines of a Richard Curtis romantic comedy. But coherency of the vision is limited, as is the audience's investment, though there are some lovely and inspired touches like using Iranian artist Reza Riahi to hand paint several animated flashback vignettes based on her memories of her fathers. Thomas co-wrote the script with her husband, journalist John Micklethwait, which includes a particularly poignant monologue for her character telling her daughters, essentially, to grow up and move on — a mature and worthy statement that might come a bit too late. 'My Mother's Wedding' feels only partially realized. But Thomas did have the good sense to end with a song that might just conjure up some feelings for any 'Heartburn' fans out there: Carly Simon's 'Coming Around Again,' this time a duet with Alanis Morissette. 'My Mother's Wedding,' a Vertical release in theaters Friday, is rated R by the Motion Picture Association for 'brief nudity, some sexual material and language.' Running time: 95 minutes. Two stars out of four.


San Francisco Chronicle
an hour ago
- San Francisco Chronicle
Movie Review: Kristin Scott Thomas directs Scarlett Johansson in comedic drama 'My Mother's Wedding'
Before Kristin Scott Thomas turned 12, she lost her father and stepfather. Both were Royal Navy pilots who died in crashes. The first happened when she was 5. The second at age 11. Thomas uses these facts, a kind of origin story, as the basis for her directorial debut, 'My Mother's Wedding,' a comedic drama about family, trauma and getting on with it that opens in theaters Friday. Knowing that the story comes from a real place is important for the experience. It gives 'My Mother's Wedding,' a perfectly average film that doesn't quite land the way it should, an emotional depth that it's otherwise lacking. This is a strange shortcoming considering the caliber of the cast, including Thomas as the bride to be, and Sienna Miller, Emily Beecham and Scarlett Johansson as her daughters. But it's a cruel reminder that a good hook, talented actors, one killer monologue and a picturesque setting (in this case, the English countryside) aren't guarantees that a movie will work. In the film, the deaths may be in the distant past, but they continue to haunt Diana's (Thomas) adult daughters as she prepares to marry another. Diana's new man is not a dashing pilot, forever preserved in handsome youth. Geoffrey (James Fleet) is very gray. He likes to talk about birds, ospreys in particular, has never had children and comes with a very silly last name (Loveglove) that she plans to take. Her girls are not exactly impressed, though they've all got their own stuff to deal with. It should be said that Johansson is indeed playing a British woman in this film, and while I don't feel qualified to comment on the nuances of her accent, all I can say is that there is a consistently strange disconnect to hear it coming out of her mouth. Johansson is a great actor who I've believed in many wilder roles, from Marvel movies right on down to her Ellen Greene riff during 'Saturday Night Live's' 50th anniversary show. But, somehow, she's hard to buy as Katherine Frost: A British, lesbian Royal Navy officer in a longtime relationship with a woman named Jack (played by fellow beauty Freida Pinto). Miller's character is Victoria, a Hollywood actor known for franchise dreck (no one can remember whether the latest 'Dame Of Darkness' is the fourth or fifth in the series) and short-lived relationships. And Beecham is the youngest Georgina, a nurse who suspects that her husband is having an affair. To find out, the girls hire a private detective to surveil her house and show them the footage after the wedding. It's a very busy, fraught weekend for everyone. There's lots of fretting over why Katherine won't marry Jack, and why Victoria is dancing around a relationship with a wealthy, older French man when her childhood crush still pines for her. There's lingering anxiety about their mom marrying this man who seems so unlike the two heroes that came before and much discussion about the importance of last names, marriage and making sure kids feel like they belong to someone. Some things get resolved, but it's hard to shake the feeling that everyone might need a new therapist by the end. 'My Mother's Wedding' also has a silly lightness to it that's aiming for something along the lines of a Richard Curtis romantic comedy. But coherency of the vision is limited, as is the audience's investment, though there are some lovely and inspired touches like using Iranian artist Reza Riahi to hand paint several animated flashback vignettes based on her memories of her fathers. Thomas co-wrote the script with her husband, journalist John Micklethwait, which includes a particularly poignant monologue for her character telling her daughters, essentially, to grow up and move on — a mature and worthy statement that might come a bit too late. 'My Mother's Wedding' feels only partially realized. But Thomas did have the good sense to end with a song that might just conjure up some feelings for any 'Heartburn' fans out there: Carly Simon's 'Coming Around Again,' this time a duet with Alanis Morissette. 'My Mother's Wedding,' a Vertical release in theaters Friday, is rated R by the Motion Picture Association for 'brief nudity, some sexual material and language.' Running time: 95 minutes. Two stars out of four.