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Merrick Watts reveals the moment he and Tim Ross lost $1million for Nova: 'It was a big deal'

Merrick Watts reveals the moment he and Tim Ross lost $1million for Nova: 'It was a big deal'

Daily Mail​28-05-2025

Merrick Watts has opened up about the moment he and his former co-host Tim Ross lost the Nova network $1million.
The 51-year-old revealed on the Friendlyjordies Podcas t, he and Rosso had been asked to promote McDonald's El Maco range live on air early in their career but things didn't go to plan.
After introducing the range, the radio duo joked it 'was the blandest food you would ever have' and their bosses weren't impressed.
'That's what we refer to as the El Maco incident and no one ever brings that up but Rosso and I know about it,' Merrick explained.
'We really upset the guys. Part of the quote was about "the geniuses at McDonald's have done it again... the blandest food you've ever had" and I was so dumb and I was laughing so much.
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'And must have doubled down and said something about the shaker fries. We got off air and it was a big deal, I think we lost them $1million.'
Merrick and Rosso were best known for their radio shows on Triple J, Nova, and Triple M, but the comedy duo shocked their listeners when they parted ways in 2009 after over a decade together.
Last year, Merrick spoke about his 'brutal' split with his longtime comedy partner.
'Rosso and I fractured, we split up at the end of 2009. It was brutal, it was tough. It's not really something I talk about a lot…but it was really devastating at the time,' he told SAS Australia host Ant Middleton on his podcast Head Game.
'I was focused on wanting to follow a certain trajectory that I felt innately was the right way to go and that was probably in conflict to the way we were doing things and the way we were working together.'
The comedian said he felt the collaboration between himself and his partner had run its course at the time.
'I think we just exhausted ourselves as a unit and we'd done everything, we'd even lived together, and then I got my own family and got different priorities,' he claimed.
Ant suggested that Watts' change in priorities was likely due to the arrival of his first son, Wolfe, in 2009.
'I kind of wanted to forge my own identity…which I thought would be a lot easier than what it was,' Watts added.
The podcast interview wasn't the first time Watts encountered Ant, as the pair first met on SAS Australia in 2020.
Watts said Middleton helped him achieve 'the best physical and mental state I've been in in my entire life'.
Speaking candidly at the time, he said he struggled with anxiety and depression before making the appearance on the gruelling Channel Seven series.
The father-of-two said he had been in the 'worst mental state' of his life, and not even a psychologist or 10-week meditation course could help.
'I felt like I was chipping away,' Watts said during an interview with Nova's Fitzy and Wippa.
'I did all the right things, I spoke to a psychologist, I spoke to my doctor, I did a 10-week meditation course. Nothing was working. I know that what I needed was to rebuild my confidence.'
Watts said he knew that going on SAS Australia would help him feel more confident.
'When I'm confident I'm very, very capable. When I'm not confident I go back into my shell... I knew that just the process of getting ready for SAS Australia would be enough to rebuild my confidence and I was right,' he explained.
'I look at myself, a year ago and when I signed up for this show I was in the worst mental state I've ever been in. I look at myself a year later and I'm in the best physical and mental state I've been in in my entire life.'
He finished: 'It's been extraordinarily good for my mind and my body.'

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Andrew Bolt demands an investigation into Brittany Higgins' $2.4million payout after she announced her return to the workforce

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Tony Awards 2025 nominees Best Musical Buena Vista Social Club Dead Outlaw Death Becomes Her Maybe Happy Ending Operation Mincemeat: A New Musical Best Revival of a Play Eureka Day — Author: Jonathan Spector Romeo + Juliet Thornton Wilder's Our Town Yellow Face — Author: David Henry Hwang Best Performance by an Actor in a Leading Role in a Play George Clooney — Good Night, And Good Luck Cole Escola — Oh, Mary! Jon Michael Hill — Purpose Daniel Dae Kim — Yellow Face Harry Lennix — Purpose Louis McCartney — Stranger Things: The First Shadow Best Performance by an Actor in a Leading Role in a Musical Darren Criss — Maybe Happy Ending Andrew Durand — Dead Outlaw Tom Francis — Sunset Blvd. Jonathan Groff — Just In Time James Monroe Iglehart — A Wonderful World: The Louis Armstrong Musical Jeremy Jordan — Floyd Collins Best Performance by an Actor in a Featured Role in a Play Glenn Davis — Purpose Gabriel Ebert — John Proctor Is The Villain Francis Jue — Yellow Face Bob Odenkirk — Glengarry Glen Ross Conrad Ricamora — Oh, Mary! Best Performance by an Actor in a Featured Role in a Musical Brooks Ashmanskas —SMASH Jeb Brown — Dead Outlaw Danny Burstein — Gypsy Jak Malone — Operation Mincemeat: A New Musical Taylor Trensch — Floyd Collins Best Direction of a Play Knud Adams — English Sam Mendes — The Hills Of California Sam Pinkleton — Oh, Mary! Danya Taymor — John Proctor Is The Villain Kip Williams — The Picture Of Dorian Gray Best Book of a Musical Buena Vista Social Club — Marco Ramirez Dead Outlaw — Itamar Moses Death Becomes Her — Marco Pennette Maybe Happy Ending — Will Aronson and Hue Park Operation Mincemeat: A New Musical — David Cumming, Felix Hagan, Natasha Hodgson and Zoë Roberts Best Scenic Design of a Play Marsha Ginsberg — English Rob Howell — The Hills of California Marg Horwell and David Bergman — The Picture of Dorian Gray Miriam Buether and 59 — Stranger Things: The First Shadow Scott Pask — Good Night, and Good Luck Best Costume Design of a Play Brenda Abbandandolo — Good Night, And Good Luck Marg Horwell — The Picture of Dorian Gray Rob Howell — The Hills Of California Holly Pierson — Oh, Mary! Brigitte Reiffenstuel — Stranger Things: The First Shadow Best Lighting Design of a Play Natasha Chivers — The Hills Of California Jon Clark — Stranger Things: The First Shadow Heather Gilbert and David Bengali — Good Night, And Good Luck Natasha Katz and Hannah Wasileski — John Proctor Is The Villain Nick Schlieper — The Picture Of Dorian Gray Best Sound Design of a Play Paul Arditti — Stranger Things: The First Shadow Palmer Hefferan — John Proctor Is The Villain Daniel Kluger — Good Night, And Good Luck Nick Powell — The Hills Of California Clemence Williams — The Picture of Dorian Gray Best Choreography Joshua Bergasse — SMASH Camille A. Brown — Gypsy Christopher Gattelli — Death Becomes Her Jerry Mitchell — BOOP! The Musical Patricia Delgado and Justin Peck — Buena Vista Social Club Best Play English — Author: Sanaz Toossi The Hills of California — Author: Jez Butterworth John Proctor Is The Villain — Author: Kimberly Belflower Oh, Mary! — Author: Cole Escola Purpose — Author: Branden Jacobs-Jenkins Best Revival of a Musical Floyd Collins — Book/Additional Lyrics: Tina Landau; Music & Lyrics: Adam Guettel Gypsy Pirates! The Penzance Musical Sunset Blvd. Best Performance by an Actress in a Leading Role in a Play Laura Donnelly — The Hills Of California Mia Farrow — The Roommate LaTanya Richardson Jackson — Purpose Sadie Sink — John Proctor Is The Villain Sarah Snook — The Picture Of Dorian Gray Best Performance by an Actress in a Leading Role in a Musical Megan Hilty — Death Becomes Her Audra McDonald — Gypsy Jasmine Amy Rogers — BOOP! The Musical Nicole Scherzinger — Sunset Blvd. Jennifer Simard — Death Becomes Her Best Performance by an Actress in a Featured Role in a Play Tala Ashe — English Jessica Hecht — Eureka Day Marjan Neshat — English Fina Strazza — John Proctor Is The Villain Kara Young — Purpose Best Performance by an Actress in a Featured Role in a Musical Natalie Venetia Belcon — Buena Vista Social Club Julia Knitel — Dead Outlaw Gracie Lawrence — Just In Time Justina Machado — Real Women Have Curves: The Musical Joy Woods — Gypsy Best Direction of a Musical Saheem Ali — Buena Vista Social Club Michael Arden — Maybe Happy Ending David Cromer — Dead Outlaw Christopher Gattelli — Death Becomes Her Jamie Lloyd — Sunset Blvd. Best Original Score (Music and/or Lyrics) Written for the Theatre Dead Outlaw — Music & Lyrics: David Yazbek and Erik Della Penna Death Becomes Her — Music & Lyrics: Julia Mattison and Noel Carey Maybe Happy Ending —Music: Will Aronson; Lyrics: Will Aronson and Hue Park Operation Mincemeat: A New Musical — Music & Lyrics: David Cumming, Felix Hagan, Natasha Hodgson and Zoë Roberts Real Women Have Curves: The Musical — Music & Lyrics: Joy Huerta and Benjamin Velez Best Orchestrations Andrew Resnick and Michael Thurber — Just in Time Will Aronson — Maybe Happy Ending Bruce Coughlin — Floyd Collins Marco Paguia — Buena Vista Social Club David Cullen and Andrew Lloyd Webber — Sunset Blvd. Best Scenic Design of a Musical Rachel Hauck — Swept Away Dane Laffrey and George Reeve — Maybe Happy Ending Arnulfo Maldonado — Buena Vista Social Club Derek McLane — Death Becomes Her Derek McLane — Just In Time Best Costume Design of a Musical Dede Ayite — Buena Vista Social Club Gregg Barnes — BOOP! The Musical Clint Ramos — Maybe Happy Ending Paul Tazewell — Death Becomes Her Catherine Zuber — Just In Time Best Lighting Design of a Musical Jack Knowles — Sunset Blvd. Tyler Micoleau — Buena Vista Social Club Scott Zielinski and Ruey Horng Sun — Floyd Collins Ben Stanton — Maybe Happy Ending Justin Townsend — Death Becomes Her Best Sound Design of a Musical Jonathan Deans — Buena Vista Social Club Adam Fisher — Sunset Blvd. Peter Hylenski — Just In Time Peter Hylenski — Maybe Happy Ending Dan Moses Schreier — Floyd Collins

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