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Nirvana's Reunion, Dr. Dre's Cali Cameo, Lady Gaga's Show-Closer & More of the Best Photos From FireAid Benefit Concert

Nirvana's Reunion, Dr. Dre's Cali Cameo, Lady Gaga's Show-Closer & More of the Best Photos From FireAid Benefit Concert

Yahoo31-01-2025

With a lineup of 27 legendary acts across two venues to raise money for wildfire victims and rebuilding efforts, Thursday night's FireAid benefit concert was poised to be an epic night. But what transpired at the Kia Forum and Intuit Dome in Inglewood, California, turned out to be even more historic than anyone could have expected.
The most unexpected part of the night came from the unannounced reunion of the surviving members of Nirvana — drummer Dave Grohl and bassist Krist Novoselic, along with touring guitarist Pat Smear — plus a revolving door of female vocalists (lovingly dubbed 'Hervana'). They started out with St. Vincent for 'Breed,' then Sonic Youth's Kim Gordon for 'School,' followed by Joan Jett on 'Territorial Pissings,' and finally Dave's 18-year-old daughter Violet Grohl for 'All Apologies.' The performance needed (and got) no introduction, as audience members at the Forum and at home pieced together what they were witnessing in real time.
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Billie Eilish Performs 'Birds of a Feather' & Pays Tribute to Her 'Only Home' of LA at FireAid Benefit Concert
Other surprise collabs throughout the night included Billie Eilish (who would later perform a solo set with her brother Finneas at the Intuit Dome) joining show openers Green Day for a perfect Billie + Billie Joe moment on 'Last Night on Earth.' Two sets later, Dr. Dre joined Anderson .Paak (as well as drummer Sheila E.) for 'Still D.R.E.' and the ever-appropriate 'California Love.' Also, Dawes welcomed Stephen Stills and Mike Campbell of Tom Petty and the Heartbreakers for Buffalo Springfield's 'For What It's Worth,' and Stills hung around when buddy and bandmate Graham Nash joined for Crosby, Stills, Nash & Young's 'Teach Your Children.'
John Fogerty popped up with The Black Crowes for Creedence Clearwater Revival's 'Have You Ever Seen the Rain,' while Guns N' Roses guitarist Slash joined the rock band to cover Led Zeppelin's 'Going to California.' Jelly Roll welcomed Travis Barker on drums to cover Bob Seger's 'Hollywood Nights'; and Sting returned to the stage to join Stevie Wonder for 'Superstition' and 'Higher Ground,' which also included Red Hot Chili Peppers' Flea on bass.
And that's just what wasn't on the stacked lineup in advance. We also got P!nk covering Led Zeppelin and Janis Joplin, Lady Gaga debuting the one-night-only new song 'All I Need Is Time,' Joni Mitchell bringing the emotional weight with 'Both Sides Now' and much more. Below, find the best photos from an incredible night of music with a mission. Those wanting to donate to Los Angeles wildfire relief funds are encouraged to visit fireaidla.org, and you can currently rewatch the full livestream via YouTube and other platforms.
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Black Music Appreciation Month: Marcus ‘DJ Maniac' McGee talks 20 year journey
Black Music Appreciation Month: Marcus ‘DJ Maniac' McGee talks 20 year journey

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time5 hours ago

  • Yahoo

Black Music Appreciation Month: Marcus ‘DJ Maniac' McGee talks 20 year journey

WICHITA FALLS (KFDX/KJTL) — During June, we are paying tribute to Black Music. One local artist shares his 20-year journey. Meet Marcus 'DJ Maniac' McGee. The Wichita Falls native has been a turntablist for more than 20 years. 'I like to scratch,' McGee said. 'That really got me into it as well, like the hip hop side of it.' Deejaying began when McGee heard the same songs repeatedly at nightclubs in Wichita Falls. That's when he set out to buy his own turntable set, learning the fundamentals of scratching, beat juggling, and more. 'It all comes together as a really cool dish, like if I [were] a chef or something,' McGee said. Mixing new beats by combining pop and rock hits to serve through his creative style. 'With deejaying and I thought hip hop was just with hip hop songs until I seen these other DJ mix with Led Zeppelin and Pantera. Even some old-school Jazz stuff too that goes into samples of 90s Wu-Tang and A Tribe Called Quest,' McGee said. 'If you find that one song that was hot for a minute and then you put it up for a little bit and then you just randomly bring it back. It will bring back memories to people like, 'oh my god, I remember this song'.' Aside from beat sampling, McGee also takes influences from other deejays such as Wichita Falls' own DJ Sabor and DJ Jazzy Jeff. Taking a little piece of them and mixing it with his own twang. The veteran disc jockey has spent hours perfecting his craft to keep you grooving to the tunes. 'It's really, really fun to figure out what people want and what people need to hear. That's a big difference,' McGee said. 'People will want certain songs and won't even dance to it. When you play a song that they don't even know that they want it and they hit, and then you have a pretty good crowd.' Bringing people together on the dance floor. 'Really awesome just to see what I love to do and showing people that I love to do it and be able to share it,' McGee said. Turning tracks and heads. 'You really have to respect the culture to do it. Right? Anybody can deejay, but not everybody can actually rock the crowd or have a song that's playing that makes that one person get up,' McGee said. 'You have to know how to control your environment. Always learning, always trying to improve my craft. As long as I'm here, I'm going to respect that craft. Hopefully, if you ever see me out and about, I'll be rocking it.' McGee jokes he's retired twice from deejaying to his gaming lounge, but his phone always rings for more gigs. 'It's kind of the same thing from deejaying to Maniacs Mansion. I just went out, tried it, did it and I'm still here doing both. So I must be doing it right,' McGee said. DJ Maniac's still spinning the turntable and offering up the best tunes through his creations. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

Sting says governments have neglected the North East for decades
Sting says governments have neglected the North East for decades

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time7 hours ago

  • Yahoo

Sting says governments have neglected the North East for decades

Sting is in a reflective mood. The Grammy-Award-winning singer-songwriter grew up in Wallsend, Newcastle-upon-Tyne and tells me he is "very proud" of his Tyneside roots. But the musician is less complimentary about the way the North East of England has been, as he puts it, "wilfully neglected by successive governments for decades". As he announces a significant donation to an arts institution in Gateshead, he also told the BBC: "The statistics for child poverty in the area are discouraging". It's clear from our communication that Sting wants to give back to the place and the culture that made him. The former Police frontman is donating an undisclosed amount to the Baltic Centre for Contemporary Art, sometimes described as the Tate Modern of the North East of England. It's nearly 50 years since The Police released their debut album featuring tracks such as Roxanne and Can't Stand Losing You. Those decades have brought him everything a boy who dreamed of musical success could have wished for; he's sold more than 100 million albums worldwide, as The Police frontman and bassist, and later as a solo artist. In 2022, he also made a reported $300m (£222m), selling his back catalogue to Universal Music Group. The years haven't been as kind to the region where he was raised and where a third of babies, children and young people grow up in poverty, according to recent data from the End Child Poverty Coalition. When Sting was born Gordon Sumner in 1951, the son of a milkman and a hairdresser, the North East still had a proud tradition of shipbuilding. He's previously said that his earliest memory was "a massive ship at the end of my street, towering over the houses and blotting out the sun". But after the decline of that industry, Sting - the yellow and black sweater he wore while performing in a jazz band as a teenager earned him the nickname and it stuck - tells me, despite "all the empty promises of 'levelling up'", for years governments have disregarded the North East, "ignoring its significant historical contribution to national life, both industrial and cultural". In response to Sting's criticisms, a government spokesman said it would "fix the crisis we have inherited". It's investing £140m in the seven most deprived towns in the North East, including Washington and Jarrow, as part of a wider £1.5bn investment across the country and told the BBC it is "taking decisive action to tackle the scourge of child poverty". He remembers a childhood rich in culture, despite his humble beginnings. "We didn't have any books in the house", he tells me by email, but "I was fortunate in the 60s to have had access to Wallsend library". He also recalls access to drama at the People's Theatre in Jesmond, one of the oldest non-professional theatre companies in the UK, visits to the Laing Art Gallery and also making his professional debut as a musician in the orchestra pit at The University Theatre. "All of these institutions gave me a sense of the world beyond the shipyard where I was raised." The River Tyne's most famous shipyard, Swan Hunter in Wallsend, shut in 1993. Sting describes the now disappeared shipyard to me as "a real and symbolic victim of Government neglect if not betrayal". He tells me "I had to leave the area to 'make it'" - he moved to London in 1977 and soon after formed The Police with guitarist Andy Summers and drummer Stewart Copeland - but his ties to the North East still apparently run deep. As a young Wallsend local, he tells me his love of music was fostered when he saw the virtuoso Spanish classical guitarist Andrés Segovia perform with the chamber orchestra that was then still called the Northern Sinfonia, at Newcastle's City Hall aged 14. A year later, in 1967, his mind was blown when Jimi Hendrix played the legendary (and long-gone) gig venue Club a'Gogo. The American guitar prodigy had been brought to the UK by the Newcastle-born bass player of The Animals, Chas Chandler. Fifteen-year old grammar school boy Sumner couldn't believe what he was seeing, later describing how he "lay in my bed that night with my ears ringing and my world view significantly altered". In 2023, North Tyneside Council honoured the cultural impact of his work and his connection to the region, granting him the Freedom of the Borough. At 73, he appears to be thinking deeply about the importance of cultural experiences for children growing up in the North East now. He says he has a debt to the region that he needs to pay back, telling me that art involves "the nourishing of creative sparks that can lie dormant in even the poorest households if not encouraged by exposure to human potential". Which brings him to the Baltic, which, like museums and art institutions across the UK, is facing challenging financial times in an era of diminishing public investment. It opened in 2002 in a converted flour mill, a key part of the regeneration of the Gateshead quayside on the south bank of the River Tyne. The Baltic showcases some of the world's best contemporary art - Anish Kapoor and Antony Gormley were amongst the first to exhibit there - and also takes an innovative approach to enticing people into the artspace. There's a café called The Front Room, with free tea, coffee and biscuits sponsored by a local company and breakfast clubs for hungry children in the school holidays. Sewing circles, book clubs, parent toddler groups and others use the space free of charge. In the past, local pit villages and council estates have been leafleted to advertise the Baltic as a centre for everyone. More than 300,000 children and young people take part in Baltic activities and programmes every year. Sting's donation kickstarts its plans to fundraise for a £10m Endowment Fund of private investment to safeguard free entry to the centre and ensure its community work can thrive into the future. "The creative arts are of vital importance to the wellbeing of the community as a whole," he tells me and the Baltic "should be a beacon of hope for regeneration". He's currently on a world tour with his trio Sting 3.0. Amongst a packed schedule across the US, Asia and Europe, with summer dates in the UK including headlining at the Isle of Wight Festival and Latitude, he'll be heading to Tyneside for one night in October for a gala performance at the Baltic to help raise more funds, with tickets at £10,000 a table. He's been musing on his roots for some time. His concept album turned musical, The Last Ship, was inspired by the Tyneside shipyards of his childhood. It wasn't entirely well-received critically - or at the box office - when it premiered in the US in 2014. But it's since toured the UK, including to Newcastle, and Sting will perform in it again early next year in Paris. He wants to sing more widely about the innovative spirit he sees in the North East, telling me: "Geordies are not strangers to innovation, the steam turbine and the locomotive were developed on Tyneside. Britain's success was largely built on these inventions." Sting: AI-written songs don't impress me at all Sting picks up hometown honour after 13-year wait

Billy Joel tried to kill himself twice before realizing he could channel his sadness into music
Billy Joel tried to kill himself twice before realizing he could channel his sadness into music

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time11 hours ago

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Billy Joel tried to kill himself twice before realizing he could channel his sadness into music

Previously untold details of Billy Joel's life are revealed in the two-part documentary "Billy Joel: And So It Goes," which premiered last week and hits HBO in July. (Evan Agostini / Invision / Associated Press) Billy Joel's life is awash in revelations these days — some bad, some worse. Last month, the "Only the Good Die Young" singer-songwriter canceled all his upcoming concerts, revealing he was struggling with a brain disorder that causes a potentially reversible kind of dementia. Then last week, he divulged that he attempted suicide twice in his 20s after falling in love with his bandmate's wife and causing the downfall of the band itself. Advertisement Read more: Billy Joel cancels all of his upcoming shows after revealing brain disorder diagnosis "I felt very, very guilty about it. They had a child. I felt like a homewrecker,' Joel says (via People) in the first half of the two-part documentary "Billy Joel: And So It Goes," which premiered last Wednesday and hits HBO Max in July. 'I was just in love with a woman and I got punched in the nose, which I deserved." Joel said both he and his friend and Attila bandmate, Jon Small, were upset by what happened while Joel was living with Small and Small's then-wife, Elizabeth Weber. So upset that Attila — a Led Zeppelin-inspired metal band, according to the New York Times — broke up and Joel started boozing, which sent him into a tailspin. 'I had no place to live," Joel says in the documentary. "I was sleeping in laundromats, and I was depressed, I think to the point of almost being psychotic. So I figured, 'That's it. I don't want to live anymore.'" Advertisement He tried twice to end his life in the early 1970s, according to the documentary. First, he took the entire lot of sleeping pills that his sister, then a medical assistant, had given him to help him sleep. That put him in the hospital. Read more: Christie Brinkley details turbulent marriage with Billy Joel: 'I hesitated to put that scene in the book' "He was in a coma for days and days and days," Judy Molinari says in the program. She thought she had killed her brother. Joel says in the doc that he woke up in the hospital still suicidal, hoping to do it "right" the next time. His sister said he wound up drinking "lemon Pledge" furniture polish. That time, an unlikely person took him to the hospital: Small, his then-estranged best friend. Advertisement "Eventually," Small says in the documentary, "I forgave him." As for those impulses to harm himself, they wound up paying off for Joel after he checked out of a facility he had checked himself into after the second suicide attempt. Read more: 'We apologize': CBS vows to air Billy Joel milestone concert again after ending is cut off "I got out of the observation ward and I thought to myself, you can utilize all those emotions to channel that stuff into music." Joel reconnected with Weber about a year after that, wrote about her in the 1973 song "Piano Man," and married her from then until 1982. Marriages to Christie Brinkley, Katie Lee and current wife Alexis Roderick would follow. Advertisement The first part of the documentary covers Joel's childhood and runs through his 1982 motorcycle accident, according to the New York Times. He doesn't meet his "Uptown Girl," Brinkley, until Part 2. Get notified when the biggest stories in Hollywood, culture and entertainment go live. Sign up for L.A. Times entertainment alerts. This story originally appeared in Los Angeles Times.

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