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Variety Partners With Canva, Google TV, Uber Advertising, Deloitte and Others for Expanded Slate of Cannes Lions Events

Variety Partners With Canva, Google TV, Uber Advertising, Deloitte and Others for Expanded Slate of Cannes Lions Events

Yahoo2 days ago

Attendees of the 71st Cannes Lions International Festival of Creativity — dedicated to honoring creative innovation and excellence in marketing, advertising, design, communications and related disciplines — may notice that Variety has expanded its presence this year through its partnerships with Canva, Google TV, Uber Advertising, Deloitte and Samsung Ads, resulting in a full slate of events running throughout the week.
'At Canva, we believe creativity thrives in community,' says Kristine Segrist, Canva global head of consumer marketing. '[We're] all about fueling connection, creativity and bold ideas, and partnering with Variety helps us create these moments in all the right ways.'
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Last year's inaugural partnership with Variety proved so successful, Segrist wanted to do something even more special in 2025 by going bigger — and beachside — with its first Canva Creative Cabana, right on the iconic Croisette.
The two-day (June 17-18) Canva Creative Cabana will serve as the venue for Variety in the C-Suite Presented by Canva, a series of intimate conversations with marketing leaders from brands and industry leaders, including Mark Weinstein, chief marketing officer, Hilton; Karen Kovacs, president, advertising and partnerships, NBCUniversal; Lisa McKnight, EVP and chief brand officer, Mattel; Raja Rajamannar, CMO, Mastercard; Domenic DiMeglio, chief marketing officer and head of data, Paramount+; Patricia Corsi, chief growth officer, Kimberly-Clark; Zach Kitschke, chief marketing officer, Canva; Rita Ferro, President Global Advertising, Disney; Marisa Thalberg, CMO, Catalyst Brands; and will.i.am, founder and CEO, FYI.AI.
Several of those luminaries will attend the Variety Canva Supper on the Croisette, an exclusive networking dinner on June 16, hosted by Variety co-editors-in-chief Cynthia Littleton and Ramin Setoodeh and Kitschke.
'We've designed this beautiful and inclusive space where brand builders, creative thinkers and leaders can come together to connect over big ideas from the future of AI to building brand love at scale,' says Segrist.
On June 17, attendees can unwind and absorb insights at the Variety Sports Culture Happy Hour, presented by Uber Advertising. The event will be headlined by a panel discussion exploring how the sports community is creating valuable connections to today's audiences. Panelists will include Olympic champion gymnast Jordan Chiles, NBA chief marketing officer Tammy Henault, American Express exec VP of global brand advertising Jess Ling and Georgie Jeffreys, head of marketing for Uber, U.S. and Canada.
The same day, Setoodeh will moderate a panel with Amanda Batula, star of Bravo's 'Summer House,' and Kerry Nelson, head of brand marketing, Samsung Ads, at the Business of Reality private event on the Samsung Ads Floating Penthouse. The conversation will explore how on-screen authenticity translates to real-world value, and how brands can harness reality programming's loyal fandom.
The Variety TV Innovation Brunch, presented by GoogleTV, is set for June 18. It will kick off with a keynote conversation with WNBA champion and TV host Candace Parker, which will be followed by an executive roundtable exploring how marketers are advancing the TV experience for audiences and their partners, featuring Shalina Govil-Pai, VP and GM, Google TV; Ryan Gould, co-president, advertising, Warner Bros Discovery; and Nicole Parlapiano, CMO, Tubi.
Also on June 18, Littleton will record a live 'Strictly Business' podcast with Michelle McGuire, principal and chief commercial officer of Converge by Deloitte, alongside Ruba Borno, vice president of global specialists and partners of AWS. The invitation-only taping, hosted on the Room's yacht, will focus on how crucial mastering the latest marketing data trends and technologies is to elevating audience fandom for sports, media and entertainment experiences.
Segrist says she's looking forward to spotlighting what's possible for marketers with the latest tools, as well as sprinkling in a few 'surprise-and-delight moments' along the way.
'The people. The energy. The ideas. There's something incredibly electric about being surrounded by creative minds and leaders from around the world who have a shared passion for discovering and shaping what's next,' says Segrist.
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Chile's Antonia Zegers, Star of Pablo Larrain's ‘The Club,' Boards Peruvian helmer Joanna Lombardi's ‘The Comeback'(EXCLUSIVE)
Chile's Antonia Zegers, Star of Pablo Larrain's ‘The Club,' Boards Peruvian helmer Joanna Lombardi's ‘The Comeback'(EXCLUSIVE)

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Chile's Antonia Zegers, Star of Pablo Larrain's ‘The Club,' Boards Peruvian helmer Joanna Lombardi's ‘The Comeback'(EXCLUSIVE)

Chilean actress Antonia Zegers, whose notable credits include several of Pablo Larrain's films, including 'Tony Manero,' 'The Club,' 'No,' and his Pinochet-as-Dracula pic, 'The Count,' has boarded the upcoming drama 'The Comeback' ('El Regreso') by Peru's Joanna Lombardi. Zegers, who also toplined Lucia Puenzo's lauded series 'The Pack' ('La Jauria') serves as a juror at the Ibero-American Fiction section of the ongoing 40th Guadalajara Film Festival (FICG), wrapping on June 14. More from Variety Netflix, Incentives and Location Perks Spur Growth in Mexico's Film and TV Industry Boxing, Uprisings, LGBTQ+ and Coming-of-Age Stories Power Guadalajara Co-Production Meetings Lineup Climate Change Hell, Military Coups, Big Industry Pollution, Fractured Families: Guadalajara Gives a Bracing Latin American Take on World Collapse 'What first drew me in was the chance to work with Joanna – there's a quiet strength in her, a way of seeing the world that speaks to me. I trust that together, we'll create something truly special,' she told Variety. Lombardi is a former creative executive for Movistar in Latin America and leading Peruvian shingle Tondero Films. Her directorial feature debut 'Casadentro' won Montreal Festival's Golden Zenit as well as the international critics Fipresci award. She also directed Peru's first Netflix Original 'How to Get Over a Breakup' ('Soltera codiciada'). Set against the little-known Aug. 28 festivities in the coastal border town of Tacna in Peru, 'The Comeback' follows Martha, a once-famous actress in crisis, who returns to Tacna to sell her family home and use the proceeds to fund a play that she hopes could revive her career. As the city celebrates Aug. 28th, which marks the anniversary of Tacna's return to Peru after its war with Chile, her plans are upended by her sister's sudden illness, forcing Martha to stay in the place she hoped to leave behind. 'This film is about memory, but it is also about identity as Martha left home at 18 for Chile, which upset her family. She was seen as a Peruvian in Chile but when she returns, she is seen as Chilean because she has picked up a Chilean accent,' said Lombardi who has put together a crack – mostly female – team that includes Inti Briones ('To Kill a Man,' 'Jayro Bustamante's 'Rita') as her DP, Chile's Soledad Salfate ('A Fantastic Woman') as her editor and Luciano Supervielle ('The Freshly Cut Grass') as her music composer. Chile's Florencia Larrea ('My Tender Matador') and Uruguay's Agustina Chiarino of Bocacha Films ('Agárrame fuerte'), both key drivers of Latin American cinema, have also boarded as co-producers. They are seeking a European producing partner. 'The Comeback' is written by Lombardi's mother, author Giovanna Pollarolo, the wife of Peru's legendary filmmaker Francisco Lombardi, who wrote all the screenplays to his films, including his hit Goya-nominated satire 'Captain Pantoja and the Special Service.' 'It will be the first time I collaborate with my mother,' said Lombardi, adding: 'It was her idea to set a story in Tacna, which we later co-developed. Tacna was where my father was born and where I spent all my childhood summers.' For some historical context, Tacna played a pivotal role in The War of the Pacific, in which Peru was defeated by Chile in 1883. Yet Tacna remained under Chilean control until August 28, 1929, nearly 50 years later. Almost a century has passed, but the conflict remains unresolved. Deep-seated resentment toward Chile still lingers among the people of Tacna, a reality that must be addressed for true reconciliation. 'Every August 28, the city comes to a standstill to celebrate but ironically, few Peruvians outside Tacna know or remember why,' she said. 'Sometimes I feel people are split between those who want to remember the past and those who prefer to move forward. I often wonder which is healthier,' she mused. Filming is scheduled to take place in Tacna in August next year. Best of Variety 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts? 25 Hollywood Legends Who Deserve an Honorary Oscar New Movies Out Now in Theaters: What to See This Week

Cooper Koch reveals two failed auditions to play Menendez brother—here's who beat him
Cooper Koch reveals two failed auditions to play Menendez brother—here's who beat him

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Cooper Koch reveals two failed auditions to play Menendez brother—here's who beat him

Stephane Cardinale/Corbis via Getty Images Cooper Koch Cooper Koch is nothing if not tenacious! The 28-year-old actor broke out in 2024 for starring in Monsters: The Lyle and Erik Menendez Story as Erik Menendez. His impassioned performance led to a Golden Globe nomination, a spot in Variety's Actors on Actors interviews, and millions of fans. In his Actors on Actors interview — a web series hosted by Variety — Koch was paired up with The White Lotus star Sam Nivola. The two discussed playing characters defined by their relationships to their brothers, working with some of the biggest names in Hollywood, and how they got their breakout roles. Fans already knew that Koch was passionate about the Menendez brothers, speaking out about their real-life case and even visiting them in prison. Now, we know how deep that passion goes. Cooper Koch and Sam Nivola haven't met before, but form an instant bond in the Actors on Actors studio. They discuss what it ... - YouTube During his appearance on Variety's "Actors on Actors," Koch revealed that he had actually — literally — auditioned for the 2017 limited season dubbed Law & Order True Crime: The Menendez Murders that centered on the Menendez brothers (Koch's second audition ever). And Koch had also auditioned for the 2017 Lifetime movie Menendez: Blood Brothers, once again not booking the role. "I just felt like this insane cosmic, universe-y thing that was like, 'I have to play this part,'" Koch told Nivola in their one-on-one interview. "It was just that immense empathy that you feel for a person, and I had to do it." Koch eventually earned his chance to play one of the Menendez brothers on Ryan Murphy's Monsters series on Netflix. The series was so successful that it propelled Koch to become a household name around the world, and a legitimate Emmy contender, too. However, Koch's revelation did some spark a curiosity within us: Who the heck were the other actors who beat him in those auditions for the Lifetime movie and the limited season of Law & Order? Nico Tortorella starred as Lyle Menendez in Menendez: Blood Brothers when he was 29 years old. The Shield star Benito Martinez played the Menendez patriarch José, and musician Courtney Love played the mother, Kitty Menendez. Tortorella was already a rising star at the time, having played Trevor Sheldon in Scream 4, and starred in the TV shows The Beautiful Life, Make It or Break It, The Following, and Younger. After those shows, Tortorella has often appeared as himself, including on RuPaul's Drag Race and Legendary as a guest judge, and RuPaul's Secret Celebrity Drag Race as a competitor. Over the years, Tortorella came out as bisexual, genderfluid, and polyamorous. The actor also got married to Bethany C. Meyers in 2018, and they have two kids together. Before playing Erik Menendez in Menendez: Blood Brothers, Myko Olivier had many small roles in television and short films, including the MTV series Awkward, Zendaya's Disney series K.C. Undercover, Nickelodeon's Sam & Cat with Jennette McCurdy and Ariana Grande. He also starred in Glee as one of the Warblers. Since then, Olivier has continued to steadily work on shows like Agents of S.H.I.E.L.D., Code Black, Doctor Odyssey, and Good Trouble, where he played Tyler Banks for nine episodes. Law & Order True Crime: The Menendez Murders aired in 2017 and starred Edie Falco as defense attorney Leslie Abramson. Actor Gus Halper played Erik Menendez in the series. Before Law & Order, he had landed roles in TV shows such as Power and Chicago P.D. Halper's career took off after this performance on Law & Order, and he was soon starring in shows like Happy!, Madam Secretary, Ramy, Dickinson, Evil, Fear the Walking Dead, and Law & Order: Organized Crime. In 2023, he appeared in the Oscar-nominated film Rustin as civil rights activist Tom Kahn alongside Colman Domingo (who played the title character). On Law & Order, Lyle Menendez was played by actor Miles Gaston Villanueva. Villanueva made his name in Hollywood starring in 87 episodes of The Young and the Restless, while also appearing in shows like NCIS, NCIS: Los Angeles, Bones, and Jane the Virgin. Villanueva has continued his successful TV career, starring in eight episodes of The Resident, seven episodes of Nancy Drew, and seven episodes of Bosch: Legacy. He also appeared on the gritty superhero show The Boys as Supersonic, where he played a hero with sound-based powers. Supersonic was formerly a member of an all-super boy band called Super-Sweet — and he even dated Starlight.

Candace Parker drops blunt view on fairness of critiquing WNBA players
Candace Parker drops blunt view on fairness of critiquing WNBA players

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Candace Parker drops blunt view on fairness of critiquing WNBA players

The post Candace Parker drops blunt view on fairness of critiquing WNBA players appeared first on ClutchPoints. Candace Parker is the latest former basketball star to find success in sports media, securing fanfare for her deep knowledge of the game and versatility to complexly analyze both the NBA, WNBA, and college basketball. Parker has been in the front seat for the growth of the WNBA and with growth comes commentary that isn't always positive or affirming. Advertisement In an appearance on No Offseason: The Athletic Women's Basketball Show, Parker talked about WNBA coverage and the fairness of critiquing WNBA players. 'For a long time media has been the driving force behind people watching the WNBA. You had to handle it with white gloves because you couldn't critique something that was being critiqued in society for that long. So but now I think there's a difference in handling it with white gloves and loving it and being passionate. There's an honesty, authenticity, and there's a truth that you're owed to people. You can't lie to viewers, you can't lie what you see.' She continued, 'So we're saying 'Man that's an unbelievable play.' Like okay or, 'Yeah I don't know what she was doing there.' No, like the viewers see that she made a turnover or that maybe she needs to work on going to her left. I wholeheartedly believe, and not attacking anybody, I don't think you should ever attack anybody personally their character who they are, but you can critique what they're doing.' In her brief media career, Parker has led in showing that an analyst or journalist can be critical without being personal as her opinions on players and teams across the basketball landscape are well respected. Candace Parker also evoked Inside The NBA, in her comments as she cites that they don't hold back on their critiques of players. Advertisement 'In the same sense that the NBA on TNT was a first of its kind and Ernie, Shaq, Chuck, and Kenny being honest and real about what's going on and understanding the balance of entertainment that you want to bring to the viewers but also honesty I think that's the key.' It's clear that Parker wants honesty in takes about basketball but respect for the players that are the subject of critique and opinion. That is absolutely reasonable and should be the standard across all sports coverage.

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