Variety Partners With Canva, Google TV, Uber Advertising, Deloitte and Others for Expanded Slate of Cannes Lions Events
Attendees of the 71st Cannes Lions International Festival of Creativity — dedicated to honoring creative innovation and excellence in marketing, advertising, design, communications and related disciplines — may notice that Variety has expanded its presence this year through its partnerships with Canva, Google TV, Uber Advertising, Deloitte and Samsung Ads, resulting in a full slate of events running throughout the week.
'At Canva, we believe creativity thrives in community,' says Kristine Segrist, Canva global head of consumer marketing. '[We're] all about fueling connection, creativity and bold ideas, and partnering with Variety helps us create these moments in all the right ways.'
More from Variety
Candace Parker to Headline Variety's Innovation in TV Brunch
Anthropic Chief Says AI Tools Can Be a 'Force Multiplier' for Business
How Streaming Services Can Stay Ahead of the AI and Social Media Disruption Wave (Guest Column)
Last year's inaugural partnership with Variety proved so successful, Segrist wanted to do something even more special in 2025 by going bigger — and beachside — with its first Canva Creative Cabana, right on the iconic Croisette.
The two-day (June 17-18) Canva Creative Cabana will serve as the venue for Variety in the C-Suite Presented by Canva, a series of intimate conversations with marketing leaders from brands and industry leaders, including Mark Weinstein, chief marketing officer, Hilton; Karen Kovacs, president, advertising and partnerships, NBCUniversal; Lisa McKnight, EVP and chief brand officer, Mattel; Raja Rajamannar, CMO, Mastercard; Domenic DiMeglio, chief marketing officer and head of data, Paramount+; Patricia Corsi, chief growth officer, Kimberly-Clark; Zach Kitschke, chief marketing officer, Canva; Rita Ferro, President Global Advertising, Disney; Marisa Thalberg, CMO, Catalyst Brands; and will.i.am, founder and CEO, FYI.AI.
Several of those luminaries will attend the Variety Canva Supper on the Croisette, an exclusive networking dinner on June 16, hosted by Variety co-editors-in-chief Cynthia Littleton and Ramin Setoodeh and Kitschke.
'We've designed this beautiful and inclusive space where brand builders, creative thinkers and leaders can come together to connect over big ideas from the future of AI to building brand love at scale,' says Segrist.
On June 17, attendees can unwind and absorb insights at the Variety Sports Culture Happy Hour, presented by Uber Advertising. The event will be headlined by a panel discussion exploring how the sports community is creating valuable connections to today's audiences. Panelists will include Olympic champion gymnast Jordan Chiles, NBA chief marketing officer Tammy Henault, American Express exec VP of global brand advertising Jess Ling and Georgie Jeffreys, head of marketing for Uber, U.S. and Canada.
The same day, Setoodeh will moderate a panel with Amanda Batula, star of Bravo's 'Summer House,' and Kerry Nelson, head of brand marketing, Samsung Ads, at the Business of Reality private event on the Samsung Ads Floating Penthouse. The conversation will explore how on-screen authenticity translates to real-world value, and how brands can harness reality programming's loyal fandom.
The Variety TV Innovation Brunch, presented by GoogleTV, is set for June 18. It will kick off with a keynote conversation with WNBA champion and TV host Candace Parker, which will be followed by an executive roundtable exploring how marketers are advancing the TV experience for audiences and their partners, featuring Shalina Govil-Pai, VP and GM, Google TV; Ryan Gould, co-president, advertising, Warner Bros Discovery; and Nicole Parlapiano, CMO, Tubi.
Also on June 18, Littleton will record a live 'Strictly Business' podcast with Michelle McGuire, principal and chief commercial officer of Converge by Deloitte, alongside Ruba Borno, vice president of global specialists and partners of AWS. The invitation-only taping, hosted on the Room's yacht, will focus on how crucial mastering the latest marketing data trends and technologies is to elevating audience fandom for sports, media and entertainment experiences.
Segrist says she's looking forward to spotlighting what's possible for marketers with the latest tools, as well as sprinkling in a few 'surprise-and-delight moments' along the way.
'The people. The energy. The ideas. There's something incredibly electric about being surrounded by creative minds and leaders from around the world who have a shared passion for discovering and shaping what's next,' says Segrist.
Best of Variety
25 Hollywood Legends Who Deserve an Honorary Oscar
New Movies Out Now in Theaters: What to See This Week
Emmy Predictions: Animated Program — Can Netflix Score Big With 'Arcane,' 'Devil May Cry' and the Final Season of 'Big Mouth?'
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
39 minutes ago
- Yahoo
Marvel's ‘Vision' Lands ‘Schitt's Creek' Star Emily Hampshire as E.D.I.T.H.
Vision may have met his match. Marvel Studios' spin-off series about Vision has landed 'Schitt's Creek' star Emily Hampshire as E.D.I.T.H., the Stark Industries artificial intelligence introduced in 2019's 'Spider-Man: Far From Home.' She joins Paul Bettany, who is reprising his role as the now-reincarnated synthezoid character (who is the physical manifestation of another Stark Industries AI, Jarvis). More from Variety 'The Fantastic Four' Director Matt Shakman Reveals the 'Magical' Comics That Inspired the Film in 'Small and Large Ways' (EXCLUSIVE) Marvel Studios Skipping Comic-Con Hall H Panel for 2025 As Comic Book Movies Scale Back Releases, Marvel and DC Look to This Summer to Decide the Future of Superhero Cinema In 'Far From Home,' E.D.I.T.H. is introduced as a gift that Tony Stark (Robert Downey Jr.) bequeaths to Peter Parker (Tom Holland) after Stark sacrifices his life in 'Avengers: Endgame.' (The name stands for 'Even Dead, I'm The Hero.') Peter controls E.D.I.T.H. through a pair of high-tech sunglasses, which he unwittingly gives to the film's villain, Mysterio (Jake Gyllenhaal), before retrieving them at the end of the movie. The glasses are confiscated after Peter's identity as Spider-Man is revealed to world, and E.D.I.T.H.'s ultimate fate is left unresolved. It's unclear whether Hampshire is just lending her voice to the role or will be embodying it as well, but the character will be one of several AI to populate the series. James Spader is reprising his role as Ultron, the villain from 2015's 'Avengers: Age of Ultron,' and T'Nia Miller ('The Diplomat') is playing Jocasta, another robotic character from the Marvel Comics. Other co-stars include Todd Stashwick ('Star Trek: Picard') and Ruaridh Mollica ('Ridley'). More to come. Best of Variety What's Coming to Netflix in June 2025 New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts?
Yahoo
39 minutes ago
- Yahoo
‘The Fantastic Four' Director Matt Shakman Reveals the ‘Magical' Comics That Inspired the Film in ‘Small and Large Ways' (EXCLUSIVE)
Before Iron Man, before the Hulk, before Spider-Man, there was the Fantastic Four. The quartet of astronauts transformed into superheroes were Stan Lee and Jack Kirby's first creation for Marvel Comics, launching the sprawling storytelling universe of interconnected characters that has endured for 64 years. Until Disney acquired 20th Century Fox in 2019, however, Reed Richards (a.k.a. Mr. Fantastic), Sue Storm (a.k.a. the Invisible Woman), Johnny Storm (a.k.a. the Human Torch) and Ben Grimm (a.k.a. the Thing), as were unable to join the Marvel Cinematic Universe. That will finally change in July with the premiere of Marvel Studios' 'The Fantastic Four: First Steps,' starring Pedro Pascal as Reed, Vanessa Kirby as Sue, Joseph Quinn as Johnny and Ebon Moss-Bachrach as Ben. To marshal Marvel's First Family into the MCU, studio chief Kevin Feige tapped veteran director Matt Shakman, who helmed every episode of Marvel's first streaming series, 'WandaVision,' as well as episodes of 'Monarch: Legacy of Monsters,' 'Succession,' 'Game of Thrones,' 'The Great,' 'The Boys,' 'Fargo,' 'The Good Wife' and 'It's Always Sunny in Philadelphia.' More from Variety Marvel Studios Skipping Comic-Con Hall H Panel for 2025 As Comic Book Movies Scale Back Releases, Marvel and DC Look to This Summer to Decide the Future of Superhero Cinema David Tennant Says He Had His 'Eye On' the Role of Reed Richards in 'The Fantastic Four' Before Pedro Pascal Was Cast: 'They've Gone in a Different Direction' Beyond his extensive resume, Shakman's biggest qualification for the job is his love for the Fantastic Four comics, as demonstrated in the foreward the filmmaker penned for the new Marvel Premiere Collection release, 'Fantastic Four: Solve Everything' — which Variety is exclusively previewing below. The volume, which goes on sale June 3, is a streamlined collection of Fantastic Four comics published between 2009 and 2011 (i.e. issues #570–588) written by Jonathan Hickman, with art by Dale Eaglesham, Neil Edwards and Steve Epting, and cover art by Joe Quesada. In his foreward, Shakman singles out Hickman's work — and this particular run of issues — as a major influence on the new 'Fantastic Four' movie. Among several curious allusions to FF storylines and characters, the director specifically cites three of Hickman's inventions — Reed's philanthropic Future Foundation, the multiverse portal the Bridge, and the interdimensional Council of Reeds. How these may (or may not) be incorporated into the movie remains to be seen, but Shakman's love for the comics, and for these characters, is abundantly clear. Fantastic Four: Solve EverythingForeward By Matt Shakman I fell in love with the Fantastic Four when I was a kid growing up in Ventura, California. Encountering a family of super heroes that felt so familiar blew my mind: the humor, the heart, the sniping and griping, the messiness. At the same time, I was taken by the optimism and wonder of their world. With their roots in the '60s space race, the F4 have always been about exploration — whether it is to the cosmos or the Negative Zone or deep into the human mind. Reed, Sue, Ben and Johnny may have incredible powers, but they are family first, scientists and explorers second and super heroes only when absolutely necessary. Every Marvel filmmaker attempts to build on what has come before in publishing while simultaneously reinventing the characters for the current moment. The same is true with comic creators. What Lee and Kirby launched in the '60s changed Marvel forever. Their bold gamble to center a realistic family turned into the biggest hit of the early Silver Age. Every artist and writer since has attempted to build on that legacy while finding something in the characters that made them sparkle anew. In preparation for Marvel Studios' 'The Fantastic Four: First Steps,' I delved into the 60-plus years of comics history. Marvel's First Family has been continuously cared for by the best and brightest the company had to offer. None shone so bright as Jonathan Hickman. The humor and heart I loved as a kid? It's there and better than ever. The messy family dynamics? Made even more interesting as Val and Franklin take center stage. And that sense of optimism and wonder? I don't think the Fantastic Four have been quite as fantastic as they are in the pages of this book. As we developed the script for the film, I returned again and again to this epic run — thrilled by brain-bending innovations like the Council of Reeds and riveted by heroic standoffs against the likes of Annihilus. But it was Hickman's deep insight into the specific family dynamics of the Four that affected me the most. His Reed Richards is part Steve Jobs and part Oppenheimer, always on the edge of saving the world or destroying it. The author runs right at Mister Fantastic's weakness: believing that he can and should do it all on his own. Reed is determined to 'Solve Everything' — but he learns that the cost of solving everything is… everything. Ultimate knowledge risks ultimate sacrifice: the loss of his family. Sue has come a long way from the 'Invisible Girl' of the early '60s. In these pages, she is part United Nations Secretary General and part Field Marshal, backing up diplomacy with force when necessary. Hickman's Sue may be the most powerful member of the Four — she's the glue that holds the world together while Reed experiments in the lab with things that could destroy it. She brokers deals as the world's finest diplomat, ending up as the Queen of the Sea. In one of my favorite F4 moments, she declares to Namor, 'I am a Queen that bows before no King.' Damn right. How do these two very different people make up the greatest marriage in comics history? We see, page after page, that the secret is their unique balance of heart and mind. Before Jerry Maguire, these two completed each other. Sue and Reed are relatable not just as partners, but also as parents. We understand their anxiety, fretting over the destiny of Val and Franklin just as I fret over my 9-year-old daughter's future. I cherish the family intimacy of scenes in the Baxter Building and never doubt that these parents love their children and would do anything to protect their future. I know that Johnny and Ben would do the same. And we know that, as super heroes, they will fight just as hard to protect our world. Having absorbed six decades of F4 publishing, many of Hickman's magical moments and unique character dynamics stick with me. And they made it into our film in small and large ways. From Sue as a diplomat to Reed trying to solve everything even at the risk of imperiling his family. Johnny's need to be taken seriously. Ben's gentle nature, forever at odds with his appearance. The Future Foundation. The Bridge. The mystery of children and the anxiety we have as parents about their future. Hickman is a poet, of both the everyday and the extraordinary. His work beats with a heart as big as Sue Storm's, rendering an emotional journey that culminates in a scene that makes me tear up every time I read it. (I won't ruin it… just wait for 'Uncles.') His writing is thrilling, thought-provoking and tender…and, like the characters he writes about, fantastic. Best of Variety What's Coming to Netflix in June 2025 New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts?
American Military News
4 hours ago
- American Military News
HBO's ‘Harry Potter' series reportedly casts Harry, Ron, Hermione
The spell has been cast, and so too have Harry, Ron and Hermione in HBO's new 'Harry Potter' series. Dominic McLaughlin will sport the lightning bolt scar as the titular chosen wizard, while Arabella Stanton — who recently starred as Matilda in the West End's production of 'Matilda: The Musical' — and Alastair Stout will round out the trio as Hermione Granger and Ron Weasley, respectively, Variety reports. Daniel Radcliffe, Emma Watson and Rupert Grint were the first actors to play the magical roles, across eight films from 2001 to 2011. 'The talent of these three unique actors is wonderful to behold, and we cannot wait for the world to witness their magic together onscreen,' showrunner Francesca Gardiner and director-executive producer Mark Mylod said in a statement to the outlet. 'We would like to thank all the tens of thousands of children who auditioned.' Variety reports that over 30,000 hopefuls tossed their sorting hats in the ring since the fall. Also recently announced were the castings of John Lithgow as Headmaster Albus Dumbledore, Janet McTeer as Minerva McGonagall, Paapa Essiedu as Severus Snape and Nick Frost as Rubeus Hagrid. The Hollywood Reporter first broke news of the show, based on J.K. Rowling's hit children's fantasy books, in early 2021. The show is expected to debut next year, with filming slated for this summer. The network has already promised 'a faithful adaptation of the beloved 'Harry Potter' books.' In April 2023, Bloomberg reported that Warner Bros. Discovery was 'close to a deal' enabling them to adapt each of the seven books for the small screen. Rowling's name in recent years has been perhaps more entwined with her anti-transgender political views than the Hogwarts-set tale. ___ © 2025 New York Daily News. Distributed by Tribune Content Agency, LLC.
