‘90s Singer, 60, Is ‘Beautiful as Ever' Singing Iconic 1992 Anthem
Sophie B. Hawkins looks and sounds like no time has passed since the 1990s.
The 'Damn I Wish I Was Your Lover' singer, 60, had fans swooning during a recent performance in Birmingham, U.K., as she belted out her iconic '90s anthem.In a video shared to social media, Hawkins—sporting her signature curly locks—was seen barefoot, swaying to the music and sounding pitch-perfect. The singer is currently on tour through October.
Fans quickly took to the comments to share their admiration and nostalgia for the singer/songwriter, with many expressing regret they couldn't see her live.
One fan wrote, 'She looks pretty much the same. Damn. Me, age 19, on repeat,' while another added, 'Still stunning with an awesome voice.'
While some noted Hawkins' trademark barefoot style with a cheeky 'Damn,' most were focused on her ageless beauty and timeless vocals.The New York-born singer burst onto the music scene in the early '90s with the breakout hit and later ventured into acting—portraying Janis Joplin in the play Room 105 and appearing as herself on the TV show Community.
🎬SIGN UP for Parade's Daily newsletter to get the latest pop culture news & celebrity interviews delivered right to your inbox🎬
'90s Singer, 60, Is 'Beautiful as Ever' Singing Iconic 1992 Anthem first appeared on Parade on Jun 25, 2025
This story was originally reported by Parade on Jun 25, 2025, where it first appeared.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Vogue
14 minutes ago
- Vogue
Everything We Know So Far About Daisy Edgar-Jones's Sense & Sensibility
Who's in the cast of Sense & Sensibility? Daisy Edgar-Jones will play the older sister, Elinor Dashwood, in the new Jane Austen adaptation. What's the plot of Sense & Sensibility? The story follows Elinor and Marianne Dashwood, two sisters who, upon the death of their father, find themselves suddenly destitute. Both then pursue love and financial security. When will Sense & Sensibility be released? There's no release date yet, but read on for everything we do know thus far. The details: It's Daisy Edgar-Jones's most high-profile big-screen project to date Yes, Twisters was big, but playing Elinor Dashwood, one of Jane Austen's most beloved heroines—previously brought to the big screen by double Oscar winner Emma Thompson, no less, who secured her second statuette for her adapted screenplay for Ang Lee's classic—somehow feels even bigger. The star of Normal People, Fresh, Under the Banner of Heaven, and Where the Crawdads Sing recently proved her acting chops on stage too, with her starring role as the ferocious Maggie in Cat on a Hot Tin Roof opposite Kingsley Ben-Adir's Brick, so we have no doubt that she'll soar. And as for her co-stars? Well, they have yet to be selected, meaning there is still much fan-casting fun to be had. If we remain within the Sally Rooney televisual universe, we could perhaps see Conversations with Friends and Saltburn's Alison Oliver playing Elinor's more naïve younger sister Marianne, previously embodied by a rosy-cheeked Kate Winslet, and Paul Mescal as the handsome and dastardly John Willoughby, previously played by Greg Wise. And as for Hugh Grant's floppy-haired Edward Ferrars and Alan Rickman's solemn Colonel Brandon? We could, maybe, see the talented Johnny Flynn as the latter, while the likes of Josh O'Connor and Callum Turner could duke it out to play the former. (Helpfully, the trio are all Austen veterans thanks to Autumn de Wilde's 2020 take on Emma.) The possibilities are truly endless. It's the somber older sister to Pride & Prejudice If Pride & Prejudice is a fizzy glass of champagne, Sense & Sensibility feels like a cosy cup of tea—its mood is more serious, sedate, and contemplative. The plot centers on the three Dashwood sisters—the eldest and most sensible, Elinor; the more free-spirited Marianne; and the much younger Margaret—who are devastated by the passing of their father. Along with their mother, they're left with only a small inheritance, with their father's grand estate instead falling into the hands of their half brother. Cast out, they move to a modest cottage, and Elinor and Marianne are drawn to a swirl of suitors: the older Colonel Brandon, the dashing John Willoughby, and the kindly Edward Ferrars. It's still unclear how faithful this new film adaptation will be (Netflix's Carrie Cracknell-directed, Dakota Johnson-led Persuasion, for instance, was freewheeling, to say the least), but it seems likely that it will at least echo the gentle and melancholy spirit of its Ang Lee-helmed predecessor. The women-led behind-the-camera team is incredibly impressive Georgia Oakley, the lauded filmmaker behind the BAFTA-nominated breakout Blue Jean, will be in the director's chair, marking a splashy follow-up to her widely respected debut, while Diana Reid, the author of Love & Virtue, Seeing Other People, and Signs of Damage, will adapt the novel—a pairing that raises our expectations even further. It'll capitalize on our recent bout of Austen fever This year marks the 250th anniversary of Jane Austen's birth, as well as the 20th anniversary of Joe Wright's wonderful, sun-dappled, Keira Knightley-centered Pride & Prejudice, which was re-released in theaters to mark the occasion—and there's even a new, Netflix-produced adaptation of the latter on the way. Here's hoping this new Sense & Sensibility arrives at the same time as that Pride & Prejudice—that's a Barbenheimer-style double bill guaranteed to set the internet alight.
Associated Press
39 minutes ago
- Associated Press
Movie Review: In 'Heads of State,' a buddy comedy with statesmen
Say what you will about the Idris Elba-John Cena vehicle 'Heads of State,' but it's surely the first buddy comedy about the fraying bonds of NATO. The potential collapse of the North Atlantic Treaty Organization plays a surprisingly pivotal role in this fitfully diverting, for-background-noise-only, straight-to-streaming movie. Elba plays the embattled British Prime Minister Sam Clarke, while Cena co-stars as the recently elected U.S. President Will Derringer, a former action star. 'Heads of State,' directed by Ilya Naishuller ('Nobody'), is mostly about their relationship, a tense and adversarial one challenged further when an assassination plot leaves them stranded together in Belarus. But that 'Heads of State,' which debuts Wednesday on Prime Video, is such a mild romp makes it all the more surprising to hear a line uttered like: 'If NATO falls, there's backstop against despots and dictators.'not It's a funny time to release a comedy set around international political disconnection and imperiled Western democracy. But if you were beginning to worry that 'Heads of State' is too timely, don't. Any nods to current events here serve more as reminders of how much 'Heads of State' — like most of Hollywood's output — is unengaged with anything resembling our political reality. You could argue that that's not necessarily a bad thing. You could also argue that the greater sin of 'Heads of State' is underusing Stephen Root. (He plays an expert working for the bad guys.) But the vaguest hints of real-world intrigue only cast a pale light on the movie's mostly lackluster comic chops and uninspired action sequences. The best thing going for 'Heads of State' is that the chemistry between Elba and Cena is solid. The 'Suicide Squad' co-stars trade barbs with a genial ease. Most of the time, those revolve around their characters' divergent histories — Clarke was a commando before becoming a politician — in debates like which one of them is 'gym strong' as opposed to 'strong strong.' That's one of the few decent gags in the script by Josh Applebaum, Andre Nemec and Harrison Query. But one problem in 'Heads of State' goes beyond the high-concept set-up. The best buddy comedies — 'Midnight Run,' '48 Hrs.,' 'The Nice Guys' — are predicated on opposites thrown together. Elba and Cena have their obvious differences. (Cena's Derringer is exaggeratedly optimistic here, too.) But ultimately they're both beefy dudes in suits. As the MI6 agent Noel Bisset, Priyanka Chopra Jones gives the movie a kick. But her scenes are left to the beginning and end of the movie. In between, we're left to wonder where she went, how two political leaders would have such non-existent security and whether a few half-decent jokes are enough to forgive the movie's geopolitical delusions. 'Heads of State,' an Amazon MGM Studios release is rated PG-13 by the Motion Picture Association for sequences of strong violence/action, language and some smoking. Running time: 113 minutes. One and a half stars out of four.
Geek Tyrant
40 minutes ago
- Geek Tyrant
Matthew Goode's 'Really Dark' Bond Pitch May Have Cost Him His 007 Audition — GeekTyrant
Matthew Goode nearly had a shot at becoming James Bond, but his brutally bleak take on the character may have been a little too real for the franchise's producers. In a recent episode of the Happy Sad Confused podcast, the Emmy-nominated actor opened up about a meeting he had with longtime Bond producer Barbara Broccoli back in the early 2000s, right before the franchise's gritty reboot with Casino Royale. 'I didn't audition. I went in and met Barbara. I didn't get to the audition, but it was quite a funny one because — and she's gorgeous and just a lovely, lovely person.' But the meeting took a turn when Broccoli asked Goode what his vision of Bond looked like and that's where he lost her: 'She was like, 'So what's your idea for Bond?' And I was like, 'My idea for Bond, we've gotta take it back to the books, you know? Really, we absolutely have to make this guy an alcoholic, a drug addict. He hates himself. He hates women. He hates a lot of people. He's in deep pain. He's brilliant at killing people.'' Goode laughed while recounting her silent reaction: 'I think by the end of the interview, she was like, 'Mhmm. Next.' Because I wanted to make it really dark… but what I should have said was, 'But also incredibly charming.'' Needless to say, Goode didn't move on to the audition phase. Instead, the role famously went to Daniel Craig, who brought a colder, more emotionally complex version of Bond to the screen starting with Casino Royale , and continued through No Time To Die. Now, with Craig's era behind us, the franchise is again preparing for reinvention. It was recently confirmed that Dune and Sicario director Denis Villeneuve will helm the next installment for Amazon MGM Studios, working alongside producers Barbara Broccoli and Michael G. Wilson. Amy Pascal and David Heyman are also joining as producers, with Tanya Lapointe executive producing. Amazon MGM's Courtenay Valenti and Sue Kroll added during CinemaCon: 'We are committed to honoring the legacy of this iconic character, while bringing a fresh, exhilarating new chapter to audiences around the world alongside Amy and David.' It's still unclear who will wear the tux next, but if Matthew Goode's version had gone through, we might've ended up with the darkest Bond yet.
