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Sly Stone: When he played Palm Beach County's only version of Woodstock in 1969
Sly Stone: When he played Palm Beach County's only version of Woodstock in 1969

Yahoo

time3 hours ago

  • Entertainment
  • Yahoo

Sly Stone: When he played Palm Beach County's only version of Woodstock in 1969

Sly Stone, a pop and funk music innovator best known for his band Sly and the Family Stone, has died. He was 82. The onetime San Francisco DJ played in what was Palm Beach County's closest version of Woodstock. It was the Thanksgiving weekend 1969 and the Palm Beach International Music and Arts Festival was hailed as the 'first annual,' but there never was a second one. The event was marred by rain, lawsuits and scandals, but is fondly remembered by many who were there. The festival drew 40,000 people to the 149-acre area that was to become the Palm Beach International Speedway. More: Turn off your engines: Palm Beach International Raceway closes after 57 years Sly Stone played the show along with The Rolling Stones, Janis Joplin, Jefferson Airplane, the Byrds and Grand Funk Railroad. PHOTOS: The 1969 Palm Beach International Music and Art Festival As for Sly Stone, a statement shared with USA TODAY on June 9 reads: "After a prolonged battle with COPD and other underlying health issues, Sly passed away peacefully, surrounded by his three children, his closest friend, and his extended family." This article originally appeared on Palm Beach Post: Sly Stone, The Rolling Stones, Janis Joplin all played music in PBC

The Stolen And Returned Janis Joplin Porsche
The Stolen And Returned Janis Joplin Porsche

Yahoo

time12-03-2025

  • Automotive
  • Yahoo

The Stolen And Returned Janis Joplin Porsche

Read the full story on Modern Car Collector In the late 1960s, Janis Joplin's Porsche 356 SC Cabriolet was not just a car but an emblem of her vibrant persona and eclectic style. Adorned with a striking psychedelic mural titled "The History of the Universe," created by her roadie Dave Richards, the car mirrored Joplin's own public image as a bold and free-spirited rock icon. The vivid paint job included images of her band Big Brother and the Holding Company, Californian landscapes, and an array of fantastical elements from skulls to butterflies, ensuring the Porsche was instantly recognizable wherever it roamed. However, its distinctiveness made it a prime target for theft, culminating in a comical yet alarming incident in 1969. While Joplin performed at a show in San Francisco's Winterland Ballroom, an opportunist thief seized the moment to make off with the famously painted Porsche. The thief, unaware of the car's significant recognizability and perhaps overestimating his ability to conceal his crime, attempted to disguise the vehicle by hastily spray-painting over the intricate and colorful mural. The cover-up attempt, however, only added to the car's conspicuousness. The poorly applied spray paint did little to hide the underlying artwork; instead, it peeked through, making the car even more noticeable. It wasn't long before the police spotted and recovered the Porsche, much to the relief of Joplin and her fans. The recovery was notable not just for the return of the vehicle but for the minimal damage done to the original artwork, thanks to Richards' foresight in applying a clear coat over his mural. This protective layer enabled most of the spray paint to be removed without significant harm to the underlying images. Following the recovery, the Porsche continued to be an integral part of Joplin's life until her untimely death in 1970. The car's saga didn't end with her passing. It went through a period of neglect and disrepair under the stewardship of her manager before being restored by her family in the 1990s, who reinstated the original mural to honor Joplin's legacy. The car, now fully restored to its former psychedelic glory, has since been displayed in museums and fetched a record-breaking $1.76 million at a 2015 auction, underscoring its cultural and historical significance. The attempted theft of Janis Joplin's Porsche serves as a poignant reminder of the unique challenges faced by iconic vehicles. It highlights not just the allure of such cars but also the lengths to which individuals will go to claim a piece of rock and roll history, even if temporarily. The incident adds a layer of lore to the vehicle's storied life, from its days on the vibrant streets of San Francisco to its current status as a treasured museum exhibit, celebrated not just for its association with Joplin but as a work of art in its own right. Follow us on Facebook and Twitter

Stunning 1971 Mercedes-Benz 280SE Convertible Has Us Daydreaming
Stunning 1971 Mercedes-Benz 280SE Convertible Has Us Daydreaming

Yahoo

time09-03-2025

  • Automotive
  • Yahoo

Stunning 1971 Mercedes-Benz 280SE Convertible Has Us Daydreaming

The 280SE might be peak Mercedes cruiser, with effortless V-8 power and graceful good looks. These cars were famously over-engineered, and this example ticks all the boxes with optional extras and a great color combo. This is one collectible that's truly joyous to drive. No offense to the car, but you know Janis Joplin wasn't praying for a 220D. She was after something divinely bestowed, one of those capital-M Mercedes from the company's golden age of glory. Perhaps something like this gorgeous 1971 Mercedes-Benz 280SE convertible, currently up for sale at Bring a Trailer (which, like Car and Driver, is part of Hearst Autos).That really is an excellent shade of green. Officially called Moss Green, it's a hue that contrasts perfectly with the buttery cognac leather and wood-trimmed interior of this big Merc droptop. With the top down and that three-pointed star pointing its crosshairs at the horizon, it'd be less like driving a car and more like piloting a luxury motor launch around the French the hood is a 3.5-liter V-8 good for 200 horsepower and 211 pound-feet of torque, transmitted to the rear wheels through a four-speed automatic transmission. You can forget about any kind of AMG-infused restomod powerboat shenanigans; this 280SE is built for elegant, relaxed cruising, and few cars do it built the 280SE between 1969 and 1971, and it embodies classic grace with robust engineering. The V-8 models are relatively rare, which makes them particularly prized. This is very much a car that presaged the current Mercedes credo of "The best or nothing." Optional extras here include air conditioning and power windows. The W111 chassis was fairly advanced for its age, with double wishbone suspension up front and disc brakes all around. The wheels are 14 inches in diameter, running modern rubber and wearing color-matched in the torque of that unstressed V-8, and you've got classic looks matched with performance that's easily capable of handling modern roads. All you'd really need to add would be some proper vintage sunglasses. Dial up some Joplin on that Becker AM/FM stereo and hit the Pacific Coast Highway. It's what Janis would have wanted. The auction ends on March 14. You Might Also Like Car and Driver's 10 Best Cars through the Decades How to Buy or Lease a New Car Lightning Lap Legends: Chevrolet Camaro vs. Ford Mustang!

P!NK Steals the Show with Cover of 'Babe I'm Gonna Leave You' at FireAid: Watch
P!NK Steals the Show with Cover of 'Babe I'm Gonna Leave You' at FireAid: Watch

Yahoo

time31-01-2025

  • Entertainment
  • Yahoo

P!NK Steals the Show with Cover of 'Babe I'm Gonna Leave You' at FireAid: Watch

The post P!NK Steals the Show with Cover of 'Babe I'm Gonna Leave You' at FireAid: Watch appeared first on Consequence. On Thursday night, P!NK was one of many artists who performed at the FireAid benefit concert, taking the stage at the Kia Forum for an impassioned set that included a cover of Led Zeppelin's version of 'Babe I'm Gonna Leave You.' P!NK began her portion of the night with a rendition of 2017 song 'What About Us,' after which she told the crowd that she was going to 'keep my feet on the ground' with 'a couple of songs that bring me comfort.' She then launched into a stirring cover of the Janis Joplin classic 'Me and Bobby McGee.' After belting her heart out on the 'Bobby McGee' outro — which made her 'almost pass out' — she took a drink and asked the audience 'We got any Led Zeppelin fans out there?' Responding to their applause, she said 'Alright, thank God' and introduced the next song: her version of 'Babe I'm Gonna Leave You.' P!NK, of course, is a very talented vocalist, and brought those skills to her take on the song, leaning into its bluesy feel with a smoky grit, and soulfully wailing over its high-energy breakdowns. For the climax, her guitarist delivered a blistering solo. Watch a clip of the performance below. FireAid was organized to raise relief funds for Los Angeles after devastating wildfires his the city earlier this month. The concert was held across two venues, and featured performances by Nirvana, Green Day and Billie Eilish, Joni Mitchell, Anderson .Paak and Dr. Dre, Lady Gaga, No Doubt, Red Hot Chili Peppers, Olivia Rodrigo, Stevie Nicks, Jelly Roll, Sting, Stephen Stills, John Mayer, Earth, Wind, & Fire, and more. P!NK Steals the Show with Cover of 'Babe I'm Gonna Leave You' at FireAid: Watch Jo Vito Popular Posts Paul Reubens Comes Out as Gay in Posthumous Documentary Tom Morello: Rage Against the Machine Were Locked Down by Secret Service After SNL Performance Former MTV Host Matt Pinfield Recently Suffered Massive Stroke Bob Dylan to Play Small Towns on 2025 Tour Nine Inch Nails Announce 2025 "Peel It Back World Tour" [Updated] Björk Says Spotify Is the "Worst Thing That Has Happened to Musicians" Subscribe to Consequence's email digest and get the latest breaking news in music, film, and television, tour updates, access to exclusive giveaways, and more straight to your inbox.

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