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HBO Max review: Back to the old name, but still the same Max content

HBO Max review: Back to the old name, but still the same Max content

Tom's Guide09-07-2025
HBO Max is now HBO Max, again, after its brief foray into just going by Max.
But regardless of the name, it is still our favorite streaming service. With a wide variety of content, including HBO shows, HBO Max originals, Warner Bros. Studios movies and shows and all the Discovery content, there's more to watch than we can even list here.
Library: 35,000 hours of contentPrice: $9.99 - $20.99 per monthDevices: Android, Apple TV, iOS, iPadOS, PlayStation, Xbox, Chromecast, Fire TV, RokuSimultaneous streams: 2-4 at once (depending on plan)Streaming quality: HD (4K available at $20.99 price)Parental controls: Yes
Of course, this all comes with a price, and that price has gone up over the years.
Currently, plans start at $9.99 a month for the Basic with Ads plan and top out at $20.99 a month for the Premium tier and its 4K streaming resolution.
HBO Max is the best streaming service, including all of HBO's prestige series, like Game of Thrones, The Sopranos and The Wire — plus unscripted content from Discovery. HBO Max starts at $10 per month.
But there is some good news. If you want to add Disney and Hulu to your HBO Max subscription, you can! There's now a Disney Plus, Hulu and HBO Max Bundle that gets you the basic, ad-supported tier of all three streaming services.
So let's dive into what makes HBO Max our top pick for the best streaming service.
HBO Max currently has three tiers: Basic with Ads, Standard and Premium.
Basic with Ads is $9.99 a month (or $99.99 a year). It comes with ads to bring down the price, and gives you just two simultaneous streams. It also caps your streaming resolution at Full HD 1080p.
Standard is $16.99 a month (or $169.99 a year). It adds the ability to download up to 30 movies and/or shows and ditches the ads (except in live sports). It also adds select live sports broadcasts.
Premium is $20.99 a month (or $209.99 a year). It boosts your streaming resolution to 4K and adds Dolby Atmos audio support. It also gives you two additional streams (you're still capped at two simultaneous streams for live sports) and gives you 100 downloads instead of just 30.
A long time ago, hardware support was our biggest gripe with HBO Max.
But thankfully, HBO Max no longer suffers from this issue. You can watch Max on Roku, Fire TV, Android, Apple TV, iOS, iPadOS, PlayStation 4 and Xbox One, as well as Chromecast.
HBO Max, of course, features HBO shows. That means acclaimed shows like "The Last of Us," "Succession," "The Sopranos," "Six Feet Under," "The Wire," "Sex and The City" and "Insecure."
But, you also get unscripted shows such as the Food Network's "Cupcake Wars" and "Diners, Drive-ins and Dives." There are also home lifestyle shows such as "Fixer Upper," "Diary of an Old Home" and "Maine Cabin Masters."
HBO Max draws in a wealth of movies thanks to decades worth of Warner Bros. movies. It also has some HBO Max original movies, but it's mostly Warner Bros.' new and old movies that you'll be watching
New movies tend to show up on HBO Max 45 days after their theatrical release, but that's not a hard and fast rule.
No streaming library impresses me as much as HBO Max's, but it also confuses me like no other.
35,000 hours of content is as dense as it gets, especially since it's from a combination of engrossing prestige TV and relaxing comfort food programming. Yes, while HBO owns Sunday nights, HBO Max is going to try and take your eyes every night.
Then, they just started canceling and deleting titles left and right, with the bloodletting beginning with HBO Max movies, and then moving onto HBO Max shows, and now two HBO shows: Westworld and The Nevers.
But you also get the most popular Discovery shows ... though they're also starting to disappear.
Still, even with shows and movies vanishing, more are coming in, so you're never lacking for something to watch.
The thousands of hours of film and TV history contained within HBO Max can be hard to sort through, but improved personalized recommendations seek to fix that.
In the home screen, you get "lenses" for Movies, Shows, HBO and New & Notable, and scrolling down you'll find lots of curated content. Those sections include Featured Content and Just Added content.
You'll also see Brand Spotlights, which are hubs for groups of content. Those include HBO, DC, HGTV, TLC, Wizarding World for Harry Potter, Magnolia Network, Food Network and Discovery.
So far, HBO Max feels fast and responsive.
To get 4K streaming, though, you'll need the $20.99 per month Premium tier. That tier will also give you Dolby Atmos sound and a couple of other perks besides.
HBO Max allows for 5 user profiles, which are classified as either Adult or Kid. Kid accounts give parents the control to limit the content a child can watch by the MPAA rating (G to NC-17) and those for TV (TV-Y to TV-MA).
As this HBO Max review explains, there's very little we're annoyed with, and it's mostly about some shows disappearing and some plans costing a bit more. The library is still strong, and the app seems cleaner and as snappy as ever.
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Forget 'The Last Of Us' — Netflix just announced a 'high-octane thriller' based on the Assassin's Creed franchise
Forget 'The Last Of Us' — Netflix just announced a 'high-octane thriller' based on the Assassin's Creed franchise

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time17 minutes ago

  • Tom's Guide

Forget 'The Last Of Us' — Netflix just announced a 'high-octane thriller' based on the Assassin's Creed franchise

Remember when Netflix and Ubisoft revealed they were partnering to "develop content" based on the "Assassin's Creed" franchise... almost five years ago? Well, yesterday (July 17), both parties confirmed that the first project from this partnership had finally been given the green light. Netflix's first "Assassin's Creed" show will also be a live-action video game adaptation, similar to HBO Max's "The Last Of Us," or Prime Video's hit "Fallout" adaptation. While it's still early days, we do have a few key details about the show to date, courtesy of announcements shared by Netflix (via Tudum)and Ubisoft. Here's everything we know about Netflix's "Assassin's Creed" series so far. The big thing to know (besides the fact that anything is happening at all, at least) is that Emmy nominees Roberto Patino ("Westworld," "Sons of Anarchy") and David Wiener ("Halo," "Homecoming") are on hand as series creators, showrunners, and executive producers. Patino and Wiener have issued a joint statement on the project, which leans on the scope and hints at the thrills we can expect. It reads: "We've been fans of Assassin's Creed since its release in 2007. Every day we work on this show, we come away excited and humbled by the possibilities that Assassin's Creed opens to us. "Beneath the scope, the spectacle, the parkour and the thrills is a baseline for the most essential kind of human story — about people searching for purpose, struggling with questions of identity and destiny and faith. It is about power and violence and sex and greed and vengeance. "But more than anything, this is a show about the value of human connection, across cultures, across time, and it's about what we stand to lose as a species when those connections break. We've got an amazing team behind us with the folks at Ubisoft and our champions at Netflix, and we're committed to creating something undeniable for fans all over the planet." Get instant access to breaking news, the hottest reviews, great deals and helpful tips. Other than that, we've got a series logline from Netflix. Unfortunately, it doesn't give us any hints at when in the franchise's timeline the show will be set, or which characters may crop up — but it does make the show sound exciting all the same. "Assassin's Creed is a high-octane thriller centered on the secret war between two shadowy factions — one set on determining mankind's future through control and manipulation, while the other fights to preserve free will. The series follows its characters across pivotal historical events as they battle to shape humanity's destiny." No casting info has been revealed as yet, nor do we have a release date, but seeing as the show's just been greenlit (and it sounds like it'll be a major production), I doubt we'll be seeing anything from Netflix's Assassin's Creed adaptation anytime soon. Netflix's track record with video game properties has mostly been pretty solid, with the caveat that the big hits are all animated shows like "Arcane," "Castlevania," or "Cyberpunk: Edgerunners." (I'm not really counting "The Witcher" here, as it draws from Andrzej Sapkowski's books, rather than CD Projekt's RPGs). The streamer's live-action "Resident Evil" series was a swing and a miss for me, but I'm open to the possibility that "Assassin's Creed" could be a success. Netflix's VP of Scripted Series, Peter Friedlander, sure has talked the forthcoming series up, too. In the announcement, Friedlander said Netflix and Ubisoft set out with "an ambitious goal to bring the rich, expansive world of Assassin's Creed to life in bold new ways," and goes on to bill the forthcoming show as "an epic adventure that both honors the legacy of the Assassin's Creed franchise and invites longtime fans and newcomers alike to experience the thrill of the Brotherhood as never before." It's a statement designed to generate hype, but given we've seen so many games make the hop to our screens successfully in recent years, and the fact that the show's been in development for some time already, I'm optimistic that everyone involved has cooked something up that's going to be worth watching. The way I see it, the "Assassin's Creed" series team certainly has plenty of material at their fingertips. There's loads of lore to be dealt with, and there's still loads of human history yet to get the Assassin's Creed treatment. Whether or not the series can be a hit like "Fallout" or "The Last Of Us" remains to be seen, but I can't help but see Ubisoft's history-hopping franchise as a potential springboard for success. Yes, even after the Assassin's Creed movie. Need something to watch while you wait for the live-action "Assassin's Creed" series to arrive? Check out our round-up of the best Netflix shows for tons more streaming recommendations perfect for your watchlist. Follow Tom's Guide on Google News to get our up-to-date news, how-tos, and reviews in your feeds. Make sure to click the Follow button.

Smartphones could help detect earthquakes and send early warnings, study finds
Smartphones could help detect earthquakes and send early warnings, study finds

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Smartphones could help detect earthquakes and send early warnings, study finds

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Touting 142 Emmy Noms, Casey Bloys Talks ‘Penguin' and ‘White Lotus' Futures, ‘Duster' Demise, HBO Max Re-Re-Brand
Touting 142 Emmy Noms, Casey Bloys Talks ‘Penguin' and ‘White Lotus' Futures, ‘Duster' Demise, HBO Max Re-Re-Brand

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Touting 142 Emmy Noms, Casey Bloys Talks ‘Penguin' and ‘White Lotus' Futures, ‘Duster' Demise, HBO Max Re-Re-Brand

The Primetime Emmy nominations arms race shifted back in HBO and HBO Max's favor on Tuesday morning, with the Warner Bros. Discovery-owned platform's historically dominant slate commanding 142 nominations across 23 originals. With particularly strong showings for limited series The Penguin (24), drama The White Lotus (23) and comedy Hacks (14), HBO and HBO Max content chairman and CEO Casey Bloys hopped on the phone to dig into some of the surprises (two nominations for the outgoing Somebody Somewhere), smaller showings (House of the Dragon) and offer up some updates on a slew of nominated originals (The Penguin, The White Lotus, The Pitt) and 2025 offerings like the new season of The Gilded Age and the upcoming The Chair Company. He also had a very humble response to the suggestion of playing himself in a future season of Apple TV+'s The Studio. More from The Hollywood Reporter Cristin Milioti, First-Time Emmy Nominee for 'The Penguin,' is "Ready to Get in There Again" Critics' Conversation: 2025 Emmy Nominations Take a Typically Shallow Dive Into TV's Best Harrison Ford, Aimee Lou Wood and Cooper Koch Among First-Time Emmy Nominees in Acting Categories made a remarkably strong showing in the nominations. I assume there's an appetite for more on your end? We get that question a lot. (Laughs.) I will say that I know that [showrunner] Lauren [LeFranc] has ideas. I know that she and Matt [Reeves] have spoken about it. I also know that Matt is working on the movie [The Batman Part II], so I don't have any updates. There is absolutely interest, appetite and excitement. I can't say for sure, because there's a lot to think about and a lot to do, but we'd certainly be excited if we could figure it out. What's the lesson from a smaller show like finally breaking through in this third and final season? The show is heartwarming and getting the recognition is heartwarming. And, look, we still have the ability to champion a show. I will say, as producers, they were incredibly responsible. It was done at a budget where we were able to continue to say yes to it. That was very important. Not only are they great at writing, but they were also really smart producers. They made it easy for us. I was just speaking with producer John Wells about how much more onus is now on the producers to budget in ways to can keep a show on the air. That is John's expertise. There's nobody better, and The Pitt is a great reflection of what he and Scott [Gemmill] and Noah [Wyle] are able to do. It was a really great creative validation that a show made in that format was able to break through, because it's not easy what they're doing. They're setting out to say to do 15 episodes and deliver it on an annual basis. Some of our own shows are seven to eight episodes, and they take 18 months or two years between seasons. The fact that season two [of The Pitt] is in production now and will come out in January, that's a great story for us. It's a great story for television. A show that will not be coming out a year after its most recent season is , which had another huge showing in the nominations today. What was your reaction to the call from Mike White announcing that he'd be taping a season of before getting into season four of ? Here's what I will say about Mike: He is the kind of guy who does a lot of thinking in his head. So when he comes to us with an idea, it is fully fleshed out. His first drafts are almost what we shoot. Not to say that we don't go through the process, but he has it so worked out in his head. I'm not worried about him. I may be worried about him physically with whatever challenges in Fiji, but I'm not worried about the process for The White Lotus. If anything, it's probably invigorating creatively for him to be doing this. Whenever he comes back, we'll hear what he's thinking. I already have an idea of what the season is going to be. Then he'll start scouting. That's obviously a big part of the process for him, understanding the physical location. He'll get inspired by that. So I hope he does well on Survivor, but I'm not worried about season four of The White Lotus at all. Have there been additional talks on location, though? Do you feel like you're close? No. He's kind of said, 'Generally Europe.' But until he actually goes and scouts, I have no idea, It could change just based on if he gets inspired by one location versus another … one hotel versus another. So even if I told you, 'Oh, it's going to be in this country,' he could see a hotel in a completely other country and just love it. We'll take his lead on that. You pulled the lever on HBO Max last week, yet there's some lingering 'Max' labeling in today's nominations. How soon before that's completely uniform? The branding on the platform is complete. It's HBO Max. I like having the flexibility with The Pitt as a Max Original to do something that maybe you wouldn't see on HBO. It gives us a lot more flexibility to try something. And before The Pitt came out, I would say this is kind of an experiment. It's something that maybe you would've seen on a network or basic cable channel before. Let's try something like that. Calling it a Max Original just gives us a little room to play. But I'm glad that we are back to HBO Max. I think it's here to stay. And I'm glad we did all that before today. I'm probably showing my own ignorance, but season two of , for example, will not be called an HBO Max Original… It will still be a Max Original. The other's a little bit of a mouthful, so we just decided to stick with Max Originals. But it's all on HBO Max. was obviously well-represented in the nominations but in smaller numbers. I realize air dates and delays never help these things, but what's the takeaway there? You can't take anything for granted with the Emmys. Because you were nominated one season doesn't mean you're going to be nominated another season. I think sometimes where you air on the calendar can make a difference. How long ago you've aired can make a difference. You never really know. But again, the nominations are a great validation of what everybody's doing. But is not the reason why we're doing it. We're excited and believe in all of the shows whether they got nominated or not. The was bonkers. What did you learn from working on such a short timetable? Jesse [Armstrong] had a story he wanted to get out there. It was incredibly timely. I think it was a great creative challenge in the same way that The White Lotus was during COVID. They were shooting in one location, basically in a bubble. And he wanted to get it out there. Also being the first thing that Jesse directed, I think it was helpful to be on an accelerated schedule. Creatively and performance-wise, how are you feeling about season three of ? I feel great. You saw the reviews, which were really, really good. And the ratings. We are reporting live plus three instead of night of, but it's up I want to say 20 percent over the last season? That is unusual for a drama to come back and be up. Sometimes you'll see a more natural erosion as there's other things to watch. You're always fighting that on returning shows. To see a show, a drama, be up 20 percent is really, really encouraging. Anecdotally, I feel that show has benefited a great deal from word of mouth. I feel the same. I can sometimes tell when we're airing something and I'll get unsolicited calls or emails saying, 'Oh, I love this season.' And I'm getting a lot of that. Again, anecdotal and not scientific, but I think it's encouraging. Can you tell me about the relatively ? It's never fun to make those decisions, but a show has to perform —and perform relative to its budget, as fun as the show was. And I think they did a great job. Josh Holloway is a star and this confirmed that. But I always say a show has a job to do. It's got to get either great reviews, great numbers, a lot of buzz. Hopefully all of it. As much as we loved the show and wanted it to do well, it never really hit one of those metrics. I don't know that I got clarity on this in . Is Chip and Joanna Gaines' Magnolia still going to report to you or do they go with the other cable networks? No, unfortunately it will go with [the SpinCo]. Because it is a cable net, it is going to go with the global networks — which is a bummer. I had a lot of fun with that. Would you consider a guest appearance on season two? I don't think I have a high enough profile or the acting skills, to be honest. (Laughs.) OK, before I let you go, I need to know when is coming out. October. It's great. You're going to love it. Best of The Hollywood Reporter 'The Studio': 30 Famous Faces Who Play (a Version of) Themselves in the Hollywood-Based Series 22 of the Most Shocking Character Deaths in Television History A 'Star Wars' Timeline: All the Movies and TV Shows in the Franchise

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