Kevin Cronin Responds to REO Speedwagon Reunion Exclusion: ‘Deeply Disturbed And Hurt'
Cronin, who has been touring with his own Kevin Cronin Band, addressed a fan on Facebook who noted the singer's absence from REO Speedwagon's forthcoming concert in Champaign, Illinois on June 14, responding that organizers of the event could have picked a date when many of the band's former members were readily available to attend.
More from Billboard
Morgan Wallen Abruptly Walks Off 'SNL' Stage Before Show's End, Posts Cryptic Message from Airplane
Morgan Wallen Returns to 'SNL' With Performances of 'I'm the Problem' & 'Just in Case': Watch
Ángela Aguilar Dedicates Breakthrough Award to Immigrant Women at Billboard Women in Music: 'You Deserve Safety, Dignity, the Right to Dream'
'Instead they chose June 14, 2025, a date where it was public knowledge that I was previously committed to perform with Styx and Kevin Cronin Band in Bend, Oregon,' Cronin wrote. 'Bottom line, I am being asked to participate in an event on a date when I can't possibly be there in-person. And then being falsely accused of turning down the invitation. I am deeply disturbed and hurt by all of this.
'After all I have done to help build the legacy of REO Speedwagon, I feel I have earned and deserve to be included in any event honoring that legacy. Instead, I have been knowingly excluded.'
Cronin joined REO Speedwagon in early 1972, taking over from Terry Luttrell who reportedly left due to personal issues with guitarist Gary Richrath. Though Cronin was himself briefly replaced by Mike Murphy the following year, he returned in 1976 and remained in the band until their end, performing on tracks such as their two Hot 100 chart-toppers 'Keep On Loving You' and 'Can't Fight This Feeling.'
In late 2024, REO Speedwagon announced that they would cease touring as of Jan. 1, 2025. In a note shared to fans, the group explained that bassist Bruce Hall had not recovered sufficiently from previous back surgery and his inability to tour led to 'irreconcilable differences' between Hall and Cronin.
REO Speedwagon played their final live performance on Dec. 21 at The Venetian Theatre in Las Vegas, but in March announced they would be playing a special one-off show at the State Farm Center in their hometown of Champaign, Illinois on June 14. Officially titled as an event 'Honoring the Legacy of REO Speedwagon,' the show is described as a 'concert retrospective featuring special guests & former members.'
Indeed, Hall and Neal Doughty from the final REO Speedwagon lineup are confirmed to attend, as are previous vocalists Luttrell and Murphy. Founding drummer Alan Gratzer and 1969 guitarist Steve Scorfina are also listed as appearing, while a special tribute will be held to late members Gary Richrath and Gregg Philbin.
In his social media comment, Cronin also claimed that the remaining members of the band's final lineup – who currently perform alongside him in the Kevin Cronin Band – weren't given the option of appearing at the forthcoming show. '35-year REO veterans Dave Amato and Bryan Hitt were not even shown the respect of being invited to the Champaign event,' he added.
Cronin spoke to Billboard ahead of REO Speedwagon's final show in December, explaining that the circumstances behind the band's ending were less than ideal, and admitted there is still a level of acrimony between he and Hall. 'It's kind of like a divorce of sorts,' he explained, 'and during a divorce things get a little muddy and things get a little sticky. I wish it could've been more amicable, but the minute attorneys get involved it just changes the atmosphere of things.'
'I think it's unfortunate that some fans were kind of brought into something that I really feel should've been kept as a private, personal matter,' he continued. 'It's never thrilling when things are said that are inaccurate and hurtful. My hope is that there will come a time where the dust will have settled. My intention is to ask forgiveness for anything that I've done or any hurt that I have caused Bruce. I don't like to have grudges with people. I like to forgive and be forgiven.'
Best of Billboard
Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1
Janet Jackson's Biggest Billboard Hot 100 Hits
H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
6 hours ago
- Yahoo
Alex Warren's 'Ordinary' actually is the song of the summer — but nobody wants to admit it
According to the charts, Alex Warren's hit single "Ordinary" is the undisputed song of the summer. The song has reigned at No. 1 on the Hot 100 for nine weeks, but fans and critics remain unenthused. The love song has taken off on pop radio and is perfect fodder for relationship montages on TikTok. Where is this year's song of the summer? It's the question that's haunted road trippers and pool partiers for months now. But like so many low-stakes mysteries, the answer has been hiding in plain sight (or, in this case, earshot) all along. If we're going with cold, hard facts — Billboard chart data — there's one song that's dominated the airwaves as the weather has warmed. It's just that a soaring love ballad a 24-year-old TikToker wrote about his wife is not exactly the ideal soundtrack for your day at the beach. Released in February, Alex Warren's "Ordinary" took a few months to take off, becoming a bona fide commercial juggernaut by June, when it ascended to No. 1 on the Billboard Hot 100. It's remained atop the all-genre chart for nine weeks so far, and continues to dominate Billboard's Songs of the Summer chart, where it hasn't budged from its No. 1 position since Memorial Day. Though it makes every attempt to sound momentous, "Ordinary" is a love song that's true to its name. Dedicated to Warren's wife, Kouvr Annon, the song uses vaguely spiritual lyrics to describe their connection. His vocals backed by hymnal echoes and a pounding drum line, Warren insists "the angels up in the clouds are jealous" of his marital bliss and compares his wife to a sanctuary, a vineyard, and a sculptor. If the song's theme of divine love wasn't clear enough, the couple also costars in the music video, and Warren later released a "wedding version" of the song paired with footage from their real-life nuptials. That the song is generically gooey has worked to its advantage in the airplay department. "Ordinary" owes much of its longevity to companies like iHeartMedia, America's biggest radio network, which allocates tens of thousands of spins to the song each week. In its most recent week atop the Hot 100, "Ordinary" tallied over 73 million radio airplay audience impressions, according to Billboard, compared to only 12.4 million streams and 6,000 copies sold. The song's lack of specificity also makes it a broadly appealing soundtrack for lovey-dovey moments on TikTok, where both versions of "Ordinary" have been used in millions of videos with billions of cumulative views. Annon's own uses of the song, usually featuring sweet moments with Warren, frequently collect over 1 million likes. Call it the home court advantage: As a former YouTuber who joined Hype House, a flashy collective for big-name TikTokers, in 2020, Warren learned and then perfected the art of getting engagement. He and Annon briefly lived in the Los Angeles mansion together, constantly creating content, orchestrating David Dobrik-style pranks, and sharing glimpses of their lives together; Warren described the experience as "college, but for social media." "It helped me learn how to create content that resonates with an audience and can captivate people," he told Variety. Warren's self-conscious positioning as America's top new "wife guy" offers the media a tidy narrative to push while reporting on the song's success — and helps cement "Ordinary" as a favorite song choice for romantic montages and relationship content across the internet. But the differential between the song's commercial utility and its artistic value has perplexed critics and fans alike. "Genuinely WHO is listening to this," reads a recent tweet with over 27,000 likes. Even r/popheads, a Reddit community for recreational pop scholars whose self-appointed mission is to take the merits of the genre seriously, is full of cold contempt for the song's dominance. "I don't think you can deeply hate the song by itself," one commenter wrote, "because it's so fucking boring." Rolling Stone's Larisha Paul coined the phrase "'The Voice' Audition Core" to characterize the musical formula that "Ordinary" follows: ideal for soundtracking a throwaway emotional moment on reality TV, but devoid of any real personality. Indeed, Warren performed the song on the "Love Is Blind" season eight reunion special, slotting easily into a generic vision of happily ever after literally accompanied by a montage of couples. Still, there's no denying that "Ordinary" is the summer's defining hit. Remaining atop the Hot 100 for over two months is no small feat, and even as late-season challengers have emerged — most recently in the form of a fictional K-pop group from a Netflix film — there isn't enough time before the autumnal equinox for another song to challenge Warren's reign. It's just a shame that many excellent summertime jams actually have been released this year, they just lacked the radio push or market power to challenge "Ordinary" at the top of the charts. Addison Rae is Warren's fellow former TikToker-turned-singer, but the similarities end there; her cool-girl collaborators and creative curiosity resulted in a debut album, "Addison," that toes the line between nostalgic and eccentric. (The appropriately named "Summer Forever" is a standout.) Lorde's latest album, "Virgin," includes gems like "Shapeshifter" and "Favorite Daughter," which wrap arresting lyrics in melodic, highly accessible packages, the ghost of last year's "Brat summer" hovering on the margins. Care for something a little less personal, a little more irreverent? Tinashe and Disco Lines have you covered with the freshly remixed "No Broke Boys." And forget song of the summer, Haim's "Relationships" may be the song of the year. Danielle Haim and her sisters manage to spin the agony of indecision into flippant, funky magic. As the season winds down, a new Taylor Swift album draws closer, and the charts begin to change shape, may "Ordinary" serve as a reminder that summer trends may disappoint or underwhelm — but they never last forever. Read the original article on Business Insider


Forbes
8 hours ago
- Forbes
Kendrick Lamar's Streaming Smashes Return — But Which One Is More Impressive?
Kendrick Lamar is one of the top-performing rap artists in America when it comes to sales, as his fans seem much more willing to purchase his music than many other stars in the field. While sales of both his albums and singles play a large role in his continued success, streaming activity may be even more responsible for his presence on the Billboard charts. Several of Lamar's recent smashes return to streaming-only rankings in the United States, and he climbs on multiple tallies dedicated to the consumption metric. '30 for 30" with SZA is Back Two Lamar tracks find their way back to streaming-only tallies this frame. Technically, the higher-rising of the two is '30 for 30.' His tour partner SZA recruited him for the track, which reappears at No. 25 on the R&B/Hip-Hop Streaming Songs tally. 30 weeks into its life on the most competitive of all the streaming rankings that focus on R&B, hip-hop and rap, the cut barely makes it back as it lands in last place. 'Not Like Us' Returns to the Main Streaming Chart 'Not Like Us,' which may go down as Lamar's most famous and celebrated tune, is back on the Streaming Songs chart this week. In its sixty-first frame, the Drake diss tune reappears in last place at No. 50. While that is a much lower position than '30 for 30' manages on the R&B/Hip-Hop Streaming Songs roster, it may be more impressive that 'Not Like Us' can be found on the Streaming Songs tally. The chart isn't focused on just one or several styles, which makes it that much more competitive. Also, 'Not Like Us' is much older than '30 for 30,' so the fact that it once again ranks as one of the 50-most-played tunes of any style or language throughout the United States is quite the feat. Kendrick Lamar Owns 20% of the Streaming List 'Not Like Us' is one of two tracks by Lamar that appear on the general Streaming Songs roster, as 'Luther,' another duet with SZA, rises two spaces to No. 31. When it comes to the R&B/Hip-Hop Streaming Songs tally, however, Lamar is far more successful this time around. He fills five spaces, occupying 20% of the list. His roundup includes 'Luther' with SZA, 'Not Like Us,' 'TV Off' with Lefty Gunplay, 'All the Stars,' yet another smash with SZA, and finally '30 for 30.' Those tracks appear at Nos. 3, 10, 17, 21 and 25, respectively.


Forbes
8 hours ago
- Forbes
Drake Blocked From A New No. 1 By One Of Rap's Most Successful Women
As is often the case, Drake has a number of singles present on multiple Billboard charts this week. The Canadian superstar recently delivered a pair of new tunes — 'What Did I Miss?' and 'Which One' with Central Cee — only a few months after sharing a full-length, Some Sexy Songs 4 U, with PartyNextDoor. A number of tunes from that project are also performing well, even as Drake seems ready to move on. Drake almost sends one of his most recent releases to No. 1, but one of the most successful women in hip-hop history blocks him from ruling, at least for the moment. 'What Did I Miss?' Climbs to No. 2 Drake's 'What Did I Miss?' rises to No. 2 on the Rhythmic Airplay chart, one of Billboard's radio rosters centered around hip-hop. Five weeks into its life on the tally, 'What Did I Miss?' almost conquers the ranking, but another current smash blocks it from becoming the rapper's record-extending forty-third champion. Cardi B Sends 'Outside' to No. 1 This week's Rhythmic Airplay is led by Cardi B, who brings 'Outside' to No. 1 for the first time. Last week, the tune sat at No. 3, and now it's another chart ruler for her. Cardi lands her ninth career No. 1 on the Rhythmic Airplay chart as 'Outside,' a single from her forthcoming sophomore album Am I the Drama?, ascends. She has now led the charge with all of the following successes: 'I Like It' with Bad Bunny and J Balvin, 'Bodak Yellow (Money Moves),' 'Finesse' with Bruno Mars, 'No Limit' with G-Eazy and ASAP Rocky, 'WAP' with Megan Thee Stallion, 'Please Me' (another collaboration with Mars), and 'Be Careful.' Drake's 'Which One' With Central Cee Debuts While he might not score another No. 1 just yet, Drake does collect a new hit on the Rhythmic Airplay chart, as 'Which One,' which features U.K. artist Central Cee, opens at No. 29. Drake has now racked up 135 wins on the radio roster. He fills a trio of spaces on the tally this time around, as 'Nokia' drops outside of the top 10, falling from No. 8 to No. 11. 'What Did I Miss?' Lifts on All Radio Rankings 'What Did I Miss?' is gaining ground on every radio chart on which it appears. The track lives inside the top 10 on the Rhythmic Airplay, Rap Airplay, R&B/Hip-Hop Airplay, and Mainstream R&B/Hip-Hop Airplay lists, lifting to Nos. 2, 3, 7, and 8, respectively. Drake's cut also grows on the all-genre Radio Songs roster, pushing from No. 39 to No. 31 in its third turn on the tally.