Lights, camera, elbows up: Movies to stream on Canadian Film Day
Scroll through the options screening at Toronto's downtown Scotiabank cinema this weekend and you'll find no end of U.S. fare, including Snow White, A Minecraft Movie and A Working Man.
The only Canadian offerings (sort of) are Freaky Tales, starring Pedro Pascal, and Novocaine, with Jack Quaid. These co-productions have some Canadian money in them, but little in the way of Canuck talent, locations or plot.
So what's a Canadian to do? Well, the various streaming platforms offer a wealth of sometimes hidden Canadian gems. Some of those platforms are even free, or offer free trial periods so you can check out their CanCon before you subscribe.
There's also an initiative happening this month known as National Canadian Film Day. Launched in 2014, it takes place on April 16 and has always been a patriotic celebration of the nation's film industry.
How Canadian Bacon movie predicted Canada-U.S. relations 30 years ago
The Spoils documents the unravelling of an exhibit of Nazi-stolen art
That feeling may be a little more intense than usual this year, with the organizers promising 'a massive, celebratory, elbows-up explosion of Canadian film.'
Events will take place across the country — and, through the auspices of Global Affairs Canada, around the world as well. The Canadian Film Day website even has a searchable list of screenings and events.
A search in Toronto finds a free screening of Forces of Nature: The David Suzuki Movie, at the North York Central Library; a free screening of Johnny Ma's To Live To Sing at the Cineplex Fairview; and 'Elbows Up for Canadian Culture,' a town hall event at the Scotiabank (yes, the same one showing Snow White). It features Yannick Bisson, Don McKellar, Mary Walsh and Elle-Máijá Tailfeathers discussing the Canadian films that have affected them, and what Canadian culture and stories mean to us.
The website also has links to the various streaming platforms. Here is some of the Canadian gold you can find there. (Be advised that some of these movies appear on more than one streaming service.)
I Like Movies: Chandler Levack's feature debut is a love letter to movies, but also to the golden age of renting them from the likes of Blockbuster, and not the streaming option you'll be choosing.
Starbuck: Quebec filmmaker Ken Scott's crowd-pleasing 2011 comedy is about a man coming to terms with having fathered 533 children, thanks to a sperm bank's administrative error. It's so good, he remade it two years later with Vince Vaughn. But the Canadian version is better.
The Grand Seduction: Is there anything more Canadian than a comedy about health care? Don McKellar directed this 2013 film, a remake of Quebec's La Grande Séduction from 2003. Take your pick.
My Internship in Canada: Patrick Huard (from Starbuck!) plays a Quebec politician who must cast a pivotal vote when Parliament becomes deadlocked over an international crisis. Philippe Falardeau directed this 2015 comedy.
Bon Cop Bad Cop: This 2006 buddy cop comedy comes with its own unique Canadian twist, pairing an officer from Ontario with one from Quebec (they're called because a dead body was found on the border) for bilingual hilarity.
The Sweet Hereafter: Nominated for two Academy Awards, Atom Egoyan's 1997 searing drama is based on a novel that was set in New York. So of course he moved it to Ontario.
Sleeping Giant: Three teenage boys cope with boredom and coming-of-age antics on the shores of Lake Superior. Director Andrew Cividino made this 2015 feature-length version of his earlier short film.
Oscar Peterson: Black + White: Canadian documentary maestro Barry Avrich made this excellent 2021 doc about jazz icon (and fellow Montrealer) Oscar Peterson, featuring a who's who of celebrity fans of the great pianist.
Fubar: Canada's top entry in the mock-rockumentary category is this 2002 tale of two head-bangers, filmed and set in Calgary.
Strange Brew: One of the great TV comedy spinoffs is this 1983 cult hit about two hosers and a brewery. One of Max von Sydow's best roles — and yes, we know he was also in The Seventh Seal.
Turning Red: The Mouse House is not known for its Canadian content, though it did have Dave Thomas and Rick Moranis reprise their Strange Brew characters as a pair of moose in 2003's Brother Bear. But Turning Red, an animated film from Canada's Domee Shi, is a real Canadian love-in, set in Toronto's Chinatown in 2002.
Sugarcane: Nominated for an Academy Award for best documentary feature at the recent Oscars, this hard-hitting film follows the investigation into a residential school in British Columbia, and the effects that has on the lives of survivors and descendants.
One Week: When a man learns he's dying of cancer, he follows the advice of a magic Roll-Up-The-Rim cup and heads across Canada on a motorcycle. Cameos include Gord Downie of The Tragically Hip, and the Stanley Cup.
Stories We Tell: Sarah Polley delves into her own family history in this moving 2012 documentary, unpacking the lives of her parents and story of her biological father.
Scarborough: This 2021 drama, set in the sprawling Toronto suburb, is adapted from the Trillium shortlisted novel of the same name by Catherine Hernandez, and tells a story of several children in a low-income neighbourhood there.
Pontypool: Set in the (real) town of Pontypool, Ont., this 2008 horror-thriller imagines a zombie apocalypse spread not by a virus, but by language. It's wickedly smart.
Men with Brooms: Writer/director Paul Gross heads up a stellar all-Canadian cast in this 2002 romcom centred on the sport of curling. But you knew that.
Manufactured Landscapes: A 2006 film about environmental pollution that is ironically absolutely gorgeous to behold. Director Jennifer Baichwal uses the large-format photography of fellow Canadian Edward Burtynsky to examine a kilometre-long clothing iron factory in China, a shipbreaking yard in Bangladesh, and other almost impossibly vast human creations.
Project Grizzly: This National Film Board doc from 1996 follows the efforts of Troy Hurtubise, a Canadian inventor obsessed with building a bear-proof suit to let researchers get close to grizzlies without endangering their lives. It's funny but also inspiring to witness his determination.
Roadkill: This rollocking road movie from 1989 is the directing debut of Bruce McDonald, and the acting debut of Don McKellar, who also wrote the screenplay and plays an aspiring serial killer having an existential crisis.
Dawson City: Frozen Time: This 2016 documentary chronicles the bizarre story of the 1978 discovery of 533 reels of nitrate film buried beneath the permafrost in a decommissioned swimming pool. It turned out to be a treasure trove of lost footage from the era of silent movies.
WolfCop: Once described in the pages of National Post as the 'top 79 minutes of Canadian cinema,' this story of a cop who is also a wolf is a delirious fun throwback to the '80s, right down to its pitch-perfect use of Gowan's 1987 hit Moonlight Desires.
Cube: Long before Saw, Circle, The Belko Experiement, The Maze Runner or The Platform came this low-budget 1997 film from Vincenzo Natali, about a group of strangers trying to figure their way out of a mysterious maze that keeps shifting like a Rubik's Cube. Clever and clearly inspirational!
Slash/Back: It's The Thing meets Attack the Block, as extraterrestrial invaders make the mistake of landing in Pangnirtung, an Inuit hamlet of some 1,500 people, just a smidgeon below the Arctic Circle on Baffin Island in Nunavut. Aliens vs. 14-year-old girls: Guess who wins?
Tu Dors Nicole: Stéphane Lafleur's nostalgic comedy might take place in the 1980s (there's a dot-matrix printer) or the year it came out (2014); either way, it tells a lovely, touching story of 22-year-old Nicole bouncing around in her parents' suburban Montreal house one summer while they're away.
Backcountry: Adam MacDonald's 2015 thriller never lets up, as a couple goes camping and everything that can go wrong eventually does. MacDonald patiently, perfectly breadcrumbs out hints and ill omens as Alex and Jenn slowly get deeper into the woods, and trouble.
Black Christmas: It might be taking it too far to say that Canada invented the slasher genre, but this 1974 movie predates many of its better-known siblings, and features such Canadian icons as Margot Kidder, Lynne Griffin and dual citizen Andrea Martin.
Blood Quantum: Jeff Barnaby's 2019 horror is a clever First Nations twist on the classic zombie genre, set on a reserve where the Indigenous inhabitants are immune to the disease, but must contend with white refugees looking for help.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
2 hours ago
- Yahoo
Is Materialists worth watching? Critics deliver verdict on Pedro Pascal romcom
Pedro Pascal, Dakota Johnson and Chris Evans star in Celine Song's follow-up to her Oscar-nominated indie film Past Lives, but how did it fare with critics? Romcom lovers rejoice as Materialists is heading to UK cinemas, just when the genre appeared doomed to be relegated to streamers for the foreseeable future, Celine Song has come along with a new entry to the pantheon that follows up her Oscar-nominated debut, Past Lives. The movie stars Dakota Johnson as professional matchmaker Lucy who helps struggling singles to find their one and only in New York City. She believes herself impervious to romance and naming herself the eternal bachelorette, but Lucy's thoughts on love and marriage are turned on its head when she meets Harry, a millionaire in finance played by Pedro Pascal, and reconnects with her ex John (Chris Evans), a broke actor, on the same night. Song gives the romance genre her unique spin with this frank, realistic examination of modern dating and its flaws, told in a thoughtful way by her charming cast. The film is finally landing in the UK, and critics have shared their thoughts on the movie to help audiences decide if they should make it to their next cinema trip. The film received intriguing reviews, with some critics loving Song's unique approach to romance and others finding it cold and disconnected. For The Hollywood Reporter's David Rooney the film's strength was with its cast who, he argued, "bring affecting soulfulness to Celine Song's perceptive romantic drama". "There's much talk about unicorns in the dating field in Song's script, and her film could be called the same — a glossy, good-looking drama veined with humour, introspection and questioning intelligence, driven as much by insightful writing as star charisma," the critic wrote. Rooney celebrated the way in which the film approaches its subject matter without pretence: "There's a frankness here that's refreshing as Materialists explores ideas of personal value and increasing one's worth." Meanwhile Deadline's Pete Hammond gushed: "I left the screening thinking I had just seen the best movie about the search for love in many years." The critic was enamoured with the film and said that it was "a film that oddly can be admired by romantic purists and cynics", adding: "Call it a romcom, call it a romdram or any shorthand attempt to categorise it, but this is a movie that defies that kind of easy description." CinemaBlend's Riley Utley similarly praised the film, celebrating is "deeply romantic yet realistic love story" and saying it will be "one for the ages thanks to the thoughtful script and direction from Song and the stellar cast she assembled." The critic surmised: "It's a brilliant and real portrait of love in the modern age, and Celine Song manages to use the romance genre and its tropes to tell a new, refreshing, fierce and magical tale that left me swooning and pondering what I know about love and life." Not everyone was taken with the film, though, as The Standard's Maddy Munsen wrote that "Materialists is unlikely to click with any true romcom lover" because it isn't actually a romcom despite being advertised as such. "What it is, really, is an intellectual, sincere and visually stunning exploration into why people get married," Munsen wrote. "It's forensic in the extreme, which is perhaps why it feels so devoid of the elusive magic of on-screen love." The writer went on to comment on how the characters "feel like beautiful blank slates" and thus aren't all that interesting beyond their surface level attributes: "They are, quite simply, very beautiful people playing out the same storyline we've seen a thousand times before. Song is a talented writer of delicate romance, but somehow it all feels too understated to hit any new heights." For The Guardian's Adrian Horton the film didn't quite work in the same way that Past Lives did, writing that "Song's sophomore feature hammers the desires of its matchmaker and her many clients through a brutal realism, to a fascinating, if occasionally off-putting, effect." The problem for the critic was that the film's love triangle wasn't all that effective, as "neither present particularly compelling love stories, let alone sentimental conclusions". At the very least Song's visual style and writing were to be commended. "Rarely have I been so mixed on a film – drawn in by the confessions, put off by the romance, surprised by a line and deadened by another," the critic added. "Many un-cliched observations nonetheless resolve into one that muddles everything that came before, though I certainly don't begrudge a romcom for eventually revealing its heart. Inconsistent but never insubstantial, Materialists is far from perfect, but that doesn't mean it's not worthy of a date." Materialists premieres in UK cinemas on Friday, 15 August.
Yahoo
10 hours ago
- Yahoo
Kaytranada's New Album ‘Ain't No Damn Way' Is Coming: It's ‘for My People That Love Beats'
Kaytranada announced on Monday (Aug. 11) that he'll be dropping his new album, Ain't No Damn Way, on Friday, Aug. 15. 'Oh lord, not a new album called AIN'T NO DAMN WAY! – coming out this Friday???' he wrote on Instagram while sharing an image of himself being embraced by a squiggly, winking faced character. The Haitian Canadian DJ/producer also revealed that the LP's first single, 'Space Invader,' will be released at midnight on Tuesday, Aug. 12. 'Letting y'all know that this album is strictly for workouts, dancing and studying and for my people that love beats,' he added on his Instagram Story. More from Billboard Bob Moses to Release Fourth Studio Album This Fall: 'The Album's Like a Question' Kaytranada & Justice Are Going on an Arena Tour This Fall: Here Are the Dates Cardi B Is Offering 'Just a Lil Taste of the Drama' With 'Imaginary Players' Single Coming Soon Ain't No Damn Way will arrive one year after his third studio album, Timeless. The 21-track project included collaborations with Rochelle Jordan, Don Toliver, Ravyn Lenae, Channel Tres, Childish Gambino, PinkPantheress and more. Timeless reached No. 28 on the Billboard 200 and No. 2 on Top Dance Albums. This year, Kaytranada remixed Mariah Carey's 'Don't Forget About Us' from The Emancipation of Mimi (20th Anniversary Edition) and JT's 'Ran Out,' while producing Justine Skye's 'Oh Lala' and FLO's 'The Mood.' Come October, Kaytranada will embark on a co-headlining North American tour with Justice. The 13-show trek kicks off on Oct. 16 at Rogers Arena in Vancouver, B.C., and hits major arenas across the U.S. before wrapping on Nov. 16 at Kaseya Center in Miami, Florida. Kaytranada recently rejoined The Weeknd on his After Hours til Dawn Tour after replacing Playboi Carti as the opener for the Canada shows. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart Solve the daily Crossword


USA Today
19 hours ago
- USA Today
Say what you want about Katy Perry, her Lifetimes tour is great
PHILADELPHIA – If you've been online lately, you've seen the criticism. Katy Perry is a spoiled brat. She is too thin and can't dance. Katy Perry brought a setlist to space and her '143' album is a flop. Can we maybe enlist the "Leave Britney alone!" guy at this point and swap in Perry's name? Seriously, why all the hate? What has Perry done to provoke so much agitation and scorn? So her 'Woman's World' video didn't land with the irony she intended. So she had dinner with the former Canadian prime minister following her breakup with Orlando Bloom. So she toes the line between bold and bizarre. If Perry were the monster so many internet trolls profess her to be, she probably wouldn't be selling out arenas – such as Wells Fargo Center in Philadelphia Aug. 9 – on her Lifetimes Tour. And guess what? It's a fun, vibrant show filled with flying apparatus, dancers, oversized flowers, sleek video panels, an AI Perry and plenty of her goofy charm that borders on silly. Are those legit reasons for character assassination? Perry has been loping around the world on this tour for four months. Her Philadelphia stop was the 33rd city on the Lifetimes Tour, with 39 to go before wrapping in Abu Dhabi at the end of the year. It's her first tour since 2018, but it's not as if she's been sitting around flicking petals off daisies in the meantime. Perry bopped through 80 shows in a nearly two-year residency in Las Vegas that ended in 2022. That production, appropriately dubbed Play, featured a rocking horse, dancing tubes of toothpaste and a mammoth toilet bowl. So now she's getting dogged for having a lightsaber duel and hanging upside down inside a metal sphere while singing 'I Kissed a Girl'? Perry's tour hasn't been without its own obstacles. She has sung, smiled and hit her marks on stage while her insides were likely crumbling from her split with Bloom, her fiance of six years and father of her daughter, Daisy. In San Francisco, the butterfly she rides above the crowd during 'Roar' took an unexpected and scary dip with Perry in tow. Call her whatever you want, but the 'show must go on' ethos is strong in this one. Perry has never been a powerhouse singer like Lady Gaga or Kelly Clarkson, nor does she possess seemingly effortless dance moves like Beyoncé. But she's a strong vocalist with a knack for writing anthems that reinforce emotional fortitude. 'Roar' and 'Firework,' yes. But also 'Wide Awake,' coated with a pulsing rhythm from her four-piece band and 'Teary Eyes,' from 2020's 'Smile' album. 'Don't be afraid of your tears – they're trying to heal you!' she yelled after the song, her message amplified by her metal-plated outfit. Perry is also fearless. She floats above the stage – which boasts winding catwalks in the shape of an infinity symbol – during 'Nirvana,' weaves with her dance troupe on metal jungle gyms throughout 'Teenage Dream' and starts the show being pulled upward in the center of a space age platform for 'Artificial.' But along with the sensory assault, Perry's willingness to expose her emotions and her self-deprication are her superpowers. 'I'm going to get vulnerable and sing about my first divorce,' she said before 'Not Like the Movies.' After reminding the crowd that since her last tour she became a mother, Perry quipped, 'Those (out there) 8-years-old and younger ... I am not Dua Lipa. I am Dua Lipa's aunt, Katy Perry.' Curiously, Perry's fan base is predominately tween, the same demographic that flocked to her shows donning kitty ears 20 years ago. Midway through her two-hour concert Saturday, Perry continued her bit of calling a few fans on stage to add some percussion to 'The One That Got Away.' Two of her choices were preteen girls clearly enthralled to be in her warm presence. Exuding big sister vibes, Perry asked about their backgrounds and their career goals, even doing splits on stage next to one, an aspiring gymnast. She doesn't have to engage at this level, her Disney princess eyes wide as she listened to these kids. Nor does she have to grab a fan's phone during the fizzy two-fer of 'Hot N Cold' and 'Last Friday Night (T.G.I.F.)' and scamper around the stage to take priceless video for them. But she does it because, even at 40, she's connecting with fans of all different backgrounds. Is it arrested development? Perhaps. Or maybe she's just a girl who wants to have fun.