Nee Pathiya?, a horror-comedy play to be staged this weekend
A theatre artiste for eight years, Girish writes his plays influenced by the Broadway production, The Play That Goes Wrong. Explaining this idea, Girish shares, 'We take different plots and perform them with a twist. And for the first time, I wanted to try the horror-comedy genre.' The twist in the upcoming play is that the plot is set in today's world, but in a different reality.
Ghosts and giggles
Set in an old haunted palace called Rathinam Mahal, a YouTuber and ghost hunter plans his next expedition — this time accompanied by budding content creators and police personnel, who end up making the hunt more difficult for him, with twists and revelations at the Mahal's every entry and exit point.
Debutant artiste, Sowmya Baskaran, says, 'We have a lot of script reading sessions and individual workshops, where the director discusses the character arc. Then we are asked to bring our own element to it.' From clothes to makeup, the artiste is given the freedom to bring in their own element to it. 'How a character takes shape is a very conversational, give-and-take process. It is important because in a live play, the artiste needs to feel confident and own the character, to be able to perform it convincingly,' she adds.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
India Today
4 hours ago
- India Today
Mel Brooks to Return as Yogurt in Long-Awaited ‘Spaceballs' Sequel
Comedy icon Mel Brooks is set to reprise his role as Yogurt in a long-anticipated sequel to his 1987 sci-fi spoof untitled film, backed by Amazon MGM Studios, is scheduled to hit theatres in 2027. The announcement comes just ahead of Brooks' 99th birthday later this who co-wrote, directed, and starred in the original film, will again play Yogurt — a parody of Yoda from Star Wars. The original also featured Brooks as the bumbling President Skroob, spoofing classic sci-fi tropes and blockbusters of its As reported by the Hollywood Reporter, Josh Greenbaum will direct the upcoming sequel. Josh Gad, Dan Hernandez, and Benji Samit wrote the screenplay. While Amazon has not yet announced additional casting, Brooks' return is fueling fans' Grazer and Jeb Brody of Imagine Entertainment, Brooks, Gad, and Greenbaum share producing duties. Kevin Slater, Adam Merims, Samit, and Hernandez will serve as executive RETURN TO BIG SCREENBesides voice-over, Brooks' final screen appearance came in 2005's The Producers, a big-screen adaptation of his own Broadway hit based on his 1967 a legendary career that includes Blazing Saddles, Young Frankenstein, and High Anxiety, Brooks remains one of the rare entertainers to achieve EGOT status (Emmy, Grammy, Oscar, and Tony awards).The original Spaceballs starred Bill Pullman, John Candy, Rick Moranis, and Daphne Zuniga, with Joan Rivers voicing the droid Dot Matrix. While not a major box office success on release, the film gained a devoted cult following.
&w=3840&q=100)
Business Standard
20 hours ago
- Business Standard
Trump booed, cheered at Kennedy Center while attending 'Les Miserables'
Trump walked the red carpet with the first lady when they arrived at the Kennedy Center, which he's been remaking in his image while excising what he describes as liberal ideology AP Washington The drama in the audience rivalled the spectacle on stage on Wednesday at the Kennedy Center, where President Donald Trump went to the opening night of Les Miserables as he tightens his grip on the venerable performing arts institution. It was his first time attending a show there since his election, and he was booed and cheered as he took his seat alongside first lady Melania Trump. Near the end of the intermission, someone loudly cursed his name, drawing applause. Several drag queens were in the crowd, their presence a protest against Trump's complaints that the Kennedy Center had hosted too many drag shows in the past. Despite the condemnation, the event had a MAGA-does-Broadway feel. Ric Grenell, the Trump-appointed interim leader of the Kennedy Center, was there, as were Vice President JD Vance and his wife, Usha. Before the show began, Attorney General Pam Bondi chatted with guests and Health and Human Services Secretary Robert F. Kennedy Jr. took selfies. Laura Loomer, the conspiracy theorist who has advised Trump on personnel decisions, posted a video from a seat near the stage. Trump walked the red carpet with the first lady when they arrived at the Kennedy Center, which he's been remaking in his image while excising what he describes as liberal ideology. We want to bring it back, and we want to bring it back better than ever, Trump said. The Republican president has a particular affection for Les Miserables, the sprawling musical set in 19th-century France, and has occasionally played its songs at his events. One of them, Do You Hear the People Sing?, is a revolutionary rallying cry inspired by the 1832 rebellion against the French king. The three-hour production featured singing and dancing, with the sounds of explosions and gunfire filling the theatre as protesters and soldiers clashed on stage. For Trump's critics, it was an unnerving echo of what's unfolding in Los Angeles, where Trump has deployed National Guard troops in response to protests over his deportation policies. Someone explain the plot to him," California Gov. Gavin Newsom, a Democrat, wrote on social media. Terry Gee, a bartender, bought his ticket for the show in November and didn't mind Trump's presence. It's his sixth time seeing Les Miserables, and he said, I'm going to enjoy the show regardless." Hannah Watkins, a nurse, only learned that Trump would be there when the Kennedy Center distributed information about extra security and she searched online to see what was happening. I've seen a lot of famous people so far, which is exciting, said Watkins, who had claimed a spot near the VIP entrance with her mother. Honestly, we just like Les Mis' and are excited to be here. Before Trump, presidential involvement in the Kennedy Center's affairs had been limited to naming members to the board of trustees and attending the taping of its annual honours programme in the fall. But after returning to office in January, Trump stunned the arts world by firing the Kennedy Center's longtime director and board and replacing them with loyalists, who then named him as chairman. Trump promised to overhaul its programming, management and even appearance as part of an effort to put his stamp on the national arts scene. His latest moves have upset some of the centre's patrons and performers. In March, the audience booed the Vances after they slipped into upper-level seats to hear the National Symphony Orchestra. Trump appointed Usha Vance to the Kennedy Center board along with Bondi, White House chief of staff Susie Wiles and Fox News Channel hosts Maria Bartiromo and Laura Ingraham, among other supporters. Sales of subscription packages are said to have declined since Trump's takeover, and several touring productions, including Hamilton, have cancelled planned runs at the centre. Actor Issa Rae and musician Rhiannon Giddens scrapped scheduled appearances, and Kennedy Center consultants including musician Ben Folds and singer Renee Fleming resigned. Understudies may have performed in some roles Wednesday night because of boycotts by Les Miserables cast members, but Trump said he wasn't bothered by anyone skipping the performance. I couldn't care less, he said. Since returning to the White House in January, Trump has adopted a more aggressive posture toward the arts. The White House has taken steps to cancel millions of dollars in previously awarded federal humanities grants to arts and culture groups, and Trump's budget blueprint proposed eliminating the National Endowment for the Arts and the National Endowment for the Humanities. Trump has also targeted Smithsonian museums by signing executive orders to restrict their funding and by attempting to fire the director of the National Portrait Gallery. The president characterised previous programming at the Kennedy Center as out of control with rampant political propaganda and said it featured some very inappropriate shows, including a Marxist anti-police performance and lesbian-only Shakespeare. The Kennedy Center, which is supported by government money and private donations, opened in 1971 and for decades has been seen as an apolitical celebration of the arts. It was first conceived in the late 1950s during the administration of Republican President Dwight Eisenhower, who backed a bill from the Democratic-led Congress calling for a National Culture Center. In the early 1960s, Democratic President John F. Kennedy launched a fundraising initiative, and his successor, President Lyndon B. Johnson, signed into law a 1964 bill renaming the project the John F. Kennedy Memorial Center for the Performing Arts. Kennedy had been assassinated the year before.
New Indian Express
a day ago
- New Indian Express
Nee Pathiya?, a horror-comedy play to be staged this weekend
A theatre artiste for eight years, Girish writes his plays influenced by the Broadway production, The Play That Goes Wrong. Explaining this idea, Girish shares, 'We take different plots and perform them with a twist. And for the first time, I wanted to try the horror-comedy genre.' The twist in the upcoming play is that the plot is set in today's world, but in a different reality. Ghosts and giggles Set in an old haunted palace called Rathinam Mahal, a YouTuber and ghost hunter plans his next expedition — this time accompanied by budding content creators and police personnel, who end up making the hunt more difficult for him, with twists and revelations at the Mahal's every entry and exit point. Debutant artiste, Sowmya Baskaran, says, 'We have a lot of script reading sessions and individual workshops, where the director discusses the character arc. Then we are asked to bring our own element to it.' From clothes to makeup, the artiste is given the freedom to bring in their own element to it. 'How a character takes shape is a very conversational, give-and-take process. It is important because in a live play, the artiste needs to feel confident and own the character, to be able to perform it convincingly,' she adds.
