How to watch We Beat the Dream Team: Release date, where to stream basketball documentary
How to watch We Beat the Dream Team: Release date, where to stream basketball documentary
We Beat the Dream Team
Watch the brand new documentary We Beat the Dream Team with Sling + Max. Sign up now.
Sign up for Sling + Max now
Every sports fan knows about the Dream Team.
In 1992 professionals were allowed to play Olympic basketball for the first time, and the U.S. assembled the greatest roster ever seen. Talents like Michael Jordan, Larry Bird, Magic Johnson, Charles Barkley, Karl Malone, Patrick Ewing and so many more shared the court, and eventually steamrolled their way Olympic gold.
The Dream Team played 14 games between the Tournament of the Americas and the Barcelona Olympics, winning all 14 contests and every single game by more than 30 points.
To this day, it remains the best team that ever was...or was it?
TNT Sports and HBO Original sports bring you a behind the scenes look at the untold story of the team that actually beat the Dream Team.
A team of college players and rising stars was handpicked to practice against the Dream Team in the lead up to the Olympics. Featuring future stars like Grant Hill, Penny Hardaway, Chris Webber, Jamal Mashburn, Bobby Hurley and more, the practice team did the unthinkable and upset the dream team. This is their story.
Watch We Beat the Dream Team with Sling + MAX
We Beat the Dream Team release date
The brand new documentary will be available to watch at 9 p.m. ET on Monday, Feb. 17.
How to watch We Beat the Dream Team
Michael Tolajian's We Beat the Dream Team is available to watch exclusively on HBO and Max.
Stream We Beat the Dream Team with Sling + MAX
Where to stream We Beat the Dream Team
Basketball fans can stream the new documentary with the Sling + Max bundle, currently offering a 40% discount on its first month.
We Beat the Dream Team trailer
How much does Sling with Max cost?
Sling TV has several add-on packages that allow you to customize your at-home streaming experience with more sports, movies and entertainment. Get your first month of Sling for 50% off right now and get $5 off per month after that when you sign up for the Sling Blue and Max bundle. Your first month of Sling Blue and Max add-on will start at $37.49 (normally $62.98) and includes access to the Max app, HBO Channels and On Demand. Prices will vary depending on other add-ons and offers you select. Below, we break down the differences between Sling Orange and Sling Blue.
What is the difference between Sling Orange and Sling Blue?
Sling Orange: The Sling Orange package has over 30 channels, including popular networks like ESPN, Disney Channel, CNN and HGTV. This is a popular pick for families and sports fans who want access to live game coverage and kid-friendly content. Sling Orange allows streaming on one device. Save 50% on your first month and pay just $23.
Sling Blue: With more than 45 channels, Sling Blue caters to a wider audience with major networks like FOX, NBC, Bravo and National Geographic. This package is perfect for those who enjoy a nice mix of news, reality television and lifestyle programming. Sling Blue allows streaming on up to three devices. Save 50% on your first month and pay just $25.50.
What else can you watch on Max with Sling?
You can watch hundreds of movies, television series and HBO Originals on Max with Sling. Along with "The White Lotus," you can watch "Game of Thrones" for all the fantasy of Westeros, catch Kieran Culkin in "Succession" and follow the Roy family's media empire and all the internal drama, or throw it back to "Friends" for the most iconic and hilarious moments of my six favorite friends in New York City.
Control your TV future with Sling
Every recommendation is independently chosen by our editors. Purchases you make through our links may earn us a commission. Prices were accurate at the time this article was published but may change over time.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
an hour ago
- Yahoo
Grammys EP Ben Winston on the risks of producing live TV: ‘I always never know quite why we do it'
If you've enjoyed a live TV music special in recent years, chances are Ben Winston produced it. Since signing off The Late Late Show with James Corden in 2023, which he executive produced, he's more than had his hands full with his company Fulwell Entertainment, bringing a slew of music specials to the screen — with Dua Lipa, Elton John, and Brandi Carlile this year alone — along with Carpool Karaoke Christmas, Ellen DeGeneres: For Your Approval, The Kardashians, to name a few. More from GoldDerby 'Ballerina' stumbles at the box office while 'Lilo & Stitch' surfs to another $32.5M Brian Tyree Henry on how 'Dope Thief' let him 'reclaim' his name: 'I was just Paper Boi to people,' and now 'I became Brian again' Emmy experts debate Comedy Series race: 'Hacks' will compete against 'a bunch of new kids on the block' He also took on his own Mission: Impossible when he orchestrated Tom Cruise's jump off the stadium roof as part of the Olympic torch handoff from Paris to L.A. as part of the closing ceremony. And then there was this year's Grammy Awards — held in the wake of the devastating fires that ravaged Los Angeles. Here, Winston opens up to Gold Derby about his life as a producer: Yes, he still gets nervous before going live; no, he doesn't want to tackle the Oscars — and as for the 2028 Olympics, he's waiting for the phone to ring. Gold Derby: Do you miss the late-night days? Ben Winston: Oh, I miss it so much. But it's given us the opportunity to do other things, and we never wanted to overstay our welcome. We never wanted to be irrelevant. We always wanted to be in the zeitgeist. So I think that we left the stage at the right time, as much as I miss it. What does it take for content to break through these days? I think really compelling storytelling is always the way. Whether we're making an episode of The Kardashians or whether we're launching the LA28 games, I think it's about how do you make something that surprises and delights and gets people talking. I think in this environment where there is so much out there that it's hard to find your audience, I think if we can do something, whether that be Benson Boone and Doechii at the Grammys or whether it be Tom Cruise jumping off a plane or jumping off the roof at the Paris Stadium or whether it be Kim and Kourtney going to India for an episode of The Kardashians, if we can create real big moments of content that get people talking and discussing and sharing, then I think we're winning. But it's harder and harder. So when a project lands on your desk like the Grammys or the Olympics, how do you approach it? I think, 'What's the idea? What do I want to say?' The biggest one I would say of this last year would have been the LA28 special. Because usually the handover is kind of a nothing moment in a closing ceremony. I remember in London, I was at the closing ceremony. I think the next Olympics was Brazil. It was just some Brazilian dancers and a musician. So when I sat down with Casey Wasserman and the LA28 team, literally two years before we did it, it was like, what can we do for ten minutes in the closing ceremony that really grabs attention and makes a statement about L.A.? I was really keen to do something big that embraced the Hollywood of L.A., that embraced music because I think music is a huge part of the culture here. I wanted to show off the city because, yes, we don't have the Eiffel Tower and the Seine and the Notre Dame, but we do have beautiful beaches. We have really iconic symbols, whether it be the Griffith Park Observatory or the Hollywood Sign. But more than that, what I had to think about with L.A. was the theme. What is the Olympics? The Olympics is a thing that people from all over the world go to, and they try and achieve their dreams there. And Los Angeles is a city where people from all over the world come to, and they try and achieve their dreams here. Linking all of those things together suddenly got me thinking. I'd worked with Tom Cruise quite a bit over The Late Late Show days. We've done lots of sketches with James [Corden], whether it would him being Pumbaa and Timon in Lion King or jumping out of a plane or flying those Top Gun planes with James, and I've gotten to know Tom well. And I had this idea that maybe he jumps off the roof, shocks everybody, grabs the flag, and then takes that flag out of the stadium and drives from Paris to his airplane, jumps out of the airplane, lands in Hollywood and takes over the sign. And then we showcase some real sporting icons of L.A. who then take that flag and land at the beach, and then we just do a huge beach concert. I love how you start with a really small idea. Gotta think big! It was difficult to do. But it was such a fun, bold, ambitious idea. And everyone was in. So in the end, it became a one-hour special that encompassed all of those ideas that was a real celebration of L.A. What was beautiful about it for L.A. and for me is that the next day of the closing ceremony, the image that was around the globe was Dre and Snoop in front of the LA28 sign and Tom jumping off the roof. So we'd achieved our goal of announcing and launching LA28 in a really great way. So going back to the other question, how do you get attention? That is a great example where I think unscripted television really gripped the world and made an impact. You had to have been worried about pulling all of that off. What was your biggest concern? There were so many. The fact that the biggest movie star in the world is standing on a roof and about to jump off it, that is always a concern. We lost our beach with about four weeks to go, for various reasons. And then it's just all those elements coming together. I was really excited when NBC loved the idea so much that they gave us a special for it, though that meant that what was a 16 minute idea that was live could then become like an hour's special with more music and more Tom could breathe a little bit more in prime time. But that was a very nerve wracking on the day because although it was pre-taped it was live in the ceremony. That was the most nervous I think I've ever been, of anything I've done. You still get nervous? Live television is always nerve-wracking. I always never quite know why we do it. As it gets towards 5 p.m. on Grammy Sunday, I have this sort of sick feeling in my stomach where I'm always like, why on earth did I agree to do this again? We only have six weeks to make that show because the nominations come out around Thanksgiving. Nobody will do anything before they're nominated. You can't even pick up the phone to ask them. And this year with the fires, most of our team were evacuated. Some of our team lost their homes. And suddenly, we were making a show for Feb. 2 with all of that going on as well. The way I always think about it is you're climbing this mountain, you get to the top of that mountain at 5 on Grammy Sunday, and you jump off. And you just hope the parachute opens and you have a really nice flight. But you also know that it's live television. Anything could happen, and you could smack your head on the way down. Luckily, I think this year was probably the show I'm most proud of. Why is that? Because I think that the fact that we were making it around the time of the fires, the fact that there were murmurs of people saying you shouldn't be doing the Grammys a month after the fires have broken out, the fact that I had a real passion to do it and was really feeling that we could actually do something really beautiful for the city of L.A. I worked out that 6,000 people earn a living in some way from the Grammys happening. Now that doesn't mean I employ 6,000 people. That means florists or local car companies or staging companies or removal vans or venue security — 6,000 people earn a living from the Grammys, and they live in Los Angeles. And the worst thing you could possibly say to 6,000 people is because of our concern for you right now, we're not going to employ you at the Grammys. I just thought it was such a ridiculous mentality. I was very passionate as an LA guy that we wanted the show to happen, but I also felt like we could do good. We raised nearly $30 million that night. What changes did you make to the show to address the fires? Every ad break, we gave a commercial to a local business. It was a local florist, and we had Doja Cat doing a commercial for them. Or we had Charlie Puth at the local karate den that got burned down or Avril Lavigne at the skate park in the Palisades. And I just thought it was a really lovely idea of showcasing local businesses who had lost so much in the fires and partnering them with a Grammys artist. And then there was also the question of who starts the show. I was having a conversation with Brandi Carlisle, and we were talking about the song 'I Love L.A.' And interestingly, I was playing that in my car as I was driving from my hotel into the office, because I was evacuated. I thought, well, actually, that's a really beautiful way of starting the show, but then who plays it? And then Brandi said to me, do you know the band Dawes? They lost their homes and their studio in the fires. Allowing them to open the Grammys with a supergroup of artists, John Legend and Brittany Howard and all these incredible artists, Sheryl Crow, Brad Paisley — that could be an amazing way to open the show. Everything from the way we reacted to the fires all the way to featuring the best new artists for the time in the history of the Grammys. We didn't stop the music. It just went one after the other after the other after the other. And I love the way we did that in that Trevor went in the audience. He walked through and he introduced each one of them, and you just thought he was going to throw to the package. And he says, oh, let's take a look at the music from these best new artists. And then Benson Boone gets out his microphone and the suit rips off, and that started that was the trigger, and then all the other artists run to their corners, Shaboozey and Doechii and Raye, bringing down the house. And so that was a really lovely moment that was technically incredibly hard. Hamish Hamilton did an amazing job directing that, but staging it where the music never stopped. I love the idea of music never stopping. You also had the added pressure as the first award show back to make it OK for there to be award shows again. Whether it be the commercials for the local businesses, whether it be the fire department presenting the Grammy award for album of the year to Beyoncé, whether it be Dawes opening, which I thought was really powerful. We love this show, and we love music, and we love television. Yes, the fires were brutal for all of us, but they actually made us they made us sharpen our lens. They made us go, OK. How do we make this OK, and how do we pay tribute this city, and how do we make a love letter to this city? And in a way, I think it was an advantage going first because everyone could follow our lead. You've done so many kinds of live TV. What's on your wish list? What do you still want to do? We've been really lucky. We've done a few really wonderful music specials. I love working with artists. I love the challenge of live television. There's a big thing happening in three years in this city, so hopefully, I'll be a little bit involved in that. I'm not after doing more award shows. I really like the one that I make. I love the Grammys. I'm proud of the Grammys. It's become part of me. I don't have a burning desire to suddenly start running other award shows. So no Oscars for you? Nope. Definitely not. I think Raj [Kapoor] does a great job on that, and that's one for him, not me. We're developing a reality show right now in Calabasas, to partner with our Kardashian show, and I'm really enjoying the casting process of that. I'm looking at doing a kids' show with a streaming platform right now, which I've never done before, but it could be quite impactful. As a dad of a 5-year-old and an 8-year-old, if you'd asked me 10 years ago about a kids' show, I'd be like, what are you on about? (Laughs.) I think about what could I be doing at the World Cup next year? I love working with Trevor Noah — what is the next form of variety show that we could do together? I'm really excited about the opportunities that we have over here at Fulwell, and just really want to make things that I'm proud of and I love and I'm passionate about. So what do you have up your sleeve for the 2028 Olympics in LA? I don't know right now, because nothing's been announced. But if I had the opportunity of being involved in LA28, I would love that. I think it's going to be a phenomenal Olympics, and I'd be honored to be involved. I hope they call me! Best of GoldDerby Marlon Wayans on laughing through tragedy in 'Good Grief' and why social media has made comedy 'toxic' Minha Kim 'confronted all new emotions that I had never anticipated' in Season 2 of 'Pachinko' 'Étoile': Exclusive 4-part conversation with creators, star Luke Kirby, cinematographer, and choreographer Click here to read the full article.
Yahoo
an hour ago
- Yahoo
Amazon Prime Day 2025: What you need to know to score the best deals this July
Few things are as exciting as an iconic comeback, whether we're talking Michael Jordan's triumphant 1995 return to basketball or Pamela Anderson's recent rise to celebrated-actress status. But as shopping editors, we're giddy about a comeback of a different sort. You see, everyone's favorite annual deals extravaganza, Amazon Prime Day, is officially on for another round. (Cue: confetti emoji.) The online retail giant announced that its much-anticipated savings event, Amazon Prime Day 2025, is slated for sometime in July, though exact dates have yet to be revealed (you'll be the first we share 'em with once they are). According to Amazon, this splashy sale promises "deep discounts across more than 35 categories including electronics, kitchen, beauty and apparel." In short, there's a little — or a lot of — something for everyone. Now, if this will be your first Prime Day rodeo, here are some basics to keep in mind: The majority of the best Prime Day deals are, as the name implies, exclusively for Prime members. That means you'll need an Amazon Prime membership to take advantage of the steepest markdowns and score the lowest prices. Signing up is easy, and you can even opt for a free 30-day trial before committing to a plan. After that, you'll be charged $14.99 per month, which grants you access to dedicated deals, fast and free shipping, Prime streaming content and more. As mentioned, our trusty team of shopping experts will be providing more updates as it gets closer, and in the meantime? If the prospect of scoring fabulous prices on home essentials, tech gear and more excites you, you don't have to wait until next month. We've spied some stellar on-sale gems at Amazon already — after all, the early bird gets the worm... If you have Amazon Prime, you'll get free shipping, of course. Not yet a member? No problem. You can sign up for your free 30-day trial here. (And by the way, those without Prime still get free shipping on orders of $35 or more.)
USA Today
an hour ago
- USA Today
LeBron on his pride representing the USA in the Olympics after winning a bronze medal
LeBron on his pride representing the USA in the Olympics after winning a bronze medal In 2004, Team USA men's basketball came away from the Summer Olympics with only a bronze medal after losing to Argentina in the semifinal round. It was an embarrassment for the program, which seemed assured of winning the gold every time ever since NBA players were first allowed to participate in FIBA competition. LeBron James played on the 2004 Olympic team, and its disappointing performance has caused some to mock him — some have even nicknamed him "LeBronze" as a result. Team USA would soon revamp its program by bringing in legendary Duke University head coach Mike Krzyzewski and Los Angeles Lakers great Kobe Bryant. There were reportedly concerns about James' lack of maturity at the time, to the point where some feared he would single-handedly cause the team to not win the gold medal in the 2008 Olympics. But he said during a recent episode of his "Mind the Game" podcast that the squad's failure led to its players taking responsibility and having a sense of pride about representing the United States. "Everything is city-based here," James said. "And it took a while for us, as far as the Olympics, to get that sense of pride back. We got our [expletive] kicked in 2004, and then we lost in the World Championship in 2006. It took us time to be like, 'Oh, this is real.' "The rest of these countries not only are getting better with the game of basketball, but it's a sense of pride, too," James continued. "And when you have that sense of pride, you have a sense of work ethic that goes a lot longer. You have a sense of accountability that's a little bit longer. You have a sense of wanting to be there because you know what you're representing." With Bryant leading the way, Team USA regained the gold medal at the 2008 Summer Games, and it was a jubilant moment for the program and all of its players. In 2012, Bryant manfully took a back seat and let James become the head honcho. The result was another gold medal. Last summer, of course, after Team USA failed to medal in the 2023 FIBA World Cup, James, Stephen Curry and Kevin Durant volunteered to play for Team USA in the Olympics once again. The squad won another gold medal, and James was named the MVP of the tournament for his all-around performance.
