logo
'Nine Perfect Strangers' Season 2: How to Watch Episode 3 of the Nicole Kidman Drama

'Nine Perfect Strangers' Season 2: How to Watch Episode 3 of the Nicole Kidman Drama

CNET27-05-2025

Nine Perfect Strangers has returned to streaming. The addictive drama first premiered on Hulu in 2021. It broke viewership records, becoming the streamer's most-watched original of all time at the time of premiere. The series, which was based on the book by Liane Moriarty (Big Little Lies), was co-created by David E. Kelley and followed a group of visitors who sought self-improvement at a health and wellness resort called Tranquillum House, run by a mysterious woman named Masha, played by Nicole Kidman.
Four years have passed, and the show is back in a new locale (the Austrian Alps), with a new cast of characters looking to make their wellness... weller(?). This means more twists and turns are on the horizon. While the first installment followed the events of the book, these new episodes are based on an original concept, so not much is known about where this new story will go.
Kidman, who returns as Masha, is joined by cast members Henry Golding, Mark Strong, Lena Olin, Annie Murphy, Christine Baranski, Lucas Englander, King Princess, Murray Bartlett, Dolly de Leon, Maisie Richardson-Sellers, and Aras Aydin.
Read on to find out more information about how to watch season 2 of Nine Perfect Strangers.
Read more: Hulu Review: Strong Library of Network TV and Exciting Originals at a Competitive Price
Nicole Kidman returns as Masha alongside cast newcomers Henry Golding, Mark Strong, Lena Olin, Annie Murphy, Christine Baranski, Lucas Englander, King Princess, Murray Bartlett, Dolly de Leon, Maisie Richardson-Sellers and Aras Aydin in season 2 of Nine Perfect Strangers.
Disney
When to watch season 2 of Nine Perfect Strangers
The third episode of season 2 will premiere on Wednesday, May 28, on Hulu. The remaining five episodes will air weekly on Wednesdays until the finale drops on July 2.
You can choose from two Hulu plans. The ad-supported version costs $10 a month or $100 a year. If you prefer to skip the commercials, you can sign up for the ad-free version, which costs $19 monthly and does not offer an annual payment option.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

How 'Will Trent' star Ramón Rodriguez became an industry game-changer
How 'Will Trent' star Ramón Rodriguez became an industry game-changer

Yahoo

time11 minutes ago

  • Yahoo

How 'Will Trent' star Ramón Rodriguez became an industry game-changer

ABC's "Will Trent" is no ordinary police procedural. "There's a thousand cop shows," said Ramón Rodriguez, who portrays the show's main character, Will Trent. "How do you make this one stand out?" The broadcast drama series, which also airs on Hulu, centers special agent Trent: a dapper investigator whose instinctual crime-solving skills render him essential to the Georgia Bureau of Investigation. But beneath the three-piece suit, there's a more complex side to Trent, who navigates the residual trauma from being abandoned at birth and growing up in the Atlanta foster care system. He is also dyslexic. "One of the exciting things when I came onto the show was not knowing where this character was from," said Rodriguez, 45. "Trent was very much [written as] a colorless character." Born in San Juan, Puerto Rico, Rodriguez greeted me on a Zoom call from his present home in Southern California, while wearing a New York Knicks cap. Before "Will Trent," he previously played the first main Hispanic character on the HBO series "The Wire," and appeared in films such as 2009's "Transformers: Revenge of the Fallen" and "G20," a thriller featuring Viola Davis, which premiered April 10 on Amazon Prime Video. Since the 2023 premiere of "Will Trent," Rodriguez has molded his beloved character in many ways; he's a hard-nosed detective with a mushy side, which is most evident in scenes with his pocket-sized chihuahua named Betty. Based on Karin Slaughter's New York Times-bestselling novel series "Will Trent," showrunners Liz Heldens and Daniel Thomsen organically tailored the titular role to reflect Rodriguez's real-life Puerto Rican identity. It's a major win for Latinos in an industry that otherwise lacks Latino-led programming. "Once we run out of feeling fresh, creative, excited and inspired, then I think we start phoning it in," said Rodriguez. "But that's something I'm not interested in and I know my partners aren't either." Rodriguez has taken on roles behind the camera as well. He directed "I'm a Guest Here," the first episode of Season 3, which wrapped earlier this month; he was also named an executive producer. "I really wanted to be a part of the creative collaboration of creating this character in this show," said Rodriguez. When Season 3 dropped a bombshell regarding Trent's biological father, it paved the way for a nail-biting Season 4, which was confirmed earlier this year. This interview has been edited and shortened for clarity. It also reveals Season 3 spoilers. In the books, Will Trent isn't Puerto Rican, but this series is peeking into your own Puerto Rican identity. What are your thoughts on that? It was a topic that they were curious about exploring. Where does Will come from as an orphan who grew up in the foster care system? Identity becomes a focal point for someone like that. Again [him being Puerto Rican] isn't in the books, which is kind of exciting. We've been able to separate and say that the books are the books. It wasn't something that we were trying to sort of check a box and say, "Great, Will's heritage is Puerto Rican." It was a very organic explanation of this character discovering who he is. When you were cast for the lead, did you ever picture the show as what it is today? You never know what's gonna work and why it's gonna work. You don't have control of a lot of things in this business. The one thing I do have control over is my work, what I can bring to it, what I try to do. This is the first time I've been on a show that's gone on for this long from the pilot. If you would've asked me that, is this gonna be the show that goes past one season? I probably would've said, "I don't think so." And it's nothing against the show, you just don't know. It took a minute for me to be fully convinced, but I'm so grateful that they were willing to continue having conversations with me and that they were really willing to have me on as a partner because that was important to me. It doesn't feel like the show hinges on those elements of identity. Why is it important to keep that balance in this procedural show? [Solving cases is] another aspect of the show that I know audiences love. I just think the things that tend to pull our hearts to the things that are emotional and personal things, what someone's struggling with or how are they overcoming it. In Season 3, we have a really pivotal moment where Will accidentally shoots a bad guy, but ends up killing a young boy by accident. That case ended up changing the rest of the season — he was not able to recover from that event of having the boy die in his arms. That was Episode 11 and that will likely go into Season 4. Your dog Betty also shines in Season 3. We get to hear her voice for the first time which happens during a fun hallucination scene. What was it like to film that episode? That was two episodes after this tragic episode I just described, which is crazy, right? We wanted to mix levity and humor with our heavy drama and emotional stuff. So as Will was entering this case that involved a cult, he gets caught undercover and in that process he gets drugged. Liz Heldens, one of our showrunners, had been dying to find a way to get me to dance on this show, and I was like "Listen: Will Trent is an awkward individual, he's not someone that's out here dancing." She was like, "Well, what if that's a hallucination?" I was like, "That's brilliant!" Anything can happen while he's tripping. I remember I was walking on set and one of our production assistants, Tim, had read the script and said, "What if Betty talks?" So I pitched that to Liz and she topped it and went, "Well, what if Betty's British?" You made your directorial debut in Season 3. How was that experience for you? I felt like a kid in a candy store. By Season 3, I really understood the character and what works with our show, where our strengths are. I just got to be me in certain scenes, because at the start of the [third] season Will has left the [Georgia Bureau of Investigation], he's got a beard and he's in a T-shirt, jeans and curly hair. It was also fun to direct new cast members. We introduced Gina Rodriguez, who played Marion Alba, and Antwayn Hopper, who played Rafel Wexford. Which was really fun. I'd be like: "No notes." [Laughs.] Will you be directing in Season 4? I will definitely be directing at least one episode next season. It makes the most sense for me to direct the premiere as I did this past season. I love that pressure of having to set the bar for a season. What can audiences expect for the upcoming season? We're about to begin these serious conversations. There were some pretty serious cliffhangers at the end of Season 3, where we find out Angie Polaski (Erika Christensen) is pregnant, and Will is definitely not the father, so that's gonna be something to explore. Amanda Wagner (Sonja Sohn), who is a maternal figure for Will, is in the hospital bed. We just discovered his dad, [Sheriff Caleb Roussard], which we don't know too much about, so I'd want to know more about the character and what happened with the mom. There's just so many questions that we will get to explore — I mean, is there new love in Will's life? Get our Latinx Files newsletter for stories that capture the complexity of our communities. This story originally appeared in Los Angeles Times.

Julianne Nicholson Was ‘Paradise' Creator Dan Fogelman's Only Choice for His ‘Complicated' Villain
Julianne Nicholson Was ‘Paradise' Creator Dan Fogelman's Only Choice for His ‘Complicated' Villain

Yahoo

timean hour ago

  • Yahoo

Julianne Nicholson Was ‘Paradise' Creator Dan Fogelman's Only Choice for His ‘Complicated' Villain

On June 5, the IndieWire Honors Spring 2025 ceremony will celebrate the creators and stars responsible for some of the most impressive and engaging work of this TV season. Curated and selected by IndieWire's editorial team, IndieWire Honors is a celebration of the creators, artisans, and performers behind television well worth toasting. We're showcasing their work with new interviews leading up to the Los Angeles event. Ahead, 'Paradise' creator Dan Fogelman explains why Julianne Nicholson, this season's IndieWire Honors Performance Award winner, was so worth the wait (and the white lies) it took to get her 'transcendent' work in the series. More from IndieWire Natasha Lyonne: The Maverick Behind the Madness 'Stick' Review: Owen Wilson's Golf Comedy Takes Too Many Shortcuts Trying to Be 'Ted Lasso' It's summer of 2024. We are shooting Episode 2 of my new [Hulu] series, 'Paradise.' While a lot of my mental energy has been devoted to the pilot, I'm equally focused on the second episode… an episode that expands our world and tells the backstory of our complicated 'villain' — Samantha Redmond, AKA Sinatra. I have come to set today — a rarity for me. Because today Julianne Nicholson is doing her big therapy scene — a monologue where she processes the loss of a child and her failed attempts to move forward — and I want to see it live. There are some things you just need to see in person. Julianne begins her monologue. The directors — knowing what's about to happen before it happens — have chosen to start on her and shoot the scene in one shot. No editing. Just let her go. And, so, the scene begins. I am standing in the back room, watching on the rear monitors. Julianne launches in. It is transcendent. And to no one, or maybe everyone, I simply say, 'Oh, my God.' And with that, as I'm inclined to do in many of my screenplays, I FLASHBACK. It's a year earlier now. I've been an admirer of Julianne's from a distance for years, and I've been obsessed with the idea of her as Sinatra from go. We've Zoomed, connected, and agreed to take this journey together. I'm so excited. And then I get a phone call… there's been a hiccup. Julianne has been filming another project, a project that still has time left to go, and their dates conflict with ours. They conflict in a way that makes shooting with her impossible. 'Dan,' I'm told, 'You're going to have to move on and cast someone else.' A decade of running TV shows has taught me to roll with the punches. A location falls apart, you change the location. An actor can't get their head around a speech, you change the words. But having Julianne in my show — in this part — and then losing her? I can't roll with that. There's a multiple week overlap between projects. I would have to push our project multiple weeks to accommodate Julianne's schedule. At a very late date. It would cost the show, and the studio that employs me, a LOT of money. I worry I'll never be able to convince anyone to push, not for one actor in an ensemble, no matter how great they are. And so… I lie. I tell everyone I need more time to prep the show (which I kind of do), and that we are rushing into production before we were ready (also a partial truth). But the real truth: we could shoot now. Just not with Julianne. And I don't want to shoot without Julianne. BACK TO PRESENT Julianne only needs two takes at the monologue. We will wind up using her first take in the show. It is one of the most extraordinary single pieces of acting I've ever witnessed — a broken woman, a mother who has lost a child, grasping at anything she can hold on to as she tries to survive for her remaining child. It's so raw, and so real… one of those performances where the lines blur between reality and art. You can hear a pin drop on stage. Everyone knows they are witnessing 'special.' I have a five-year-old. We're entering the 'not good to lie' portion of his development. But the white lie I told that allowed Julianne to play Sinatra is one of those few lies I'll be proud of for the rest of my life. She's a woman at the very top of her craft, who is kind and generous to boot. Working with Julianne Nicholson is, indeed, Paradise. Best of IndieWire The Best Thrillers Streaming on Netflix in June, from 'Vertigo' and 'Rear Window' to 'Emily the Criminal' All 12 Wes Anderson Movies, Ranked, from 'Bottle Rocket' to 'The Phoenician Scheme' Nightmare Film Shoots: The 38 Most Grueling Films Ever Made, from 'Deliverance' to 'The Wages of Fear'

Can Jeremie Frimpong boost Liverpool's 2025/26 Champions League winner odds?
Can Jeremie Frimpong boost Liverpool's 2025/26 Champions League winner odds?

New York Times

timean hour ago

  • New York Times

Can Jeremie Frimpong boost Liverpool's 2025/26 Champions League winner odds?

For more stories like this, click here to follow The Athletic's sports betting section and have them added to your feed. In the 2011 movie 'Moneyball,' Brad Pitt, portraying Oakland Athletics general manager Billy Beane, sits in the middle of a conference room table surrounded by scouts during an off-season meeting. As the discussion of the team's direction unfolds, Beane is abruptly cut-off by a scout concerned about their ability to replace a crucial player: Jason Giambi. Advertisement 'Billy,' the scout says, 'we got 38 home runs and 120 RBIs to make up.' 'Guys listen,' Beane interrupts, 'We're still trying to replace Giambi. I told you we can't do it. Now what we might be able to do is recreate him — recreate him in the aggregate.' Losing a generational player like Trent Alexander-Arnold is not something even a club like Liverpool can shrug off. Despite his departure, the Reds still have the best odds to win both the Premier League (11/5) and Champions League (11/2). But should they? With Jeremie Frimpong already in the fold and the potential acquisitions of Florian Wirtz and Milos Kerkez on the horizon, Liverpool's plan to replace their homegrown star is coming into view. Let's explore if it'll be enough to find value in their current odds. It sounds silly, but Alexander-Arnold is truly a footballing unicorn. A right-back who could hold his own defensively but also doubled as one of the world's best ball-progressors and chance-creators is a rarity. To come in with expectations that Frimpong is Alexander-Arnold's successor would be quite unfair — they're not remotely the same player. Alexander-Arnold ranked 17th in Europe's big five leagues with 65 passes into the penalty area this season. Despite playing as a wing-back in the Bundesliga, Frimpong had just 29 this year. To put that into context, the player in 16th was in the running for the Ballon d'Or — Raphinha — most of this past season. Alexander-Arnold was essentially an attacking midfielder hiding as a right-back whereas Frimpong is, well, not. When it comes to progressive passes (passes that move the ball at least 10 yards closer to the opponent's goal), Alexander-Arnold ranked 19th and was once again surrounded by a bevy of talented midfielders like Nicolò Barella and Youri Tielemans. Frimpong ranked 10th…on his team. Even Leverkusen's defensive midfielder Robert Andrich had more progressive passes than Frimpong this season. Advertisement It's at about this point where you're probably asking, 'So what does Frimpong do exactly?' The answer to this is simple: He runs, quite often and quite fast. According to PFF FC's physical metrics provided to The Athletic, Frimpong sprinted more than any other player in Germany last season. In total, the new Liverpool signee had 800 sprints (classified as runs that exceed 25 KM/hr), 15 more than the next closest player. That willingness to run is far more reminiscent of Andy Robertson than Alexander-Arnold, except that Frimpong is an absolute speed merchant. The 24-year-old was clocked with the second-highest max speed in the Bundesliga last year — 35.33 km/h — only bested by FC Heidenheim's Sirlord Conteh. Alexander-Arnold's on-ball orchestrating is gone, but Liverpool still need someone to play right-back. If you can't replace Alexander-Arnold, you might as well find a player with an elite trait at a cheap price. That's what Liverpool have done. But it's clear with the interest in Wirtz and Kerkez, the Reds know they will need more help to fill the Alexander-Arnold-sized hole. Heading into the 2025-26 campaign without Alexander-Arnold puts a lot more on Mohamed Salah's shoulders. Salah's scoring streaks get plenty of acclaim, but his shot-creation for teammates is underappreciated. The Egyptian led Europe's big five leagues in expected assists while also leading Liverpool in passes played into the penalty area. A large part of Liverpool's success stemmed from Salah's ability to work in concert with Alexander-Arnold. Salah's 488 progressive passes received topped Europe's big five leagues and were fueled by his former right-back's ball-progressing prowess. For anyone who watched the team, the formula was obvious: Alexander-Arnold moved the ball up the pitch to Salah, and then the two of them combined to terrorize opponents in the final third. In order to find value in their title-winning odds, Liverpool need to recreate this dynamic. With Alexander-Arnold headed off to Spain and Frimpong not the creative type, Salah needs a new partner-in-crime. Enter, stage-right: Wirtz. While the odds suggest this transfer is far from sealed, the reason for Liverpool's aggressive pursuit of the 21-year-old is obvious. The Reds' recruitment team likely put far more thought into this, but if Alexander-Arnold was the 17th-best player in the world at playing the ball into the opponent's box, it makes sense to go after the player who finished one spot behind him — Wirtz. Advertisement The problem for Liverpool is that Wirtz alone can't replicate all of Alexander-Arnold. The German midfielder is more of a threat in the attacking third — he led Leverkusen in shot-creating actions with 5.66 — than he is a contributor to a team's build-up play. Wirtz just ranked eighth for Leverkusen when it came to passing the ball into the opponent's final third, miles behind Granit Xhaka, who led the team in progressive passes. To fill that final hole in the build-up play, Liverpool are turning to Kerkez. At first glance, it's hard to see how Kerkez could come close to matching Alexander-Arnold's ability. The 20-year-old did lead Bournemouth in progressive passes with 159, but that number falls well short of Alexander-Arnold's 232 from last season. However, passing isn't the only way to move the ball forward — players can dribble, too. If you combine progressive passes and carries, Kerkez is much closer to Alexander-Arnold's tier of ball progression. Alexander-Arnold authored 283 progressive movements last season. Thanks to 106 progressive carries to go along with those 159 progressive passes, Kerkez was responsible for 265. If Frimpong fills his actual position and Wirtz takes over some of the playmaking in the final third, it's Kerkez's distribution from deep that replicates the last part of Alexander-Arnold's production. On the surface, fading Liverpool and looking for value in clubs like Arsenal (5/2) or Manchester City (13/5) to win the title next season would seem to be the right move. In this transfer window, other title-contending clubs have been acquiring exciting talent, rather than watching helplessly as a prime-age, generational superstar leaves town. But like Beane did with the A's two decades ago, Michael Edwards and Liverpool's front office were tasked with replacing an irreplaceable player. The transfer window isn't close to finished yet, but if Wirtz and Kerkez join Frimpong, there's a chance Liverpool will have accomplished that seemingly impossible feat. They just needed to do it in the aggregate. Betting/odds links in this article are provided by partners of The Athletic. Restrictions may apply. The Athletic maintains full editorial independence. Partners have no control over or input into the reporting or editing process and do not review stories before publication. (Photo of Jeremy Frimpong: Daniel Kopatsch / Getty Images)

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store