Japanese Artist Takashi Murakami Opens Exhibit in Ohio Museum with More than 100 Works
Japanese contemporary artist Takashi Murakami has never been limited to one medium, creating paintings, sculptures, luxury goods with fashion houses like Louis Vuitton, album covers and an exclusive merchandising collection with Major League Baseball.
Now, he has filled a US museum hall with portraits in every color as part of an exhibit opening Sunday at the Cleveland Museum of Art. "Takashi Murakami: Stepping on the Tail of a Rainbow," an update of an exhibit first shown in Los Angeles, features more than 100 ranging works.
Murakami, known for his smiling rainbow-colored flower icon, intentionally layered light-hearted themes with historical events linked to trauma, he told The Associated Press.
The art explores the impact of trauma on people and culture, said Ed Schad, curator and publications manager at contemporary art museum The Broad in Los Angeles.
The portraits "have historical roots and that they could actually tell you a lot about what a society is doing, how healthy a society is, what a society is responding to," Schad said. "What society is responding to most often in this exhibition is the idea of trauma."
One sculpture depicts Murakami and his dog with half of their bodies in anatomical form, showing their bones and organs, while the other half is their outward appearances. The sculpture, Pom and Me, is described as Murakami's interpretation of his experience in the West through the lens of his Japanese identity.
Square portraits featuring cartoonish flowers with facial expressions cover one wall of the exhibit, organized by background color to create a rainbow effect. One flower is wiping a tear from its eye, while another appears to be a zombie. One has blood dripping from its mouth. One appears to be in awe watching fireworks.
Though there are no obviously direct visual references to historical events, the museum said the art can be seen through the lens of three events in Japanese history: the atomic bombings of Hiroshima and Nagasaki by the United States during World War II, the 2011 Tōhoku earthquake and tsunami, leading to the Fukushima Daiichi nuclear accident, and the COVID-19 pandemic.
Murakami said it's a bit of a misunderstanding that his work "is very easy and very popular."
"But this is okay because this is one of my tricks," he said.
What someone might admire about his art as a child, Murakami said, would likely not be what is admired by an adult.
Before entering the exhibit on the lower floor of the museum, visitors can walk through a version of the Yumedono, the octagonal-shaped building at Horyuji Temple in Nara, Japan. Murakami said he was inspired to create the structure after viewing the 2024 television series "Shōgun."
Inside the structure are four new paintings, "Blue Dragon Kyoto,Vermillion Bird Kyoto,White Tiger Kyoto" and "Black Tortoise Kyoto", created between 2023 and 2025.
The ticketed exhibit runs until early September.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Arab News
38 minutes ago
- Arab News
Whether ratings are good or not, Thunder-Pacers could be a series true basketball fans enjoy
OKLAHOMA CITY: It's No. 25 Indiana vs. No. 47 Oklahoma City in the NBA Finals. That's not their seeding. That's their media market ranking. To some, that might matter. To others, it probably won't — and probably shouldn't — matter whatsoever. A title matchup that starts Thursday night between the Pacers and Thunder — two young, fun teams that score a ton and are led by marketable stars in reigning MVP Shai Gilgeous-Alexander for Oklahoma City and Olympic gold medalist Tyrese Haliburton for Indiana — is the type of series that real basketball fans clamor for. It has everything: star power, good coaching, All-Stars on both sides. And it adds to the NBA's recent run of parity. That's the good news. Here's the inevitable other side: The ratings, especially at the start of the series, probably aren't going to be good because the home markets are so small. Those who like the NBA won't be dissuaded by that. Those who don't like the NBA will tout it as great failure. 'I think this finals is a great representation with the two teams that are in it,' Thunder coach Mark Daigneault said. 'You know, they're teams that play good, exciting styles of basketball. Players that have great individual stories, teams that have a great story collectively. And we're proud to be a part of that.' People are watching; they just may not be watching on television. The social media tracking site Videocites says NBA content is getting consumed at a 64 percent higher clip than last season — 32 billion views and counting so far in these playoffs. Gilgeous-Alexander is the most viewed player, Haliburton is No. 3 and playoff clips of those two have about 1.5 billion views between them to this point. That's billion, with a B. And speaking of that, there are 76 billion reasons the NBA won't be bothered by whatever the ratings are over the next couple of weeks. The new media rights deals — an 11-year, $76 billion pact between the NBA and broadcast partners Disney (ABC/ESPN), Peacock (NBC) and Amazon (Prime Video) that kicks in at the start of next season — show that clearly somebody is watching NBA games or consuming NBA content. The days of straight relying on Nielsen ratings seem to be long gone, with more and more people ditching cable for streaming and more and more young fans just watching everything on their phones and often in condensed versions. If the ratings tank for Pacers-Thunder, those deals are still worth $76 billion. The ad buys for these playoffs have long been paid for. So, the numbers for this series are largely irrelevant to the NBA's bottom line. Haliburton was asked Tuesday what fans who watch will see if they tune in to these finals. 'I think (they'll see) two high-level teams that play an elite style of basketball, who share the ball really well, a lot of different people that can chip in,' Haliburton said. 'I think that's the exciting part about this. I don't want to say it's like a passing of the torch because the old heads are still here. They're still playing very, very well. But definitely to see two young teams, two young organizations, fighting to win a championship, I think is a very big deal.' Late in the regular season, as numbers were bouncing back from a slow start to the season, NBA Commissioner Adam Silver said the league's ratings were down about 2 percent from a year ago. 'But in this environment, where particularly when you're largely featured in legacy media and particularly cable, and no question cable subscriptions are going down, that seems like a victory,' Silver said. In short, nobody at the league office is panicking about ratings, especially right now. Whichever team wins will be the seventh different champion in the last seven seasons, and without question the Thunder and Pacers will be featured in more national broadcasts next season than they were this season and their ratings will be higher — as proven by recent finals runs by Milwaukee, Denver and Dallas. Go ahead and expect Indy and OKC in the Christmas Day package next season as well; neither team was among the 10 picked for that this season, which was probably a mild disappointment for the Pacers and was a huge disappointment for the Thunder. 'I'd love to play on Christmas Day,' Gilgeous-Alexander said earlier this season. 'And I think we're that caliber of team. The NBA makes their decisions. Can't slight them for it. Ball's in our court to prove to them why we deserve to be in that game.' It can easily be argued that both teams did it right: didn't overspend, didn't go into the luxury tax — it's the first finals between two non-taxpayer teams in about two decades — and tried to build around young stars. And the Thunder and Pacers were teams that combined to win 49 games just three seasons ago; their success now has to be a reason for hope for teams like Utah, Washington, Portland, Charlotte and others that have been sputtering. Turnarounds can happen, and they can be rewarded. Some people will watch, some won't, but true fans probably are expecting a pretty good series. 'I think that's exciting,' Haliburton said, 'for any basketball fan.'
Arab News
2 hours ago
- Arab News
‘Rested' Pacquiao relishing boxing comeback at 46
LOS ANGELES, United States: Manny Pacquiao on Tuesday shrugged off concerns about his decision to return to boxing at the age of 46 as he prepares for next month's world welterweight title comeback against Mario Barrios. The charismatic Filipino boxing icon stunned the sports world last month after announcing he would take on World Boxing Council (WBC) champion Barrios on July 19 in Las Vegas, four years after his last fight ended in a disappointing defeat. Pacquiao, who won 12 world titles in eight different weight classes during a glittering professional career that began in 1995, told reporters on Tuesday that the glamor of championship boxing had prompted his return. 'I'm returning because I miss my boxing,' Pacquiao said at a press conference in Los Angeles. 'Especially these situations — being interviewed, press conference, training camp, everything like that. 'I missed that. But it has been good for me — I've rested my body for four years. And now I come back.' Pacquiao said that he had been left devastated following his decision to retire in the wake of his loss to Yordenis Ugas in 2021. 'I always thought, even when I hung up my gloves, 'I can still fight, I can still feel my body, I can still work hard,'' Pacquiao said. 'That moment when I announced hanging up my gloves four years ago — I was so sad. I was crying, I cannot stop the tears coming out my eyes.' Pacquiao, though, revealed that working out at his home in the Philippines persuaded him he still had the fitness and strength to fight. 'I realized when I'm playing basketball, training at the gym my house — I have complete sport facilities in my house — that I still have that passion. I still have that speed and power,' he said. Some in boxing have expressed concerns about whether Pacquiao's comeback against Barrios, who is 16 years his junior, represents a risk to the Filipino's safety. Addressing those concerns, Pacquiao noted that his family and loved ones were firmly behind his comeback. 'I'm thankful for them for their concern,' Pacquiao told AFP. 'But the people who really concern me, is my family. My family saw how I move, saw how I train, saw my my body condition. They support me because they can see the old Pacquiao style.' Pacquiao, who has reunited with veteran trainer Freddie Roach for next month's fight, is able to challenge immediately for a title due to a WBC rule that allows former champions to request a title fight when coming out of retirement. WBC President Mauricio Sulaiman told AFP on Tuesday that Pacquiao had been cleared to return to the ring by the Nevada Athletic Commission after undergoing medical exams, describing the fighter's comeback as 'low risk.' 'Manny Pacquiao is at no higher risk than any fighter going into the ring,' Sulaiman said. 'Manny has rested his body for four years. He's not a drinker. He's not a drug user. He's a family man that has taken care of himself. So of the different aspects of dangers, he's at the lowest risk.' Pacquiao's opponent, Barrios, said he would set aside the Filipino's status as one of the most beloved fighters of his era. 'There's nothing but good things to say about him outside the ring,' Barrios said of Pacquiao. 'He's a hard guy to dislike. But at the end of the day, you know it's kill or be killed. 'And I know if at any point he has me hurt, you know he's going to get me out of there. So I just have to go in there and make sure that my hand is raised at the end of the fight.'
Asharq Al-Awsat
17 hours ago
- Asharq Al-Awsat
How a New Planetarium Show Helped Scientists Unlock a Cosmic Secret
Scientists have unlocked one of the solar system's many secrets from an unexpected source: a planetarium show opening to the public on Monday. At the American Museum of Natural History last fall, experts were hard at work preparing "Encounters in the Milky Way," a deep dive into our home galaxy shaped by the movements of stars and other celestial objects. They were fine-tuning a scene featuring what's known as the Oort Cloud, a region far beyond Pluto filled with icy relics from the solar system's formation. Comets can hurtle toward Earth from the cloud, but scientists have never glimpsed its true shape. One evening while watching the Oort Cloud scene, scientists noticed something strange projected onto the planetarium's dome. "Why is there a spiral there?" said the museum's Jackie Faherty. The inner section of the Oort Cloud, made of billions of comets, resembled a bar with two waving arms, similar to the shape of our Milky Way galaxy. Scientists had long thought the Oort Cloud was shaped like a sphere or flattened shell, warped by the push and pull of other planets and the Milky Way itself. The planetarium show hinted that a more complex shape could lie inside. The museum contacted the researcher who provided the Oort Cloud data for the show, who was also surprised to see the spiral. "It's kind of a freak accident that it actually happened," said David Nesvorny with the Southwest Research Institute. Realizing they'd stumbled on something new, the researchers published their findings earlier this year in The Astrophysical Journal. The spiral is "a striking shift in our understanding of the outer solar system," planetary scientist Andre Izidoro with Rice University, who was not involved with the study, said in an email. The discovery, relying on data on how celestial objects move and using simulations, will be difficult to confirm with observations. But knowing more about the orbits of distant comets could give scientists some clues, Izidoro said. While putting together the planetarium show, the museum's experts weren't expecting a window into the universe's inner workings. The show, narrated by actor Pedro Pascal, features many vivid scenes that may capture audiences more than the Oort Cloud, said the museum's Jon Parker, including an ongoing merge of the Sagittarius mini galaxy with the Milky Way. No matter how striking and beautiful the visuals of the show, the museum was committed to making it scientifically accurate. That's what created the perfect conditions to stumble upon something new, said the museum's Carter Emmart. "You just never know what you're going to find," Emmart said.
