Adria Arjona discusses her ‘Andor' farewell: ‘There's so much hope in that scene'
Andor.
Adria Arjona remembers how she found out that she would be in the final shot of Andor with a baby in tow. Show creator Tony Gilroy broke the news to her almost casually, considering how meticulously detailed and thought-out Andor always seems.
More from GoldDerby
Jeremy Allen White and Austin Butler team up for 'Enemies,' Maya Hawke joins 'Hunger Games' prequel, 'Smurfs' trailer drops, and more top news
Tony Talk: Predicting the tricky musical acting categories including Audra McDonald vs. Nicole Scherzinger
'Gypsy' Tony nominee Joy Woods takes Louise from 'apologetic' to 'powerful'
'He told me in passing, because he's so cool like that,' Arjona says of Gilroy. 'He was like, 'Oh, by the way, kid, the last shot is going to be you.' I was like, 'What? What do you mean? And I'm holding what, a baby? When does Bix get pregnant? Do you see me pregnant? Do you not see me pregnant?' And he was like, 'Relax, kid. Let me write it and I'll send it to you.' So I knew that that was going to happen.'
That last scene is Arjona's singular appearance as Bix Caleen in the final three episodes of Andor. When Bix broke up with her hero, Cassian Andor (Diego Luna), via a 'Dear John' video message at the end of Episode 9, it seemed like that was the last viewers would see of her (especially considering the character is not part of Rogue One: A Star Wars Story). Arjona did everything she could to make that breakup message feel emotional and final.
'We filmed it practically, like she would've filmed it,' Arjona tells Gold Derby. 'So I was alone, and Cassian was sleeping, and I would walk from the bedroom and go by the table and start recording, and the first four [takes] were not usable at all.'
Arjona continues, 'I'm spilling all my tea, but they weren't usable because I was so emotional. It was the first time in my career that I allowed my emotions to get involved; I am hired because I can control my emotions, you know what I mean? But I couldn't control it. It meant so much to me and I respect and love Rogue One so much that propelling one of your favorite characters into a movie that you love so dearly was something that I couldn't get over until finally I shed that and Bix took over, and it's the scene that you see.'
While the breakup message was a hard goodbye, Bix's final scene carries the promise that all the sacrifices will be worth it for the future, a long-running theme of Star Wars.
'I think there's so much hope in that scene,' Arjona says. 'There's something really beautiful that Bix always says throughout this entire season, 'He's going to come back.' She has no doubt in Cassian, and when you don't have any doubt in someone, you inflict so much confidence. That's sort of what Tony Gilroy has been for me in my life. He's never doubted me. He's only inflicted confidence in me, and that's what Bix is for Cassian.'
Arjona admits it's bittersweet to say goodbye to Andor after working on it for years, but she hopes to remember everything she learned on the most acclaimed Star Wars show.
'It's going to be tough to top this one,' Arjona says. 'It's been such a beautiful creative team. I got to work with some of the best of the best, from hair and makeup to costumes to production design to directors, writers, and actors. I've learned so much in this show. I mean, it's really been one of my greatest schools. Anywhere I looked, there was a lesson there for me, and I really grew up in this show in many ways over six years. Where I was in my career to where I am now, it's a lot of thanks to the show and to Tony and to Diego who really supported me and believed in me. It is sad to realize that our last episode is coming out. You're just like, 'Oh man, this is it. We gave it our all, and it's all out there.''
Best of GoldDerby
'The Lord of the Rings: The Rings of Power' star Charlie Vickers breaks down Sauron's emotional reaction to killing Celebrimbor
TV directors roundtable: 'Abbott Elementary,' 'Bridget Jones: Mad About the Boy,' 'Cross,' 'The Daily Show,' and 'RuPaul's Drag Race'
'RuPaul's Drag Race' director Nick Murray on the show's 'intense rehearsal time' and Season 17's 'iconic' interview with Liza Minnelli
Click here to read the full article.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Black America Web
28 minutes ago
- Black America Web
Broadway's Patti LuPone Apologizes For Shading Black Actresses & Calling Kecia Lewis A 'B-tch' As Social Media Roasts Her
Broadway beef is not something you generally hear about outside of New York City theater circles, but this week it went viral after comments made by theater icon Patti LuPone. In a interview with The New Yorker, just before her guest appearance on the third season of HBO Max' And Just LIke That, LuPone shared her opinion about Audra McDonald, a four-time Tony Award winner currently onstage in the Broadway revival of Gypsy. LuPone, a three-time Tony winner best known for her role as Eva Perón in Evita, also commented on actress Kecia Lewis, a Tony winner for Hell's Kitchen, leading observers to wonder just what her problem was with the actresses. Turns out there's some backstory with Lewis. When the 76-year-old actress was starring in a play called The Roommate with Mia Farrow, she complained that the sound cues from Hell's Kitchen, showing in the neighboring theater, were bleeding through their shared wall. After the production adjusted the sound, LuPone sent flowers to the show and cast. That prompted Lewis to share in an IG post that she considered LuPone's request to be a 'microaggression' and accused her of bullying. When asked about it in The New Yorker piece, LuPone said, 'Here's the problem. She calls herself a veteran? Let's find out how many Broadway shows Kecia Lewis has done, because she doesn't know what the f-ck she's talking about,' she said. 'She's done seven. I've done thirty-one. Don't call yourself a vet, bitch.' (Per the article, Lewis has ten credits, LuPone has 30). McDonald caught a stray apparently for liking Lewis' post and adding emojis in agreement. That prompted LuPone to say, 'And I thought, 'You should know better.' That's typical of Audra. She's not a friend.' In a CBS This Morning interview with Gayle King, McDonald seemed confused since it doesn't appear she ever thought they were friends. When she was asked about any 'beef' with LuPone, McDonald said that she hadn't seen or spoken to her in over a decade. View this post on Instagram A post shared by CBS Mornings (@cbsmornings) But it didn't end there – when asked how LuPone felt about McDonald's performance as Momma Rose, the lead character in Gypsy, which LuPone also won a Tony for, The New Yorker article reports she sat in silence, then looked out the window and said, 'What a wonderful day.' McDonald is the first Black actress to play the role on Broadway. View this post on Instagram A post shared by Patti LuPone (@pattilupone) But now, after the backlash, LuPone has had a change of heart. She apologized for her remarks on social media, saying, 'I regret my flippant and emotional responses during this interview, which were inappropriate, and I am devastated that my behavior has offended others and has run counter to what we hold dear in this community,' she said in her post. 'I hope to have the chance to speak to Audra and Kecia personally to offer my sincere apologies.' The apology came after an open letter signed by 600 Broadway stars and insiders asking that LuPone be disinvited from the upcoming Tony Awards, saying her comments were a 'blatant act of racialized disrespect.' They also characterized her comments about McDonald as the opposite of the values of the theater community. 'To publicly attack a woman who has contributed to this art form with such excellence, leadership, and grace — and to discredit the legacy of Audra McDonald, the most nominated and awarded performer in Tony Award history — is not simply a personal offense,' the letter said. 'It is a public affront to the values of collaboration, equity, and mutual respect that our theater community claims to uphold.' LuPone agreed, saying, 'From middle school drama clubs to professional stages, theatre has always been about lifting each other up and welcoming those who feel they don't belong anywhere else. I made a mistake, I take full responsibility for it, and I am committed to making this right. Our entire theatre community deserves better.' Apology or not, social media is roasting her. See the reactions below. Broadway's Patti LuPone Apologizes For Shading Black Actresses & Calling Kecia Lewis A 'B-tch' As Social Media Roasts Her was originally published on Patti LuPone had to wait 28 years for her second Tony. Meanwhile, Nathan Lane once introduced Audra McDonald as 'the woman who wins a Tony every time she leaves her house.' — Jeremy Fassler (@J_fassler) May 27, 2025 i hate patti lupone and have for years. she plays the victim in every scenario, when in actuality, she is the one who is choosing to make enemies with kind, talented people. she's not a diva or an icon, she's just a rude old lady who thinks she's gods gift to theatre. — Maddie (@MaddieTillem) May 26, 2025 Finally caught up on the Patti Lupone drama and let me just say.. you'd never see Bernadette Peters saying some fuckass bullshit. Bernadette is MY bway diva — S🤍 (@HeavyMtlHookr) May 28, 2025 not to turn this into a joke but Patti LuPone apologizing for something is actually an apocalypse indicator — Rod (@bitchfromkalos) May 31, 2025 Black America Web Featured Video CLOSE
Yahoo
an hour ago
- Yahoo
Patti LuPone Apologizes for Interview Comments About Kecia Lewis, Audra McDonald: 'I Am Devastated'
Patti LuPone is apologizing for the recent comments she made in a New Yorker profile about Audra McDonald and Kecia Lewis that's had the theater world buzzing. 'For as long as I have worked in the theatre, I have spoken my mind and never apologized. That is changing today. I am deeply sorry for the words I used during The New Yorker interview, particularly about Kecia Lewis, which were demeaning and disrespectful,' she wrote on Instagram on Saturday. 'I regret my flippant and emotional responses during this interview, which were inappropriate, and I am devastated that my behavior has offended others and has run counter to what we hold dear in this community. I hope to have the chance to speak to Audra and Kecia personally to offer my sincere apologies.' More from The Hollywood Reporter Audra McDonald Says She Didn't Know About "Rift" Between Her and Patti LuPone 'Gypsy' Theater Review: Audra McDonald Climbs the Mountain of One of the All-Time Greatest Musicals and Plants a Triumphant Flag Kecia Lewis Says Patti LuPone Calling 'Hell's Kitchen' "Too Loud" Is "Racially Microaggresive," Requests Apology 'I wholeheartedly agree with everything that was written in the open letter shared yesterday. From middle school drama clubs to professional stages, theatre has always been about lifting each other up and welcoming those who feel they don't belong anywhere else,' LuPone continued. 'I made a mistake, I take full responsibility for it, and I am committed to making this right. Our entire theatre community deserves better.' The Hollywood Reporter has reached out to Lewis and McDonald's reps for comment. On Friday, Playbill reported that there was a letter that over 500 Broadway performers signed reprimanding LuPone's behavior. The letter, in part, read that her comments were a 'persistent failure to hold people accountable for violent, disrespectful, or harmful behavior — especially when they are powerful or well-known.' Tony winners Wendell Pierce, James Monroe Iglehart and Maleah Joi Moon signed it, as well as Courtney Love. Last fall, while LuPone was starring in The Roommate, she complained about the musical next door, Hell's Kitchen, which Lewis was in, being 'too loud.' After that, Lewis took to Instagram to say that LuPone was 'bullying,' 'racially microaggressive' and 'rooted in privilege.' In the New Yorker interview, LuPone responded by saying, 'Here's the problem. She calls herself a veteran? Let's find out how many Broadway shows Kecia Lewis has done, because she doesn't know what the fuck she's talking about,' she said. 'Don't call yourself a vet, bitch.' LuPone also said McDonald was 'not a friend' and that they had a rift years ago. However, on Thursday, McDonald appeared on CBS Mornings to promote Gypsy and her 11th Tony nomination and said she was surprised by LuPone's comments. 'If there's a rift between us, I don't know what it is. That's something you'd have to ask Patti about,' she said. 'I haven't seen her in about 11 years because I've been busy with life and stuff.' Best of The Hollywood Reporter From 'Lady in the Lake' to 'It Ends With Us': 29 New and Upcoming Book Adaptations in 2024 Meet the Superstars Who Glam Up Hollywood's A-List Rosie O'Donnell on Ellen, Madonna, Trump and 40 Years in the Queer Spotlight


CBS News
3 hours ago
- CBS News
Broadway star Audra McDonald on "emotional dive" into her latest role
When Audra McDonald won her first Tony Award at 23, it was just the beginning of a record-breaking Broadway career. Earlier this month, she received her 11th Tony nomination, making her the most Tony-nominated actor of all time. McDonald received the nomination for her portrayal of Mama Rose in the latest Broadway revival of "Gypsy." If she wins this Sunday, she'll make history as the performer with the most Tonys ever. Before she discovered the stage, McDonald described herself as a hyperactive kid who would express her emotions frequently. "I had big feelings. I had music in my heart. And so once I found theater, it was like I have a place to put my big feelings now," she said. Those emotions are on full display as Mama Rose, a character based on the real-life mother of famed burlesque entertainer Gypsy Rose Lee. It is currently being shown at the Majestic Theatre. In the musical, Mama Rose is an intense stage mom. McDonald first stepped into the role during a concert at Carnegie Hall in 2022, performing the musical's emotional climax "Rose's Turn." "It was the same time of year that I was getting ready to send my daughter off to college. And I was dealing with all this rage I was having at my sweet, wonderful daughter," McDonald said. "And I burst into tears and I realized it's because my baby's leaving and I'm sad. So then that was my first sort, like, emotional dive into Rose." McDonald is the first Black woman to portray Mama Rose on Broadway. Director George C. Wolfe guided her interpretation of what Rose would be experiencing in the 1920s and 30s, with not one word of the original script changed. "George talks a lot about Rose's obsession with the kids becoming stars is because being a star protects you in some way. You got star money, you could eat. You got star money, maybe you won't be lynched," McDonald explained. "And so she as a single woman at this time, abandoned three times by her husbands, abandoned by her mother, not really treated all that well by her father, she's tryin' to protect these babies." Behind the Curtain The "CBS Mornings" interview went backstage to find out what happens when the curtain closes. McDonald and her co-star Danny Burstein are "of a certain age," she laughed, noting they don't run up the stairs after performances. McDonald showed how she warms up to take on the demanding role. "One thing that a lotta singers do is humming. Just like (humming), you're doing things like that just to sort of and people do that, whether you're singing or not. It's good just to sort of make sure that everything's sort of moving and healthy. And you know, to do it eight times a week," she said. Inspiring the next generation Despite her countless accolades, McDonald still struggles with being called a legend. "If it can mean something to some little Black girl somewhere who says 'She did it and she looks like me so I can do it,' great," she said. "But I can't really comprehend what that means to me about me. You know what I mean? 'Cause I can't, you know, as I see how dirty my closet is, and the fact that I have not done laundry in four weeks." When asked about her own legends, McDonald became emotional while naming the likes of Diahann Carroll, Ruby Dee and Lena Horne. "They're not here. And they meant a lot to me. I could see them. They were doing it. They looked like me," she said. The 78th Annual Tony Awards will take place this Sunday, June 8, 2025, at Radio City Music Hall in New York City. You can watch the on CBS and stream live on Paramount+