
How an Omani artisan crafts stories in clay bringing tradition into the future
Oman's relationship with clay pots can be traced even in ancient times. Today, visiting a bustling market in Muscat, you might stumble across a small stall displaying simple, yet beautifully crafted ceramic mugs and bowls. These aren't just ordinary tableware — they tell stories, carry memories, and connect generations.
That's the world Fatema Al Muttawa is shaping with her hands every day. She's not just moulding clay; she's creating pieces that speak. Each of her ceramic works holds a story, a reflection of her homeland and her personal experiences. For her, clay isn't simply a material — it's a living thing that carries history and emotion.
Fatema's journey into the world of ceramics started with a simple question: 'Why don't I design my own mugs instead of importing ready-made ones?' It might seem like a small thought, but for her, it was the spark that ignited a whole new passion. Within just two years, she transformed her hobby into a full-fledged creative pursuit, and her work now exudes a freshness that belies her short time in the craft.
What makes Fatema's pieces truly stand out is her unique perspective on clay. Unlike many others, she sees the material as more than just a dirt to be shaped and fired. She believes clay is alive — it has a soul, a voice that calls to her. Her connection to clay is rooted in centuries of tradition, yet she explores it through a modern lens.
In Oman, pottery has a special place in history. For generations, Omani artisans have created beautiful, functional objects from clay, often decorated with intricate patterns that reflect the country's rich culture.
Bahla, in particular, is famous for its pottery. The ancient fort town has been a hub for ceramic artisans for centuries, with each vessel telling a story of the land and its people. Many of those designs, patterns, and techniques are passed down from father to son or mother to daughter, shaping Oman's identity. That depth of tradition is what Fatema respects and draws inspiration from, even if her work isn't always explicitly patterned.
For the newer generations of Omani artisans, embracing this traditional craft means reconnecting with their roots at a time when modernity often pushes ancient skills aside. It's more than just making pretty objects; it's about keeping alive a cultural identity, about honouring ancestors who shaped the craft with patience and humility. As Fatema puts it, 'Omani pottery is full of stories — stories of the land, of how we live, of poetry woven into everyday life.'
Poetry itself is a core part of Oman's cultural fabric. The tradition of storytelling and poetic expression is woven into daily life — a humble art that celebrates patience, history, and a sense of community. Unlike Western ceramics, which often lean towards the experimental and avant-garde, traditional Omani pottery is grounded, deliberate, and soulful. Fatema believes that understanding this difference helps her craft pieces that are both rooted in tradition and meaningful in today's world.
Interestingly, Fatema sources her clay from the UK. That might sound surprising — why not use local clay? She explains she combines the best of both worlds: by importing high-quality British clay, she achieves a level of precision and smoothness that's hard to find elsewhere. It's a balancing act between traditional spirit and modern techniques, bringing her closer to her artistic goals.
In her studio, each piece isn't just about aesthetics. There's emotion wrapped up in every fingerprint and every colour choice. Sometimes she leaves a fingerprint as a tiny mark — a reminder that a human hand touched this piece, that it embraces imperfection, humility, and authenticity. It's her way of telling people: here is a craft that's alive, direct from a person's heart.
Over time, Fatema's journey has not been without hurdles. Like many artists, she wrestles with logistics — getting her work shipped, marketing herself, finding the right audience. But she views these obstacles not as roadblocks, but as lessons. Her perspective is that every challenge is part of her craft, helping her grow and improve.
What's inspiring about Fatema's story is how she's part of a wider trend — people finding new ways to entertain themselves and express their creativity. Across the world, artists are exploring crafts like pottery, embroidery, or painting, not just to make a living, but to reconnect with traditions and delve into personal reflection. This rising movement is about more than just hobbies; it's about rediscovering a sense of purpose and mastery in a digital age often dominated by instant gratification.
As her creations begin to find audiences both locally and internationally, Fatema feels proud that she's helping to keep Oman's craft scene alive. She hopes her work inspires others, especially young women, to explore their cultural roots and see craft not just as a pastime, but as a meaningful way of life.

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Observer
14 hours ago
- Observer
How an Omani artisan crafts stories in clay bringing tradition into the future
Oman's relationship with clay pots can be traced even in ancient times. Today, visiting a bustling market in Muscat, you might stumble across a small stall displaying simple, yet beautifully crafted ceramic mugs and bowls. These aren't just ordinary tableware — they tell stories, carry memories, and connect generations. That's the world Fatema Al Muttawa is shaping with her hands every day. She's not just moulding clay; she's creating pieces that speak. Each of her ceramic works holds a story, a reflection of her homeland and her personal experiences. For her, clay isn't simply a material — it's a living thing that carries history and emotion. Fatema's journey into the world of ceramics started with a simple question: 'Why don't I design my own mugs instead of importing ready-made ones?' It might seem like a small thought, but for her, it was the spark that ignited a whole new passion. Within just two years, she transformed her hobby into a full-fledged creative pursuit, and her work now exudes a freshness that belies her short time in the craft. What makes Fatema's pieces truly stand out is her unique perspective on clay. Unlike many others, she sees the material as more than just a dirt to be shaped and fired. She believes clay is alive — it has a soul, a voice that calls to her. Her connection to clay is rooted in centuries of tradition, yet she explores it through a modern lens. In Oman, pottery has a special place in history. For generations, Omani artisans have created beautiful, functional objects from clay, often decorated with intricate patterns that reflect the country's rich culture. Bahla, in particular, is famous for its pottery. The ancient fort town has been a hub for ceramic artisans for centuries, with each vessel telling a story of the land and its people. Many of those designs, patterns, and techniques are passed down from father to son or mother to daughter, shaping Oman's identity. That depth of tradition is what Fatema respects and draws inspiration from, even if her work isn't always explicitly patterned. For the newer generations of Omani artisans, embracing this traditional craft means reconnecting with their roots at a time when modernity often pushes ancient skills aside. It's more than just making pretty objects; it's about keeping alive a cultural identity, about honouring ancestors who shaped the craft with patience and humility. As Fatema puts it, 'Omani pottery is full of stories — stories of the land, of how we live, of poetry woven into everyday life.' Poetry itself is a core part of Oman's cultural fabric. The tradition of storytelling and poetic expression is woven into daily life — a humble art that celebrates patience, history, and a sense of community. Unlike Western ceramics, which often lean towards the experimental and avant-garde, traditional Omani pottery is grounded, deliberate, and soulful. Fatema believes that understanding this difference helps her craft pieces that are both rooted in tradition and meaningful in today's world. Interestingly, Fatema sources her clay from the UK. That might sound surprising — why not use local clay? She explains she combines the best of both worlds: by importing high-quality British clay, she achieves a level of precision and smoothness that's hard to find elsewhere. It's a balancing act between traditional spirit and modern techniques, bringing her closer to her artistic goals. In her studio, each piece isn't just about aesthetics. There's emotion wrapped up in every fingerprint and every colour choice. Sometimes she leaves a fingerprint as a tiny mark — a reminder that a human hand touched this piece, that it embraces imperfection, humility, and authenticity. It's her way of telling people: here is a craft that's alive, direct from a person's heart. Over time, Fatema's journey has not been without hurdles. Like many artists, she wrestles with logistics — getting her work shipped, marketing herself, finding the right audience. But she views these obstacles not as roadblocks, but as lessons. Her perspective is that every challenge is part of her craft, helping her grow and improve. What's inspiring about Fatema's story is how she's part of a wider trend — people finding new ways to entertain themselves and express their creativity. Across the world, artists are exploring crafts like pottery, embroidery, or painting, not just to make a living, but to reconnect with traditions and delve into personal reflection. This rising movement is about more than just hobbies; it's about rediscovering a sense of purpose and mastery in a digital age often dominated by instant gratification. As her creations begin to find audiences both locally and internationally, Fatema feels proud that she's helping to keep Oman's craft scene alive. She hopes her work inspires others, especially young women, to explore their cultural roots and see craft not just as a pastime, but as a meaningful way of life.


Observer
a day ago
- Observer
'Tunisian Cinema Days' ends today
The 'Tunisian Cinema Days', organised by the Oman Film Society (OFS), in cooperation with the Embassy of Tunisia in Oman, ends today, June 18. The event began under the theme 'Human Creativity in Tunisian Cinema' on June 16. The Cinema Days previewed a selection of the most important Tunisian feature and documentary films, along with dialogue seminars and discussion sessions with film-makers, with the aim of highlighting the Tunisian cinematic experience and promoting cultural and artistic exchange between the two countries. The OFS emphasised that this initiative is part of its programmes aimed at promoting Arab and international cinema and creating spaces for interaction between the Omani audience and various visual creations, especially those that address human and social issues with sophisticated artistic expression. "This cultural cooperation with Tunisia and other countries, of which we are proud, confirms our shared belief that cinema is not only a visual art, but a human language that unites, brings people together, expresses identity and preserves memory," said Mohammed bin Abdullah al Ajmi, Chairman of the Oman Film Society. The opening ceremony, held at the Ministry of Labour's Grand Hall, was attended by a select group of diplomatic and cultural figures, a number of film-makers from Oman and Tunisia, and an audience interested in the seventh art. The first day's activities concluded with the screening of the feature film 'My Son' by director Mehdi Barsaoui (96 minutes). The film explores the relationship between a father and his son in the face of contemporary social challenges. It was presented in a sensitive visual style and received great interaction from the audience, thanks to its narrative authenticity and sophisticated artistic treatment. Ezzedine El Tees, Tunisian Ambassador to Oman, said that these days would not have been possible without the distinguished historical and fraternal relations between our two brotherly peoples, and the great and valuable cooperation and generous support we have received from the Oman Film Society, a pioneer in its field with its great efforts in serving Omani and Arab cinema and culture. "This occasion represents an artistic bridge between our two brotherly countries, adding to the authentic cultural, economic and social bridges between Tunisia and Oman throughout their long shared history, present, and future."


Observer
5 days ago
- Observer
Oman, Tunisia seek ways for cinema collaborations
MUSCAT: The Oman Film Society, as part of its ongoing efforts to enhance cultural and artistic cooperation with other countries, forged understanding with Tunisia to promote films of both countries and to explore ways to make joint productions besides hosting joint cinema nights in Muscat. This was stated by Mohammed bin Abdullah al Ajmi, Chairman of the Oman Film Society (OFS), who met with Azzedine al Tayse, Ambassador of the Republic of Tunisia to the Sultanate of Oman recently. Accordingly, both sides agreed to find ways to develop bilateral relations in the field of cinema, in addition to reviewing prospects for cooperation in organising cultural events that contribute to enhancing artistic and cultural avenues. "We have also agreed to seek possibilities of knowledge exchange between the two countries and to participate in the monthly cinema nights programme organised by the Society," said Mohammed al Ajmi. A monthly film festival titled 'Tunisian Cinema Nights' which will be organised in June at the OFS premises, will include screenings of distinguished Tunisian films, along with dialogue sessions with Tunisian filmmakers and critics. Through this initiative, the association seeks to present rich Arab cinematic experiences and enhance cultural exchange between the Sultanate of Oman and the Republic of Tunisia, contributing to revitalising the local cinema scene and broadening the horizons of the Omani audience towards regional cinema. Both sides hoped that by agreeing to promote each other's cinema productions, cultural exchanges would be made possible through the most powerful medium, which would enhance bilateral relationship through understanding and tolerance.