
Pamela Reif calls this her 'pretty abs and arms' workout — my muscles would like a word
Back during the time of Covid lockdown, when kitchens doubled as gyms and 'snatched waists' were the internet's fitness obsession, workout videos promising washboard abs and toned arms were everywhere.
Fitness influencers like Pamela Reif and Chloe Ting went viral with quick, equipment-free routines that racked up millions of views.
At Tom's Guide, we've tested plenty of them (more on that below), so when I spotted Reif's recent 'pretty abs and arms' workout doing the rounds, I was curious.
These days, I tend to stick to workouts from certified trainers over fitness influencers. I care far less about what a routine claims it will make me look like and more about how it supports my strength, mobility and energy in daily life.
But maybe it was nostalgia, or the intrigue of a workout with a title bold enough to promise 'pretty' abs and arms. Either way, I wanted to know more. So I pulled on my best gym leggings and gave it a go.
I usually prefer not to know the workout structure beforehand because if I do, I tend to talk myself out of it. So I dove into Reif's "pretty arms and abs" routine blind, only knowing it was just 12 minutes long. The little time commitment required from this workout was one of the factors that drew me in.
Each exercise lasts 30 seconds, with repeats only when switching sides. Personally, I find workouts with no repeats, especially for abs, feel quicker. But the lack of breaks between moves made this one feel intense, especially during the two extra 30-second pulsing sections she added early in the workout.
Get instant access to breaking news, the hottest reviews, great deals and helpful tips.
That said, pausing during a core workout can sometimes make it feel harder to restart, so I can't blame Reif for the relentless no-rest structure. I made it to the end with my core still intact, though feeling the burn.
Lululemon Align leggings are perfect for workouts like this Pilates-inspired routine, thanks to their stretchy, lightweight fabric that moves with you without restricting any of the slow, controlled movements. Plus, you can save $29!
If you're not into traditional ab workouts packed with sit-ups, Russian twists and planks, you'll probably enjoy this core routine from Reif. It leans on Pilates-inspired moves for a slower, more controlled challenge.
Pilates keeps your core working the whole time, helping to build strength, improve posture and boost stability. I also think that's why Reif calls this her 'pretty arms and abs' workout. It's a very elegant sequence.
Or at least, it looks that way when she does it. I'm not sure my cross-legged pike plank into cobra looked quite as smooth, but I enjoyed getting into the flow. It felt much gentler than a crunch-heavy core session and easier to stay consistent with, thanks to the slow and controlled movement.
Have you ever heard of an "elegant push-up"? I hadn't either until five minutes into the routine, when Reif demonstrated one. She started in a kneeling push-up position, lifted one leg behind her, kept the other bent with the foot pointing upward, then performed 30 seconds of push-ups in that pose.
Elegant might be the word for it, but only if you stay completely focused. A quick glance in the mirror reminded me that this move only looks graceful if your core is switched on and your legs stay steady in the correct position.
Later in the workout, she added "lizard push-ups". I knew the stretch version of this move from a challenge my colleague Sam did, where she held the lizard pose every day for a week.
It's a brilliant hip opener, but adding a push-up takes it to another level. This version challenged my mobility, core strength and upper body all at once.
It was tricky to nail these moves in 30 seconds, but I really enjoyed learning new moves that I could use to switch up my core workouts.
I'll admit I was a little sceptical going in. I don't usually trust workouts that suggest you can change how your body looks after just 12 minutes, especially ones with titles like 'pretty abs and arms.'
But I ended up enjoying it far more than I expected. The Pilates-inspired moves flowed together in a way that felt controlled and satisfying when I got the exercises right. While I'm not sure I emerged with visibly different arms or abs, I did feel stronger and enjoyed the challenge.
If you want to try Ting and Reif's workouts, this lower ab workout with 18 million views is Pamela Reif's creation, and this Chloe Ting ab workout has over 420 million views.

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Newsweek
3 hours ago
- Newsweek
Woman, 30, Has Never Had Boyfriend—Unprepared for Internet's Response
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. A woman's candid video about never having had a boyfriend before turning 30 has gone viral, igniting a groundswell of empathy and solidarity among viewers on TikTok, many of whom shared that they are grappling with similar feelings. Abagayil Hatt, 30, a book content creator and Ph.D. candidate in communication, shared the vulnerable post in March to her @starlight_books TikTok account. Speaking directly to the camera, Hatt reflected on her dating history—or lack thereof—and the weight of societal expectations that come with entering a new decade of adulthood without a partner. "I'm turning 30 in a little over a month and I have never had a boyfriend," Hatt said in the video. "I think we live in a world where we tell women that when you turn 30 your life is over. "Sometimes it hits you a little too much in the chest and you're just like, why can't I get a date?" Hatt told Newsweek she had no expectations when she posted the video, which has been viewed more than 13,000 times to date. What followed was an outpouring of support. "People would comment saying they felt seen, like I had put their own feelings into words," Hatt said. "And, in return, I didn't feel so alone." The deeply personal clip quickly became an accidental rallying point. "That's the magic of vulnerability—it connects us," Hatt said. The video touched a nerve with viewers who commented to share their own stories of feeling left behind in love, relationships or other life benchmarks. Many thanked Hatt for articulating the quiet grief they had long carried in silence. As one viewer commented: "I'm 34 and still no [boyfriend], no full time job and can't afford to move out. I hear you girl." "Girl same, I never had my first kiss," another posted. "I'll be 30 in 10 days, but society led us to think that when you're 30 you're gonna live in your own place, have a beautiful job, have a husband and children." From left: Abagayil Hatt poses for a photograph while leaning on books; and speaks into her camera lens. From left: Abagayil Hatt poses for a photograph while leaning on books; and speaks into her camera lens. @starlight_books "Same but 35," a third viewer commented. "Seeing so many of us in the comments as well, I guess I need to let go of the extreme shame that I feel about this subject. "Like it's my biggest failure, a sign that I can't do the most basic thing everyone else does, find a partner." Hatt first joined TikTok in the fall of 2020, during the early months of the COVID-19 pandemic. Drawn to the passion of the BookTok community, she started sharing reviews and commentary on popular titles like A Court of Thorns and Roses, Fourth Wing, and Once Upon a Broken Heart. "I remember being terrified to post," Hatt said. "Am I funny enough? Interesting enough? Would anyone even care?" By the end of that year, she had 2,000 followers. Six months later, that number had grown to over 10,000. As of 2025, she has more than 46,000 followers and over 7 million likes. While Hatt's account began as a place to discuss her passion for books, it evolved into something more personal, and she soon began opening up about her more-intimate feelings and worries. "In many ways, I treat my content like a journal," Hatt said. "I just post what I care about—what's on my mind or heart—without overthinking it. "I think that's why people connect with it," she added. This year, that shift led her to start a series of "Dear Diary" posts: unscripted reflections about aging, expectations, and her own experiences of being single. "I've never been the girl that's chosen," Hatt said in her viral video. "I've never been that girl that a guy is like, 'I would love to love her.'" Hatt acknowledged the societal narrative that insists life should be figured out by 30—career, home, relationship included. "But what happens if you don't?" she said. "What if you hit 30 and find yourself in a transition—still finishing grad school, trying to navigate a brutal job market, and haven't met anyone you actually want to date?" Hatt said she wanted to throw herself a birthday party this year but could not pull it together. She also missed the registration deadline for her graduation walk, meaning she will not cross the stage until 2026. "These may sound like small things, but when they stack up, they carry weight," Hatt said. "It's easy to feel like you've missed the mark when comparing yourself to everyone else." Still, Hatt added that the message was not one of despair, but of resilience. "It's OK to be sad when life doesn't look the way you imagined it would," she said. "And, at the same time, you can still be hopeful. "You can hold disappointment in one hand and optimism in the other," Hatt said. She added that her "vulnerable glimpse" into what it is like to not have it all figured out by a certain age resonated because she did not sugarcoat the experience. "Not having it all together doesn't mean you're lost," she said. "It just means the story is still being written. "To feel behind, uncertain about what's next—and to say that that's okay." Have you noticed any red flags that made you end a relationship? Let us know via life@ We can ask experts for advice, and your story could be featured on Newsweek.
Yahoo
8 hours ago
- Yahoo
Danny Boyle and Jodie Comer talk Covid, horror and making 28 Years Later
When 28 Days Later hit screens in 2002, it unleashed a new tangible sense of everyday terror, as Cillian Murphy stumbled around London's chillingly deserted streets and landmarks, emptied by a zombie virus outbreak. In March 2020, the dystopian nightmare became reality when the Covid pandemic transformed the capital into a ghost town. Whereas Murphy's character saw Oxford Street awash with "missing" posters, today a memorial wall stands opposite Parliament to commemorate the 200,000 UK dead. It is in this ever-changed climate that original director Danny Boyle and writer Alex Garland have returned to their virus-filled world with 28 Years Later. Speaking to BBC News, Boyle says that for audiences, going through a sudden life-threatening transformation - even without zombies - has intensified the terror, because "what we used to think only belonged in movies" now "feels more possible". But it is the way we adapted to Covid, and learned to live within the confines of an unstable, vulnerable reality, that he says is central to the new film. In this latest chapter, the "infected" - victims of the lab-leaked Rage Virus, last shown reaching Europe at the end of Juan Carlos Fresnadillo's 2007 sequel 28 Weeks Later - have been pushed back and re-confined to British shores. As the rest of the world heals, Britain's remaining survivors have been left to fend for themselves. Among them is 12-year-old Spike (Alfie Williams), who lives with his father Jamie (Aaron Taylor-Johnson) and housebound mother Isla (Jodie Comer) on Holy Island, off England's north-east coast. He's only ever known a feudal life in this 150-strong sanctuary, connected to the quarantined mainland by a single, heavily defended causeway that's only accessible at low tide. Now the gap between adults and children isn't just generational - it's divided between those who remember life pre-outbreak and those born post-virus. The needs-must attitude sees Jamie take Spike on a rite of passage hunt on the mainland for his 12th birthday. Just as humanity appears to have adapted, so too have the infected - who are now more evolved. Some crawl, while others have become Alphas, leading fast-running packs. The Rage Virus, it seems, never quietened - it grew. "Gradually, you start to take more risks - you start to explore just how far you can go and still stay safe," Boyle says of the film's Covid parallels. "That's unimaginable 28 days after the infection. But 28 years after the infection, those are the kinds of risks they take." Boyle says the decision to have a young lead character was intentional, not only because "horror loves innocence", but also to explore the truths adults choose to tell children - and hide from them - in order to keep going. The emotional tension is something Comer can relate to, on and off screen. "I've felt it with my own parents," she says, speaking to me beside Boyle. "When they've tried to protect me from something, thinking it was better not to worry me. But there have been moments where I've thought, I really wish you'd shared that with me because I might have done something differently... or had more time with someone. But ultimately, it's always coming from a place of love." It's a trait shared by her character, Isla. As mother to Spike, Isla is clearly sick but still desperately trying to care for him, even while slipping in and out of lucidity - apparently ravaged with confusion from decades under siege. But the reality is more complex. Comer is no stranger to crisis storylines. She played the mother of a newborn facing an apocalyptic flood in The End We Start From, and a care home nurse in Covid drama Help! But 28 Years Later marks her first portrayal of someone so deep into post-apocalyptic living. It's also her first time facing zombies. So what's it like being chased by the infected? "Thrilling," she replies. The scenes were grounded in the film's gritty realism. No CGI or green screen was used, with the "infected" actors sometimes spending hours in the make-up chair. "These performers, they aren't taking the pace off," she says with a laugh. "There are moments that feel incredibly heightened - you're out of breath, facing elements of hysteria - but it's brilliant." Isla goes from debilitation to windows of composure: helping to deliver a baby or seeing off one of the infected with muscle memory precision that shows a glimpse of her past. Comer admits that navigating the emotional "ebbs and flows" of Isla's awareness was the most difficult aspect of the role. Boyle's films - from Trainspotting to the Oscar-winning Slumdog Millionaire - have always explored social truths. For him, the subtlety of Isla's relationship with Spike is important, as she helps the boy understand there's more to life than what the director calls "aggressive manhood". "There are different ways of progressing," Boyle says. "And he learns that, I think. He's able to step out into the world more fully armed than what just bows and arrows gives him." Comer adds: "There's an essence of hope through him and his curiosity." Boyle sees this film as the first of a trilogy, with Spike potentially appearing in all three. The second film, already shot by director Nia DaCosta, with Garland again writing, is due for release next year. Boyle plans to return for the third film, if it's green-lit. When I ask Boyle why, as a director of many genres, he's returning to horror so ambitiously, especially with the zombie-ridden The Last of Us TV adaptation dominating the zeitgeist, he suggests he was spurred on by an urgent political undercurrent. Alongside Spike's lessons in humanity, Boyle highlights a stagnant culture on the island, which is "not progressive, standing still... looking back to the halcyon days of England". The director describes the island's feudal way of life as deceptively safe but ultimately regressive – something Spike comes to realise. For Boyle, it reflects today's political climate and its dangers. "I think putting that in a horror film is a good thing," he says. "Because I think it will lead us to horror - and we know it will. We can see it beginning to happen even around us. Horror is a great genre for that, and it's one of the reasons it remains so popular." With so much real conflict around the globe, horror films feed off the sense that "huge change could be just around the corner" in the world as we know it, Boyle says. In the original 28 Days Later, the Rage Virus was developed by forcing chimps to watch graphic video footage. I ask Boyle whether he sees a parallel in the real-life rise of social media, with its personalised algorithm that's designed to reward polarising, rage-inducing content. "We're encouraged to communicate through these things," he replies, swiftly holding up his phone. "They're incredibly powerful – and easily manipulable. But they make us go through [the screen] to talk to each other." By contrast, he says there's "something intangible but amazing about cinema" and other collective human experiences. What matters is the authentic connection from cinema - sharing something "which is not about this", he says, gesturing to his phone. "It's very fragile, but it's very important, and we must hang on to it, as much as can." For Boyle, then, 28 Years Later is about audiences facing terror as one as much as the horror itself - real or imagined. Two decades on, we know all too well how they can blur.


Tom's Guide
9 hours ago
- Tom's Guide
Pamela Reif calls this her 'pretty abs and arms' workout — my muscles would like a word
Back during the time of Covid lockdown, when kitchens doubled as gyms and 'snatched waists' were the internet's fitness obsession, workout videos promising washboard abs and toned arms were everywhere. Fitness influencers like Pamela Reif and Chloe Ting went viral with quick, equipment-free routines that racked up millions of views. At Tom's Guide, we've tested plenty of them (more on that below), so when I spotted Reif's recent 'pretty abs and arms' workout doing the rounds, I was curious. These days, I tend to stick to workouts from certified trainers over fitness influencers. I care far less about what a routine claims it will make me look like and more about how it supports my strength, mobility and energy in daily life. But maybe it was nostalgia, or the intrigue of a workout with a title bold enough to promise 'pretty' abs and arms. Either way, I wanted to know more. So I pulled on my best gym leggings and gave it a go. I usually prefer not to know the workout structure beforehand because if I do, I tend to talk myself out of it. So I dove into Reif's "pretty arms and abs" routine blind, only knowing it was just 12 minutes long. The little time commitment required from this workout was one of the factors that drew me in. Each exercise lasts 30 seconds, with repeats only when switching sides. Personally, I find workouts with no repeats, especially for abs, feel quicker. But the lack of breaks between moves made this one feel intense, especially during the two extra 30-second pulsing sections she added early in the workout. Get instant access to breaking news, the hottest reviews, great deals and helpful tips. That said, pausing during a core workout can sometimes make it feel harder to restart, so I can't blame Reif for the relentless no-rest structure. I made it to the end with my core still intact, though feeling the burn. Lululemon Align leggings are perfect for workouts like this Pilates-inspired routine, thanks to their stretchy, lightweight fabric that moves with you without restricting any of the slow, controlled movements. Plus, you can save $29! If you're not into traditional ab workouts packed with sit-ups, Russian twists and planks, you'll probably enjoy this core routine from Reif. It leans on Pilates-inspired moves for a slower, more controlled challenge. Pilates keeps your core working the whole time, helping to build strength, improve posture and boost stability. I also think that's why Reif calls this her 'pretty arms and abs' workout. It's a very elegant sequence. Or at least, it looks that way when she does it. I'm not sure my cross-legged pike plank into cobra looked quite as smooth, but I enjoyed getting into the flow. It felt much gentler than a crunch-heavy core session and easier to stay consistent with, thanks to the slow and controlled movement. Have you ever heard of an "elegant push-up"? I hadn't either until five minutes into the routine, when Reif demonstrated one. She started in a kneeling push-up position, lifted one leg behind her, kept the other bent with the foot pointing upward, then performed 30 seconds of push-ups in that pose. Elegant might be the word for it, but only if you stay completely focused. A quick glance in the mirror reminded me that this move only looks graceful if your core is switched on and your legs stay steady in the correct position. Later in the workout, she added "lizard push-ups". I knew the stretch version of this move from a challenge my colleague Sam did, where she held the lizard pose every day for a week. It's a brilliant hip opener, but adding a push-up takes it to another level. This version challenged my mobility, core strength and upper body all at once. It was tricky to nail these moves in 30 seconds, but I really enjoyed learning new moves that I could use to switch up my core workouts. I'll admit I was a little sceptical going in. I don't usually trust workouts that suggest you can change how your body looks after just 12 minutes, especially ones with titles like 'pretty abs and arms.' But I ended up enjoying it far more than I expected. The Pilates-inspired moves flowed together in a way that felt controlled and satisfying when I got the exercises right. While I'm not sure I emerged with visibly different arms or abs, I did feel stronger and enjoyed the challenge. If you want to try Ting and Reif's workouts, this lower ab workout with 18 million views is Pamela Reif's creation, and this Chloe Ting ab workout has over 420 million views.