Wife Details Addiction Of Ex Jets Quarterback Brett Favre
Former New York Jets quarterback Brett Favre has remained in the public eye long after his retirement. His wife, Deanna Favre, has opened up over the years about their marriage and relationship issues, his battle with addiction and her cancer diagnosis.
The couple are in the headlines following the release of the new Netflix documentary "Untold: The Fall of Favre," which focuses in part on a 2010 scandal in which he was accused of sending sexually explicit photos and messages to New York Jets game-day host Jenn Sterger. Sterger describes the behavior as "unwanted" in the documentary.
Advertisement
Deanna Favre has not held back about the fact that the couple have had issues in their marriage over the years.
'I'm handling this through faith,' Deanna Favre said when asked about Sterger's accusations in the documentary.
Deanna Favre wrote an article for Guideposts in which she discusses various personal tragedies, including being diagnosed with breast cancer, her brother's tragic death in an ATV accident, and her husband's painkiller addiction.
"That first week of October 2004 was tough, one of those weeks where right out of the blue your life will never be the same again," Deanna Favre wrote.
Advertisement
When her breast cancer was diagnosed, "Brett was on the phone in minutes. All he could say was, 'Oh, God,'" Deanna Favre wrote. The couple grew up together in small-town Mississippi, were high school sweethearts, had two daughters and are still married to this day.
The Favres met at age 14, with Deanna first becoming pregnant at 19.
In college, the quarterback "had become a loud, rough party animal" with a mean side, wrote his wife.
Favre also had troubles with painkiller addiction during his playing career.
"He was horribly addicted to painkillers, partly as a result of all the injuries he played with. We got through that. He went to the Menninger Clinic and got help. We went through counseling together, and he was once again the best friend I'd ever had — and by now my husband."
Advertisement
The couple had broken up a few times over the years, always reuniting in the end.
'There were times when we were broken up and we were seeing other people, but we still talked,' Deanna told The Journal Times. 'I always knew if the relationship didn't work out, we could always be friends.'
Related: Jets Announce New Uniform Numbers
Related: Jets 5 Biggest Takeaways From Inside OTA Practice
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Time Business News
an hour ago
- Time Business News
What Is IPTV Service? Everything You Need to Know in 2025
In today's rapidly evolving virtual world, traditional TV viewing is transforming. One of the key technologies using this variation is IPTV or Internet Protocol Television. If you've been curious about what IPTV is, how it works, and why it's gaining so much traction in 2025, you've come to the right place. This comprehensive manual will break down everything you need to know about Iptv service, from its basics to its future trends. IPTV stands for Internet Protocol Television. Unlike conventional cable or satellite TV, which delivers content via radio waves or satellites, IPTV provides television programming through Internet Protocol (IP) networks. Positioned, IPTV utilizes your broadband internet connection to stream live TV channels, on-demand films, and various multimedia content directly to your device. At its core, IPTV works by converting video content into data packets and sending these packets through an IP network, typically your home internet. Here's a simplified breakdown: Content Acquisition: TV indicates that movies, TV shows, and other content are accumulated from numerous assets, such as studios, broadcasters, or live events. Encoding and Compression: This content material is compressed into virtual formats (which include MPEG or H.264) to lessen size without dropping quality. Content Delivery: The virtual streams are dispatched through IP networks using protocols such as HTTP Live Streaming (HLS) or Real-Time Messaging Protocol (RTMP). User Access: You receive this movement for your device through an IPTV app, a smart TV, or an IPTV set-top box. Playback: The video player for your device decodes the move and performs it efficiently. The key distinction is that IPTV allows you to watch live TV or video-on-demand via internet streaming instead of traditional broadcast methods. In 2025, IPTV services come in various forms tailored to different needs: Live IPTV: Streaming of live TV channels in real-time, similar to traditional broadcast but delivered over the internet. Video on Demand (VOD): Access to movies and shows whenever you want, like Netflix or Hulu. Time-Shifted TV: Allows viewers to pause, rewind, or watch live TV after it has aired. Catch-Up TV: Allows users to watch shows that aired earlier, typically within a specified time window. Many IPTV providers offer a combination of these options, providing users with a comprehensive entertainment package. IPTV has skyrocketed in popularity recently for several reasons: With IPTV, viewers aren't restricted by broadcast schedules. You can watch what you want, when you want, on any device—be it a smartphone, tablet, smart TV, or computer. IPTV services often provide access to thousands of live channels worldwide, as well as an extensive library of on-demand content. This variety surpasses what traditional cable packages offer, especially for niche or international channels. Since IPTV operates over existing internet infrastructure, it often costs less than traditional cable or satellite subscriptions. Many providers offer affordable plans or even free content funded by ads or freemium models. Thanks to faster broadband speeds and improved compression technologies, IPTV streams in high definition (HD), 4K, or even 8K resolution, delivering crystal-clear pictures and sound. One of IPTV's most significant advantages is device versatility. You can enjoy IPTV on: Smart TVs: Many smart TVs come with built-in IPTV apps or support third-party apps. Streaming Devices: Devices like Amazon Fire Stick, Roku, Apple TV, or Google Chromecast can run IPTV apps. Computers and Laptops: Using dedicated software or web browsers. Smartphones and Tablets: Most IPTV providers offer mobile apps compatible with iOS and Android devices. Set-Top Boxes: Some users prefer IPTV set-top boxes, which connect to your TV and provide a dedicated IPTV interface. While IPTV technology itself is legal and widely used by major broadcasters and telecommunications companies, the legal status of the content being streamed depends on the specific content being streamed. Licensed IPTV services that distribute authorized content are entirely legitimate. However, some IPTV services offer unauthorized access to copyrighted material at a lower cost or for free, which is illegal and could lead to penalties. It's crucial to use reputable IPTV providers to avoid legal troubles and ensure a safe, high-quality viewing experience. Choosing an IPTV service can be overwhelming, given the numerous options available. Here are key factors to consider: Content Selection: Check if the service offers your favorite channels, movies, and shows. Streaming Quality: Look for providers that support HD or 4K streaming with minimal buffering. Device Compatibility: Ensure the service is compatible with your preferred devices. User Interface: A clean and easy-to-navigate interface enhances your viewing experience. Customer Support: Reliable customer service can help resolve any issues quickly. Subscription Plans: Compare pricing models and any available free trial offers before committing. Reviews and Reputation: Read user reviews and expert opinions to ensure credibility. As we move further into 2025, IPTV technology is poised to become even more sophisticated. Here are some trends to watch: Artificial intelligence will play a bigger role in tailoring content recommendations based on your viewing habits, making it easier to discover new favorites. IPTV platforms will incorporate more interactive features, such as real-time polls, shopping through TV, and social media integration, turning passive viewers into active participants. Cloud-based DVR options allow users to record and store shows online, making them accessible anytime from any device. With 5G becoming widespread, IPTV streaming will be faster and more reliable, even on mobile devices. Edge computing will reduce latency, thereby improving the quality of live streaming. IPTV providers will expand international content offerings, catering to global audiences with diverse tastes and languages. The answer is a resounding yes. IPTV is revolutionizing how we consume television by combining the power of the internet with multimedia entertainment. Its flexibility, affordability, and superior quality make it an attractive alternative to traditional TV services. TIME BUSINESS NEWS
New York Post
an hour ago
- New York Post
Mindy Kaling reveals why she took a step back from acting
Mindy Kaling stepped away from acting for a bit, but now, she's ready to run point on screen. The 45-year-old starred as Kelly Kapoor in the NBC sitcom 'The Office' for eight seasons from 2005 to 2013. From there, Kaling garnered a slew of iconic roles including her own show 'The Mindy Project' which aired a six season run from 2012 to 2017. After starting her own production company called Kaling International in 2012, she spearheaded the comedy 'Never Have I Ever' which was a Netflix hit for four seasons before ending in 2023. Advertisement 7 Mindy Kaling poses on Instagram. Instagram Now, the 'Inside Out' vet is explaining why she stepped back from the screen. 'A show literally about an Indian American family in Southern California, and if I wasn't on that—what's wrong with me?' Kaling told The Hollywood Reporter on Thursday. 'I think there is a part of me that feels a little superstitious. I'm like, 'these seem to have gone well and I'm not in them so maybe I'll wait.' ' Advertisement These days, the actress is ready to get back in front of the camera. 7 Mindy Kaling's Netflix series, 'Never Have I Ever.' ©Netflix/Courtesy Everett Collection 'I miss it,' admitted Kaling. 'I would like to write or co-create a show for me to act in soon.' Although the 'Late Night' alum didn't elaborate on what kind of project she sees herself in, she did note she'd love to act and direct it. Advertisement As Kaling put it, doing both is 'unbelievably fun and it's so efficient.' The last time she did so was on 'The Mindy Project.' 7 Mindy Kaling in 'Late Night.' ©Amazon/Courtesy Everett Collection / Everett Collection 'I would love to do that again,' she went on. 'That's the thing that maybe in the next couple of years, when I launch a couple of other things that are earlier in the pipeline, that would be something that would be fun to do again.' Kaling's latest co-creation was the Netflix sports comedy 'Running Point' – which debuted in February and starred Kate Hudson, Brenda Song, Chet Hanks, Max Greenfield, Drew Tarver, Scott MacArthur and Justin Theroux. Advertisement The businesswoman executive-produced the 10 episode series, which was recently renewed for season two. 7 Mindy Kaling and Chris Messina in 'The Mindy Project.' ©20thCentFox/Courtesy Everett Collection Kaling also spoke to the outlet about keeping her production company smaller. 'Here's my thing. I have worked on many different platforms and it's not just about the money, but more often than not, the money represents real enthusiasm,' she shared. 'Sometimes it doesn't; sometimes I've done stuff for less money because the people seem so excited, like on the Zoom after the pitch.' 'The problem is that people are switching their jobs quickly that for me, I don't think there's been an instance where the person I sold a show, to that team has stayed intact for two years. Executives are moving constantly up and so to me, I never get too married to a creative team.' 7 'Inside Out' starring: Phyllis Smith as Sadness, Lewis Black as Anger, Bill Hader as Fear Mindy Kaling as Disgust and Amy Poheler as Joy. ©Walt Disney Co./Courtesy Everett Collection When it came to working with Kaling on 'Running Point,' the show's star had nothing but praise for the mom-of-two. In May, Hudson, 46 said during a panel at an Emmy FYC event, per People: 'I have to say, I've fallen in love with this woman. And she's just not only so brilliant, but so trusting … she puts the best team together.' Advertisement 'And she was pregnant,' the singer expressed. 'We had a script, like our first table read. She's on Zoom. She then has the baby and is sending notes, like an hour after she has the baby. I was like, 'Isn't Mindy literally in labor?' She is a powerhouse and delivers what she says she's going to deliver.' 7 Kate Hudson and Mindy Kaling. mindykaling/Instagram 7 Mindy Kaling announced her desire to get back to acting. Instagram/@mindykaling Advertisement With season two around the corner, Kaling teased what fans are in store for while talking to E! News on Thursday. 'Season two is so good,' she gushed. 'We hit the ground running. There is so much – can I say this? There's jut so much romance and sex and fun screaming arguments about basketball which is all anybody wants to see.
Yahoo
an hour ago
- Yahoo
‘Something Beautiful with Miley Cyrus' Review: The Star Co-Directs an Album's Worth of Music Videos, Celebrating Her Sexuality…and Herself
It's the rare pop star who doesn't use his or her sexuality in some way. But the current moment, typified by stars like Chappell Roan, Sabrina Carpenter, and Charli XCX, tends to be about showcasing one's sexuality ironically, or with an acid flippancy, or from behind a mask, or with a certain cool stance of meta control. Miley Cyrus never got that memo. In 'Something Beautiful,' a 55-minute visual album made up of music videos, co-directed by Cyrus (with Jacob Bixenman and Brendan Walter), of the 13 tracks from her just-released album, Cyrus struts and pouts and lets it out, she throws her body around like a gymnastic weapon, and in a way she throws her beauty around, as though she were trying to sear the power of her erotic presence into our souls. More from Variety 'Titan: The OceanGate Disaster' Review: Netflix Doc Depicts High-End Deep Sea Exploration With a Lethal Price Tag 'Rosemead' Review: Lucy Liu's Revelatory Turn Is the Reason to See an Otherwise Downbeat Family Drama Michael Imperioli on Jack Kerouac, Buddhism and a Changing New York: 'I Still Love the City to Death' At the Tribeca Festival, where the 'Something Beautiful' visual album premiered tonight, the audience cheered every femme fatale glower, every showgirl flash of writhing flesh, every doffed piece of slinky punk designer clothing. It was clear that Cyrus staged the videos not merely as an orgy of rock-star self-love but as an homage to an era when the flaunting of sexuality was something that people felt less cautious about. She wants to take us back to the age of letting it rip. Miley Cyrus is pre-ironic, and so is her music, which is hooky in a heavily produced big-beat way that's starting to sound as from-another-era as Springsteen's. (To me, that's not an insult.) In the 'Something Beautiful' videos, you feel her trying to elevate her erotic maximalism into a kind of mythology. In 'Easy Lover,' she strips down to her underwear in a soundstage dressing room, then walks onto an empty Hollywood lot wearing light-blue ruffled chaps and a winged jacket, sauntering through that land of make-believe as if to say, 'What you're seeing is just…an image!' (Well, yes.) In 'Golden Burning Sun,' one of the catchier songs on the album, she's photographed in profile, wearing giant sunglasses as she rides a chopper against a stylized orange sky, singing, 'You're the only one, under the golden burning sun.' For all the independent spirit that defined 'Flowers,' and at a moment when Sabrina Carpenter's 'Manchild' is being touted as a potential iconic summer hit, Miley Cyrus's ardent anthems can sound as old-school devotional as something from the 1980s. And, in fact, there's an '80s nostalgia hanging over the entire visual album. It's very 'Flashdance' meets Lita Ford. There is much windblown hair, and the video for 'Walk of Fame' opens on a rhythm track highly reminiscent of Bronski Beat's 'Smalltown Boy,' as we see Miley, in a little silver dress, strutting in the middle of the night along the abandoned but highly lit-up-by-street-lights-and-store-windows Hollywood Boulevard. You keep expecting Mia Goth to show up with a knife, but Cyrus is the only one there, and does she ever work it, bending and writhing over those stars on the Walk of Fame. Here, as in several of the other videos, I kept feeling as if one of those cliché fashion photographers must be hovering off-camera, saying, 'Yes, that's it! Show me what you got!' And then we arrive at 'Every Girl You've Ever Loved,' which feels like the climax to the visual album. It's set in an empty warehouse loft, with light shooting through propeller fans (very Adrian Lyne), and with Miley, in her primal assertion of feminine power, joined by Naomi Campbell, the two of them obliterating the need for anyone else. (The only dude in these videos is someone who shows up in the last one, looking like a Calvin Klein model as shot by Kenneth Anger.) At the premiere, a journalist sitting next to me said, 'There's no narrative here at all.' Given that 'Something Beautiful' was presented as a Tribeca Festival event, I think what she was hoping to see was a visual album that tried for something along the lines of Beyoncé's 'Lemonade.' 'Something Beautiful' is very much not that. Yet if the videos, with their confectionary nod to the eros of celebrity, lack any semblance of a storytelling through line, I wouldn't say that means they have no narrative. They tell the story of Miley Cyrus's relationship to sexuality and stardom. As an adult pop star, she has always borne a striking resemblance to the Faye Dunaway of the early '70s, but she's like Faye Dunaway without the mystery. Yet in 'Something Beautiful,' with the songs used as catwalk tracks, you see how Miley Cyrus, in elevating her erotic aura, is trying to be a performer of mystery — to let her beauty singe our eyeballs, to let it vibrate into the cosmos. Yet it's all a little insular. The final song, the video of which plays over the end credits, is called 'Give Me Love,' and it feels like the whole film could have been called that. We're the audience for Miley Cyrus's sex-power rapture. But we're also the mirror she's looking into. Best of Variety The Best Albums of the Decade
