
Afrobeats superstar Burna Boy announces Australia tour this October; check cities, dates, and how to get tickets
Burna Boy
will bring his world tour to Australia this October. The tour will promote his eighth studio album
No Sign of Weakness
, which was released on July 11.
The Australian leg will kick off in Melbourne on October 16 and wrap up in Perth on October 24. He will also perform in Sydney and Brisbane.
Explore courses from Top Institutes in
Select a Course Category
Design Thinking
Degree
Data Science
Digital Marketing
Artificial Intelligence
Operations Management
Product Management
Data Analytics
Data Science
PGDM
Public Policy
Others
Technology
Healthcare
Leadership
Management
MBA
MCA
CXO
Cybersecurity
Finance
others
Project Management
healthcare
Skills you'll gain:
Duration:
22 Weeks
IIM Indore
CERT-IIMI DTAI Async India
Starts on
undefined
Get Details
Skills you'll gain:
Duration:
25 Weeks
IIM Kozhikode
CERT-IIMK PCP DTIM Async India
Starts on
undefined
Get Details
Tour dates and venues
October 16
– Sidney Myer Music Bowl, Melbourne
October 18
– Qudos Bank Arena, Sydney
October 20
– Brisbane Entertainment Centre, Brisbane
October 24
– RAC Arena, Perth
Tickets go on sale to the general public on Thursday, July 24 at 12 PM local time via Ticketek and TEG. Pre-sales begin Tuesday, July 22 at 9 am AEST.
About the album
Live Events
No Sign of Weakness blends Afrobeats, pop, R&B, hip-hop, and reggae. It features tracks like 'TaTaTa' with Travis Scott, 'Sweet Love,' 'Update,' and 'Bundle by Bundle.'
About Burna Boy
Burna Boy, born Damini Ebunoluwa Ogulu, is a Nigerian singer, songwriter, and performer known for popularising Afrobeats on the global stage. He rose to fame with his 2012 single Like to Party and gained international recognition with albums like African Giant and Twice as Tall.
His music blends African rhythms with pop, reggae, dancehall, and hip-hop, creating a sound that is both modern and deeply rooted in his heritage.
Burna Boy has received 11 GRAMMY nominations and four BET Awards for Best International Act. He was the first African artist to win the BET honour three years in a row. He also made history by becoming the first African artist with two albums crossing 1 billion Spotify streams
With global hits and collaborations with artists such as Beyoncé, Ed Sheeran, Stormzy, and Travis Scott, Burna Boy has become one of the most influential African musicians of his generation.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


India Today
7 hours ago
- India Today
Why the Bihar Museum Biennale matters for cultural diplomacy, South-South solidarity
The grand hall of the Bihar Museum in Patna, on a humid August evening, thrummed with an energy that was equal parts ceremony and quiet anticipation. It was here that the third edition of the Bihar Museum Biennale opened its doors to the world—an event whose reach now extends from the Ganga plains to the far edges of the Indian Ocean and chief minister Nitish Kumar, on August 7, unveiled the Biennale's emblem—a stylised Tree of Life—it marked the reawakening of a vibrant Bihar: the ancient capital of wisdom now a powerhouse of culture, reaching out to embrace the global arts community and offering a platform for shared emblem's design fuses the sturdy trunk of the African baobab, the sacred peepal foliage of Asia and the vibrant biodiversity of South America rendered in Otomi and Lliclla textile motifs. More than a mere logo, it is a manifesto of interconnectedness—rooted in the Global South's shared mythologies, belief systems and artistic Bihar Museum itself—and, by extension, the Biennale—was the brainchild of Nitish, part of his broader vision for Bihar's cultural renaissance. From its earliest conception, he imagined not just a repository of artefacts but a living institution, one that would safeguard the state's archaeological treasures while also situating Bihar within a global conversation on heritage and identity. Today, the museum stands as a shining emblem of Bihar's cultural reawakening, a place where the past converses fluently with the present. This edition of the Biennale, titled 'Global South: Sharing Histories', expands its reach beyond India's borders to encompass eight other nations: Sri Lanka, Mexico, Indonesia, Ethiopia, Peru, Argentina, Kazakhstan and Ecuador. It builds upon the legacy of its earlier editions. The inaugural, in 2021, was conducted entirely online due to the Covid pandemic restrictions, with the theme 'Bihar, India and the World: Connecting People, Connecting Cultures In Changing Times'. Even then, it brought together some of India's most respected institutions, from the Assam State Museum to the National Gallery of Modern Art (NGMA) in New Delhi. The second edition in 2023 was the first fully on-site Biennale, drawing participants from over 15 countries and incorporating the G20 art exhibition Together We in its third incarnation in 2025, the Biennale deliberately pivots towards the Global South, connecting histories and collections across Africa, South America and Asia. Its curatorial ambition is to trace the networks—maritime, cultural and intellectual—that have historically bound these regions. Through aesthetics, mythologies, indigenous and contemporary art forms, crafts, belief systems and performing arts, the Biennale seeks to weave together narratives that celebrate both shared heritage and rich opening day unfolded as a choreography of formalities and encounters. Nitish, after unveiling the emblem, symbolically cut the ribbon to inaugurate the temporary exhibitions. These ranged across themes as varied as festivals and performances, symbolism and celebration, initiation ceremonies, archaeological excavations, beauty and aesthetics, and wellness from participating countries mingled with curators, visitors and artists, while Bihar Museum director general Anjani Kumar Singh guided dignitaries through the galleries, elaborating on each display's significance and its place within the Biennale's thematic a former IAS officer who has served as Bihar chief secretary in the past, described the Bihar Museum Biennale as a celebration of awakening—a place where cultures meet, converse and recognise one another's splendour. 'It invites the world to step inside and feel the depth, grace and resilience of human creativity. Here, museums are not silent halls but vibrant forums, where curators and thinkers share challenges, trade ideas, and imagine solutions, so that our shared heritage can continue to light the way forward,' said the exhibition spaces, each country's contribution told a distinct story. Sri Lanka's presentation explored the interplay of identity, beauty and struggle through contemporary artworks. Mexico offered a dual perspective—Maya-inspired visual pieces from artist Eva Malhotra and a collection of pre-Hispanic artefacts, textiles and photographs that evoked the country's diverse cultural layers. Indonesia's Bridge of Civilisations celebrated the enduring connections between the archipelago and India, from shared Sanskrit vocabulary to parallel epic traditions. Ethiopia's Mihiretu Wassie constructed hypnotic narratives from buttons and leather, drawing on the textures of traditional premier Indian cultural institutions also anchored the programme. The ICCR's (Indian Council for Cultural Relations) Vishwaroop Ram: The Universal Legacy of the Ramayana assembled artefacts, traditions and performances from 20 countries, revealing how the ancient epic travelled across oceans and languages, shaping moral codes, art forms and communal memory from Bali to the Caribbean. The NGMA's Our Worlds and Ourselves explored identity and solidarity across the so-called periphery while the IGNCA's (Indira Gandhi National Centre for the Arts ) Spiritual Crossing delved into the significance of masks and the symbolic, performative and ritualistic dimensions of this age-old art form.A day before the event unlocked a cultural door, the city itself became part of the Biennale through a heritage walk that stitched together Bihar Museum, Buddha Smriti Park and Patna Museum. This was more than a tour; it was a gentle reminder that cultural heritage is not confined to vitrines but lives in streets, courtyards and shared calendar of exhibitions stretches over the coming months, ensuring that the Biennale is less a passing event than a sustained cultural season. September will bring Argentina's photographic journey through the lens of Pablo Katlirevsky and a retrospective of Patna Kalam painting—one of the earliest art traditions to place everyday life on will see Peru's textiles and pre-Inca ceramics alongside Kazakhstan's deep historical survey of power and nomadic culture. November will open with Home in a Space Left Behind, reflecting on diaspora and memory, and Ecuador's Origin of Cacao, tracing the crop's 5,500-year journey from Amazonian domestication to global commodity. From November 7 to December 31, the Mehrangarh Museum Trust will present Shakti—The Supreme Goddess, a miniature-painting tribute to the Divine Feminine in her many parallel to the exhibitions are the Biennale's discursive and performative programmes. In early August, two days of seminars brought together scholars, artists and curators to discuss subjects as varied as music as a vessel for migration and resistance, the political and sacred dimensions of masks, gender and power in sacred art, and the architectural embodiments of Biennale is not without its symbolism. To convene such an event in Patna—a city that has long wrestled with the weight of its ancient past and the unevenness of its modern growth—is to assert that Bihar's cultural capital is not a relic but a living, dynamic force. The museum, in its architectural grace and curatorial ambition, signals a confidence in the state's ability to host and shape international cultural its inception as Nitish's vision, the Bihar Museum Biennale has grown into a rare platform for cultural diplomacy, interdisciplinary exploration and South-South solidarity. It asks visitors to see beyond political borders, to recognise in a Sri Lankan mask or a Peruvian textile not just an artefact but a thread in a larger weave of human creativity and the exhibitions and conversations unfold over the next five months, the Biennale will continue to draw in artists, scholars, students and the simply curious. Beneath the metaphorical branches of its Tree of Life, it offers a space where narratives of trade, devotion, migration and resistance intertwine—rooted in Bihar's soil, yet reaching out across oceans. In this, the Biennale embodies exactly what its founder imagined: a museum, and a state, not content to merely preserve the past but determined to participate in shaping the cultural conversations of the to India Today Magazine- Ends


Hindustan Times
14 hours ago
- Hindustan Times
'Taylor Swift...you here?': Reddit sourdough forum member asks after pop star admits to baking ‘obsession'
It's a 'loaf' story for Taylor Swift who recently admitted on boyfriend Travis Kelce and his brother Jason Kelce's New Heights podcast that sourdough was her new 'obsession'. Taylor Swift noted that she's partial to regular sourdough, as well as blueberry lemon, cinnamon raisin, and cinnamon swirl.(AFP) The 35-year-old Grammy Award winner appeared on the August 13 episode, and spoke of a wide range of topics, including the announcement of Taylor's 12th album – her first since the Eras tour, The Life of a Showgirl. On the podcast, Swift said she has a 'different baking obsession' every six months. 'We're very deep in a sourdough obsession that has taken over my life,' she said, adding, 'The sourdough's taken over my life in a huge way. I'm really talking about bread 60 percent of the time now.' Swift noted that she's partial to regular sourdough, as well as blueberry lemon, cinnamon raisin, and cinnamon swirl. 'I'm just, like, always baking bread and texting my friends and being like, 'Can I send you some bread? I need some feedback. Do you like this one better than you liked the other one? Like, I did the rise a little differently,' the Blank Space singer said. Swift also admitted that this 'obsession' has gotten her immersed in sourdough blogs. 'There's a whole community of us and I didn't know it. This is an underworld,' she said. When Kelce joked that a lot of people must be hoping that Taylor's on their blog, the pop star replied 'Oh, I'm on your blog. Girl, I'm on your blog.' 'Taylor Swift…you here?', asks Reddit forum member Given Swift's assurance, a Reddit member on the r/sourdough thread was quick to ask 'Taylor Swift…you here?'. What followed was a volley of bread puns, and we can't 'bake' it off. 'Are you bready for it?,' one user asked, to which another replied 'You knead to calm down.' Lines from Swift's songs were morphed to fit the bread analogy – 'baby, just say yeast!', remarked one. 'Taylor's in here hunting for more puns I just know it,' one follower said, to which another replied 'I hope that if she is, she is able to stay on the down low and continue to enjoy an anonymous existence. Also, if she is, my cat says hi.' Meanwhile, long before Swift's public admission about her baking 'obsession' the singer was lauded for her sweet gesture of giving lovebirds Selena Gomez and Benny Blanco some of her baked goodies.


Hindustan Times
2 days ago
- Hindustan Times
Chiefs connections in Taylor Swift's New Heights appearance. Here's a rundown
Taylor Swift's guest appearance on Travis and Jason Kelce's New Heights podcast drew more than 1.3 million viewers on YouTube Wednesday night, and it wasn't just light banter. Taylor Swift and Travis Kelce revealed that coach Andy Reid was behind orchestrating their romance, on the New Heights podcast.(AP) Throughout the episode, the Grammy Award winner offered a funny look at her journey into the NFL world, her growing knowledge of the sport, and the Kansas City Chiefs' connections that have made the experience special. ALSO READ| Taylor Swift breaks down on New Heights podcast while recalling how her masters were sold, 'Really ripped my heart out' Here are the four biggest Chiefs-related moments from the conversation: 1. Swift recalled their very first date, shortly after Kansas City's 38-35 victory over Philadelphia at Super Bowl LVII. Wanting to break the ice, she asked Travis what it was like seeing his brother on the other side of the field in the Super Bowl, only to realise she didn't quite understand how the game worked. 'I thought everyone was on the field at the same time,' she admitted. 'I thought it was like, Jared Goff is here and Josh Allen's here … they blow a whistle and then they go at each other.' She confessed she didn't know what a first down was or even what a tight end did, but says she quickly became obsessed with the sport. 2. By the 2024 NFL Draft, Swift's NFL knowledge had grown to the point where she excitedly delivered roster news to her boyfriend. 'I became a person who was running through the halls of my house screaming, 'We drafted Xavier Worthy!'' she said. 'I forget where I was, but you were the first person to tell me … I had to look this up,' stunned Kelce had to confirm she was right. 3. Swift's first Chiefs game was the Week 3 win over Chicago. 'Travis has had the same friends since he was probably 4 years old … they're just the funniest, most hilarious group of people,' she said. She also made an unassuming entrance that day. 'We walked right in … with thousands of people in Arrowhead, and nobody noticed.' ALSO READ| Taylor Swift reveals her favorite song on New Heights podcast, and it's 10 minutes long 4. Swift also revealed her father, Scott, has known Chiefs head coach Andy Reid for years. 'I now know he is literally the most iconic, legendary coach of all-time,' she said. When Travis famously 'shot his shot' on the podcast, Swift said Reid was among those vouching for him. 'There were people just willing to go to bat for you … Yeah, thank you, Andy.'