logo
Baeksang Arts Awards Announces The 2025 Drama And Film Nominations

Baeksang Arts Awards Announces The 2025 Drama And Film Nominations

Forbes07-04-2025
Kim Hye-yoon and Byeong Woo-seok star in 'Lovely Runner.'
The Baeksang Arts Awards has announced its 2025 nominations for drama and films. Candidates were chosen from dramas and films that aired or were released between April 1, 2024 and March 31, 2025. To qualify at least one third of a program had to have aired by March 31.
Best drama nominations include Lovely Runner, The Tale of Lady Ok, Doubt, The Trauma Code: Heroes on Call and When Life Gives You Tangerines.
Best Director nominations went to Kim Won-seok for When Life Gives You Tangerines, Kim Hee-won for Light Shop, Song Yeon-hwa for Doubt, Lee Do-yeon for The Trauma Code: Heroes on Call and Jung Ji-in for Jeongnyeon: The Star Is Born.
Best screenplay nominations went to Kim Jung-min for Family Matters, Park Ji-sook for The Tale of Lady Ok, Lee Si-eun for Lovely Runner, Im Sang-choon for When Life Gives You Tangerines and Choi Yu-na for Good Partner.
Best technical direction went to Lee Young-joo for the art in Culinary Class Wars, Lee Jin-suk and Lee Deok-hoon for the camera work in Doubt, Jang Yeong-gyu for the music in Jeongnyeon: The Star Is Born and Hong Jung-ho, Lee Seung-je, Kim Dae-hoon and Kim Jung-min for the VFX in Hellbound 2.
Park Bo-gum and IU star in 'When Life Gives You Tangerines,'
Best Actor nominations went to Park Bo-gum for When Life Gives You Tangerines, Byeon Woo-seok for Lovely Runner, Lee Jun-hyuk for Dongjae, the Good or the Bastard, and Han Suk-kyu for Doubt.
Best actress nominations went to Go Min-si for The Frog, Kim Tae-ri for Jeongnyeon: The Star Is Born, Kim Hye-yoon for Lovely Runner, IU for When Life Gives You Tangerines and Jang Nara for Good Partner.
Best supporting actor nominations were given to Kim Jun-han for Good Partner, Roh Jae-won for Squid Game 2, Yoon Kyung-ho for The Trauma Code: Heroes on Call, Choi Dae-hoon for When Life Gives You Tangerines and Hyeon Bong-sik for Dongjae, the Good or the Bastard.
Best Supporting Actress nominations were given to Kim Guk-hee for Family Matters, Kim Jae-wa for The Tale of Lady Ok, Yeom Hye-ran for When Life Gives You Tangerines, Ok Kyung-hwa for Jeongyeon: The Star is Born and Jung Eun-chae for Jeongnyeon: The Star Is Born.
Kim Tae-ri stars in 'Jeongnyeon: The Star Is Born'
Best new actor nominations went to Kim Jung-in for Doubt, Song Geon-hee for Lovely Runner, Cha Woo-min for Study Group, Choo Young-woo for The Tale of Lady Ok and Heo Nam-jun for Your Honor.
Best new actress nominations went to Kim Tae-yeon for When Life Gives You Tangerines, Roh Jeong-eui for The Witch, Jo Yoon-soo for The Tyrant, Chae Won-bin for Doubt and Ha Young for The Trauma Code.
Best film nominations went to Love In The Big City, Revolver, House of the Seasons, Uprising and Harbin, with best director nominations going to Park Yi-woong for The Land of the Morning Calm, Oh Seung-wook for Revolver, Woo Min-ho for Harbin, Lee Eon-hee for Love in The Big City and Lee Jong-pil for Escape.
Best actor (film) nominations went to Yoon Joo-sang for The Land of the Morning Calm, Lee Byung-hun for The Match, Lee Hee-joon for Handsome Guys, Jo Jung-suk for Pilot and Hyun Bin for Harbin. Best actress (film) nominations went to Kim Go-eun for Love in the Big City, Kim Geun-soon for Jeong-Sun, Song Hye-kyo for Dark Nuns, Jeon Do-eyon for Revolver and Cho Yeo-jeong for Hidden Face.
Best supporting actor (film) nominations went to Koo Kyo-hwan for Escape, Park Jung-min for Uprising, Yoo Jae-myung for Land of Happiness, Jung Hae-in for I, the Executioner and Jo Woo-jin for Harbin. Best supporting actress (film) nominations went to Gong Seung-yeon for Handsome Guys, Claudia Kim for A Normal Family, Lim Ji-yeon for Revolver, Jeon Yeo-been for Dark Nuns, and Han Sun-hwa for Pilot.
Lim Ji-yeon stars in 'The Tale of Lady Ok.'
Earning best new actor nominations were Kang Seung-ho for House of the Seasons, Noh Sang-hyun for Love in the Big City, MoonWoo-jin for Dark Nuns, Jang Sung-bum for Work To Do and Jung Sung-il for Uprising.
Best new actress (film) nominations went to Roh Yeon-soo for Hear Me: Our Summer, Park Ji-hyun for Hidden Face, Lee Myung-ha for Mimang, Hyeri for Victory and Ha Seo-yoon for Streaming.
Best screenplay nominations went to Kim Hyung-joo and Yoon jong-bin for The Match, Park Yi-woong for The Land of Morning Calm, Shin Chul and Park Chan-woo for Uprising, Oh Seung-wook and Jo Byul for Revolver and Oh Jung -min for House of Seasons.
Best technical (film) nominations went to Park Byung-joo for the VFX in Wonderland, Yoo Sang-seop and Jang Han-seung for the action scenes in I the Executioner, Lee Seo-jin for the makeup in Pilot, Jo Young-wook for the music in Uprising and Hong Kyung-pyo for the camerawork in Harbin.
The Baeksang Arts Awards are considered one of the most prestigious entertainment awards in South Korea. The ceremony takes place on May 5 at 8 p.m. KST.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Hot Dog Icon Earle's to Open New Location on Venice Beach Boardwalk
Hot Dog Icon Earle's to Open New Location on Venice Beach Boardwalk

Eater

time21 hours ago

  • Eater

Hot Dog Icon Earle's to Open New Location on Venice Beach Boardwalk

South Los Angeles's most notable hot dog maker, Earle's on Crenshaw, is experiencing a homecoming. After operating for eight years on a prominent stretch of Leimert Park, a tipster noted a new sign for Earle's on the Venice Beach Boardwalk next door to the three-month-old Marathon Burgers. Longtime fans know that brothers Duane and Cary Earle started serving hot dogs out of a cart in Venice Beach in 1986, a Southern California neighborhood that used to, until recent decades, have a large Black population. They shifted into a brick-and-mortar location on Crenshaw in 1992 for 16 years, then relocated to Crenshaw and Exposition as Earle's Grill. In 2017, the Earles moved into the current location in Crenshaw Square, where Earle's on Crenshaw became the permanent name. Eater reached out to Earle's to confirm the opening timeline, but has yet to hear back. More love for Glizzy Street's teenage twins In more hot dog news, Glizzy Street's entrepreneurial 15-year-olds, Chazz and Chaze Clemons, have been working non-stop since launching their gas station stand in June. They've also made numerous media appearances, including on NBC's Today Show, and appeared last week on Fox-11. LAFC's Son Heung-min's LA food preferences Does Los Angeles Football Club's newest star Son Heung-min prefer a Los Angeles-style bacon-wrapped street dog or a Korean corn dog? He gives an answer to this important question and thoughts on other iconic Los Angeles foods in the video below. For a full list of BMO Stadium foods, look right here. Rooftop dining, drinking, and pool time at DTLA's Ritz-Carlton In mid-July, Sendero launched its weekly Rooftop Sunset Sessions, where chef Hendrix Vega developed an ideal menu to nosh on while hanging out by the pool. From 4 p.m. to 9 p.m. every Saturday, guests can get the entire Sendero menu in a poolside cabana by calling the Ritz-Carlton concierge. Guests can also check in at Sendero's reception without a reservation to head upstairs for cocktails, ceviche, aguachile, crispy arepas filled with duck confit, and hot empanadas. Camel Coffee closes, rebrands, and reopens Silver Lake's Camel Coffee has been through some recent changes. Family Style Fest reported on Instagram that the popular Korean cafe owners decided to start fresh without a prior partner. It's now Handles Coffee. Swipe through the details below. Eater LA All your essential food and restaurant intel delivered to you Email (required) Sign Up By submitting your email, you agree to our Terms and Privacy Notice . This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

⁠The Fortune Hotel's Fred and Min have stolen the show: here's everything you need to know about the couple
⁠The Fortune Hotel's Fred and Min have stolen the show: here's everything you need to know about the couple

Cosmopolitan

time3 days ago

  • Cosmopolitan

⁠The Fortune Hotel's Fred and Min have stolen the show: here's everything you need to know about the couple

The Fortune Hotel season 2 has returned to ITVX with a bang and we are lapping it up. The gameshow, which fans have likened to The Traitors and The White Lotus, jets contestants off to the tropical Caribbean island of Grenada (sign us up!). 10 pairs checked into the glamorous Fortune Hotel for a rollercoaster of challenges, alliances and poker faces. Each couple acquired a briefcase, with one containing the mighty prize of £250,000 and another with a not-so-fortunate 'early checkout' card, signaling elimination. From business partners to mother-and-son duos, one partnership has come out on top… but not from their own doing. Fred and Min were completely puzzled by the first race to complete a crossword and find a clue… leaving them in last place. But in some strange twist of fortune, they sneakily ended up with the £250,000 briefcase that evening! But what do we know about Fred and Min? The retired life partners are 60 and 59-years-old. They live together in Blackpool, Lancashire. They are currently the only retired contestants, as ex-police officer John was knocked out of the competition when he received the early checkout case in episode 2. Their game plan? 'Bluff them, blag them and fake it til you make it! It was our last hurrah!" Fred said. Well, their plan is certainly working so far… When asked by Media Mole how they would spend the prize money, they weren't in agreement. Fred said, 'Wisely!', while Min said, 'Unwisely! We need a new van, so it would go on that.'

‘Law And The City' Producer Shares What Makes A K-Drama A Hit
‘Law And The City' Producer Shares What Makes A K-Drama A Hit

Forbes

time4 days ago

  • Forbes

‘Law And The City' Producer Shares What Makes A K-Drama A Hit

Kim Ho-jun is the producer of the Korean drama Law and the City, a CJ ENM drama which stars Lee Jong-suk (W, Romance Is A Bonus Book), Mun Ka-young (My Dearest Nemesis, True Beauty), Kang You-seok (Resident Playbook), Ryu Hye-young (The Nice Guy) and Lim Sung-jae (Newtopia). The k-drama is a hit with viewers due to its compelling storyline involving attorneys in Seoul's Seocho-dong neighborhood. It's not the only successful drama recently produced by Kim Ho-jun. He's the producer responsible for the 2024 hit dramas Lovely Runner, starring Kim Hye-yoon and Byeon Woo-Seok, and No Gain No Love, starring Shin Min-ah and Kim Young-dae. 'With Lovely Runner, I came on board when most of the setup was already in place, and the script itself was a textbook example of strong drama writing,' said Kim. 'The character arcs, emotional build-up and pacing were near flawless, which convinced me to move forward with it. But what truly cemented my belief in its success was seeing footage of the lead actors. Their performances were so natural and immersive—it felt like Sun-jae and Sol were real breathing people.' Viewers agreed and the drama became a fan favorite. No Gain No Love was also a hit. Given how perfectly all the actors fit their roles, it might surprise viewers to learn that Kim made a casting change rather late in the game. 'With No Gain, No Love, I actually made a casting change mid-production," said Kim. I was confident because the new leads matched their characters so well in both personality and presence. That real-life alignment gave the show a sense of authenticity. This kind of actor-character synergy is something I always prioritize in casting decisions.' What was it about Law and the City that sealed the deal? 'This drama came from a desire to break free from creative stagnation and connect with viewers through stories grounded in everyday life,' said Kim. 'With so much content saturating today's market, it's increasingly difficult to surprise or deeply engage people with conventional narratives. While many producers have turned to fantasy, sci-fi, or blockbuster genres to stand out, only a few of these attempts truly resonate with viewers.' When Director Park Seung-woo first brought up the idea of Law and The City, Kim decided to take a different approach by producing a realistic drama that pushed the characters to the forefront. 'That's how Law and The City began,' said Kim. 'I've always believed that there's no fantasy greater than reality. No matter how spectacular a story is, it can't compete with the real-life thrill of, say, winning the lottery myself. No matter how impressive the visuals or storyline may be, I believe a drama is nothing without real people at its heart." As a result he wondered about the moments of everyday life that might truly move the hearts of viewers. Associate lawyers, who are professionals, but also just salaried workers, seemed like the perfect subject. The characters are familiar yet distant and therefore relatable for viewers. ' I believe it has successfully resonated with our viewers based on the show's global records—sweeping charts in 150 regions on U-NEXT (Japan), Rakuten Viki, iQIYI, tvN Asia, Disney+ and more.' He compares producing a drama to nurturing a plant. Sometimes it takes a while to see a drama's true potential. 'Even if you begin with a clear vision, the direction often shifts in unexpected ways,' said Kim. 'While there are times when the potential is evident from the start, it's more common for true confidence to emerge during the development—or even the production process.' Law and the City was something of an experiment. 'There were times we had doubts, especially since the show doesn't follow a typical plot-driven structure with big dramatic twists,' said Kim. 'But as we developed the detailed scenes around meals and fleshed out the five lead characters, the richness and realism started to come through—and that gave us growing confidence.' The role of a chief producer is to oversee the entire project. 'That includes selecting the director, casting, budgeting, securing the programming slot, and setting the overall creative direction," said Kim. 'While I occasionally take part in selecting the project concept itself, the CP's most critical responsibility is securing a programming slot. To do that I analyze what channels and platforms need from a content-as-product perspective. As the final decision-maker, I then tailor the production setup to enhance the project's commercial value.' Kim credits the drama's director Park Seung-woo (Adamas, Kairos, W: Two Worlds Apart) for his meticulous attention to details, which was absolutely indispensable. He describes the Law and The City team as experienced and proactive, showing no hesitation in independently developing and experimenting with ideas. One of the factors making Law and the City seem so realistic was the script written by Lee Seung-hyun, a practicing attorney. His expertise grounded the story. 'One of the episodes sparked real debate in the legal community,' said Kim. 'It was based on a controversial real-life case. His input added a level of credibility.' Drama productions usually face some challenges and weather was an ongoing consideration when the crew needed to film in Hong Kong. Also, when they filmed there, local police had to step in to help with crowd control. Lee Jong-suk also sustained an injury, slipping on the stairs while filming a romantic scene. His injury almost ended filming that day, but Lee worked through the pain and, like a true professional, focused on his emotions 'Despite all that, the scenes we captured turned out beautifully and became one of the show's standout elements.' Viewers may not realize that the screenplay originally focused on the two leads and that it only eventually evolved into a five-character ensemble. 'We built out each character's arc and leaned into their personal growth stories, making all five main characters equally lovable to viewers,' said Kim. Also, a romance arc was added to the legal realism, which led to the filming in Hong Kong, recapturing scenes of a previous meeting between Lee and Mun's characters. If Kim Ho-jun had to pick a favorite scene, he narrows it down to two. 'One of my favorite scenes is in Episode Two, where Ju-hyeong and Hui-ji argue over a legal precedent about whether banks can forcibly collect loans from low-income housing residents,' said Kim. 'It was the scene that convinced me to green light the project. It perfectly captured the characters' dynamics, the drama's themes, and marked the beginning of their relationship.' The ending of the sixth episode also became one of his favorite scenes. 'Sang-ki, faced with the harsh reality of having to prove his poverty, visits the humble diner where his mother works, eats a bowl of soup, and quietly breaks down in tears,' said Kim. "Everyone in the editing room was deeply moved—it resonated with all of us. Viewers, too, responded with overwhelming emotion. Lim Seong-jae's performance as Ha Sang-ki was absolutely breathtaking. There are many more memorable scenes, but those two remain especially close to my heart.' The CJ ENM drama originally aired on tvN in Korea. In the U.S. Law and the City airs on

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store