logo
‘Hedwig and the Angry Inch' is bringing glam-rock glory to Carriageworks this July

‘Hedwig and the Angry Inch' is bringing glam-rock glory to Carriageworks this July

Time Out23-04-2025
Sydney, it's time to put on some makeup and pull the wig down from the shelf – because Hedwig has finally announced plans to head on over to our wicked little town. Following a smash-hit season with Adelaide Festival, GWB Entertainment and Andrew Henry Presents have confirmed that Hedwig and the Angry Inch will unleash its raw energy at Sydney's Carriageworks from July 17.
Hailed by Rolling Stone as 'the best rock musical ever' and featuring a razor-sharp catalogue of songs including 'The Origin of Love', 'Midnight Radio' and 'Sugar Daddy', Hedwig and the Angry Inch holds a special place for many queer people and rock music devotees. The world needs the wisdom of John Cameron Mitchell 's cult masterpiece of gender-fuckery more than ever – and an arguably perfect team of local queer talents have come together to create this original Australian production. (I was lucky enough to head over to the country's festival capital for the premiere in February, and it was every bit as gloriously gritty, grungy, hilarious and heart-wrenching as I hoped it would be!)
Seann Miley Moore stars as the hedonistic anti-heroine herself, Hedwig. Moore took out the critics' choice award for Best Performance in a Musical in the inaugural Time Out Sydney Arts & Culture Awards with their acclaimed take on the Engineer (or, as Moore describes them, the 'Engin-Queer') in Miss Saigon, and this wild, rock-fuelled role is your chance to see them like you've never seen them before. Along a live rock band, Seann stars opposite acclaimed actor, singer, songwriter Adam Noviello (Jesus Christ Superstar) as Hedwig's devoted yet defiant partner, Yitzhak.
Before Sydney takes a taste of Hedwig and the Angry Inch in July, the show will play at Melbourne's Athenaeum from June 13. General public tickets for the Carriageworks season will go on sale at 10am on Tuesday, April 29, at hedwig.com.au.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

You're using Netflix wrong if you haven't watched these 9 movies
You're using Netflix wrong if you haven't watched these 9 movies

Metro

time2 hours ago

  • Metro

You're using Netflix wrong if you haven't watched these 9 movies

Steve Charnock Published August 12, 2025 2:45pm Updated August 12, 2025 2:45pm Link is copied Comments There's a lot of content on Netflix. Some of it good, some of it not so good. The streaming service is the ideal solution to boredom at home. Nothing to do? Stick Netflix on and let something wash over you. We've no issue with the idea of watching an old favourite or even a new film or piece of TV that's not all that good, but sits nicely in the background. But for the money we all pay? We have to be taking in some of the better pieces of art that it hosts, too. And there's plenty on there. When it comes to films, you don't have to look that hard to find a decent number of pure cinematic classics waiting for you to discover/rediscover. Using the movie review aggregator site Rotten Tomatoes' ratings to prove our point, here are nine films you really have to see on Netflix if you want to be getting the most out of your subscription... (Picture: Netflix) The Stranger is a superior slow-burning Aussie crime thriller that sneaks under your skin thanks to its quiet dread and razor-sharp performances. Joel Edgerton plays an undercover cop who strikes up a careful friendship with a man suspected of a horrific crime, played with unsettling intensity by Sean Harris. The tension builds in tiny moments - through glances, pauses, half-smiles - so that when something breaks, it hits all that much harder. It's part of a wave of modern Australian crime films like Animal Kingdom and Snowtown that ditch glamour for grit, favouring mood over action. With two powerhouse leads and a style that feels more like an experience than a story, it's a gripping reminder that silence can be just as thrilling as gunfire. Which, while true, could make this film sound boring. It is, however, anything but (Picture: Netflix) If you pay attention to true cinephiles and their picks for the finest films ever made, you'll certainly get a selection of great works of art. That's all well and good, but what do we all mainly want to watch? A surrealist Russian arthouse piece about the ravages of poverty? Or a fun chase thriller with Harrison Ford chucking himself into a giant dam? It may be 32 years old, but this big-screen adaptation of the fun sixties TV show is still a cracking watch. Tense, fast-paced and full of twists and turns, The Fugitive is a top rate thriller elevated into the sky by serious performances by both Ford and a never-better Tommy Lee Jones (Picture: Warner Bros/Kobal/Shutterstock) Nicolas Cage loses it when his swine's pignapped. Has there ever been a better set-up for a film? Pig is one of those movies that sounds bizarre on paper - Cage plays a reclusive truffle hunter whose beloved pig is stolen and he vows to get his porcine pal back - but turns out to be quietly moving and nothing at all like you might expect. Instead of a revenge rampage, it's a tender and strange meditation on loss, memory and the lives we leave behind. Cage, whose career in the past decade has swung from wild experiments to unexpected gems, gives one of his most restrained and affecting performances here in some time. It's weird, yes, but in the best way. It's also slow, thoughtful and full of moments that linger long after the credits roll. Get in the mud and enjoy this unexpected minor classic (Picture: Everett/Shutterstock) The Power of the Dog is one of the 21st century's most powerful historical westerns, thanks to Jane Campion's masterful direction that turns vast landscapes into tense, emotional expanses. It's a directorial performance that rightly won Campion her second Academy Award. Benedict Cumberbatch carries the film with a quiet, simmering intensity, but it's Kirsten Dunst's performance that really stands out. There's restraint, subtlety and deep emotion all bubbling cleverly and quietly beneath the surface. The film strips away typical western clichés to focus on complex, fragile characters and their hidden struggles. While not spurning any of the tropes and things we all love about the genre. Campion's careful storytelling and the cast's nuanced work make this a fresh, haunting take on the western that stays with you (Picture: Netflix/Everett/Shutterstock) A genuinely terrific modern western stripped of horses and dust storms, but still steeped in frontier spirit, Hell or High Water is unmissable for anyone with an affection for the wild west and rebels with a cause. Here the frontier is rural Texas banks and foreclosed farms. Sicario and Wind River scribe Taylor Sheridan's sharp, unflinching script turns a simple bank-heist plot into a story about poverty, loyalty and a disappearing way of life. The cast is pitch-perfect, from Jeff Bridges' weary lawman to Chris Pine's understated desperation. But it's Ben Foster who - ironically - steals the film. He's feral, funny, and heartbreaking all at once. Sheridan has carved out a place in modern cinema for tough, soulful thrillers. And this is one of his finest pieces of work yet (Picture: Moviestore/Shutterstock) The rise and fall of a once-dominant corporate-friendly smartphone brand unfolds as a surprisingly fresh and entertaining story, mixing humour with sharp insight into the tech world's fast pace. It's Always Sunny in Philadelphia's Glenn Howerton surprises by shedding his usual comedic skin to deliver a tense, layered portrayal of Jim Balsillie, the ambitious and often prickly Blackberry co-CEO. His performance anchors the film, turning what could've been a dry corporate tale into a gripping character study. Critics praised the movie for balancing drama and wit, making it more than just a business story. It's a personal look at ambition, innovation and the costs that come with them. Much, much better than a film about Blackberry ever had the right to be (Picture: IFC Films/Everett/Shutterstock) Chuck Hogan's 2004 novel Prince of Thieves is very, very good. Ben Affleck's 2010 film adaption The Town is even better. About as Boston as anything that's ever been made, it's a movie in which Affleck dominates both behind and in front of the camera. He plays the lead, Doug, head of gang of armed robbers and childhood friends. He's already looking for a way out when he falls in love with Rebecca Hall on a job. But dating a hostage is tricky. Especially when the investigating FBI agent (played by Jon Hamm) is hot on Doug's tail. And also has a thing for Hall's Claire. This is impressively realistic and dramatic, stocked full of wicked smart performances - not just from Affleck, Hall and Hamm. But from Jeremy Renner, Blake Lively and Pete Postlethwaite too, amongst others. It's violent in places, but it doesn't glamourise the criminal lifestyle. Quite the opposite. In fact, it shows it for the trap it really is (Picture: Shutterstock) Steven Soderbergh's debut is a cinematic great because it proves you don't need big action or loud drama to grab an audience by the lapels and keep it glued to the screen. It's a film that keeps things simple - it's all slow shots, real conversations and relatable scenarios. But every glance and pause feels loaded. James Spader plays it quiet and mysterious, Andie MacDowell slowly comes out of her shell and Laura San Giacomo brings no small amount of smouldering. It's about secrets, desire and how messy honesty can be in relationships. Back in 1989, it showed indie films could be sexy, smart and real. And that small stories could make a big noise. It'd go on to be quite the influence to indie filmmakers throughout the nineties and beyond. If you've never got round to seeing it, why not add it to your Netflix watchlist and see what all the fuss is about? (Picture: Moviestore/Shutterstock) Let's end with a stone cold killer of a classic. Steven Spielberg's five star classic needs no introduction. You should have seen it. You probably have seen it. You need to see it again. This year marks the 50th anniversary of the release of one of the world's favourite films. Starring Roy Scheider, Richard Dreyfuss and Robert Shaw, it's legendary for a reason. The set was besieged by all sorts of technical issues, so it's a small miracle the movie was even made at all. So the fact that it's become a touchstone of cinema is a hat tip to Spielberg's vision here. Alright, so the incredibly influential Jaws did little in the way of providing positive PR for great white sharks... But it did everything for Hollywood and the very concept of the blockbuster movie (Picture: HA/THA/Shutterstock)

Festivals diary: Baby Reindeer producer on why performers should put on shows in the smallest venue possible
Festivals diary: Baby Reindeer producer on why performers should put on shows in the smallest venue possible

Scotsman

time3 hours ago

  • Scotsman

Festivals diary: Baby Reindeer producer on why performers should put on shows in the smallest venue possible

Industry figures gathered at Shedinburgh to hear from a panel of veteran producers Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... A panel event at Shedinburgh this week offered a raw and honest insight into producing a show at the Fringe from four of the festival's top practitioners. Chaired by Baby Reindeer and Fleabag producer Francesca Moody, the panel also included Raw Materials co-founder Gillian Garrity, Australian producer Linda Catalano and James Seabright of Seabright Live. Advertisement Hide Ad Advertisement Hide Ad It was one of those industry events not specifically aimed at media (don't worry, they knew I was there, I wasn't in disguise) and it almost felt intrusive, listening to the veterans share a brutally honest account of their early experiences with the room of mainly young performers and producers. Ms Catalano admitted she had had to take out a mortgage on her house to pay for certain Fringe shows which had not performed as well as she had hoped, while Ms Moody also said she had borrowed cash from her siblings in the early days, which she had had to pay back over two years. Billed as 'How to Make a Fringe Hit', the panellists discussed pros and cons of marketing, flyering and the 'gut feeling' when choosing a new show to bring to the Fringe. One tip stood out: 'Put your show on in the smallest venue you can afford to put it on in,' said Mr Seabright, with Ms Moody stepping in to explain that a 'sell-out show', no matter how small the venue, attracts attention. Advertisement Hide Ad Advertisement Hide Ad 'Selling out your show is probably the best way of making people come to your show,' she said. 'People are obsessed with coming to see anything that is on the sell-out board'. Modestly, Ms Catalano did not comment on this one, having, perhaps inevitably, experienced a sell-out for one of her shows, on at the Traverse, called I'm Ready to Talk Now - which has only one audience member in each performance. Perhaps the sweetest thing to come out of the event, however, was Ms Catalano's admission that the entire cast and crew of another of her shows, Little Squirt, get together for a Sunday roast together every week on their day off. 'We choose a different pub each week,' she explained. 'Each team needs something different. Some teams need there to be a day in the week where they don't see each other at all. This one needs a Sunday roast.' Pickled Republic Advertisement Hide Ad Advertisement Hide Ad Moldovan-born-now-based-in-Glasgow theatre maker Ruxy Cantir's show, Pickled Republic, has also been a sell out in her first ever run at the Fringe. I managed to scrounge a last minute ticket, pleading my love for anything Romanian and Moldovan - they essentially speak the same language, I could elaborate further if anyone was interested - and pickles. The show, part of the Made in Scotland showcase, saw Ruxy play a cabaret singing potato, a mime artist gherkin, a socially anxious onion who wanted to be a performance poet and a loving mother breastfeeding her carrot son. 'You've been fully Fringed,' said a friend when I described what I'd been to see. Autopsy Award winner Ruxy Cantir brings 'Pickled Republic' to Summerhall this August But my favourite bit was when Ruxy addressed the audience at the end, pointing to the dozen or so tomatoes she had squashed onto a table cloth in one of the final segments. Advertisement Hide Ad Advertisement Hide Ad 'Look at our TikTok to see what we do with the tomatoes after the show,' she told everyone. 'We make them into soup!' The most wonderfully Moldovan thing I have ever heard. Other festivals are available The Fringe is so all-encompassing, it is sometimes easy to forget that there are other festivals going on around the city. The Edinburgh International Film Festival kicks off on Thursday, while the Edinburgh International Book Festival is now in full swing, with queues out the door of the signing tent for Chinese writer Liu Zhenyun when I popped by on Tuesday afternoon.

England rugby star 'choked out' cast member in unaired TV footage as full story emerges
England rugby star 'choked out' cast member in unaired TV footage as full story emerges

Wales Online

time7 hours ago

  • Wales Online

England rugby star 'choked out' cast member in unaired TV footage as full story emerges

England rugby star 'choked out' cast member in unaired TV footage as full story emerges The dual-code England star was appearing on SAS Australia: Who Dares Wins in 2021 Sam Burgess pretends to choke out Phil Tufnell as he explains how he hijacked a bus (Image: YouTube) Former England dual-code rugby international Sam Burgess has revealed how he once hijacked a bus on a TV show, choking out the driver in unaired footage. ‌ Burgess, who played for England in the 2015 World Cup, was competing on the second series of SAS Australia: Who Dares Wins back in 2021 when he ended up commandeering a mini-bus. The show, which first aired in the UK in 2015 before an Australian version was made in 2020, pits contestants against a shortened training course designed to simulate a condensed version of the actual United Kingdom Special Forces selection course. ‌ However, in Burgess, producers clearly got more than they bargained for as he gave those involved in the show a taste of their own medicine after hijacking a bus following one challenge. ‌ Appearing on the Stick to Cricket podcast with Phil Tufnell, Sir Alastair Cook, David Lloyd and Michael Vaughan, Burgess dove into great detail - even using Tufnell as a makeshift driver to show how he manufactured his escape as he left the former cricketers in raptures. "Yes, it's a true story," said Burgess when Vaughan asked if there was a story from the show involving a bus. "They took us away and it's a 15-day course. "20 might start and it's just who can get to the end, basically. We get to day 12 and there's only four or five people left on the show. Article continues below "Throughout the whole show, you're sleep deprived, food deprived, freezing cold. It's really hard graft. Each night, they might come in and talk to you before you go to bed. 'Listen, if you're captured, you should always try and escape, because the longer you're in captivity, the less chance of survival'. Sign up to Inside Welsh rugby on Substack to get exclusive news stories and insight from behind the scenes in Welsh rugby. "This is all sinking in my subconscious. The next day, we do this assault course for four or five hours. We're freezing cold, wet through. "Explosions go off and guns come in. They put hoods on you and tie you up. I felt like I was in a warzone. By this point, you feel like a zombie. ‌ "The training kicked in, what they've been teaching us over the last few weeks. I'm in a stressed position against the fence, with this woman kicking me in the shins. I'm thinking 'what is going on here'. "After about two hours in captivity, they've thrown us in a vehicle and are transporting us to another destination. They also said that on transportation is where you've got a great chance to escape, because it's generally someone low down the food chain - that's where you should attempt to escape. "So I've gone here's my chance. I've got a hood on and zip ties on my wrist. I'm so fired up because of that woman kicking me in the shins, I've popped the wrist straps. ‌ "We're on a bus that's moving. We're told we're on there with armed guys with guns so do not f*****g move. "So I've peeked through my hood and I see the other contestants. There's one guy driving, there's a camera man and one other guy. I think there's no guns on here. "I can take them. We're on a bit of a freeway. We're going about 100 km/h. I charge the bus and I get the guy at the front. I'm dishing him up. ‌ "It's no show in my head. I was convinced I was in Afghanistan. I was there in my head. This guy had an earpiece on but I ripped out his comms and get him under control. "I free one of my fellow contestants, John Steffensen, who is a sprinter." Burgess, who won the NRL title with the South Sydney Rabbitohs in 2014, then used Tufnell to show what he did to the bus driver. The panel were left stunned by Burgess, who continued his story. ‌ "I say 'don't you f*****g move'," said Burgess, stood behind the former England spinner. "I'm choking him and I say pull the van over now. "He's not saying a word. I start tugging the wheel and everyone's screaming. This guy didn't break character. "I say I'll put you to sleep. I say to John I'm going to choke him out. Handbrake on, keys out, he's out the vehicle as well as the other guy. I get in the front seat. The cameraman looks at me and I say you can get out as well." ‌ Ultimately, another contestant - former Australian athlete Jana Pittman - convinced Burgess to snap out of it, but not before he'd tried to find some food after nearly two weeks of brutal training. "I've then got the mini-bus, me and four other contestants," he continued. "I was starving. "I thought I'd go to KFC. But I had no money. I'm driving down the road, don't know where to go, but I'm free. I thought I'd completed the show. ‌ "I'm driving around and this vehicle comes towards us. It's definitely from the show. I took it on. They swerved off. I wanted to win. "There's a woman still on the show, Jana Pittman, amazing athlete. She said to me 'you've taken it a bit too far'. I came back into normal life. "I drove past a pub so I pulled in there. Within about 15 minutes, we were surrounded by six cars. Ant Middleton came back on the bus and they absolutely flogged us for about 12 hours. Article continues below "We lost two contestants that night. They never aired any part of that show because we weren't insured. None of it has been aired. "They loved it, though. They reckon it's the best escape story they've ever had."

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store