logo
‘Berserk Or Die' Review: A Smashing Indie Action Game

‘Berserk Or Die' Review: A Smashing Indie Action Game

Forbes18-06-2025
Poncle, Nao Games
Luca Galante almost gave up on the idea of creating video games. He moved from his home in Rome to London where he got a job flipping burgers at McDonald's. Making the roguelike shooter game, Vampire Survivors, began as just a hobby he did in his spare time alone at home. He had no idea it'd go on to sell millions when he released it in 2022. He certainly didn't expect it to pip God of War Ragnarok and Elden Ring to the best game gong at 2023's Bafta Games Awards.
That success has afforded him his own studio, Poncle, which is based in England's capital with a modest 36 employees working alongside him. After expanding Vampire Survivors with new features over the last few years, Galante has now dipped his toes into publishing. The game? Berserk or Die, an explosive 2D action title made by a Japanese solo developer, Nao Games.
Understanding what to do in Berserk or Die is quite simple as it's all in the name: you either slaughter everything around you or you perish on the battlefield. We play as a lone Roman soldier to begin with (although other characters like an Egyptian Princess can be unlocked later along with more levels and weapons). The aim is to survive as many day and night cycles as possible by fighting off wave after wave of enemy warriors. They flood both sides of the screen and vary from typical sword-wielding grunts to archers.
The more you progress, the more complicated staying alive becomes. Spears rain down from above. Bosses like a chariot race across the screen and will take you down unless you time an attack perfectly. Fortunately at the end of each fight, a merchant appears and offers you the typical cocktail of upgrades from health refills to more varied weaponry. This is all paid for by coins you take off of fallen foes.
So far, the game shares an uncanny synergy with Vampire Survivors. The act of traversal is where they differ. Galante's game is all about movement. Stop running for even a millisecond to scratch your nose and you'll be overrun with ghouls and creatures of the night. In Berserk or Die, movement is a luxury.
The only way to get around is to perform a lunging attack to the left or right. Doing this will cost you stamina, so picking the right moment to strike is crucial. Once you see gold spilling out on the ground, it's hard to resist the urge not to throw yourself forward to scoop it up, but doing so leaves you vulnerable if you mistime your move. Die and you'll be back to square one, albeit with some upgrades you accrued along the way.
Poncle, Nao Games
In an unusual twist, you have to physically smash your keyboard to attack. The more keys you hit, the more powerful your attack will be. Shaking the mouse will unleash a special manoeuvre. The game also runs adequately on a Steam Deck where you use the rear triggers to attack instead. It may even just save you a few dollars on a keyboard replacement should you get too enthusiastic.
All of this chaos is set in front of a stunning pixelated background. Each location (ranging from the plains of Italy to the deserts of Egypt) is wonderfully crafted, accompanied by a great soundtrack inspired by the environment. The only question with Berserk or Die is whether or not it'll be able to establish the longevity Vampire Survivors has with regular updates and fresh ideas. But for four dollars, even if it doesn't manage that, it's money well spent.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Summer youth theatre project brings musical to Fareham Live
Summer youth theatre project brings musical to Fareham Live

Yahoo

timean hour ago

  • Yahoo

Summer youth theatre project brings musical to Fareham Live

A summer youth project has taken place at Fareham Live. The town's entertainment venue hosted a production of the musical 'We Will Rock You' with a cast of young performers. Children from the local community spent five days rehearsing before they put on two shows on August 16. Speaking before the show, Jo Bennington, Fareham Live's creative learning manager, said: 'We're passionate about nurturing the next generation of performers and giving them a platform to shine. 'The Summer Youth Project is all about creativity, confidence, and community—and we can't wait to see what these talented young people achieve.' The youth project presents a unique opportunity for the children involved to experience the thrill of live theatre, develop their talents, and perform on a professional stage. Fareham Live, which opened in September 2024, is the town's premier entertainment venue. It has hosted stars such as comedian Jimmy Carr and Iggle Piggle from the children's television show 'In the Night Garden.' The venue, operated by Trafalgar Theatres on behalf of Fareham Borough Council, features an 800-seat main auditorium, a secondary 120-seat performance area, a contemporary bar and café, a dance studio, and dedicated spaces for community groups. As well as hosting shows, Fareham Live is a hub for creative learning opportunities and community engagement. To book tickets or enquire about future youth-related activities, visit The Summer Youth Project is one of many initiatives aimed at inspiring and empowering young performers from the local community. The venue said the project is an annual event and the show differs each year. Each venue under Trafalgar Theatres' management is committed to presenting cultural programmes and events, contributing to the cultural landscape of their communities.

'Alien: Earth' Episode 3 Is Creepy, Brainy, and Painfully Existential
'Alien: Earth' Episode 3 Is Creepy, Brainy, and Painfully Existential

Yahoo

timean hour ago

  • Yahoo

'Alien: Earth' Episode 3 Is Creepy, Brainy, and Painfully Existential

I remember first watching British actor Babou Ceesay in the overlooked martial arts series Into the Badlands. I was struck by his power. And I don't mean the power of his fists, but his icy glares and spoken words that have the cadence of a just-awoken subterranean monster. When you can simply stand just over someone's personal space and make them squirm, that's power. That's all to say: It's been thrilling to watch Cessay at work in Alien: Earth. In a show overrun with creatures that drool and bleed acid, Ceesay's predatory cyborg Morrow might just be the biggest threat yet. "Metamorphosis," the third episode of Alien: Earth on FX and Hulu, finally lets its characters step out of that crashed ship and actually begin all the other story threads beyond Wendy (Sydney Chandler), Hermit (Alex Lawther), and Samuel Blenkin's Boy Kavalier. There's a lot going on here: the seeds of insurrection and sabotage, split loyalties amongst the Lost Boys, and even allusions to grooming. Ridley Scott's original Alien in 1979 was simple enough; it's a sci-fi horror thriller that asked, What if the darkness actually had a scary monster in it? Decades later, Alien: Earth complicates matters with transhumanist dread and intrigue. But it still has the good mind to let the monsters run amok. Here's everything that went down in episode 3 of Alien: Earth. Sibling Survival Imagine being Hermit for a second. You spend years thinking your little sister is dead, only for her to turn up alive (!!!) in the body of a synthetic adult (???), and then she's trapped behind a steel door with the most hideous and vicious thing you've ever seen in your life (?!?!?). It would be a stressful day, to say the absolute least. The episode starts with most of the Lost Boys, under the watchful eye of Kirsh (Timothy Olyphant), gathering the data on the ship's cargo of alien species. Nibs (Lily Newmark) has just survived a close encounter, and she is clearly changed by the ordeal. Thanks to her synthetic body, she might have survived—in this universe, aliens thrive on organic material—but with an organic mind, she's not walking away unscathed. Something has changed inside Nibs, even if her artificial body is unharmed. "Why couldn't we keep our names?" Nibs asks aloud to Curly (Erana James), who stands within earshot and later demonstrates her utter devotion to Boy Kavalier. While Curly is on the side of Prodigy, Nibs is eager to question everything about herself and the other Lost Boys—and she's clearly not happy about the answers. Take note of her eyerolls and annoyed stares. When mutiny strikes on the ship, I've got gold on Nibs holding the flintlock. And Nibs wouldn't be the only one. The loyal Kirsh suffers yet another indignity by Boy Kavalier, who embarrasses him for letting his "favorite," Wendy, venture on her own for her brother. "I thought you were supposed to be better than a man. But all I'm hearing are excuses," a most cavalier Boy Kavalier says. Kirsh might be programmed to do everything Kavalier says, but even he can take so much until he breaks. That brings us to our main protagonists, occupying the most action-heavy plot of the episode. Their fight against a loose Xenomorph gives an otherwise story-dense hour some excitement in the early going. Wendy and Hermit are practically lambs to the slaughter, as if their environment—a butcher's locker with raw meat on hooks—wasn't on the nose already. Eventually, things come down to a 1v1 between Wendy and the Xenomorph. If Kavalier sent his Lost Boys for a stress test, boy does he get one, as Wendy, impossibly, barely survives the violence. The alien is dead, but Wendy is messed up enough to essentially go offline, with that familiar "white blood" (which is actually circulatory fluid found in all synthetics, and is as synonymous to this franchise as eggs and dark corridors) spilling from her head wounds. The stress of the last few minutes leads Hermit to yak up his lunch and pass out, leaving both siblings on the floor with a Xenomorph carcass. Man, machine, and alien, splattered everywhere. This conveniently leaves our heroes out of commission for the rest of the episode, until the very end, when Prodigy's experimentation on the retrieved species reveals an inexplicable psychic connection to Wendy. What actually happened inside that garage? "When is a Machine Not a Machine?" I'm not declaring Babou Ceesay an Emmy contender—not yet anyway. But you can't tell me his Morrow isn't an effective antagonist. The way he "plugs into" the ship's computer and makes a bunch of goofy lights blinking on a tube look so menacing, it's a testament to Cessay's skill that he can turn a dumb prop into a weapon. The lone survivor of the Maginot, it turns out, has orders directly from a real flesh and blood Yutani, played by Sandra Yi Sencindiver. She is the CEO of Weyland-Yutani, who inherited her post from her grandmother, and with whom Morrow originally arranged business. That Morrow relishes scaring the piss out of two children in adult-sized artificial trench coats is a treat. While still in the ship, Slightly (Adarsh Gourav) and Smee (Jonathan Ajayi), who the most like kids of the ensemble, wind up cornered by Morrow. Sensing there's more than meets the eye with them, Morrow slips a dissolvable piece of himself onto Slightly's neck before getting scared off by Kirsh. Later, back to the island, Morrow "calls" Slightly from such a seedy, grimy BDSM club that I almost can't believe I'm watching this show on a Disney streaming service. Morrow doesn't get much out of Slightly, who is obviously bothered by this whole thing. Instead, it's part courtesy call, part warning; Morrow reveals he's literally inside Slightly's head, and will whip him into revealing Prodigy secrets for Weyland-Yutani. Once again, Alien: Earth lacks subtlety as the moans and cracks of leather whips surrounding Morrow illustrate a subtext of control and dominance—which is all the more messed up when you remember that Slightly is no older than twelve. In the Race "Metamorphosis" is by no means a difficult episode to understand or describe, but it is kind of all over the place with regards to all the table-setting it's doing for the rest of the season. But perhaps we can wrap up in a single word: Loyalties. For Curly, her loyalty is to Prodigy and Boy Kavalier. Thankful she gets to "live forever" no matter what humanity she's actually lost, Curly now appears to want to pay it back with undying devotion. (To an extent. She won't tell Kavalier her own plans to rule the world, for example, because he'll "steal them." Kavalier admits: "True.") Eager to unseat Wendy as Kavalier's favorite of the Lost Boys, Curly has already taken it upon herself to be the most refined and sophisticated of the bunch. (She knows French now!) This also places her at odds with Wendy, who isn't loyal to anyone or anything except whatever keeps her close to her brother. On the other side, there's everyone else. I mentioned Kirsh and Nibs, who are feeling the cracks of their invincible shells. I've also pointed out Slightly, who might turn against Prodigy albeit against his own will. But there's also Prodigy scientists (and married couple) Dame (Essie Davis) and Arthur Sylvia (David Rysdahl), who fear Kavalier is taking them off-track from their hybrid project in favor of the new discovery of species. Between wrangling the Lost Boys back to health (after jeopardizing them all) and having to accommodate alien creatures that no one on Earth knows the full biology of, the Sylvias might soon play a bigger role than their supporting parts imply. The Alien movies have long shown that people can and will fall apart when death comes knocking at their door. There are monsters and there are monstrosities. Alien: Earth is slowly but surely weaving a story where it's never easy to tell them apart. You Might Also Like Kid Cudi Is All Right 16 Best Shoe Organizers For Storing and Displaying Your Kicks Solve the daily Crossword

Knebworth 2024 hint as Oasis star Noel Gallagher heaps praise on brother Liam
Knebworth 2024 hint as Oasis star Noel Gallagher heaps praise on brother Liam

Yahoo

time2 hours ago

  • Yahoo

Knebworth 2024 hint as Oasis star Noel Gallagher heaps praise on brother Liam

Noel Gallagher has given his inaugural interview since the commencement of the Oasis reunion tour, lauding his brother Liam for "smashing it" while confessing that his own legs "turned to jelly" on the opening night. He remained tight-lipped when questioned about the likelihood of the band performing at Knebworth next year, a milestone concert that many fans are eagerly anticipating and now hope might be possible. The 58 year old guitarist and Oasis songwriter chatted with his mates Andy Goldstein and Darren Bent on TalkSport about his favourite football team, Manchester City, before the conversation shifted to the monumental tour. This follows after Peggy Gallagher was spotted with a big star at an Oasis gig as she finally gets to see her sons' reunion tour. READ MORE: Nottingham Forest v Brentford player ratings as sensational duo on a different level in super win READ MORE: Nottingham Forest transfer need is clear but one move won't be beaten amid 'telepathic' beauty Regarding the reunion with Liam, Noel expressed: "I've been completely blown away. It's difficult to put into words. It's kind of every night is the crowd's first night, so every night has kinda got the same energy to it. But it's been truly amazing. I'm not usually short for words, but I can't really answer." Reflecting on the first night in Cardiff, the band's initial gig in nearly two decades, he added: "We're not really a band who kind of have huddles before we go on or anything like that.", reports the Mirror. "I can't speak for anywhere else, but for me personally, I grossly underestimated what I was getting into. After about five minutes I was like can I just go back to the dressing room and start this again. "I don't mind telling you my legs went to jelly about halfway through the second song and I could have done with going back. It has been an amazing thing." Noel then shared some warm words about his brother Liam. The duo have made a habit of walking out hand-in-hand for every show in Dublin, Edinburgh, London, their hometown of Wembley, and the opening weekend in Cardiff. Speaking about their on-stage embraces, he said: "We are not those kinda guys. It is great just to be back with Bonehead and Liam and just be doing it again. I guess when it is all said and done we will reflect on it. It's good being back in the band with Liam, I forgot how funny he was!". Commenting on Liam's universally praised vocals, he said: "Liam is smashing it, I am proud of him. Having fronted a band for 16 years I know how hard that is. I couldn't do the stadium thing like he does, I have gotta say man I look at him and think 'good for you mate'." When asked about Knebworth or the end of the tour, Noel responded with a chuckle: "Lets talk about football." He discussed Manchester City's recent victory and expressed his excitement for Oasis' upcoming performance at the River Plate stadium in Argentina this November. He added: "It's the penultimate show, and we've played there a few times before. Without a doubt, Argentina is one of our top five favourite places to perform worldwide. "We are going to Toronto on Friday and then we're in the States for the best part of a month and then Mexico and then back for two more Wembleys. "When it all started there were a few people who I thought would come looking for tickets but after the first gig my phone exploded. Once they had seen it online there was a mad scramble for it." He confessed it was extraordinary to witness countless supporters outside the venues singing along to the performances and remarked: "Something else is happening that we haven't put our fingers on yet." Oasis are touring for the first time in 16 years and have now finished their UK and Ireland dates apart from two additional Wembley performances when they return from America. Tickets became available last year and triggered extraordinary demand. The concerts, which kicked off in Cardiff on July 4, have garnered glowing reviews across the board and generated emotional moments both amongst audiences and on stage.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store