Ellen DeGeneres and Portia de Rossi Are Selling Their Country Estate
Ellen DeGeneres, the comedian and longtime TV host, and her wife, the actress Portia de Rossi, have listed their country estate in England's Cotswolds region, just a year after buying it. Their asking price is 22.5 million British pounds, or around $30 million.
The couple had purchased the 43-acre property, located in Swinbrook, Oxfordshire, and known as Kitesbridge Farm, in the spring of 2024, then spent the next few months on renovations. The estate comprises several structures, including the 18th-century main house and a guesthouse. There is also a separate 'party barn' with a pub for entertaining and a building that contains an indoor pool, gym and shower facilities.
Ms. DeGeneres and Ms. de Rossi have reportedly moved to a larger, more contemporary estate nearby.
Maroon 5 Frontman Moves On
Adam Levine, the lead singer for the rock band Maroon 5, and his wife, the supermodel Behati Prinsloo, are asking $65 million for their Montecito, Calif., home.
Want all of The Times? Subscribe.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Associated Press
4 hours ago
- Associated Press
Movie Review: Kristin Scott Thomas directs Scarlett Johansson in comedic drama 'My Mother's Wedding'
Before Kristin Scott Thomas turned 12, she lost her father and stepfather. Both were Royal Navy pilots who died in crashes. The first happened when she was 5. The second at age 11. Thomas uses these facts, a kind of origin story, as the basis for her directorial debut, 'My Mother's Wedding,' a comedic drama about family, trauma and getting on with it that opens in theaters Friday. Knowing that the story comes from a real place is important for the experience. It gives 'My Mother's Wedding,' a perfectly average film that doesn't quite land the way it should, an emotional depth that it's otherwise lacking. This is a strange shortcoming considering the caliber of the cast, including Thomas as the bride to be, and Sienna Miller, Emily Beecham and Scarlett Johansson as her daughters. But it's a cruel reminder that a good hook, talented actors, one killer monologue and a picturesque setting (in this case, the English countryside) aren't guarantees that a movie will work. In the film, the deaths may be in the distant past, but they continue to haunt Diana's (Thomas) adult daughters as she prepares to marry another. Diana's new man is not a dashing pilot, forever preserved in handsome youth. Geoffrey (James Fleet) is very gray. He likes to talk about birds, ospreys in particular, has never had children and comes with a very silly last name (Loveglove) that she plans to take. Her girls are not exactly impressed, though they've all got their own stuff to deal with. It should be said that Johansson is indeed playing a British woman in this film, and while I don't feel qualified to comment on the nuances of her accent, all I can say is that there is a consistently strange disconnect to hear it coming out of her mouth. Johansson is a great actor who I've believed in many wilder roles, from Marvel movies right on down to her Ellen Greene riff during 'Saturday Night Live's' 50th anniversary show. But, somehow, she's hard to buy as Katherine Frost: A British, lesbian Royal Navy officer in a longtime relationship with a woman named Jack (played by fellow beauty Freida Pinto). Miller's character is Victoria, a Hollywood actor known for franchise dreck (no one can remember whether the latest 'Dame Of Darkness' is the fourth or fifth in the series) and short-lived relationships. And Beecham is the youngest Georgina, a nurse who suspects that her husband is having an affair. To find out, the girls hire a private detective to surveil her house and show them the footage after the wedding. It's a very busy, fraught weekend for everyone. There's lots of fretting over why Katherine won't marry Jack, and why Victoria is dancing around a relationship with a wealthy, older French man when her childhood crush still pines for her. There's lingering anxiety about their mom marrying this man who seems so unlike the two heroes that came before and much discussion about the importance of last names, marriage and making sure kids feel like they belong to someone. Some things get resolved, but it's hard to shake the feeling that everyone might need a new therapist by the end. 'My Mother's Wedding' also has a silly lightness to it that's aiming for something along the lines of a Richard Curtis romantic comedy. But coherency of the vision is limited, as is the audience's investment, though there are some lovely and inspired touches like using Iranian artist Reza Riahi to hand paint several animated flashback vignettes based on her memories of her fathers. Thomas co-wrote the script with her husband, journalist John Micklethwait, which includes a particularly poignant monologue for her character telling her daughters, essentially, to grow up and move on — a mature and worthy statement that might come a bit too late. 'My Mother's Wedding' feels only partially realized. But Thomas did have the good sense to end with a song that might just conjure up some feelings for any 'Heartburn' fans out there: Carly Simon's 'Coming Around Again,' this time a duet with Alanis Morissette. 'My Mother's Wedding,' a Vertical release in theaters Friday, is rated R by the Motion Picture Association for 'brief nudity, some sexual material and language.' Running time: 95 minutes. Two stars out of four.
Washington Post
5 hours ago
- Washington Post
Terry Reid did so much more than not join Led Zeppelin
Let's get the story out of the way. Terry Reid, 19 and beautiful and full of range, soul and energy, gets approached by his pal, Yardbirds guitarist Jimmy Page. I'm forming a band, Page tells him, and I'd like you to be my singer. Thanks, Reid responds, but I've got me own gigs to think about. Opening for Cream and the Rolling Stones. Recording for Mickie Most. But I've got this pal … his name is Robert.
Forbes
9 hours ago
- Forbes
Coldplay Earns A Milestone New Hit With A Quarter-Century-Old Song
Coldplay's catalog is stacked with hits, but the band's popularity extends far beyond those tunes chosen as singles. Even album cuts that were never pushed to radio can find a second life, and right now, 'Sparks' is enjoying its moment. In the middle of a historic tour, which has spawned multiple viral moments – including a kiss-cam controversy – the understated track becomes the group's latest chart win, and rises to a new high yet again. 'Sparks' Reaches the Top 40 for the First Time This week, 'Sparks' climbs to No. 39 on the Official Singles chart. As it ascends, the tune breaks into the top 40 on the ranking of the most consumed cuts in the U.K. for the first time. The track also improves to No. 80 on the Official Streaming list. 'Sparks' has only appeared on both tallies for little while – less than two months at most – and its momentum is still building. Coldplay Lands Its Thirtieth Top 40 Hit As it rises to No. 39, 'Sparks' becomes Coldplay's milestone thirtieth top 40 single in the U.K. The band first entered that tier on the main list of the most consumed songs in the country a quarter-century ago, when 'Shiver' debuted at No. 35 in 2000. Three Coldplay Tracks Charting at Once Alongside 'Sparks,' Coldplay keeps two other cuts on the U.K. rankings. 'Viva La Vida' and 'Yellow' both slip on the main singles list, but remain on a pair of charts each, largely thanks to streaming success. 'Yellow' also hits a milestone of its own, snagging its one-hundredth week on the Official Streaming chart. 'Viva La Vida' and 'Yellow' Fall Side-by-Side Coincidentally, 'Viva La Vida' and 'Yellow' now sit next to one another on the Official Singles chart, landing at Nos. 97 and 98, respectively. 'Viva La Vida' celebrates 156 weeks on the all-consumption tally — exactly three years — which is not uncommon for albums, but remains a feat not seen very often for songs.
