‘It Was Just An Accident' Wins Palme D'or At Cannes; ‘Sentimental Value' Awarded The Grand Prix
It Was Just An Accident directed by Jafar Panahi won the Palme d'Or tonight at the Cannes Film Festival. The co-production between France and Iran premiered May 20th and earned an 8-minute standing ovation. The film quickly became one of the most talked-about movies on the Croisette.
This win also marks Neon's sixth win in a row, an incredible streak for the U.S. distributor.
French actor Laurent Lafitte hosted the closing ceremony of the 78th edition of the Cannes Film Festival, which Juliette Binoche presided over with her jury, which included Halle Berry, Payal Kapadia, Alba Rohrwacher, Leïla Slimani, Dieudo Hamadi, Hong Sangsoo, Carlos Reygadas and Jeremy Strong.
During his speech, Panahi said, ''Before I say anything else, please let me thank my family for the period of time I was absent and my team who accompanied me throughout the making of this film.''
He added: ''I think now is the right moment to ask every person that has a different opinion, I ask you this one thing: let us put our differences aside, what is important is the freedom of our country. With you, here, we have this moment together, where no one tells us what to wear, what to say, what we must not do. Cinema is a society, no one can tell us what to do.''
Throughout the ceremony, many prestigious awards were given to some incredible movies presented during this festival's edition.
The Camera d'Or trophy was given to Hasan Hadi's The President's Cake.
A Special Price was given to Resurrection directed Bi Gan, China's incredible sci-fi entry into the competition.
Wagner Mourra was awarded the award for best actor for his role in ''The Secret Agent'' Brazil's unique entry in competition this year.
Best screenplay is awarded to Jean-Pierre and Luc Dardenne for their film Young Mothers.
The Jury Prize was exceptionally awarded to two movies, Sirat directed by Oliver Lax, and Sound of Falling directed by Mascha Schilinski.
Legendary director Claude Lelouch presented Kleber Mendonça Filho the award for best director, tonight's second win for The Secret Agent. During his speech, the director called the Cannes Film Festival 'The cathedral of cinema.'
Nadia Melliti was awarded best actress for her role in coming-of-age movie The Little Sister directed by Hafsia Herzi and adapted from Fatima Daas' autofiction The Last One.
Sentimental Value directed by Joachim Trier won the Grand Prix at Cannes tonight. The film premiered May 21st and received a 19-minute standing ovation. In 2021, it was Trier's The Worst Person in the World that earned Renate Reinsve a Best Actress Award at the Cannes Film Festival.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
New York Times
14 minutes ago
- New York Times
How to watch Spain vs. France in UEFA Nations League semifinal
Two international powerhouses go at it in a UEFA Nations League semifinal, with Les Bleus and La Roja battling Thursday for a championship look on Sunday. France and Spain each enjoy top-tier youth pipelines, and some of the best players in the world will share a pitch in Germany. UEFA's Nations League is a relatively new undertaking — this is only the fourth go-around — but this semifinal could be one of the best matchups in its short history. Advertisement International streaming via (Spain), TF1+ (France), Prime Video UK (United Kingdom) and ARD Sportschau (Germany). Lamine Yamal is a captivating watch at just 17 years old, and Pedri is an extraordinary midfielder at 22. Spain is on a roll, having won last year's Euros and the most recent Nations League championship in 2023. It has certainly set itself up for an extended run of excellence. Getting here was exhausting, though. Its quarterfinal versus Netherlands went all the way to the edge — tied 5-5 on aggregate before Spain won 5-4 on penalty kicks. Mikel Merino delivered a dramatic first leg equalizer in the 93rd minute. Mikel Oyarzabal had two goals in the second leg, and Yamal scored in the 104th minute. He actually missed his penalty, but Pedri came through in the sixth round. Yamal is instantly capable of classics. He has already done majestic stuff against France: 😍🇪🇸 Lamine Yamal (17) finish vs France. That left foot is dangerous! 🚀 — EuroFoot (@eurofootcom) July 22, 2024 France's Ousmane Dembélé goes for a second helping after leading PSG to their first Champions League title. The French won the 2018 World Cup, seized the Nations League in 2021 and then reached the semifinals in Euro 2024. Like Thursday's counterparts, Les Bleus have been great of late while also cultivating prodigal talents. And, like Spain, the journey to get here was tight and turbulent. Croatia won March's opening quarterfinal leg 2-0, putting France in an uncomfortable spot. It came out swinging and won the second leg 2-0. Michael Olise scored first with this gem of a free kick: Michael Olise free-kick stunner 💫#NationsLeague — UEFA EURO (@UEFAEURO) June 2, 2025 Then Dembélé got the necessary second goal in the 80th minute. Jules Koundé and Theo Hernández both missed during the ensuing penalty shootout, but Mike Maignan made two saves and France won after seven rounds. Thursday's winner plays Portugal for the trophy on Sunday, preceded by the third-place match, which will involve Germany. Advertisement Streaming links in this article are provided by partners of The Athletic. Restrictions may apply. The Athletic maintains full editorial independence. Partners have no control over or input into the reporting or editing process and do not review stories before publication. (Photo of Lamine Yamal: Alex Bierens de Haan / Getty Images)
Yahoo
an hour ago
- Yahoo
LaKoradior Haute Couture Shines at the 78th Cannes Film Festival Red Carpet
Three International Female Leaders Redefine Haute Couture Aesthetics Paris, France--(Newsfile Corp. - June 5, 2025) - At the 78th Cannes Film Festival, LaKoradior Haute Couture commanded global attention as Hollywood actress Arielle Raycene, supermodel Patricia Contreras, and entrepreneur-fashion influencer Jenny Gordienko unveiled the brand's 2025 collection on the red carpet. Their looks—ranging from gilded elegance to sustainable poetry—cemented LaKoradior's status as this year's haute couture tour de force. Stellar Moments: Three Leading Women on the Red Carpet Arielle Raycene: The Golden Multihyphenate of Hollywood As an actress, theatrical performer, and tech entrepreneur, Arielle Raycene appeared on the red carpet in a champagne-gold haute couture gown. Adorned with hand-embroidered metallic threads that shimmered like liquid gold under the sunlight, the dress mirrored her multifaceted career. A prodigious talent who earned her SAG membership at just three years old, Raycene chose LaKoradior to express her philosophy: "True luxury lies in fearless reinvention." Arielle Raycene Patricia Contreras: A Transcontinental Fashion Icon Italian-Mexican supermodel and actress Patricia Contreras stunned in a violet mermaid gown inspired by orchid petals. Meticulously handcrafted with gradient silk threads, the dress showcased three-dimensional embroidery with Eastern elegance. A muse for brands like Armani and Balmain, and winner of Cannes' 2019 "Best Lifestyle Influencer" award, Contreras remarked, "Wearing this gown felt like dancing with centuries of artisanal heritage." Patricia Contreras Jenny Gordienko: Where Fashion Meets Influence Forbes-recognized "Top Influencer Marketing Expert" Jenny Gordienko opted for an aqua-blue haute couture gown with wave-like pleats, reflecting her commitment to sustainable fashion. As a TEDx speaker and founder of educational initiatives, she stated, "Fashion is the ultimate medium for cross-cultural dialogue." Jenny Gordienko LaKoradior's Cannes Moment: Global Resonance of Haute Couture The trio's red carpet looks sparked immediate international media frenzy, proving that "LaKoradior doesn't just dress stars—it redefines the language of the red carpet." Behind this success stood global fashion catalyst CrossMode and its visionary approach. Creative Director Mei Zhan noted, "Our mission is to create alchemy between traditional craftsmanship and modern icons. Cannes isn't just a showcase—it's a dialogue with history." About LaKoradior Haute Couture LaKoradior merges architectural precision with poetic fluidity, crafting bespoke creations for business leaders and silver-screen legends. Each collection serves as wearable art, preserving vanishing artisanal techniques through collaborations with master workshops. Contact:LaKoradior Haute CoutureMei Zhanpr@ To view the source version of this press release, please visit Error while retrieving data Sign in to access your portfolio Error while retrieving data Error while retrieving data Error while retrieving data Error while retrieving data
UPI
an hour ago
- UPI
Kevin Smith confirms he's writing 'Dogma 2'
1 of 4 | Left to right, Salma Hayek, Alan Rickman and Chris Rock star in the 2000 movie "Dogma," which returns to theaters on Thursday for its 25th anniversary. Photo courtesy of Triple Media Film NEW YORK, June 5 (UPI) -- Actor and filmmaker Kevin Smith says he was so energized and inspired by a "beautifully sentimental" experience screening Dogma in the "classics" section of the Cannes Film Festival that he is determined to go back there in a few years with a sequel to it. Dogma first screened at the prestigious festival in 1999. Smith also showed Clerks there in 1994 and Clerks 2 in 2006. "I stopped submitting movies to Cannes. They didn't seem like Cannes-worthy movies, in my personal estimation. So, there I'm walking the Croisette and I'm like: 'Why do you think you're done? It doesn't mean you can't come back here with a Cannes-worthy movie. You just have to [expletive] try,'" the writer-director told UPI in a recent Zoom interview. "So, it was the 78th edition this year and I'm going to give it a shot, so, hopefully, by the 80th or 81st, I want to return with the Dogma sequel, which I've been writing." DOGMA: The Resurrection Tour! See it with me followed by a Q&A! Get tickets at In American theaters everywhere JUNE 5th! Get tickets at KevinSmith (@ThatKevinSmith) April 28, 2025 The iconic Catholic comedy, which returns to theaters Thursday for its 25th anniversary, stars Matt Damon and Ben Affleck as Loki and Bartleby, fallen angels who figure out a way to get back into Heaven via a New Jersey church, a selfish move that could unmake existence. Trying to stop them and save humanity are Bethany, who only recently learned she is a descendant of Jesus Christ's family (Linda Fiorentino); Metatron, the voice of God (the late Alan Rickman); Rufus, Christ's 13th apostle (Chris Rock); Serendipity, a muse (Salma Hayek); and the foul-mouthed "prophets" Jay (Jason Mewes) and Silent Bob (Smith). The late George Carlin plays Cardinal Glick, pastor of the parish where the epic showdown between the two factions takes place. Asked who from his star-studded cast might return for the follow-up, Smith, 54, replied, "I'm going to set the table for anyone who's alive to still be in the cast." "The story I'm telling certainly allows for them, but isn't predicated on any of those characters. It's not like, if I don't have this person, I can't go anywhere. So, God willing -- pun intended -- they'll all come back," he continued. Smart, hilarious and humble, Smith famously fosters positive working relationships with people who then follow him from picture to picture. "We've had very good retention success over the years," he said. "The way I always look at it is, if Ben and Matt came back for Jay & Silent Bob Reboot, I've got to imagine Dogma 2 will bring them back." Working with Carlin on the first movie meant a lot to Smith, who grew up idolizing the comedy legend. "George, from the jump, was somebody we pursued for the movie," Smith said, recalling how the timing wasn't the best, though, since Sally, Carlin's wife of nearly 40 years, died the week Smith sent him the script. Smith said: "I sat down with him, and he goes: 'i love your script. It [messes] with the church. I'm way into that sort of thing, but, we got a bit of a problem because, as you know, my wife passed away. ... She was a cool lady. I'm going to miss her for the rest of my life, but because of that, I'm not really ready to take my wedding band and I know I'm playing a Catholic cardinal, so that's a problem.'" Carlin and the filmmaker decided that covering the ring with a Band-Aid would solve the problem. "So, he came blindly because it was right up his alley as an old lapsed Catholic," Smith said. Rickman was an actor Smith had long admired, but with whom he never expected to collaborate. "He was one of my favorite actors on the planet and I thought he was too good for an [expletive] 'Kevin Smith movie,' so I never would have reached out to him," Smith said. But then, one day, John Gordon, an executive at the movie studio, Miramax, called Smith up and told him that Rickman was raving about Smith's 1997 film, Chasing Amy, during a recent visit to speak about starring in a Merchant/Ivory drama. "I was like: 'Hans [expletive] Gruber was in the building. Did he blow it up or what?'" Smith quipped. After Gordon told him the Shakespearean-trained actor was a fan of his, Smith sent Rickman the script. "It was the fastest 'yes' I ever got from an actor in my life, outside of Jason Mewes. Jason Mewes always always says 'yes' before I finish saying the title," Smith said. "Alan Rickman, though, got the script, less than two hours later, he called up and said, 'I'm in.' it was magic," Smith added. "Alan Rickman is the savior of this film. He treats it so damn seriously." The filmmaker said the cast always gets a huge round of applause from audience when the credits roll at the end of screenings, but people really go crazy when they see the Mewes and Rickman for the final times. "I told Jason, 'They love you to death, but they love Alan Rickman a little bit more,' and he's like: 'Wait until I die. I'll show them,'" Smith laughed. The film's thoughtful musings about spiritual faith, religious freedom, the power of the church and the concept of beliefs versus ideas still resonate with viewers 25 years and four Catholic popes after Dogma hit the big screen. As Smith has discussed the film during panels and screenings over the years, people have shared how profoundly it has impacted them, with many noting it actually helped bring them back to church. "I get it because I remember the kid who wrote this and directed it and believed in everything that's in the movie," she said. "So, It's a profession of faith. Yes, it's a comedy, but this is young Kevin Smith's idea of what Sunday service could be if it had anal Jokes in it. So, it still plays that way, to this day, and right now, more than ever, it feels like people are looking for a little extra faith, and, oddly enough, the movie may play better today than it did in 1999."
