
This week in PostMag: Hong Kong's bamboo scaffolding and a Bali bone healer
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DeWolf's story takes us first to Venice, where a crew from Hong Kong has wrapped the courtyard of a historic villa in bamboo for this year's Biennale of Architecture, and back here to our own city, where officials have proposed replacing bamboo with steel even while other countries are just realising the natural material's huge potential.
Elsewhere in our features, Winnie Chung chats with Singaporean novelist Jemimah Wei, whose debut The Original Daughter is already making waves internationally. The up-and-coming author shows a side of Singapore apart from the glitz and glam the city state is known for, focusing on the 'claustrophobic intimacy of public-housing life'. Wei toiled over the novel for more than 10 years, estimating that she wrote well over a million words. Quite the endeavour indeed.
Back in Venice, Zhaoyin Feng meets the Chinese migrants now staffing many of the city's coffee bars. It's a story that dives into the question of authenticity and cultural identity, played out through espresso pulls and Aperol spritzes. My favourite bit? Learning that one young barista honed her coffee-making skills via YouTube and Douyin, a thoroughly modern-day twist.
Then we leave the lagoon for the Swiss Alps. In Seewis im Prättigau, Victoria Burrows joins villagers guiding flower-crowned cows down from the high pastures at summer's end. There are bells and brass bands and half the town lining the streets. I'm particularly intrigued by the ancillary events. I might not qualify for the international beard competition but I'd happily judge alpine cheeses.
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And finally, in Bali, Ian Lloyd Neubauer meets Mangku Sudarsana, a traditional healer known for bone setting. One firm knee, a twist and years of pain disappear in seconds. Feeling like a man reborn, Neubauer uses his new-found energy to explore the island's less-trodden paths, finding there's still plenty to discover beyond traffic-choked Seminyak.
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Jemimah Wei remembers being struck recently by a simple encounter on the American book tour for her debut novel, The Original Daughter. A reader, having enjoyed Rachel Heng's The Great Reclamation (2023), told her he was eager to dive into another story set in Singapore. For Wei, it was a sign: fiction from the city state was gaining traction, and people wanted more. 'It's just great news for me to hear that someone read one Singapore story and is now interested in other stories from Singapore,' says Wei via Zoom from New York during a break from promoting her book. 'I dream of a world where there is, like, an immense plurality of stories from Asia. It shouldn't be a case where somebody from a specific background can only write one type of story. 'It's amazing that there are more and more writers who are coming forward and more and more writers who see other writers do it and think, 'I could also do it.'' Debut novel, The Original Daughter, by Jemimah Wei. Photo: Handout For 32-year-old Wei, her own watershed moment came in 2015, during a 10-week creative-writing course in Singapore, when she met Malaysian author Tash Aw (The Harmony Silk Factory, 2005). 'I was like, OK, he's Malaysian and he's a writer. Why can't someone from Singapore be a writer?' she says. 'So I went out and tried to do it.' Published this April by Doubleday Books, an imprint of Knopf Doubleday and a division of Penguin Random House, The Original Daughter explores the complexities of identity, belonging and familial bonds through the lives of two sisters. At its heart are Genevieve Yang and Arin – half-sisters but, in reality, cousins – bound by a shared history yet divided by secrets. Together, they navigate the shifting dynamics of their relationship across time and distance. One of the novel's central ideas emerged from Wei's fascination with the concept of a 'return sibling' – in this case, Arin, a cousin from the secret family of a grandfather who is unceremoniously dumped on the Yang family after the old man's death. 'It was extremely common in the generation right before my own, where you would have people give away family members or take people in,' says Wei. 'People don't talk about that very much. All those silences were things that I really took note of when I was growing up. The premise of this novel about a girl being given away into a family is something that I was always very interested in.